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1、0 1 2 3 4 Photography aperture0 1 2 3 4 50 1 2 3 4 40 1 2 3 4 30 1 2 3 4 20 1 2 3 4 10 1 2 3 4 START0 1 2 3 4 0 1 2 3 4 0 1 2 3 4 0 1 2 3 4 0 1 2 3 4 0 1 2 3 4 0 1 2 3 4 0 1 2 3 4 0 1 2 3 4 Why background so vague?为为什什么背景这样模糊么背景这样模糊?0 1 2 3 4 question1:What is Aperture?0 1 2 3 4 Put most simply Aper
2、ture is the opening in the lens.When you hit the shutter release button of your camera a hole opens up that allows your cameras image sensor to catch a glimpse of the scene youre wanting to capture. The aperture that you set impacts the size of that hole. The larger the hole the more light that gets
3、 in the smaller the hole the less light.ApertureShutter0 1 2 3 4 Aperture is measured in f-stops. Youll often see them referred to here at Digital Photography School as f/number for example f/2.8, f/4, f/5.6,f/8,f/22 etc. Moving from one f-stop to the next doubles or halves the size of the amount of
4、 opening in your lens (and the amount of light getting through). Keep in mind that a change in shutter speed from one stop to the next doubles or halves the amount of light that gets in also this means if you increase one and decrease the other you let the same amount of light in very handy to keep
5、in mind).0 1 2 3 4 F the numerical aperture is smaller, the greater the f value, the smaller the larger the aperturef数值越大光圈越小,数值越大光圈越小,f数值越小光圈越大数值越小光圈越大One thing that causes a lot of new photographers confusion is that large apertures (where lots of light gets through) are given f/stop smaller numbe
6、rs and smaller apertures (where less light gets through) have larger f-stop numbers. So f/2.8 is in fact a much larger aperture than f/22. It seems the wrong way around when you first hear it but youll get the hang of it.0 1 2 3 4 question2:Depth of Field and Aperture0 1 2 3 4 There are a number of
7、results of changing the aperture of your shots that youll want to keep in mind as you consider your setting but the most noticeable one will be the depth of field that your shot will have.Depth of Field (DOF) is that amount of your shot that will be in focus. Large depth of field means that most of
8、your image will be in focus whether its close to your camera or far away (like the picture to the left where both the foreground and background are largely in focus taken with an aperture of f/22).景甚越大,越立体,景深越景甚越大,越立体,景深越浅,越扁平浅,越扁平The larger the scene very, the stereo, the less the depth of field, t
9、he more flat0 1 2 3 4 Large aperture (remember its a smaller number) will decrease depth of field while small aperture (larger numbers) will give you larger depth of field.、Small (or shallow) depth of field means that only part of the image will be in focus and the rest will be fuzzy (like in the fl
10、ower at the top of this post (click to enlarge). Youll see in it that the tip of the yellow stems are in focus but even though they are only 1cm or so behind them that the petals are out of focus. This is a very shallow depth of field and was taken with an aperture of f/4.5).0 1 2 3 4 The first pict
11、ure below on the left was taken with an aperture of f/22 and the second one was taken with an aperture of f/2.8. The difference is quite obvious. The f/22 picture has both the flower and the bud in focus and youre able to make out the shape of the fence and leaves in the background.f/2.8f/220 1 2 3
12、4 question3The application of aperture in photography0 1 2 3 4 For example in most landscape photography youll see small aperture settings (large numbers) selected by photographers. This ensures that from the foreground to the horizon is relatively in focus.0 1 2 3 4 Macro photographers tend to be b
13、ig users of large apertures to ensure that the element of their subject that they are focusing in on totally captures the attention of the viewer of their images while the rest of the image is completely thrown out of focus.0 1 2 3 4 On the other hand in portrait photography it can be very handy to
14、have your subject perfectly in focus but to have a nice blurry background in order to ensure that your subject is the main focal point and that other elements in the shot are not distracting. In this case youd choose a large aperture (small number) to ensure a shallow depth of field.0 1 2 3 4 The best way to get your head around aperture is to get your camera out and do some experimenting. Go outside and find a spot where youve got items close to you
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