catti一级笔译材料：自由飞翔

1、For Hayao Miyazaki, flight is a metaphorfor freedom 对Hayao Miyazaki,而言，飞翔是自由的象征Hayao Miyazaki has spent his careerconjuring up fantastical worlds full of outlandish creatures.“Spirited Away” (2001), which won an Oscar for best animated film, is set in a magical realmruled by a bejewelled witch and p

2、opulated by talking frogs, gremlins made ofsoot and a vaporous creature who emits gold nuggets from his fingertips. Amidtoday, s pandemic, one feature of Mr Miyazaki7 s escapist movies is particularlyintoxicating: his obsession with flying.Haya。Miyazaki,终其一生都致力于创造充满奇异生物 的幻妙世界。千与千寻(2001年上映，曾荣获奥斯卡最 佳动

3、画电影奖)的故事发生在一个由珠光宝气的魔女统治的 魔幻王国里，那里居住着会说话的青蛙、由煤烟化作的小精 灵以及一个能够从指间变出金子的空灵生物。在新冠疫情肆虐的今天，宫崎骏的超现实奇幻电影令人着迷之处在于：他 对飞翔的痴迷。Flight is in Mr Miyazaki s blood. He wasborn in 1941 in Tokyo, where his father ran a firm that manufactured parts forJapanese fighter planes during the second world war. He whiled away bo

4、yhoodhours inventing his own aircraft; at night he dreamed of gliding above thecity.Hayao Miyazaki,的体内流淌着飞翔的血脉。1941年, 他出生于日本东京，他的父亲在二战期间经营着一家制造日 军战斗机零部件的公司。他的童年时光是在创造属于自己的 飞行器中度过的;夜里，他会梦到自己在城市的上空翱翔。Most imaginations become more earthboundwith age, but as an adult Mr Miyazaki thought up a squadron of

5、 wondrous flyingmachines with designs that embody their pilots7 personalities. Castle in theSkyn (1986) features a rag-tag family of pirates who buzz around in “flaptors“ contraptions with transparent, flapping wings that resemble giant mosquitoes.随着年龄渐长，大多数人的想象力会逐渐向现实贴近， 但成年后的Hayao Miyazaki,却构想出了许多

6、令人惊叹的飞 行器，而每一个飞行器的设计能够彰显飞行员的个性。天 空之城（1986年上映）的主角是一个下层社会的海盗家庭， 他们驾驶着flaptors（一种有着透明机翼、飞起来像个巨 型蚊子的精巧的飞行器）四处游荡。He is a connoisseur of the sensory thrillof flight. His characters swoop over mountainous landscapes and arc throughcerulean skies full of billowing white cumulus, leaving vapour trails twisti

7、nglike ribbons in the air. When they dive into the clouds for cover, they make asplash as though sinking into clots of heavy cream.他善于描绘惊险刺激的飞行场面。他笔下的人物在崇山峻岭间盘旋，在朵朵白云的蓝天中翱翔，并在空中留下宛如 丝带一般的航迹线。当他们俯冲至云层寻找掩护时，甚至还 会溅起一股浪花，仿佛掉进了一团厚厚的奶油中。In these animations, flying is about morethan ingenious designs and s

8、umptuous images. It also provides Mr Miyazaki sdeepest metaphors, standing for confidence, independence, the power of theimagination itself. Most of his protagonists are children undergoing rites ofpassagethe dislocation of moving house or trouble in the family.在这些动画中，飞翔不单单是巧妙的设计和华丽的图 景。Hayao Miyaza

9、ki,还赋予了其最深刻的隐喻，它象征着 自信、独立和想象力本身的力量。他笔下的大多数主人公都 是正在经历蜕变的孩子他们面对着迁居的不适或家庭 中的麻烦。Take Mei and Satsuki, the young sisters in My Neighbour Totoron (1988) who have just relocated with their father to ruralJapan. Exploring their new home, they discover a tubby woodland spirit in theroots of a camphor tree.以龙

10、猫Q988年上映)中的两姐妹小米和小月为例， 她们跟随父亲刚刚搬至乡下。在探索新家园时，她们在一棵 樟树的树根处发现了一个矮胖的森林精灵龙猫。A benevolent presence, Totoro soars abovethe countryside on a spinning top and takes the girls along for the ride.Gradually, as it emerges that their mother is gravely ill, these adventuresseem more than mere flights of fancy. Th

11、ey are a form of solace.善良亲切的龙猫带着两位女孩在乡村的上空翱翔。渐渐 地，当她们的母亲病重时，这些冒险不再只是华丽的飞行， 更是一种慰藉。That is what Mr Miyazaki7 s enchantingstories offer as the world waits for borders to reopen and planes to take offagain. His most resonant film is Kiki s Delivery Service” (1989), whichfollows a charmingly wilful 13-

12、year-old witch who rides around on a broom.当我们等待各国边境重新开放、飞机重新起飞之际，宫 崎骏这些令人着迷的故事也正在给我们提供慰藉。1989年 上映的魔女宅急便是他最能引发共鸣的一部电影，这部 影片讲述了一个骑着扫帚四处游历的13岁魔法少女的故事。Determined to find her way in the world,she sets up a courier company to profit from her ability to fly. But whenbusiness slows and she suffers her first bout of boy trouble, she loses heartand her powers of levitation, too. We fly with our spirit/7 she says as shetries to restore her confidence