室内色彩的动态性设计研究.doc

此文档收集于网络，如有侵权，请联系网站删除重庆大学硕士学位论文室内色彩的动态性设计研究硕士研究生：刘婵洁指导教师：陈永昌教授学科、专业：建筑学（室内设计）重庆大学建筑城规学院Master Dissertation of Chongqing UniversityDynamic Research of Interior Color DesignMaster Candidate:Liu ChanjieSupervisor:Prof.Chen YongchangMajor:Architecture（Interior Design）Faculty of Architecture and Urban PlanningChongqing University摘要色彩在我们的生活中影响很大，唤起了人的第一视觉作用。在室内设计中色彩更是日益引起人们的重视，色彩逐渐成为设计师最喜爱运用的经济高效的设计手段之一。随着社会科学的发展，流动空间理论、动态色彩学和对视觉作用的深入研究，人们开始突破色彩静态存在范畴，从多角度来研究色彩，发现了色彩的动态能量与内力，并运用取得了很好的效果。而当代社会普遍的色彩观不可避免地受到了以由电子光色引发的动态色彩为特征的社会色彩环境的影响。近现代色彩大师有意识的色彩强化拓展了人们对色彩的感受力，人们对于动态的色彩己经有所感受，而在动态电子光色对人们视知觉的进一步影响下，动态色彩审美观得到了全面的体现和人们普遍的认可。在我国，虽然传统室内色彩设计有很多好的经验可以借鉴，但是现代室内动态色彩设计却处在起步阶段，设计师们对色彩的运用显得小心翼翼，空间苍白而乏味。本文正是在色彩科学的发展、空间理论的深入以及人们色彩审美观的动态性改变的前提下，论述了室内色彩设计的动态性研究的深层内涵。本文通过对视觉作用、流动空间理论以及动态色彩学相关知识和理论的运用，明确了室内色彩设计应该是动态的色彩构成，并从室内色彩设计的动态性原则入手，通过相关方法，归纳分析出室内动态色彩的具体设计方法，以及综合分析其与室内空间中的其它环境要素材料、照明的相互影响关系。论述过程是由表及里、由现象到本质地研究过程，针对由于装饰热潮持续增温，大部分室内装饰公司过分追求速率和经济效益，对室内色彩设计的整体效果和意境的创造缺乏认识，导致众多室内空间色彩特色丧失，死的、假的、纯粹拿来主义的东西大量产生，室内色彩设计理论得不到延续，空间丧失活力。为了促进室内设计与色彩设计朝着动态性、先进性的方向前进，引导室内设计行业整体有机体健康、协调发展，为在室内空间中生活的人们提供一个具有可识别性、生机盎然的有特色的“色彩空间”，本文提出了室内色彩空间的动态性设计目标、原则和对策，为实现室内色彩的动态设计方法的发展，探索了一条正确的道路。关键词：室内色彩，动态色彩设计，色彩动力学，流动空间ABSTRACTColor exerts a tremendous influence in our life,has aroused the first visualfunction of peoples.Color is the attention causing people day by day even more inindoor design,color becomes one of the high cost efficiency design means that adesigner likes to be used most gradually.With the development of social science,thespace theory,dynamic color science and further investigation of visual function thatflow,people begin to break through the static behavior of color and have categories,study color from all directions,have find the dynamic energy of color and internal force,has used and made very good result.And the contemporary societys general color viewwill receive the dynamic color in order to be be initiated by the mere of electron as theinfluence of the social color environment of the characteristic unavoidably.Mastersconscious color of color strengthened and expanded strength of peoples impression ofcolor in modern times,people pass to dynamic color ownly to some extentconscientiously,look at people under the overall start of the consciousness in the mereof dynamic electron,peoples dynamic color aesthetic conceptions have got overallrealization and general approval.In our country,design many good experience and can be drawn lessons from inthough traditional indoor color,but modern room dynamic color design in starting stage,designer application in color seem meticulously,the space is pale and dull.This text is exactly on the premise of color scientific development,the deepeningof space theory and dynamics change of peoples color aesthetic conceptions,deepintension of studying in dynamics of expounding the fact indoor color is designed.Thistext adopts to visual function,application of space theory and relevant knowledge ofdynamic color science and theory of flowing,have defined it should be that the dynamiccolor form that indoor color is designed,proceed with dynamics principle that indoorcolor is designed,pass relevant methods,sum up and analyse the dynamic colorconcrete design method in the room,and other environmental key elements incomprehensive analysis it and indoor space-relation of influencing each other betweenmaterial,illumination.Expound the fact the course is to study the course from outward appearance toinner essence,from phenomenon to essence,increase to ornamental upsurge warmcontinuously,most indoor decoration corporation excessive to pursue the speed andeconomic benefits,scarce understanding of creation of whole result and artisticconception designed to indoor color,lead to the fact numerous indoor space colorcharacteristics are lost,ones that die,false,things bringing the doctrine completely areproduced in a large amount,the design theory of indoor color can not be extended,thespace loses vigor.In order to promote indoor design and color to design advancing inthe directions of dynamics,advance,guide whole organism health of indoor designtrade,coordinated development,offering one for people of the life in the indoor spacecan have discerning nature,characteristicspace of coloroverflowing with vigor,thistext has proposed dynamics design object,principle and countermeasure of the space ofindoor color,for the development of the dynamic design method to realize indoor color,have explored a correct road.Keywords:Interior color,Design of dynamic color,Dynamics of color,Flow space目录中文摘要.英文摘要.图表清单.1引言.11.1研究的缘起和背景.11.2研究的目的和意义.41.3研究内容.51.4研究方法.61.5本章小结.72室内色彩设计概述.92.1室内色彩述源.92.1.1防护意义.92.1.2装饰意义.102.1.3象征意义.112.1.4等级意义.112.2室内色彩历史发展概述.122.2.1传统色彩观对室内色彩的影响.12中国传统建筑色彩特征.12西方传统建筑色彩特征.142.2.2现代社会的色彩认识发展.162.3室内色彩设计基础理论概述.192.3.1色彩基础理论概述.19色彩的基本概念.19色彩的生理作用.22色彩的心理作用.292.3.2室内色彩之概要分析.33室内色彩的构成.33室内色彩的设计原则.352.3.3室内色彩应用影响因素.362.3.4室内色彩设计方法.382.4本章小结.383室内色彩的动态性研究.393.1视觉的动态性特征.393.1.1视觉原理.393.1.2视觉作用.423.1.3视觉与空间环境.433.2色彩动力学.443.2.1色彩的发展.443.2.2色彩的动态性.463.2.3动态色彩与室内空间.493.3流动空间与空间时间美.503.3.1流动空间.503.3.2流动空间与室内色彩设计.533.4本章小结.564室内色彩动态设计方法.594.1完形统一.594.1.1完形心理学原则.594.1.2从整体空间着手.604.1.3从细部完善.634.2形色互动.644.2.1色彩与形状的关系.644.2.2色彩强调室内空间.664.2.3色彩削弱室内空间.674.3色彩引导.684.3.1视觉引导.684.3.2主观色彩引导.694.3.3客观色彩引导.694.4分色处理.704.4.1混色现象及分色处理的提出.704.4.2分色处理及特点.72分色处理.72色彩纯度、对比度增强的倾向.744.5本章小结.775室内环境要素与动态色彩设计.795.1材料与动态色彩设计.795.1.1材料色彩.795.1.2材料与动态色彩.805.2照明与动态色彩设计.825.2.1照明在室内设计中的作用.825.2.2照明与动态色彩.845.3本章小结.866室内动态色彩设计应用实例分析.876.1居住建筑.876.1.1居住建筑的空间特色.876.1.2动态色彩设计应用实例分析：重庆海棠晓月蓝滨城样板房.886.2商业建筑.896.2.1商业建筑的空间特色.906.2.2动态色彩设计应用实例分析：重庆龙湖紫都城第一期销售中心.926.3本章小结.947结语.95致谢.97参考文献.99附录：作者在攻读硕士学位期间发表的论文目录.101图表清单图1.1云南丽江木府室内装饰.2图1.2重庆建工未来城样板房，苍白乏味的室内空间.2图1.3从左至右依次为：蒙塞尔色立体、奥斯特瓦尔德色立体、CIE（国际照明协会）1931色度图.3图2.1法国拉斯科岩洞壁画.9图2.2西班牙阿尔塔米拉洞窑壁画.9图2.3云南丽江木府室内刷有保护漆的木质饰面.10图2.4云南丽江木府内有装饰意义的走廊色彩.10图2.5五行代表的色彩.11图2.6明代梁架彩画云南丽江木府.12图2.7中国古建筑的装饰色彩发展.13图2.8四川自贡盐业历史博物馆.14图2.9巴洛克时期建筑内部装饰风格.15图2.10哥特式建筑内部装饰风格.15图2.11夕阳西下.17图2.12光色造型艺术.17图2.13光轨迹构成.17图2.14富有动感的服装色彩.18图2.15具有电子光色特征的室内环境色彩.18图2.16物体色的形成.19图2.17无彩色系.20图2.18有彩色系.20图2.19色相.20图2.20明度变化.20图2.21纯度变化.20图2.22色光的混合.21图2.23色料的混合.21图2.24色彩的空间混合.21图2.25办公空间中淡雅的色彩.22图2.26色彩连续对比的感觉.24图2.27色彩同时对比的规律.25图2.28色彩同时对比.26图2.29色彩的膨胀与收缩.27图2.30色彩的前进与后退.27图2.31色彩的同化.28图2.32色彩的共同情感.31图2.33安全色彩实例.32图2.34重庆远东百货室内天棚色彩的重点装饰.33图2.35北京香山饭店内部色彩特征.34图2.36重庆海棠晓月样板房重点表现的地毯和灯具.35图2.37重庆洲际酒店宴会厅的暖光源照明.36图2.38室内色彩设计程序.38图3.1眼球构造成像原理.39图3.2水平视野（a）和垂直视野（b）.41图3.3垂直色野（a）和水平色野（b）.42图3.4圣维达尔教堂镶嵌画.44图3.5大碗岛的星期日下午乔治修拉.46图3.6色彩之间的互