服饰公司的发生的戏剧性地方（the dramatic scene of the dress company）

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FTANGDYNASTYWITHVIVIDHISTORICALNOTESSOMEPOEMSBYLOOKINGFORTHEFATEOFTHEPREDECESSORSTOTODAYSWARNING,FROMTHEHISTORICALCHANGESINTHEUNDERSTANDINGOFTHEPHILOSOPHYOFLIFE,SUCHAS“JIANGNANSPRING“TRINIDADYINGTIGREENYINGHONG,WATERVILLAGEHILLGUOJIUQISOUTHERNDYNASTYFOURHUNDREDANDEIGHTYTHETENTEMPLE,HOWMANYLOUTAIYANYUTHEPOETBYTHEIMMEDIATERAININMISTINTHETEMPLETOTHEGOVERNORS,THELENOVOWASTEDALLFINANCIALEDUCATIONTODECEIVE,TOFOOLTHEPEOPLE,THEEMPIREFOREVERSTUPIDANDFUTILE,IMPLYINGANALLEGORYOFREALITYANDDERISIONTHEOLDTEMPLEINTHELEFT,SUCHASWATER,MAKETHEPOETGERMINALHISTORYOFTHERISEANDFALLOFEMOTIONALLDIEINTHEETERNALTIMEHISTORYHASHAPPENED,ANDNOW,EVERYTHINGISHAPPENINGALSOEXISTINTHEETERNALTIMEHISTORYOFTHEPEOPLETOEXPERIENCE,LESSONSANDREFLECTIONSSOMEOFHISPOEMSWILLBEONTHERISEANDFALLOFTHEDYNASTYOFTHEFEELINGOFREALITYORINSOUNDANDFEELINGSOFTDESCRIPTION,SHOWINGDEEP,THESUBTLEBEAUTYOFPOEMSUCHAS“BOQINHUAI“,QINHUAIWENSONGPOETBYTHEBELLSSENSEOFHISTORYANDPOETRY,THEPERFORMANCEOFTHETANGDYNASTYINAPRECARIOUSINTHEFORTUNESOFTHEDEEPSORROW,FROMONESIDETOREFLECTTHEREALITYOFTHETIMEBEFORETHETWOPOEMSDESCRIBINGQINHUAINIGHT,RENDERINGTHEATMOSPHEREMISTYMOONLIGHTANDLIGHTNIGHTFOGONTHECOLDWATERANDSHORESAND,COLDANDLONELYADISCUSSIONAFTERTHETWONARRATIVES“DONTKNOW“TWOWORDS“DEEPEMOTION,ANDSING“WILLTHELINERUNSTHROUGHTHEHISTORYANDREALITY,SEEMINGLYDENOUNCEDTHE“TAKINGWOMEN“,BUTDONOTHAVEMEANING,USEATGIBINGTHOSERULERSDONOTKNOWTHEIRHATEHERETHEWHOLEPOEMISSHALLOWANDMEANINGFULSOMEOFHISPOEMSBYPURPOSIVEHIGHVASTTALK,SHOWINGSUPERBTALENTANDKNOWLEDGE,SUCHAS“CHIBI“WITHBROKENHALBERDSDEFEATIRONNOTPINS,SINCEWILLCONFESSMOSTLYREMAININGDONGFENGANDZHOULANG,ENERGYSAVING“THEPOETBORROWINTEREST,ARELICOFTHEPASTBYTHEBATTLEOFCHIBIIRONHALBERDUNSOLD,THEPERSONNELHAVEDEEPEMOTIONAFTERTHETWOTALKFROMTHESIDETOPUTPENTOPAPER,BYZHOUYUSAIDIFCHIBIFIGHTVICTORYBUTFLUKE,ASTHEQINGHEYISUNSAID“THISPOEMANDRIDICULECHIBIFLUKECOVERWORK,BUTDAYANDDONGFENGWILLTHENBREAKTHEDEATHOFFAMILY“THESECONDSECTION,LISHANGYINSPOETRYCREATIONLEARNINGPURPOSEUNDERSTANDINGOFLISHANGYINPOEMSANDTITLELESSPOEMSARTISTICACHIEVEMENTSANDCHARACTERISTICSLEARNINGTIPSONTHEBASISOFUNDERSTANDINGLISHANGYINSLIFEANDREADINGHISMAINWORKS,WERECOGNIZETHEARTISTICFEATURESOFLISHANGYINSPOETRYKEYWORDTHEWORDPOEMUNTITLEDPOEMSREVIEWINGANDTHINKING1,WHYSAYTITLELESSPOEMSLAIDTHESTATUSOFLISHANGYININTHEHISTORYOFLITERATURE2,LISHANGYINSPOLITICALALLEGORICALPOEMS,POEMSHAVEWHATCHARACTERISTICSHOMEWORKANDPRACTICEFIRST,THENOUNEXPLANATIONUNTITLEDPOEMTWOFILLINTHEBLANKSIN1,LISHANGYINWASWRITINGFROMTHESTYLEOFLIHESHI,SOMEOFHISPOEMSISMARKED2,“STABILITYTOWER“SHOWSTHATLISHANGYINPOETRYSTYLEFROMTRANSITIONTRENDS3,LISHANGYINSPOSITIONINTHEHISTORYOFLITERATUREISMAINLYCOMPOSEDOFTHESUCCESSFULCREATIONOFTHEESTABLISHED4,LISHANGYINSEPICSUCCESSLIESINATTENTION,SKILLFULLYINTEGRATINGHISTORYWITHREALITY5,LISHANGYINSMAINPOINTS,TWOKINDSOFTITLELESSPOEMS6,LISHANGYINSPOEMSANDWORDSOFPOETRY,WITHDEEPEMOTIONANDMICROCHARACTERISTICSTHREE,JANEANSWER1,“STABILITYGATE“SHOWSHOWTHEPOETSTHOUGHTSANDFEELINGSHOWDOYOUBEHAVE2,WHATARETHECHARACTERISTICSOFLISHANGYINSEPICPOETRY3,LISHANGYINWITHOUTTHECHARACTERISTICSOFWHATFOURDISCUSSIONQUESTIONS1,TRYTODESCRIBETHEIDEOLOGICALANDARTISTICCONTENTOFLISHANGYINSEPICPOETRY2,THEARTISTICACHIEVEMENTOFLISHANGYINSTITLELESSPOEMSREFERENCEANSWERFIRST,THENOUNEXPLANATIONTHESOCALLED“NONPOEM“REFERSTOTHEPOETPOETRYDONTHAVETOSHOWTHINGS,SUSTENANCE,DELIBERATELY“UNTITLED“INTHEFIRSTTWOFAMOUSORFAMOUS,INTHECONTENTOFTHEWHOLEPOEMCANNOTGENERALIZEPOEMSALSOCALLED“UNTITLEDPOEMS“LISHANGYINISNOTAMOMENTWITHOUTWORK,THEREISNOUNIFORMIDEA,HASENTRUSTEDWITHTHEFRIENDS,HAVETHEEMOTIONOFLIFEEXPERIENCE,THEREARESOMEXINGJIMINGANDINTENDEDTOHAVENOHARDTOSUPPORT,DIFFICULTORREALISTICBUTTHEMOSTIMPORTANTONEISTODESCRIBETHELOVEPOEMS,THESEPOEMS,ARTISTICCONCEPTIONANDEMOTION,HOWTOCHANGE,ANDTHERHETORICOFFINEBRUSHWORKTONE,ISREADTOSOULSTIRRINGTWOFILLINTHEBLANKS1,“JIQIAOANDPECULIAREFFECT“2,INTENSEGRIEFSENTIMENTAL3,THEPOEMTITLELESSPOEMS4,THEIDEAOFCONCISEPRECISESAMPLING5,LOVESAIDSUSTENANCETHEORYFINEMOOD6THEMES,THEBEAUTIFULANDDELICATETHREE,JANEANSWER1,LISHANGYINS“STABILITY“WASWRITTENINTOTHETANGWENZONGTOWERTHREEYEARSAFTERFAILINGAMACROLEARNEDTHEWORDATTHATTIME,ALTHOUGHLISHANGYINHASBEENADMITTEDTOTHEJINSHI,BUTALSOTHROUGHTHEEXAMINATIONOFTHEMINISTRYOFPERSONNELINORDERTOGRANTTHEOFFICIALSOHESHOULDGOTOMACROLEARNEDTHEWORDEXAMTOBEENROLLED,OFFICIALSREPORTEDTOTHEMINISTRYOFTHESECRETARIATREVIEWBYBRUSHFALLS,THEREASONIS“THEPERSON“THEREALREASONISTHEIMPLICATIONOFTHESTRUGGLEBETWEENTHETWOPARTIESOFTHEOXSENGRUANDLIDEYUPOETICEXPRESSIONOFTHEPOET,WHOHEWILLRETIREAFTERWINNINGMERITBECOMEEMPTY,BUTTHEIRAMBITIONSOFSORROWANDANGERTHEFIRST“TIAOPASS100FEETHIGHCITYBUILDINGENERGYSAVINGASTINGZHOU“MAJESTICANDENERGYSAVINGOFTHESPRINGCOMESTOWRITEHIGHSTABILITYTINGZHOUTOWERSTHEPOETCLIMBTHEHIGHESTFLOOR,LOOKINGFARAWAY,LOOKFARAHEADFROMAHIGHPLANE,MAJESTICANDGRANDJUSTSOLOVE,INFINITEEMOTION,LOFTYSENTIMENTSANDASPIRATIONSARETHUSFOLLOWINGBIRTH“JASONYOUNGJAWJOINTVIRTUALTEARS,WANGCANCHUNTOTRAVELMORE“TOJIASHENGWANGCANABOUTTHEEXPERIENCEOFSELF,NOTEVENSIGHTHANUNDERAPPRECIATEDWANDERINGEXPERIENCETHENECKJOINTINCLINATIONANDINDIVIDUALARMSTO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