文艺复兴时期的艺术－意大利（英文）.ppt

RenaissanceArt,ItalianEarlyandHighRenaissanceArt,ArtandPatronage,Italianswerewillingtospendalotofmoneyonart.Artcommunicatedsocial,political,andspiritualvalues.Italianbanking&internationaltradeinterestshadthemoney.PublicartinFlorencewasorganizedandsupportedbyguilds.,Therefore,theconsumptionofartwasusedasaformofcompetitionforsocial&politicalstatus!,CharacteristicsofRenaissanceArt,Realism&Expression,ExpulsionfromtheGardenMasaccio1427Firstnudessinceclassicaltimes.,2.Perspective,Firstuseoflinearperspective!,TheTrinityMasaccio1427,3.Classicism,Greco-Romaninfluence.Secularism.Humanism.Individualismfreestandingfigures.Symmetry/Balance,The“ClassicalPose”Medici“Venus”,4.EmphasisonIndividualism,BatistaSforza&FedericodeMontefeltre:TheDuke&DutchessofUrbinoPierodellaFrancesca,1465-1466.,5.GeometricalArrangementofFigures,TheDreyfusMadonnawiththePomegranateLeonardodaVinci1469Thefigureasarchitecture!,6.ArtistsasPersonalities/Celebrities,LivesoftheMostExcellentPainters,Sculptors,andArchitectsGiorgioVasari1550,EarlyRenaissance,TheFirstThreeHall-of-Famers,Masaccio1401-1428,FounderofearlyRenaissancePaintingPaintedhumanfigureasarealhumanbeing(3D)UsedperspectiveConsistentsourceoflight(accurateshadows),TheTributeMoney,#2Donatello1386-1466,ThesculptorsMasaccioDavid(1430-32)Firstfreestanding,life-sizenudesinceClassicalperiodContrappostoSenseofUnderlyingskeletalstructure,ThePenitentMagdalen(Donatello)realgaunt“Speak,speakortheplaguetakeyou!”,#3Boticelli,1482RebirthofClassicalmythologyFullyPaganTHEBIRTHOFVENUS,TheItalianRenaissance,LeonardoMichelangeloRaphaelTitian,DaVinciMonaLisa(1503-06)Perspective,Anatomy,Composition,Culturalicon,TheLastSupper,EmotionsResponse,Michelangelo,DavidMichelangeloBuonarotti1504Marble,RaphaelSchoolofAthens1510,Raphael,DaVinci,Michelangelo,Aristotle:lookstothisearththehereandnow.,Plato:lookstotheheavensortheIDEALrealm.,Pythagoras,Ptolemy,Euclid,Titian,DazzlingcontrastingcolorsAmplefemaleformsAsymmetriccompositionsBacchanaloftheAdrians1518,VenusofUrbinoTitian,1558,APortraitofSavonarola,ByFraBartolomeo,1498.Dominicanfriarwhodecriedmoneyandpower.Anti-humanisthesawhumanismastoosecular,hedonistic,andcorrupting.The“BonfireoftheVani