嘉鱼一中熊亚玲高中英语人教版选修六Unit 1 Art-Reading[课件]定稿

1、Unit1Art,熊亚玲,JiayuNo.1MiddleSchool,art,Warmingup,dance,music,movie,sculpture,painting,architecture,literature,opera,art,painting,sculpture,architecture,photography,music,dance,literature,opera,calligraphy,painting,movie,Chinesepaintingsareoftenabout_.,nature,Theyareoftenaboutnature,suchasmountain,wa

2、ter,bird-and-flower,etc.,Theyhasthesymbolofharmony(和谐）andpeace.,Chinesepaintings,Westernpaintings,Aboutreligion,human,Sunflowers,Seatedwomen,MonaLisa,ThekissofJovah,Ashorthistoryofwesternpainting,Reading,Brainstorming,Canyounamesomefamouspaintingandpainters?,Ifyoucouldhavethreeofthesepaintingsonthew

3、allsforyourclassroom,whichwouldyouchoose?Discussyourreason.,Lookatthepaintings.Discussingroups:,Canyoumatchthepaintingwiththepainters?,Monet,Canyoutelltheagesofthepaintings?,GiottodiBondone乔托迪邦多纳,犹大之吻,GiottodiBondone(1267-1337).Florentinepainterandarchitect.HewasrecognizedasthefirstgeniusofartintheI

4、talianRenaissance.Giottolivedandworkedatatimewhenpeoplesmindsandtalentswerefirstbeingfreedfromtheshacklesofmedievalrestraint.Hedealtlargelyinthetraditionalreligioussubjects,buthegavethesesubjectsanearthly,full-bloodedlifeandforce.,LeonardodaVinci(1452-1519),MichelangeloBounaroti(14751564)米开朗基罗,Creat

5、ionofAdam,RaffaelloSanzio(1483-1520)拉斐尔,TheSchoolofAthens,Masaccio(1401-1427),thefirstgreatpainteroftheItalianRenaissance,whoseinnovationsintheuseofscientificperspectiveinauguratedthemodernerainpainting.,MadonnawithChildandAngels,Crucifixion,Masaccio的作品：,凡高向日葵,Comparethetwopaintings,圣母子中世纪,蒙娜丽莎文艺复兴,

6、Godsarepainted,Peoplearepainted.,theRenaissance,Impressionism,莫瑞桥-阿尔弗莱德西斯莱,ModernArt,戴帽的自画像-塞尚作被称为“现代艺术的起源”,Reading,AshorthistoryofWesternPainting,First-reading:readthepassageforthefirsttimeandanswerthetwoquestions.,Whatsthemainideaofthetext?,ThestyleofWesternarthaschangedalotwithtimegoingby.,2.Howm

7、anystylesofWesternpaintingarementionedinthetext?Whatarethey?,Four.Theyare:TheMiddleAges,TheRenaissance,ImpressionismandModernart.,Whatweretheartistsinterestedinfrom5thto15thcenturyAD?Creating_and_forGod.2.HowdidMasacciopainthispaintings?Hedrewthingsin_,whichmakespicturesvery_.,respect,love,perspecti

8、ve,realistic,Second-reading,3.Whydidtheimpressionistshavetopaintquickly?Becausethenaturallight_quickly,theyhadto_quickly.,changes,paint,1.Whichofthefollowingstatementsistrue?A.PaintingsinMiddleAgeswereveryrealistic.B.Westernarthaschangedalotsincethe5thcentury.C.Impressionistpaintingswerepaintedmainl

9、yindoors.D.ModernartbeganintheRenaissance.,Comprehending,2.Atfirstmostpeoplehatedtheimpressionistsstyleofpainting,because_.theirpaintingwereveryabstract.theirpaintingwereveryrealistic.Theybrokeawayfromthetraditionalstyleofpainting.D.theirpaintingswereveryridiculous.,3.IntheRenaissance,painters_.pain

10、tedreligiousscenesinamorerealisticstyle.B.focusedmoreonreligionthanonhumans.C.begantopaintoutdoors.D.returnedtoclassicalRomanandGreekideasaboutart.,4._discoveredhowtomakepaintingslookmorerealbyusingperspective.GiottodiBondone.Masaccio.ClaudeMonet.D.PabloPicasso,5.Accordingtothetext,artisinfluencedle

11、sslikelyby_.A.socialchangesB.thewayoflifeC.agricultureD.beliefsofpeople6.Whendidpeoplefocusmoreonpeopleandlessonreligion?From5thto15thcenturyAD.From15thto16thcentury.C.Fromlate19thtoearly20thcentury.D.From20thcenturytotoday.,7.Mostpeoplehatetheimpressionistsstyleofpaintingatfirstbecausetheythought_.

12、A.theirpaintingswereveryabstractB.theirpaintingswereveryrealisticC.theybrokeawayfromthetraditionalstyleofpaintingD.theirpaintingswereveryridiculous,8.Whatdoesthetextmainlytellus?Howreligiouspaintingdeveloped.Howoilpaintingdeveloped.Howimpressionistpaintingdeveloped.D.Howwesternartdeveloped.,Ages:Mid

13、dleAgesTime:5thto15thcenturyADArtist:GiottoFeature:Religious,realistic,Ages:theRenaissanceTime:15thto16thcenturyADArtist:MasaccioFeature:perspective,realistic,Ages:impressionismTime:Late19thtoearly20thArtist:notmentionedFeature:Notdetailed,ridiculous,Ages:modernartTime:20thcenturytotodayArtist:notme

14、ntionedFeature:abstract,realistic,TellwhetherthestatementsTrueorFalseaccordingtothetext.,1.Westernarthaschangedverylittleoverthelastseventeencenturies.2.PaintersintheMiddleAgesdidnotuseperspective.3.Impressionistspaintingsaredetailed.4.Youcannotrecognizeanyobjectinabstractmodernart.,F,T,F,F,5.IntheRenaissancemostartistspaintedindoors.,T,Thewritingstyleofthepassage:,Thepassageisahistoricalnarrativearticle.ItbrieflyintroducesthemainfeaturesofdifferentWesternpaintingstylesduringthemainperiodsoftimes.Italsoanalyzeswhyandhowt