ps中英文对照解析.doc

File1.New 2.Open 3.Open As 4.Open Recent 5.Close 6.Save 7.Save As 8.Save for Web 9.Revert 10.Place 11.Import PDF Image Annotations 12.Export 13.Manage Workflow Check In Undo Check Out Upload To Server Add To Workflow Open From Workflow 14.Automate Batch Create Droplet Conditional Mode Change Contact Sheet Fix Image Multi Picture package Web Photo Gallery 15.File Info 16.Print Options 17.Page Setup 18.Print 19.Jump to 20.Exit21. Content-Aware Scale 二、Edit1.Undo 2.Step Forward 3.Step Backward 4.Fade 5.Cut 6.Copy 7.Copy Merged 8.Paste 9.Paste Into 10.Clear 11.Fill 12.Stroke 13.Free Transform 14.Transform Again Sacle Rotate Skew Distort Prespective Rotate 180 Rotate 90CW Rotate 90CCW Flip Hpeizontal Flip Vertical 15.Define Brush 16.Define Pattern 17.Define Custom Shape 18.Purge Undo Clipboard Histories All 19.Color Settings 20.Preset Manager 21.Preferences General Saving Files Display Cursors Transparency Gamut Units Rulers Guides Grid Plug Memory Image Cache Adobe Online Workflows OptionsImage1.Mode Bitmap Grayscale Duotone Indexed Color RGB Color CMYK Color Lab Color Multichannel 8 Bits/Channel 16 Bits/Channel Color Table Assing Profile Convert to Profile 2.Adjust Levels Auto Laves Auto Contrast Curves Color Balance Brightness/Contrast Hue/Saturation Desaturate Replace Color Selective Color Channel Mixer Gradient Map Invert Equalize Threshold Posterize Variations 3.Duplicate 4.Apply Image 5.Calculations 6.Image Size 7.Canvas Size 8.Rotate Canvas 180 90CW 90CCW Arbitrary Flip Horizontal Flip Vertical 9.Crop 10.Trim 11.Reverl All 12.Histogram 13.Trap 14.Extract 15.Liquify四、Layer1.New Layer Background From Layer Layer Set Layer Set From Linked Layer via Copy Layer via Cut 2.Duplicate Layer 3.Delete Layer 4.Layer Properties 5.Layer Style Blending Options Drop Shadow Inner Shadow Outer Glow Inner Glow Bevel and Emboss Satin Color Overlay Gradient Overlay Pattern Overlay Stroke Copy Layer Effects Paste Layer Effects Paste Layer Effects To Linked Clear Layer Effects Global Light Create Layer Hide All Effects Scale Effects 6.New Fill Layer Solid Color Gradient Pattern 7.New Adjustment Layer Levels Curves Color Balance Brightness/Contrast Hue/Saturation Selective Color Channel Mixer Gradient Map Invert Threshold Posterize 8.Change Layer Content 9.Layer Content Options 10.Type Create Work Path Convert to Shape Horizontal Vertical Anti-Alias None Anti-Alias Crisp Anti-Alias Strong Anti-Alias Smooth Covert To Paragraph Text Warp Text Update All Text Layers Replace All Missing Fonts 11.Rasterize Type Shape Fill Content Layer Clipping Path Layer Linked Layers All Layers 12.New Layer Based Slice 13.Add Layer Mask Reveal All Hide All Reveal Selection Hide Selection 14.Enable Layer Mask 15.Add Layer Clipping Path Reveal All Hide All Current Path 16.Enable Layer Clipping Path 17.Group Linked 18.UnGroup 19.Arrange Bring to Front Bring Forward Send Backward Send to Back 20.Arrange Linked Top Edges Vertical Center Bottom Edges Left Edges Horizontal Center Right Edges 21.Distribute Linked Top Edges Vertical Center Bottom Edges Left Edges Horizontal Center Right Edges 22.Lock All Linked Layers 23.Merge Linked 24.Merge Visible 25.Flatten Image 26.Matting Define Remove Black Matte Remove White Matte五、Selection1.All 2.Deselect 3.Reselect 4.Inverse 5.Color Range 6.Feather 7.Modify Border Smooth Expand Contract 8.Grow 9.Similar 10.Transform Selection 11.Load Selection 12.Save Selection六、Filter1.Last Filter lens correction 镜头校正 shift+ctrl+R vanishing point 消失点 Alt+Ctrl+v2.Artistic Colored Pencil Cutout Dry Brush Film Grain Fresco Neon Glow Paint Daubs Palette Knife Plastic Wrap Poster Edges Rough Pastels Smudge Stick Sponge Underpainting Watercolor 3.Blur Blur Blur More Gaussian Blur Motion Blur Radial Blur Smart Blur 4.Brush Strokes Accented Edges Angled Stroke Crosshatch Dark Strokes Ink Outlines Spatter Sprayed Strokes Sumi 5.Distort Diffuse Glow Displace Glass Ocean Ripple Pinch Polar Coordinates Ripple Shear Spherize Twirl Wave Zigzag 6.Noise Add Noise Despeckle Dust Scratches Median 7.Pixelate Color Halftone Crystallize Facet Fragment Mezzotint Mosaic Pointillize 8.Render 3D Transform Clouds Difference Clouds Lens Flare Lighting Effects Texture Fill Fibers 9.Sharpen Sharpen Sharpen Edges Sharpen More Unsharp Mask 10.Sketch Bas Relief Chalk Charcoal Charcoal Chrome Conte Crayon Graphic Pen Halftone Pattern Note Paper Photocopy Plaster Reticulation Stamp Torn Edges Water Paper 11.Stylize Diffuse Emboss Extrude Find Edges Glowing Edges Solarize Tiles Trace Contour Wind 12.Texture Craquelure Grain Mosained Tiles Patchwork Stained Glass Texturixer 13.Video De NTSC Colors 14.Other Custom High Pass Maximum Minimum Offset 15.Digimarc Embed Watermark Read Watermark七、View1.New View 2.Proof Setup Custom Working CMYK Working Cyan Plate Working Magenta Plate Working Yellow Plate Working Black Plate Working CMY Plate Macintosh RGB Windows RGB Monitor RGB Simulate Paper White Simulate Ink Black 3.Proof Color 4.Gamut Wiring 5.Zoom In 6.Zoom Out 7.Fit on Screen 8.Actual Pixels 9.Print Size 10.Show Extras 11.Show Selection Edges Target Path Grid Guides Slices Notes All None Show Extras Options 12.Show Rulers 13.Snap 14.Snap To Guides Grid Slices Document Bounds All None 15.Show Guides 16.Clear Guides 17.New Guides 18.Lock Slices 19.Clear Slices 八、Windows1.Cascade 2.Tile 3.Arrange Icons 4.Close All 5.Show/Hide Tools 6.Show/Hide Options 7.Show/Hide Navigator 8.Show/Hide Info 9.Show/Hide Color 10.Show/Hide Swatches 11.Show/Hide Styles 12.Show/Hide History 13.Show/Hide Actions 14.Show/Hide Layers 15.Show/Hide Channels 16.Show/Hide Paths 17.Show/Hide Character 18.Show/Hide Paragraph 19.Show/Hide Status Bar 20.Reset Palette Locations Brush 画笔面板Layer comps 图层混合混合模式Normal 正常模式，也是默认的模式。不和其他图层发生任何混合。Dissolve 溶解模式。溶解模式产生的像素颜色来源于上下混合颜色的一个随机置换值，与像素的不透明度有关。Behind 背后模式。只对图层的透明区域进行编辑。该种模式只有在图层的LockTransparentPixels(锁定透明区域)为不勾选状态才有效。Clear 清除模式。任何编辑会让像素透明化。这种模式和画笔的颜色无关，只和笔刷的参数有关。该模式对形状工具(当FillPixel选项处于勾选状态时)、油漆桶工具、笔刷工具、铅笔工具、填充命令和描边命令都有效。Darken 变暗模式。考察每一个通道的颜色信息以及相混合的像素颜色，选择较暗的作为混合的结果。颜色较亮的像素会被颜色较暗的像素替换，而较暗的像素就不会发生变化。Multiply 正片叠底模式。考察每个通道里的颜色信息，并对底层颜色进行正片叠加处理。其原理和色彩模式中的“减色原理”是一样的。这样混合产生的颜色总是比原来的要暗。如果和黑色发生正片叠底的话，产生的就只有黑色。而与白色混合就不会对原来的颜色产生任何影响。ColorBurn 颜色加深模式。让底层的颜色变暗，有点类似于正片叠底，但不同的是，它会根据叠加的像素颜色相应增加底层的对比度。和白色混合没有效果。LinearBurn 线性颜色加深模式。同样类似于正片叠底，通过降低亮度，让底色变暗以反映混合色彩。和白色混合没有效果。Lighten 变亮模式。和变暗模式相反，比较相互混合的像素亮度，选择混合颜色中较亮的像素保留起来，而其他较暗的像素则被替代。Screen 屏幕模式。按照色彩混合原理中的“增色模式”混合。也就是说，对于屏幕模式，颜色具有相加效应。比如，当红色、绿色与蓝色都是最大值255的时候，以Screen模式混合就会得到RGB值为(255，255，255)的白色。而相反的，黑色意味着为0。所以，与黑色以该种模式混合没有任何效果，而与白色混合则得到RGB颜色最大值白色(RGB值为255，255，255)。ColorDodge 颜色减淡模式。与ColorBurn刚好相反，通过降低对比度，加亮底层颜色来反映混合色彩。与黑色混合没有任何效果。LinearDodge 线性颜色减淡模式。类似于颜色减淡模式。但是通过增加亮度来使得底层颜色变亮，以此获得混合色彩。与黑色混合没有任何效果。Overlay 叠加模式。像素是进行Multiply(正片叠底)混合还是Screen(屏幕)混合，取决于底层颜色。颜色会被混合，但底层颜色的高光与阴影部分的亮度细节就会被保留。SoftLight 柔光模式。变暗还是提亮画面颜色，取决于上层颜色信息。产生的效果类似于为图像打上一盏散射的聚光灯。如果上层颜色(光源)亮度高于50%灰，底层会被照亮(变淡)。如果上层颜色(光源)亮度低于50%灰，底层会变暗，就好像被烧焦了似的。如果直接使用黑色或白色去进行混合的话，能产生明显的变暗或者提亮效应，但是不会让覆盖区域产生纯黑或者纯白。HardLight 强光模式。正片叠底或者是屏幕混合底层颜色，取决于上层颜色。产生的效果就好像为图像应用强烈的聚光灯一样。如果上层颜色(光源)亮度高于50% 灰，图像就会被照亮，这时混合方式类似于Screen(屏幕模式)。反之，如果亮度低于50%灰，图像就会变暗，这时混合方式就类似于 Multiply(正片叠底模式)。该模式能为图像添加阴影。如果用纯黑或者纯白来进行混合，得到的也将是纯黑或者纯白。VividLigh