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.,1,Monet,AndTheImpressionMovementHeWasIn,.,2,Outline,HistoricalBackgroundTheIntroductionofImpressionismMonet,theImpressionistTheInfluenceofMonetandtheImpressionism,.,3,HistoricalBackground,.,4,WhatIsImpressionism?,Impressionism,amajormovement,firstinpaintingandlaterinmusic,thatdevelopedchieflyinFranceduringthelate19thandearly20thcenturies.Impressionistpaintingcomprisestheworkproducedbyagroupofartistswhosharedasetofrelatedapproachesandtechniques.ThemostconspicuouscharacteristicofImpressionismwasanattempttoaccuratelyandobjectivelyrecordvisualrealityintermsoftransienteffects(瞬时效应)oflightandcolour.,.,5,RepresentativeFigures,Impressionistpainters:Principal:ClaudeMonet,PierreAugusteRenoir,CamillePissarro,AlfredSisley,etcEdgarDegas(德加)andPaulCzanne(塞尚)intheearly1870s.TheestablishedpainterManetadoptedtheImpressionistapproachabout1873.Inotheraspects:Music:ClaudeDebussyInspiringthemtoexperimentwiththecandidgroupings,off-centerfocus,deepperspectivesforeshortening;recordingtherealworldratherthanhistoricalimagination-Impressionistsmotivatedtodepictpeopleandlandscapeswithoutmythologicalorhistoricalexaggerations.,.,10,InnovationblurryeffectMixingprimarycolours-apaletteofjusteighttotencolorstoachievemanyvariableandsubtleeffectsPaintingrealpeople-everydayactivities;variousclassesComplimentarycolours-createanespeciallyintenseeffect;vibrancyLifebeyondtheframeseeminglycarelesscutofffigures;viewerstoacknowledgethatlifecontinuedbeyondtheframe,.,11,PublicOpinion,PaintingswererejectedbySalondeParisandsomemuseumexhibitionsformanytimesIfImpressionistswerebecomingappreciatedfromthe1880s,theirsituationwasstillharsh;theSalonwasstillrefusingtheirpaintings,andin1894,25outof65artworksdonatedtotheLuxembourgmuseumwererejected.whenCamillePissarro,theImpressionistpatriarch,diedin1903,everybodyagreedthatthismovementwasthemain19thcenturyartisticrevolution,andthatallitsmemberswereamongthefinestpainters.,.,12,ClaudeMonetsearlyworks:(18581873)TheBeginningofImpressionistArt,.,13,Atthebeginningofhiscareer,Monetuseddarkcolors,ashedidintheStudioCornermarkedbyblackshades.HispaintingevokestheRealistSchool.From1860on,Monetabandoneddarkcolorsandworkedfromapalettelimitedtopurelightcolors.,.,14,LuncheonOnTheGrass(1865),Monetsfirstmasterpiece;usingthesamethemeandsamestyleasManettwoyearsbeforeforhisownLuncheononthegrass,apaintingwhichscandalizedpeopleattheSalonin1863.,.,15,.,16,Exquisitecaptureoflightandcolours,TheReaderInthespringof1872ProbablytheportraitofhiswifeCamille,.,17,ImpressionSunrise(1873),TheImpressionismwasborn,.,18,PaintingsofArgenteuillaterenlargedtotodayssize.Thewatergardenisfullofasymmetries(不对称)andcurves.ItisinspiredbytheJapanesegardensthatMonetknewfromtheprintshecollected.,.,26,Water-LilyPondinGiverny,MybadsightmeansthatIseeeverythingthroughamist.Evensoitisbeautiful,andthatswhatIwouldliketoshow.”ClaudeMonet,.,27,Twelvelargecanvas:TheWater-Lilies(19161926),donatedtoFrancetocelebrate1918victorylaterbeinstalledinanarchitecturalspacedesignedspecificallyforthematanmuseuminParis,.,28,Influences,InfluenceofMonetInfluenceofImpressionismInfluenceonMusic,.,29,MonetwasafounderofFrenchimpressionistpainting.Hewasthemostconsistentandprolific(多产的)practitionerofthemovementsphilosophyofexpressingonesperceptionsbeforenature,especiallyasappliedtoplain-airlandscapepainting.ThetermImpressionismisderivedfromthetitleofhispainting“Impression,Sunrise”.,.,30,TheImpressionistscreatedamodelforfreedomandsubjectivitythatpromotedartisticfreedomthatwhichmanyartistsofthepastlongedfor.Theirexampleempowered(允许,授权)laterartiststhattookitmuchfurtherthantheydid.Duetotheneverendingsupplyofresourceswehaveatourcommandinourpresentlives,artcontinuestoexpandandwillstillcontinuetogrowandbreaklimitsthatwillfascinatepeople.,.,31,Itmarkedanewwayofpaintingthatwasmoreconcernedwithcreatingimpressionsofthetransienteffects(瞬时效应)oflight.Manyartistspaintedoutside,inanattempttocapturefleetingeffectsofsunlightoneverydayscenes.Coloursbecamemoreimportantthanlineinthecreationofshimmeringsurfacesofvibratingcolours.,.,32,VanGoghwasinfluencedbyhisfriendshipwithImpressionists.AfterseeingtheirpaintingsinParis,hebegantousebrightercolorsandbrokenbrushstrokes.Howeverhedifferedfromtheminoneimportantway.Ashewrotein1888,“InsteadoftryingtorenderwhatIseebeforeme,Iusecolorinacompletelyarbitrary(任意的)wayinordertoexpressmyselfpowerfully”.,InfluenceofImpressionismonVanGogh,.,33,InfluencedbythepaintingsoftheFrenchimpressionistsandbythepoetryofPaulVerlaine(魏尔伦)andsoon,themovementinmusicwasledbytheFrenchcomposerClaudeDebussy.Musicalimpressionismemphasizedtonalcolorandmoodratherthanformalstructuressuchasthesonataandthesymphony.,Debussy,anactivecriticaswellasacomposer,viewedimpressionismasareactiontoboththeformalemphasisofsuchcomposersasMozartandBeethovenandtheemotionalrichnessofromanticcomposerssuchasRobertSchumannandFranzSchubert.,.,34,Impress
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