新材料在当代首饰中的运用newmaterialapplicationincontemporaryjewellery

1、New Material Application in Contemporary JewelleryIn my current series of work, I am strongly interested and driven by contrasts. With a move from Europe to China in 2007, it might be obvious that the ingredients of my work derive from the new influences that now surround me. The differences that ca

2、n be found in the cultural backgrounds, the diversity of people and the new way of living nourish my thinking. The contrasts of traditional & modern, old & new, male & female, growth & decay, fake & void, intrigue me and are mirrored in my pieces that find their centre point in t

3、he imagery of the flower-selling-ladies of Shanghais streets.Yesterday Is a Different DayLisa Juen (Germany)Materials: Steel, Fake Nails, Nail Varnish, enamel, Gold Leaf, Silver Leaf, Cubic Zirkonia, Glass, Polyester, Cotton, Rust, freshwater pearls, LED, LED screen, fabric, Cable, Light Switch, pla

4、stic, elastic band, stainless steel材料：钢、假指甲、指甲油、珐琅、金箔、镐石、玻璃、聚酯、棉、铁锈、淡水珍珠、LED灯、LED屏、布料、电线、灯开关、塑料、松紧带、不锈钢DOUBLE FAKE, BroochSEXY GOLDFISHPINK TRADITION, BroochThe female notion that accompanies the being of a flower, its power, bloom, playfulness and seductiveness, even up to the suspicion of/and bein

5、g fake inspires my making, being opposed to natural processes, time and decay.Money money NecklaceEarrings $265Newsprint, Perspex, mixed media, silver 报纸，有机玻璃，综合材料，银 Brooch $450Newsprint, paint, mixed media, silver报纸，有机玻璃，综合材料，银 Kvetoslava Flora Sekanova“This group of work, Familiarity, is about not

6、icing surface textures, and going on a journey with the materials. What does the material allow me to do? How many secrets will I get to discover? What presumed aesthetic rules do I allow myself to break?” Brooch, newsprint, mixed media, silver $530 Brooch, newsprint, mixed media, silver $445“For me

7、, jewellery does not stand completely separated from other creative forms, or from everyday life. I like Margaret Wests approach of placing jewellery alongside everyday phenomena finding poetic links. It engages logic yet also is born from intuition. Brooch, newsprint, mixed media, silver $445 Brooc

8、h, newsprint, mixed media, silver $445Chihuahua吉娃娃 W 71mm x H 108mm, $450Recycled Formica, hessian, cork, Formica, 18ct, 9ct plated drawing pin, 9ct, stg, brass screws and stainless steel wire.再生胶木，粗麻绳，软木塞，胶木，18克拉镀9克拉图钉，黄铜螺丝和不锈钢丝Anna WhitleyHamster 仓鼠 W 92mm x H 53mm, $450Recycled Formica, cork, For

9、mica, 18ct plated drawing pins, 9 ct, stg, brass screws & stainless steel wire. 再生胶木、软木塞、胶木，18k镀金图钉，黄铜螺丝和不锈钢丝Goldfish金鱼 W 135mm x H 120mm, $450Formica, cork, recycled Formica, 18ct plated drawing pins, 18ct staple, 9ct, brass screws & stainless steel wire.胶木、软木塞、再生胶木、18k镀金图钉、18k镀金订书钉，黄铜螺丝和不锈

10、钢丝Poodle狮子狗 W 90mm x H 109mm, $450Recycled Formica, hessian, cork, Formica, 9ct & 18ct plated drawing pins, 9ct, stg, brass screws, stainless steel wire.再生胶木，粗麻布，软木塞，胶木，9k和18k镀金图钉，黄铜螺丝和不锈钢丝Cat, W 90mm x H 110mm, $450Formica, hessian, cork, stg and 18ct staples, 9ct, stg, brass screws & stain

11、less steel wire.再生胶木，粗麻布，软木塞，18k镀金图钉，黄铜螺丝和不锈钢丝Rabbit, W 85mm x H 127mm, $450Formica, hessian, cork, veneer, 9ct plated drawing pin, 18ct staple, 9ct, stg, brass screws & stainless steel wire.再生胶木，粗麻布，软木塞，胶木，9k镀金图钉，18k订书钉，黄铜螺丝和不锈钢丝Sausage Dog腊肠 W 163mm x H 82mm, $450Whiteboard, Formica, veneer, p

12、earls, magnets, 9ct, stg, brass screws & stainless steel wire. 白纸板，胶木，薄片镶饰，珍珠，吸铁石，黄铜螺丝和不锈钢丝Budgie, W 63mm x H 156mm, $450Whiteboard, Formica, 9ct, stg, brass screws & stainless steel wire. 白纸板，胶木，黄铜螺丝，不锈钢丝brooches Sterling silver, paint925银，颜料 Rui Kikuchi (Japen-Austrlia)Rui, recently return

13、ed to her birth country after being brought up and educated in Sydney. This new body of playful and experimental pieces could be seen to resemble marine life, reflecting and recognising the simple beauty of the world around us is in response to her observations of consumption in Japanese society.In

14、manipulating an abundant material in the human world, such as the PET (polyethylene teraphthalate) bottle, her aim is to consider the mundane object and recognise beauty within it. In extending our humility to see a value in these materials, it is her hope that we reduce the nonchalant use of goods

15、and that can lead us to experience wonder in the everyday.Necklace $600rubber, textiles, found objects硅胶，纺织品，现成品Brooche$330 Retro fabric from the eighties, found objects, silver, powdercoated copper 80年代布料，现成品，银，镀铜Nadene CarrIn my work I am interested in two forms of adornment, garment and jewellery

16、. My curiosity lies in the crossover of the two and how close they come to each other, and what happens in the exchange. The metal gives a sense of traditional jewellery. Using it as framework for the underlying structure in which I push through fabric embedded with objects to add a sculptural dimen

17、sion. Fabric embodies a piece of history, often a favorite garment has memories adding another layer.By recycling it into another form of simple beauty and detail allows a connection physically and emotionally to the wearer.Nadene Carr, 2010All Brooches $330 eachRetro fabric from the eighties, found

18、 objects, silver, powdercoated copperBrooch: A Constant Grinding 2012Galia melon seeds, titanium, aluminium steel, silver加利亚瓜子，钛，铝钢，银Karin Roy Anderson (Sweden)Brooch: A Constant Grinding Apple seeds, titanium, steel, silverI am a long distance runner. The urge for repeating movements over and over

19、again, methodically and resolutely is something that is significant for both my personality and my work. Running kilometre after kilometre or sawing up and down hour after hour. Necklace: A Constant Grinding 2012Galia melon seeds, textile, brass 加利亚瓜子，纺织品，黄铜Multiplicity and recurrence attract me. In

20、 a large scale the variations between the details are very important. I create structures and rhythms using small elements to build dynamic patterns. My aim is that the result in a small scale should express harmony and balance.Bracelet: Catching Big Fish 2013Recycled plastic, silver, textile 再生塑料，银

21、，纺织品Earrings: Catching Big Fish 2013Recycled plastic, silver, textileThe End broochglass beads, plastic, silver, leather 玻璃珠，塑料，银，皮革12 x 11 x 4 cm Felieke van der leest(Norway)Animals have a special place in Felieke van der Leests heart. She provides many animals with a busy social life as ornaments

22、, gives a select group a nice home in museums and she placed a few oversized specimens in the center of everyones attention in meeting rooms and stairwells. Jewellery, object or light fixture, the scale or function is not the aspect that inspires Van der Leest: the telling of unusual stories is alwa

23、ys her main motivation. Van der Leest has enriched jewellery design with the introduction of textile techniques. Combining this with gold, silver and plastic, in ten years time she developed her own idiom. For someone who normally works with hand sized pieces it is remarkable to develop monumental i

24、nstallations. A continuous flow of her work now finds its way to numerous exhibitions. In addition, it is happily collected by individuals and museums through the galleries that represent her in Amsterdam, New York and Tokyo. A great milestone was the 2006 exhibition Jewellery Fables: the museum in

25、Middlesbrough (mima) exhibited an overview of all her work and also published an accompanying catalog. Apart from the obvious fun her work sometimes showes an unexpected serious side. Contemporary issues such as the environment, dealing with animals and all kinds of social problems are touched upon.

26、 In this way Van der Leest, like Jean de La Fontaine in his famous fables, shows us the other side of the coin. But her most important quality continues to be her unstoppable enthusiasm for making new pieces and the joy they give us, the spectators. 2012 Prairie Pioneer大大草原先锋草原先锋braceletglass beads,

27、 textile, silver, gold, plastic, leather15 x 10 x 10 cm2012Don & Bob Digger挖掘者挖掘者earclipsgold, plastic3 x 3 x 2 cm each2012Anti-War Warrior反战反战武士武士broochtextile, glass beads, gold, topaz, onyx, silver纺织品，玻璃珠，金，托帕石，缟玛瑙，银8.5 x 9 x 4 cm2003Camouflage Deer with Target Trousers穿靶子裤穿靶子裤的伪装中的鹿的伪装中的鹿obj

28、ect / necklaceplastic, textile, gold, coral, shellpearlsobject 12 x 12 x 6 cm2003Stripey Animals条文动条文动物物braceletstextile, silver10 x 12.5 x 4.5 cm2002Giraffe with the Zebra Legs有着斑马腿的长颈鹿有着斑马腿的长颈鹿necklaceplastic, textile, silver, glass beadsgiraffe 22 x 8 x 3 cm2002Party Goldfish in Pool游泳池中的派对金鱼游泳池中

29、的派对金鱼object with ringplastic, textile, goldring 5 x 2.5 x 5 cm2000Carry Fish Jessicawearable objectrubber, textile, dolls sleepy eyes38 x 18 x 13 cmRepose Collection. Necklace, 2002feathers, thread 12 x 10 x 3 I enjoy introducing various materials into my work because of their tactile qualities and

30、associative implications. The reconfiguration of preexisting objects proposes a more intimate and poetic dialogue, with open interpretations. Every observer may contemplate meanings more intuitively by recollection of their own knowledge or experience.julie A matheisRepose Collection. Bracelet, 2003

31、 feathers thread 4 x 4 x 1 3/4 In the Repose Collection I have indulgently altered the real qualities and symbolic role of this ancient material. These semi plumes become a series of unnatural, colorless, and frail rings. In a subtle way these silenced feathers propose questions regarding contemporary rituals, and provide evidence of the vulnerable and impaired dualityin which man and nature coexist. silicone-rubber pigments thread 40 cmEla Bauer(Netherlands)ring 0