海明威老人与海英文版.doc

Ernest Miller Hemingway (July 21, 1899 July 2, 1961) was an American author and journalist. His distinctive writing style, characterized by economy and understatement, influenced 20th-century fiction, as did his life of adventure and public image. He produced most of his work between the mid-1920s and the mid-1950s. He won the Nobel Prize in Literature in 1954. Hemingways fiction was successful because the characters he presented exhibited authenticity that resonated with his audience. Many of his works are classics of American literature. He published seven novels, six short story collections, and two non-fiction works during his lifetime; a further three novels, four collections of short stories, and three non-fiction works were published posthumously.Hemingway was born and raised in Oak Park, Illinois. After leaving high school he worked for a few months as a reporter for The Kansas City Star, before leaving for the Italian front to become an ambulance driver during World War I, which became the basis for his novel A Farewell to Arms. He was seriously wounded and returned home within the year. In 1922 Hemingway married Hadley Richardson, the first of his four wives, and the couple moved to Paris, where he worked as a foreign correspondent. During his time there he met and was influenced by modernist writers and artists of the 1920s expatriate community known as the Lost Generation. His first novel, The Sun Also Rises, was published in 1926.After divorcing Hadley Richardson in 1927 Hemingway married Pauline Pfeiffer; they divorced following Hemingways return from covering the Spanish Civil War, after which he wrote For Whom the Bell Tolls. Martha Gellhorn became his third wife in 1940, but he left her for Mary Welsh after World War II, during which he was present at D-Day and the liberation of Paris.Shortly after the publication of The Old Man and the Sea in 1952 Hemingway went on safari to Africa, where he was almost killed in a plane crash that left him in pain or ill-health for much of the rest of his life. Hemingway had permanent residences in Key West, Florida, and Cuba during the 1930s and 40s, but in 1959 he moved from Cuba to Ketchum, Idaho, where he committed suicide in the summer of 1961._The Old Man and the Sea + The Old Man and the Sea is a story by Ernest Hemingway, written in Cuba in 1951 and published in 1952. It was the last major work of fiction to be produced by Hemingway and published in his lifetime. One of his most famous works, it centers upon Santiago, an aging Cuban fisherman who struggles with a giant marlin far out in the Gulf Stream.1 Plot summaryThe Old Man and the Sea tells an epic battle between an old, experienced fisherman and a giant marlin. It opens by explaining that the fisherman, who is named Santiago, has gone 84 days without catching any fish at all. He is so unlucky that his young apprentice, Manolin, has been forbidden by his parents to sail with the old man and been ordered to fish with more successful fishermen. Still dedicated to the old man, however, the boy visits Santiagos shack each night, hauling back his fishing gear, getting him food and discussing American baseball and his favorite player Joe DiMaggio. Santiago tells Manolin that on the next day, he will venture far out into the Gulf to fish, confident that his unlucky streak is near its end.Thus on the eighty-fifth day, Santiago sets out alone, taking his skiff far onto the Gulf. He sets his lines and, by noon of the first day, a big fish that he is sure is a marlin takes his bait. Unable to pull in the great marlin, Santiago instead finds the fish pulling his skiff. Two days and two nights pass in this manner, during which the old man bears the tension of the line with his body. Though he is wounded by the struggle and in pain, Santiago expresses a compassionate appreciation for his adversary, often referring to him as a brother. He also determines that because of the fishs great dignity, no one will be worthy of eating the marlin.On the third day of the ordeal, the fish begins to circle the skiff, indicating his tiredness to the old man. Santiago, now completely worn out and almost in delirium, uses all the strength he has left in him to pull the fish onto its side and stab the marlin with a harpoon, ending the long battle between the old man and the tenacious fish. Santiago straps the marlin to the side of his skiff and heads home, thinking about the high price the fish will bring him at the market and how many people he will feed.While Santiago continues his journey back to the shore, sharks are attracted to the trail of blood left by the marlin in the water. The first, a great mako shark, Santiago kills with his harpoon, losing that weapon in the process. He makes a new harpoon by strapping his knife to the end of an oar to help ward off the next line of sharks; in total, five sharks are slain and many others are driven away. But the sharks keep coming, and by nightfall the sharks have almost devoured the marlins entire carcass, leaving a skeleton consisting mostly of its backbone, its tail and its head. Finally reaching the shore before dawn on the next day, Santiago struggles on the way to his shack, carrying the heavy mast on his shoulder. Once home, he slumps onto his bed and falls into a deep sleep.A group of fishermen gather the next day around the boat where the fishs skeleton is still attached. One of the fishermen measures it to be 18 feet (5.5 m) from nose to tail. Tourists at the nearby caf mistakenly take it for a shark. Manolin, worried during the old mans endeavor, cries upon finding him safe asleep. The boy brings him newspapers and coffee. When the old man wakes, they promise to fish together once again. Upon his return to sleep, Santiago dreams of his youthof lions on an African beach.edit Background and publication Hemingway in 1939.Written in 1951, and published in 1952, The Old Man and the Sea is the final work published during Hemingways lifetime. The book, dedicated to Hemingways literary editor Maxwell Perkins,2 was featured in Life Magazine on September 1, 1952, and five million copies of the magazine were sold in two days.3 The Old Man and the Sea also became a Book-of-the Month selection, and made Hemingway a celebrity.4 Published in book form on 1 September 1952, the first edition print run was 50,000 copies.5 The novella received the Pulitzer Prize in May, 1952,6 and was specifically cited when he was awarded the Nobel Prize in Literature in 1954.78 The success of The Old Man and the Sea made Hemingway an international celebrity.4 The Old Man and the Sea is taught at schools around the world and continues to earn foreign royalties.9“ No good book has ever been written that has in it symbols arrived at beforehand and stuck in. . I tried to make a real old man, a real boy, a real sea and a real fish and real sharks. But if I made them good and true enough they would mean many things. ” Ernest Hemingway in 195410 Hemingway wanted to use the story of the old man, Santiago, to show the honor in struggle and to draw biblical parallels to life in his modern world. Possibly based on the character of Gregorio Fuentes, Hemingway had initially planned to use Santiagos story, which became The Old Man and the Sea, as part of an intimacy between mother and son and also the fact of relationships that cover most of the book relate to the Bible, which he referred to as The Sea Book. (He also referred to the Bible as the Sea of Knowledge and other such things.) Some aspects of it did appear in the posthumously published Islands in the Stream. Positive feedback he received for On the Blue Water (Esquire, April 1936) led him to rewrite it as an independent work. The book is generally classified as a novella because it has no chapters or parts and is slightly longer than a short story.edit Literary significance and criticismThe Old Man and the Sea served to reinvigorate Hemingways literary reputation and prompted a reexamination of his entire body of work. The novella was initially received with much popularity; it restored many readers confidence in Hemingways capability as an author. Its publisher, Scribners, on an early dust jacket, called the novella a new classic, and many critics favorably compared it with such works as William Faulkners The Bear and Herman Melvilles Moby-Dick.Following such acclaim, however, a school of critics emerged that interpreted the novella as a disappointing minor work. For example, critic Philip Young provided an admiring review in 1952, just following The Old Man and the Seas publication, in which he stated that it was the book in which Hemingway said the finest single thing he ever had to say as well as he could ever hope to say it. However, in 1966, Young claimed that the failed novel too often went way out. These self-contradictory views show that critical reaction ranged from adoration of the books mythical, pseudo-religious intonations to flippant dismissal as pure fakery. The latter is founded in the notion that Hemingway, once a devoted student of realism, failed in his depiction of Santiago as a supernatural, clairvoyant impossibility.Joseph Waldmeirs essay entitled Confiteor Hominem: Ernest Hemingways Religion of Man is one of the most famed favorable critical readings of the novellaand one which has defined analytical considerations since. Perhaps the most memorable claim therein is Waldmeirs answer to the questionWhat is the books message?The answer assumes a third level on which The Old Man and the Sea must be readas a sort of allegorical commentary on all his previous work, by means of which it may be established that the religious overtones of The Old Man and the Sea are not peculiar to that book among Hemingways works, and that Hemingway has finally taken the decisive step in elevating what might be called his philosophy of Manhood to the level of a religion.11 The 2006 cover for the Charles Scribners Sons edition of the novellaWaldmeir was one of the most prominent critics to wholly consider the function of the novellas Christian imagery, made most evident through Santiagos blatant reference to the crucifixion following his sighting of the sharks that reads:Ay, he said aloud. There is no translation for this word and perhaps it is just a noise such as a man might make, involuntarily, feeling the nail go through his hands and into the wood.12Supplemented with other instances of similar symbolism, Waldmeirs criticism stands as one of the most durable, positive treatments of the novella.On the other hand, one of the most outspoken critics of The Old Man and the Sea is Robert P. Weeks. His 1962 piece Fakery in The Old Man and the Sea presents his claim that the novella is a weak and unexpected divergence from the typical, realistic Hemingway (referring to the rest of Hemingways body of work as earlier glories).13 In juxtaposing th