★边城论文提纲范文边城论文提纲格式模板

边城论文提纲范文边城论文提纲格式模板 摘要 绪论 第一章 ：文本背景比较 一、时代背景比较 二、创作动机比较 三、叙事视角比较 第二章 ：人物形象比较 一、老船夫与驹子 二、翠翠与叶子 三、(翠翠的)母亲与行男 第三章 ：艺术风格比较 一、水的灵动与雪的宁静 二、美而忧与美而悲 结语 重要 _目录 在读期间发表论文及参加课题一览表 Acknowledgements 摘要 1- Introduction 1-1 Research background 1-2 The significance of the study 1-3 The structure of the thesis 2- A Brief Introduction to Translation Aesthetics 2-1 Aesthetics and literary translation 2-2 A brief survey of the translation aesthetics 3- Aesthetic Constituents and Aesthetic Representations in Literary Translation 3-1 Translation aesthetic object: the ST 3-1-1 Formal aesthetic constituents 3-1-2 Non-formal aesthetic constituents 3-1-3 Relation between formal and non-formal aesthetic constituents 3-2 Aesthetic subject: the translator 3-2-1 Objectivity 3-2-2 Subjectivity 3-3 Aesthetic representation 3-3-1 Comprehension 3-3-2 Transformation 3-3-3 Improvement 3-3-4 Representation 4- Biancheng and Its Translation 4-1 Shen Congwen and Biancheng 4-1-1 The writerShen Congwen 4-1-2 An introduction to Biancheng 4-2 The translation of Biancheng and the translators 4-2-1 The translation of Biancheng 4-2-2 Bianchengs translator-Gladys Yang 4-2-3 Bianchengs translatorChing Ti 5- A Comparative Study on the Aesthetic Representation in the Two Versions 5-1 Aesthetic representation of the formal values 5-1-1 Beauty in sound 5-1-2 Beauty of lexis 5-1-3 Beauty of syntax 5-2 Aesthetic representation of the non-formal values 5-2-1 Beauty of imagery 5-2-2 Beauty of ideorealm 6- Conclusion Bibliography 摘要 1- 引言 2- 小说边城及其英译 2-1 沈从文与边城 2-1-1 作者沈从文 2-1-2 边城故事梗概 2-2 边城英译 2-2-1 边城译本 2-2-2 边城译者 3- 翻译美学理论 3-1 翻译美学研究综述 3-2 文学翻译中的美学再现步骤 3-2-1 理解 3-2-2 转换 3-2-3 改进 3-2-4 再现 4- 边城英译中美学再现的实践与分析 4-1 戴乃迭边城译本中的美学再现 4-2 作者有关边城的课题和英译实践 4-3 边城中美学再现的英译实践 4-3-1 美学再现与理解 4-3-2 美学再现与转换 4-3-3 美学再现与改进 4-3-4 美学再现 5- 结论 _ ：翻译资料 辞 作者简介 摘要 Chapter 1 Introduction 1-1 Research background 1-2 The significance of the study 1-3 Layout of the paper Chapter 2 Literature Review 2-1 The origin and development of translation aesthetics at home 2-1-1 The origin of translation aesthetics 2-1-2 The development of contemporary Chinese translation aesthetics 2-2 The aesthetic origins of translation studies in the west 2-3 Relevant studies on translation aesthetics Chapter 3 Theoretical Basis 3-1 The aesthetic constituents in literary translation 3-1-1 Translation aesthetic object 3-1-2 Translation aesthetic subject 3-2 Aesthetic makeup of translation aesthetic object 3-2-1 Formal aesthetic system 3-2-2 Non-formal aesthetic system 3-3 The aesthetic representation in literary translation 3-3-1 Comprehension 3-3-2 Transformation 3-3 -3 Improvement 3-3-4 Representation Chapter 4 Biancheng and Its Translation 4-1 Shen Congwen and Biancheng 4-1-1 The writer Shen Congwen 4-1-2 An introduction to Biancheng 4-2 The translations of Biancheng and the translators 4-2-1 The translations of Biancheng 4-2-2 Bianchengs translator-Gladys Yang 4-2-3 Bianchengs translator-Jeffrey C-Kinkley 4-3 Previous studies on the English versions of Biancheng Chapter 5 A Comparative Study on the Aesthetic Reproduction in the Two English Versions 5-1 Aesthetic representation of the formal aesthetic constituents 5-1-1 Beauty of sound 5-1-2 Beauty of Lexis 5-1-3 Beauty of Syntax 5-2 Aesthetic representation of the non-formal aesthetic constituents 5-2-1 Beauty of imagery 5-2-2 Beauty of ideorealm Chapter 6