高中英语 unit 4 pygmalion my fair lady2素材 新人教版选修8

My Fair Lady 2Audrey Hepburn is radiant and touching as the poor flower seller Eliza Doolittle who challenges her mentors makeover powers, before eventually passing for a lady in London society. She is skillfully transformed into an elegant lady by a speech professor Henry Higgins (Rex Harrison) and taught to speak properly. From first frame to last, the film is slick, graceful, gorgeous to behold, with costumes and sets richly evoking the Edwardian era. My Fair Lady begins in London, on a rainy evening outside Covent Garden, where a respectable girl is selling bouquets of violets. Professor Henry Higgins, a phonetics and linguistics expert, confronts the deliciously low so horribly dirty Eliza Doolittle for the first time. In the best tradition, their first songs reveal their characters: Wouldnt It Be Loverly? expresses Elizas own ideas of what she dreams, while in Why Cant the English Learn to Speak Higgins sings his despair over the deterioration of the English language, and displays his hard, irritable, intolerant, and elegantly arrogant nature. Lerner and Loewes songs are shear delight as the story moves from Higginss wager with sympathetic Colonel Pickering (Wilfrid Hyde-White) that he can change the street girl with a strong cockney accent into a different human being by teaching her to speak beautifully and pass her off in an upper class lady within six months. Higgins and Pickering are both single men, and the housekeeper, Mrs. Pearce, has misgivings about the way in which they are proposing to amuse themselves without caring about the consequences for the common ignorant girl. The songs are extraordinary in their ability to enrich our knowledge of the characters. Higgins early song Im an Ordinary Man confirms that he is a quiet living man without the need for a woman. Alfred Doolittles With a Little Bit of Luck not only states his general philosophy of life, but exposes the perfect portrait of a friendly scoundrel. Elizas father, who calls himself one of the undeserving poor is one of Shaws best comedy creations. When he arrives to protest at the immorality of Higgins and Pickering treatment of his daughter, it soon becomes clear that he just wants to gain something for himself out of the situation. Eliza, becoming subject to Higgins intimidation, belts out her discomfort at the rude, selfish Higgins, imagining a king ordering his death, in Just You Wait, Enry Iggins. The music is also a logical extension of the characters feelings. When Eliza finally pronounces impeccably: The rain in Spain stays mainly in the plain, Higgins can hardly believe what he has heard: (By George, shes got it. Now once again, where does it rain?), and Eliza (On the plain! On the plain!) and Higgins simply cannot be contained (And wheres that soggy plain? ) Eliza responding: In Spain! In Spain! They sing a duet together to celebrate their success. The scene leads to one of the most triumphant sequences in musical history. Further, the stunning scene in which Eliza Doolittle appears in high society when she meets Higginss mother (the impeccable Gladys Cooper), and attends the Ascot races. She instantly charms a young admirer Jeremy Brett (Freddy) by her slightly odd manner of speaking, who later haunts Higgins house (On the Street Where you Live). The climax comes at the Embassy Ball, where Higgins protg, now an enchanting young lady charms everyone with her beauty. Her exercise is an unqualified success. Her waltz with the Queens son, and other dance partners, spreads throughout the audience about her identity. Henry and Pickering are ecstatic. They congratulate each other for their glorious victory, (You Did It), but Eliza is hurt and angry at being ignored. They barely acknowledge her presence. She is no longer a part of any world. When Higgins returns for his slippers, which he has forgotten, Eliza flings them angrily at him, and voices her feelings: Oh, whats to become of me? What am I fit for? In an attempt to find her true identity a frustrated Eliza encounters Freddy who declares his love for her, but she returns to the populated flower market outside Covent Garden, where no one recognizes her. Her own miserable father - tuxedo-dressed - gives her the cheerful news that he is about to get married. In the closing scenes, Higgins is upset to discover Liza has left him and is led to wonder why cant a woman be more like a man? Men are so honest, so thoroughly square. Eliza surprises Higgings with her decision to marry Freddie, and claims: I shall not feel alone without you. I can stand on my own without you. I can do bloody well Without you! At his home, at dusk, Higgins ultimately recognizes Lizas quality. He recalls Liza and realizes how much she has come to mean to him. Without her, he is lost and lonely. The climax is a great ending to a great musical. My Fair Lady has great style and beauty. The film describes what is common in many societies. That accent determines the superficiality of class distinctions. The motion picture is humorous, notably the wonderfully steamy bath in which Prof. Higgens female staff cleanses the accumulated dirt of the street off Eliza Doolittle. With the dazzling splendor that director George Cukor offers: the designers eye for detail, the painters flair for color, the artists imagination, and the