陈晓红语音修辞的美感探析（Chen Xiaohong Aesthetic Analysis of phonetic rhetoric）

1、陈晓红语音修辞的美感探析（Chen Xiaohong Aesthetic Analysis of phonetic rhetoric）Chen Xiaohong: Aesthetic Analysis of phonetic rhetoricArticle source: /2008-02-05Lu Xun in the interpretation of language function, language beauty, sound beauty and physical beauty. The sound is the use of the

2、 unique characteristics of Chinese vowels are dominant, tone, cadence in the flow of the language, form a beautiful melody rhythm and moving, to achieve sonorous and and with exquisite terms and beautiful tones effect. Speech rhetoric is the use of language to carry out rhetoric in order to achieve

3、the musical beauty of language. The beauty of phonetic rhetoric is mainly embodied in the following aspects.A beautiful melody, alliteration and assonance and reiterative locutionAlliteration and assonance is a unique form of expression of the Chinese speech. To enhance the expressiveness of the lan

4、guage use of alliteration and assonance, is a traditional Chinese phonetic rhetoric. Two vowels the same words together, sound particularly loud, sonorous; two consonants of the same words together, articulation, read naturally smooth, smooth sounds. The proper use of alliteration and assonance, sou

5、nd beauty can form phonological loop, can make the speech itself has the beauty of music and coordination, enhance the effects of language expression.In Chinese, alliteration and assonance double syllable words appear frequently in the Book of Songs in the three hundred part, there are a lot of word

6、s, alliteration and assonance word and reduplicated words. Such as the famous Guan Ju in the poem, slim is uneven assonance word, is two words, toss is two words and is assonance word plus, poem tones, ideographic humor, is very touching, very sweet. The use of alliteration and assonance word, beaut

7、ify the sentence sounds, the language is elegant and beautiful.It is also a characteristic of Chinese phonetic rhetoric. It uses the characteristics of Chinese syllables, the voice of the cascade, increase the image of the imitation to feelings and mood complicated to express. The proper use of redu

8、plicated words, not only can enhance the beauty of rhythm statement, also can enhance the description language and image, sometimes also has rhetorical function strengthen lyrical text color. For example, Li Qingzhao slow at the beginning of the three sentence: searching, desolate, qiqicancan, with

9、seven reduplicated words, be regarded as a model of reduplicated use. Li Qingzhao crossed soon after her husband died, she lived a lonely life, the mood is very cold. Fold with cold, clear, just rendering this lonely, desolate mood. Three poem for seven words, consists of seven equal foot, reads as

10、if we can hear the poet that slow heavy footsteps. Seeking and seeking and cold, Qing, Qi and miserable, Qi, this is full of vivid color and emotional words, overlapping them up together, has strengthened their artistic effect.Two, rhyme, rhyme, rhythm beautyThe rhyme is one of the basic conditions

11、of musical beauty, rhyme mix well, can make the poetry rhythm, rhyme flow loop. Turn on the rhyme, just like a red line, the dispersion of the verse, the content, the feelings of the Pentium jumping together, form a harmonious whole, to strengthen the integrity of the structure and the image of the

12、moving objective to convey. Therefore, rhyming is an important means of speech rhetoric. The sound of melodious rhyme, the same sound is repeated in the same position, repeated this sound, concentrated on the meaning to feelings, can play a harmonious sound, enhance the appeal of. The regular recipr

13、ocating cycle of speech produces rhythm, which makes the language rhythmic and aesthetic, and gives a melodious, harmonious and melodious musical beauty. The emergence of a large number of rhyming in poetry, verse, sometimes art spread in prose and speaking in Chinese modern folk art, and other lang

14、uages than unique musical beauty, beauty of rhythm.Three, the imitation beauty of imitation soundThe use of a variety of sound onomatopoeia imitate the objective world, to strengthen image rhetoric and reality language called G sound.It is a rhetorical device that plays a role in words by borrowing

15、phonetic elements. Imitate the sound is used to describe the objective world of sound, we can make people feel pure, natural, authentic sound. Most words are words, imitate the sound alliteration and assonance word or words. The extensive use of the phonetic words not only adds phonological beauty t

16、o the Chinese phonetics, but also makes the language with a simulated aesthetic feeling.The characterization of characters by sound is the main function of the phonetic words in the works. Onomatopoeia can vividly reproduce the sounds of things, the expression of things vivid, full of sound and colo

17、ur, which received extremely rich artistic effect. With G words narrative, depicting scenes of lively and vivid, full of sound and colour. Such as Bai Juyi Pipa of pipa playing techniques of female superb description is excellent: big strings hummed like rain, the small chord whispers. Noisy as mixe

18、d shells, pearls falling into a jade plate. The big string is coarse, string bass string, noisy tracing voice heavy thin string string is very quick; small, loud chord, with clear to describe the sound of light fast, more vivid.Reduplicated words sometimes imitate the sound form of the sentence para

19、llelism, orderly rhythm, the rhythm is bright, give the reader a specific sense of reality. In modern and contemporary literary works, it is also often used to contrast different weather by adding sound to enhance the vividness of the article. In addition, the use of onomatopoeia can also show the m

20、ental status of characters. For example, ha ha is a big laugh, and hem is a sneer.Four, the tone of the tone to produce the rhythm of the Dayton rhythmTone refers to the change of a syllables pronunciation, elevation and lift. The high tone sounds straight, oblique tones sounded mildly muffled tones

21、, staggered, and beautiful tone changes form sound cadence, the tonal change in tone, cadence can produce sound rhythm beauty. The deep Zhu Li, Yue six dynasties have knowledge about tone. He stressed that the tone of poetry was arranged in accordance with certain rules to achieve the effect of musi

22、cal beauty. Pay attention to tone well-proportioned tones of classical poetry, is the pursuit of cadence rhythm.The beauty of the pursuit of poetry rhythm tone. In a sentence tones, a tonal syllable contact among the relative, balanced and arranged thorough, especially the number of syllables, equal

23、 to the same part of speech and semantic associative, give full play to the characteristics of Chinese speech, the speech has the sound musical beauty, makes the statement. In modern Chinese speech and writing, although not as classical poetry as importance to pingze, but a good grasp of tonal patte

24、rns in some key sentences, proper attention to sentence tonal mixing, can enhance the appeal of the language, achieve better rhetorical effects.In our oral communication, also can not ignore the tonal distribution. Mr. Lao said: good, three piece of this one and that one bastard is good. The former

25、two flat two square, up and down; the latter is four words are flat, lack of iambic. Four words like this, then even a few words, it should be better arrangements. This is indeed very familiar rhetoric rules wise remark of an experienced person.In addition, like fancies of men of letters and Chuilad

26、anchang and hot roll dye science these we often speak of four character idioms, any combination is not regular, is actually the optimal combination of tone, so thats easy, sounds sweet. They are Ping Ze, with oblique end. This is because under the suppression of oblique short, crisp and neat, suitab

27、le for finishing. If you change the order and the narrow sound word in front of any position, are not easy to read. If a word is all tone words, sounds in a horizontal plane, will speak up hard to pronounce, tone sounds dull, naturally no beauty at all.Five, intonation blending produces the rhythm o

28、f rhymeWhen speaking or reading, there is a pause in the sentence, and there is a change in the tone, the speed, the length, and the height. These are called intonation. The deployment of appropriate intonation, tone, syllable to text coherence transfer,It is also an important rhetorical device of s

29、peech that produces a reciprocating rhythm. Intonation plays an important role in expressing feelings. Generally speaking, the extraordinary intonation adjustment must have an extraordinary rhetorical purpose.Intonation deployment is mainly reflected in two aspects of stress and pause. Stress has tw

30、o kinds of grammatical stress and emphasis stress. The accent here refers to the emphasis on stress in order to highlight a meaning or emotion. The representation of the stress, the general is to increase the volume, slowly lengthened syllables, and accent light spit etc. For example, too bad in thi

31、s sentence, according to the normal meaning, grammatical stress in the too word, show the modified language bad to the extent of the expression of a negative attitude. If the accent, the word too stressed out and read, too bad, not only greatly enhance the modified terms bad, but also exudes a kind

32、of disgust emotion, rhetorical effects are greatly enhanced. On the other hand, if the word Tai is stressed out and read lightly and briefly between friends and lovers, it means the opposite, and reveals a kind of intimate emotion. Proper allocation of stress can make semantic expression more accura

33、te and distinct.A pause is a short pause in a sentence, a natural pause and a pause. The emphasis here is on the emphasis on a certain thing, a particular semantic or emotion, and a pause. Pause has a direct ideographic function in communicative activities of speaking and listening, writing and unde

34、rstanding. By using pause, we can receive some semantic meaning and enhance the rhetorical effect of emotion. For example, Lu Xun has such a word in memory of Liu Hezhen in an article: I, that I bear the scene; gossip, especially to my ear to hear. This is a joint sentence, I and gossip are the two

35、clauses in the subject, generally do not add punctuation separate, but Mr. Lu Xun at the time of writing, meaning drive, feeling to use, flatly stressed to express their pause angry feelings. I after a pause, highlighting the reactionary Kuomintang cruel, rumors after the pause, highlights the Kuomintang reactionaries despicable, and Mr. Lu Xun of the reactionaries and hatred of Liu Hezhen deplored the situation is on the. When w