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Rebecca(1940)AstringofclassicsuspensefilmsproducedinEnglandhadearnedAlfredHitchcockareputationintheUnitedStates,andhisfirstAmericanproduction,REBECCA,cementedhisfame.BasedonthenovelbyDaphneduMaurier,REBECCAwasconceivedtorivalproducerDavidO.Selznick'spreviousepic,GONEWITHTHEWIND.Thispsychologicalthriller,however,derivesitsgrandeurfromHitchcock'scarefulcultivationofthetitlecharacter'shauntinglegacy.... Rebecca(1940)Astringofcla1DaphneduMaurier1907-1990Englishnovelist,biographer,andplaywright,whopublishedromanticsuspensenovels,mostlysetonthecoastofCornwall.DuMaurierisbestknownforREBECCA(1938),filmedbyAlfredHitchcockin1940.OrsonWelles'sradioadaptationfrom1938alsopavedwayforthesuccess.ThenovelhasbeencharacterizedasthelastandmostfamousimitationsofCharlotteBrontë'sJaneEyre(1847).英国女作家达夫妮·杜穆里埃...DaphneduMaurier1907-1990Eng2Rebecca'sopeningline,"LastnightIdreamtIwenttoManderleyagain,"isamongthemostmemorableintwentieth-centuryliterature.Thestorycentersonayoungandtimidheroine.Herlifeismademiserablebyherstrangelybehavinghusband,MaximdeWinter,whomshejusthavemarried.Maximisawealthywidower.HiswifeRebeccahasdiedinmysteriouscircumstances.HishouseisruledbyMrs.Danvers,thehousekeeper.ShehasmadeRebecca'sroomashrine(圣祠)....Rebecca'sopeningline,"Last3DuMaurierfocusesonthefearsandfantasiesofthenewwife,whoeventuallylearns,thatherhusbanddidnotlovehisformerwife,acruel,egoistical(自私自利的)woman.Becauseofthefamiliarplot,suitsofplagiarismwerebroughtagainstduMaurier,buttheyweredroppedwhenthewidespreaduseofthetheme,beginningfromCharlotteBrontë'sworks,wasestablished.DuMaurier'sbook,ontheotherhand,inspiredMaureenFreely'snovelTheOtherRebecca(1996),inwhichtheenigmatic(神秘的)MaximdeWinterappearsasMaxMidwinter....DuMaurierfocusesonthefear4英国女作家达夫妮·杜·穆里埃(DaphneduMaurier1907_1990)生前曾是英国皇家文学会会员,写过十七部长篇小说以及几十种其他体裁的文学作品,一九六九年被授予大英帝国贵妇勋章。她厌恶城市生活,长期住在英国西南部大西洋沿岸的康沃尔郡,她的不少作品即以此郡的社会习俗与风土人情为主题或背景,故有“康沃尔小说”之称。

达夫妮·杜穆里埃受十九世纪以神秘、恐怖等为主要特点的哥特派小说影响较深,同时亦曾研究并刻仿勃朗特姐妹的小说创作手法,因此,“康沃尔小说”大多情节比较曲折,人物(特别是女主人公)刻画比较细腻,在渲染神秘气氛的同时,夹杂着带有宿命论色彩的感伤主义。...英国女作家达夫妮·杜·穆里埃(DaphneduMa5DavidO.Selznick(大卫.O.塞尔兹克尼))(1902-1965),Americanfilmproducer,b.Pittsburgh.HeworkedforstudiosinHollywoodbeforefoundingSelznickInternationalPicturesin1936.Selznick'smostfamousmovieisGonewiththeWind(1939),whichhealsohelpedtowriteanddirect.HisotherimportantfilmsincludeAStarIsBorn(1937)一个明星的诞生/星海浮沈录,ThePrisonerofZenda(1937)罗宫秘史,Rebecca(1940),Spellbound(1945爱德华大夫),DuelintheSun(1946),TheThirdMan(1949),andTenderIstheNight(1962).HissecondwifewastheactressJenniferJones.戴维·奥·塞尔兹尼克...DavidO.Selznick(大卫.O.塞尔兹克尼))6I.Awards&NominationsAcademy–1940CategoryNomineeWin/NominatedBestActorLaurenceOliverNominated

BestActressJoanFontaineNominated

BestDirectorAlfredHitchcockNominated

BestOriginalScoreFranzWaxmanNominated

BestScreenplayRobertE.SherwoodNominated

BestSpecialEffectsJackCosgroveNominated

BestSupportingActressJudithAndersonNominated

...I.Awards&NominationsAcademy7II.CastandCredits...II.CastandCredits...8JoanFontaine琼·芳登(born1917).U.S.motion-pictureactressJoanFontaineappearedinmanyHollywoodfilms,beginningin1937.ForherperformanceinSuspicion(1941)深闺疑云

,FontainewontheAcademyawardforbestactress.ShealsoperformedmajorfilmrolesinRebecca(1940),TheConstantNymph永恒的少女(1943),andJaneEyre(1944)....JoanFontaine琼·芳登(born1917)9LaurenceOlivier

(1907-89)aBritishactorofficiallycalledLordOlivier,whoworkedinthetheatreandcinemaforover50yearsandisoneofthegreatestactorsofthe20thcentury.HeisfamousfordirectingandactinginthreefilmsofplaysbyShakespeare:HenryV(1944),Hamlet(1948),andRichardIII(1956).OtherfilmsincludeWutheringHeights(1939),Rebecca(1940),andMarathonMan(1976).HewasalsothefirstdirectoroftheNationalTheatreinLondon....LaurenceOlivier(1907-89)aB10GeorgeSanders乔治·桑德斯

BorntoBritishparentsinRussia,SanderswaseducatedinEnglandandbasedinHollywoodfromthelate1930s.Heenjoyedoccasionalsuccessinrolesagainsttype("RageofHeaven"1941,"TheMoonandSixpence"1942),butisbestknownastheschemingblackmailerinAlfredHitchcock's"Rebecca"(1940)andastheacidulousdramacritic,AddisonDeWitt,in"AllAboutEve"(1950),forwhichhewonasupportingactorOscar....GeorgeSanders乔治·桑德斯Bornto11AlfredHitchcock(1899-1980)aBritishfilmdirectorwhomade filmsintheUKandtheninHollywoodforalmost50years.Hemadethrillers(=filmsthattellexcitingstoriesaboutcrimeandmurder)suchasTheThirty-NineSteps(1935),Psycho(1960),andTheBirds(1963).Heisfamousforhisuseofsuspense(=afeelingoffearandexcitementthatyouhavewhenyouexpectthatsomethingbadisgoingtohappen).Peoplesometimesusetheword"Hitchcockian"todescribeastoryorsituationinwhichthereisalotofsuspense....AlfredHitchcock(1899-1980)a12III.SynopsisAyoungladyisstayinginMonteCarlowithheremployerMrs.VanHopper,arichandoverbearing1lady,whenshemeetsthewealthyMaximdeWinter.MaximhasbeentravelingtryingtorecoverfromhisfirstwifeRebecca’suntimelydeathinadrowningaccident.Theyoungladyisclumsyandshy,butsheisalsobeautifulandsweet.Theseattributes2arenotmissedbythewealthyMaximdeWinter.Attheendoftheyounglady’sstayatMonteCarlo,Maximaskshertomarryhim.TheyquicklygetmarriedandreturntoManderley,Mr.Winter’sspectacularmansion....III.SynopsisAyoungladyiss13However,thesecondMrs.deWinterbeginstorealizesheisnotentirelywelcomeinhernewrole.WhentheyarrivesatManderley,shediscoversthatthefirstMrs.deWinterisfarfromforgotten.EverywhereshegoesandeveryonewithwhomshespeaksremindsherofthebeautyandaccomplishmentsofRebecca.Shebecomesconvincedthatherhusbandisconstantlycomparinghistwowives.Worstofall,shegetsadecidedlychilly4receptionfromthehousekeeperMrs.Danvers....However,thesecondMrs.deWi14SheneverletsMrs.deWinterforgetRebeccaandhowshewaslovedbyeveryone,especiallyMaxim.Mrs.DanversfinallyrevealsthedepthofherhatredbysuggestingacostumeoriginallywornbyRebeccaforMrs.deWintertowearataparty.AfterMaxim’sexpectednegativereaction,Mrs.Danversurgeshertocommitsuicidebythrowingherselffromthewindow.Mrs.deWinterissaved,though,bythenoiseoftherescueofaboatfoundnearManderley.Inthecabinoftheboat,Rebecca’scorpseisfound,thusdisprovingMaxim’sformeridentification.Soaninquestmustbetakentoinvestigateherdeath....SheneverletsMrs.deWinter15Whenhiswifetriestocomforthim,MaximrevealsthetruthbehindhismarriagewithRebeccaandtellsherhowRebeccadied.Duringtheinquest,itisdiscoveredthatRebecca’sboatwasdamaged,andhadnotcapsized5aswaspreviouslythought.Circumstantial6evidencebeginstopileupagainstMaxim,untilavisittoRebecca’spersonalphysicianrevealsherrealintentionandclearsMaxim’sname.Everythingseemstochangeforthebetterforthenewly-wedcouple,exceptwhentheycomebacktoManderleyandfinditinflame…...Whenhiswifetriestocomfort16Clip1Lastnight,IdreamtIwenttoManderleyagain.ItseemedtomeIstoodbytheirongateleadingtothedrive,andforawhileIcouldnotenterforthewaywasbarredtome.Then,likealldreamers,Iwaspossessedofasuddenwithsupernaturalpowersandpassedlikeaspiritthroughthebarrierbeforeme.Thedrivewoundawayinfrontofme,twistingandturningasithadalwaysdone.

drive:thehardareaorroadbetween yourhouseandthestreet汽车道...Clip1Lastnight,IdreamtIw17ButasIadvanced,Iwasawarethatachangehadcomeuponit.Naturehadcomeintoherownagain,andlittlebylittlehadencroacheduponthedrivewithlongtenaciousfingers.Onandonwoundthepoorthreadthathadoncebeenourdrive,andfinally,therewasManderley,Manderley------secretiveandsilent.Timecouldnotmartheperfectsymmetryofthosewalls.Moonlightcanplayoddtricksuponthefancy,andsuddenlyitseemedtomethatlightcamefromthewindows.

encroach:toadvancebeyondproperorformerlimits侵蚀;蚕食 mar:toinflictdamage,especiallydisfiguringdamage,on损坏...ButasIadvanced,Iwasaware18Andthenacloudcameuponthemoonandhoveredaninstantlikeadarkhandbeforeaface.Theillusionwentwithit.Ilookeduponadesolateshell,withnowhisperofapastaboutitsstaringwalls.WecannevergobacktoManderleyagain.Thatmuchiscertain.Butsometimes,inmydreams,IdogobacktothestrangedaysofmylifewhichbeganformeinthesouthofFrance.........19Clip22.Mrs.deWinter: Iwasdownatthecottageonthebeachtheotherday.Therewasamanthere,aqueersortofperson.Jasperkeptbarkingathim.Crawley:Oh,yeah.Must’vebeenBen.Exerciseme,he’squiteharmless.Wegivehimoddjobsnowandthen.Mrs.deWinter:Thatcottageseemedtobegoingtowreckandruin.Whyisn’tsomethingdonetoit?Crawley:WellIthinkifMaximwantedanythingdoneaboutit,he’dtellme.

exercise:tostirtoangeroralarm;upset激怒;使不安...Clip2...20Mrs.deWinter:ArethoseallRebecca’sthingsdownthere?Crawley:Yes,yes,theyare.Mrs.deWinter:Whatdidsheusethecottagefor?Crawley:Theboatusedtobemoorednearthere.Mrs.deWinter:Whatboat?Whathappenedtoit?Wasthattheboatshewassailingin,whenshewasdrowned?Crawley:Yes.Itcapsizedandsank.Shewaswashedoverboard. capsize:tooverturnorcause tooverturn 倾覆...Mrs.deWinter:Arethoseall21Mrs.deWinter:Wasn’tsheafraidtogooutlikethatalone?Crawley:Shewasn’tafraidofanything.Mrs.deWinter:Wheredidtheyfindher?Crawley:NearEdgecombe,about40milesupchannelabouttwomonthsafterwards.Maximwentuptoidentifyher.Itwashorribleforhim.Mrs.deWinter:Yes,itmusthavebeen.Mr.Crawley,pleasedon’tthinkmemorbidly(病态地)curious.Itisn’tthat.It’sjustthatIfeelatsuchadisadvantage.Allthetime,wheneverImeetanyone,Maxim’ssisteroreventheservants,Iknowthey’reallthinkingthesamething.They’reallcomparingmewithher―withRebecca....Mrs.deWinter:Wasn’tsheafr22Crawley:Youmustn’tthinkthat.Ican’ttellyouhowgladIamthatyoumarriedMaxim.It’sgoingtomakeallthedifferencetohislife.Andfrommypointofview,it’sveryrefreshingtofindsomeonelikeyourself,whoisnotentirelyintune,shallwesay,withManderley.Mrs.deWinter:That’sverysweetofyou.Idaresay,I,I’vebeenstupid,buteveryday,I,IrealizethethingsthatshehadthatIlack―beautyandwitandintelligenceandallthethingsthataresoimportanttoawoman....Crawley:Youmustn’tthinktha23Crawley:Oh,youhavequalitiesthatarejustasimportant,moreimportantifImaysayso―kindlinessandsincerity,andifyou’llforgiveme,modestymeanmoretoahusbandthanallthewitandbeautyintheworld.We,noneofus,wanttoliveinthepast,Maximleastofall.It’suptoyou,youknow,toleadusawayfromit.Mrs.deWinter:IpromiseyouIwon’tbringthisupagain,butbeforeweendthisconversation,wouldyouanswerjustonemorequestion?......24Crawley:Ifits’somethingI’mabletoanswer,I’lldomybest.Mrs.deWinter:Tellme,whatwasRebeccareallylike?Crawley:Isuppose,IsupposehewasthemostbeautifulcreatureIeversaw....Crawley:Ifits’somethingI’m25Clip33.Maxim:Hello.Mrs.deWinter:Maxim,youhaven’thadanysleep.Haven’tyouforgivenme?Maxim:Forgivenyou?WhathaveIgotyouforgivenfor?Mrs.deWinter:Forlastnightmystupidityaboutthecostume.Maxim:Oh,there.I’veforgotten.Iwasangrywithyou,wasn’tI?......26Mrs.Crawley:Ifit’ssomethingI’mabletoanswer,I’lldomybest.Mrs.deWinter:Tellme,whatwasRebeccareallylike?Crawley:Isuppose,IsupposeshewasthemostbeautifulcreatureIeversaw.Mrs.deWinter:Maxim,can’twestartalloveragain?Idon’taskthatyoushouldloveme.Iwon’taskimpossiblethings.I’llbeyourfriend,yourcompanion,I’llbehappywiththat.Maxim:Youlovemeverymuch,don’tyou?Butit’stoolate,mydarling.We’velostourlittlechanceathappiness.......27Mrs.deWinter:No,Maxim,no.Maxim:Yes.It’sallovernow.Thethinghashappened,thethingI’vedreaded,dayafterday,nightafternight.Mrs.deWinter:Maxim,whatareyoutryingtotellme?Maxim:Rebeccahaswon.Hershadowhasbeenbetweenusallthetime,keepingusfromoneanother.Sheknewthatthiswouldhappen.Mrs.deWinter:Whatareyousaying?Maxim:Theysentthediverdown.Hefoundanotherboat....Mrs.deWinter:No,Maxim,no.28Mrs.deWinter:Yes,Iknow.Franktoldme.Rebecca’sboat.Oh,It’sterribleforyou.I’msosorry.Maxim:Thedivermadeanotherdiscovery.Hebrokenoneoftheportsandlookedintothecabin.Therewasabodyinthere.Mrs.deWinter:Shewasn’talone.Therewassomebodysailingwithher.Andyouhavetofindoutwhoitwas?That’sit,isn’tit,Maxim?Maxim:Youdon’tunderstand.Therewasnoonewithher.It’sRebecca’sbodylyingthereonthecabinfloor.Mrs.deWinter:Oh,no....Mrs.deWinter:Yes,Iknow.F29Maxim:ThewomanthatwaswashedoffEdgecombe,thewomanthatisnowburiedinthefamilycrypt(地窖,地下室),thatwasnotRebecca.Thatwasthebodyofsomeunknownwoman,unclaimed,belongingnowhere.Iidentifiedit,butIknewitwasn’tRebecca.Itwasallalie.IknewwhereRebecca’sbodywas:lyingonthatcabinflooratthebottomofthesea.Mrs.deWinter:Howdidyouknow,Max?Maxim:BecauseIputitthere.Willyoulookintomyeyes,andtellmethatyoulovemenow?Maxim:Yousee,Iwasright,it’stoolate....Maxim:Thewomanthatwaswash30IV.AudienceREVIEWSIam14yearsold,andRebeccaisoneofmyalltimefavoritemovies.Ithasawayofdrawingyouinsothatyoucan'tleavetheroomorgetupuntilthefinalscene.Thewaythismovieendshadmebeggingformore,butisn'tthatwhatmakesagreatmovie?Theactingalongwiththedirectioniswhatreallybreathes(注入)lifeintothisflim.SirLauranceOlivier(MaximDeWinter)willkeepyouguessinguntilthetruthisrevealedtoyou.AndthatMrs.Danvers(JudithAnderson)willsendachillupyourspine.Thisatrueclassicthatshouldnotbepassedup(错过)....IV.AudienceREVIEWSIam14ye31AGoodHitchcock,poorending(spoilers)

AfterthefirstfewminutesofREBECCA,Iknewitwasgoingtobegreat.Ithought,"thismayendupbeingoneofthebestHitchcocks."But,asitturnedout,Iwaswrong.Thisendingshowsatotallackofknowledgeregardingthewritingmaxim(forgivethepun)"show,don'ttell."Now,I'mnotblamingHitchcockforthis.Itcould'veeasilybeenDuMaurier'sfault,orSelznick's,butitwascertainlysomeone's.Here,foronce,themiddleofthemovieismorememorablethantheending....AGoodHitchcock,poorending32Ilovethismovie

Thisisoneofmyalltimefavoritesandwatchitoverandover.JoanFontaineisspectacularandJudithAndersonisanamazingactress.Thisistrulyabeautifulmovie.Ifellinlovewiththestory,thedirection,thevisuals,theactors,everything!Hitchcockisjustthebestatthis.LaurenceOlivierandJoanFontaineportrayedtheirrolesbeautifully....Ilovethismovie...33THEEND...THEEND...34 Rebecca(1940)AstringofclassicsuspensefilmsproducedinEnglandhadearnedAlfredHitchcockareputationintheUnitedStates,andhisfirstAmericanproduction,REBECCA,cementedhisfame.BasedonthenovelbyDaphneduMaurier,REBECCAwasconceivedtorivalproducerDavidO.Selznick'spreviousepic,GONEWITHTHEWIND.Thispsychologicalthriller,however,derivesitsgrandeurfromHitchcock'scarefulcultivationofthetitlecharacter'shauntinglegacy.... Rebecca(1940)Astringofcla35DaphneduMaurier1907-1990Englishnovelist,biographer,andplaywright,whopublishedromanticsuspensenovels,mostlysetonthecoastofCornwall.DuMaurierisbestknownforREBECCA(1938),filmedbyAlfredHitchcockin1940.OrsonWelles'sradioadaptationfrom1938alsopavedwayforthesuccess.ThenovelhasbeencharacterizedasthelastandmostfamousimitationsofCharlotteBrontë'sJaneEyre(1847).英国女作家达夫妮·杜穆里埃...DaphneduMaurier1907-1990Eng36Rebecca'sopeningline,"LastnightIdreamtIwenttoManderleyagain,"isamongthemostmemorableintwentieth-centuryliterature.Thestorycentersonayoungandtimidheroine.Herlifeismademiserablebyherstrangelybehavinghusband,MaximdeWinter,whomshejusthavemarried.Maximisawealthywidower.HiswifeRebeccahasdiedinmysteriouscircumstances.HishouseisruledbyMrs.Danvers,thehousekeeper.ShehasmadeRebecca'sroomashrine(圣祠)....Rebecca'sopeningline,"Last37DuMaurierfocusesonthefearsandfantasiesofthenewwife,whoeventuallylearns,thatherhusbanddidnotlovehisformerwife,acruel,egoistical(自私自利的)woman.Becauseofthefamiliarplot,suitsofplagiarismwerebroughtagainstduMaurier,buttheyweredroppedwhenthewidespreaduseofthetheme,beginningfromCharlotteBrontë'sworks,wasestablished.DuMaurier'sbook,ontheotherhand,inspiredMaureenFreely'snovelTheOtherRebecca(1996),inwhichtheenigmatic(神秘的)MaximdeWinterappearsasMaxMidwinter....DuMaurierfocusesonthefear38英国女作家达夫妮·杜·穆里埃(DaphneduMaurier1907_1990)生前曾是英国皇家文学会会员,写过十七部长篇小说以及几十种其他体裁的文学作品,一九六九年被授予大英帝国贵妇勋章。她厌恶城市生活,长期住在英国西南部大西洋沿岸的康沃尔郡,她的不少作品即以此郡的社会习俗与风土人情为主题或背景,故有“康沃尔小说”之称。

达夫妮·杜穆里埃受十九世纪以神秘、恐怖等为主要特点的哥特派小说影响较深,同时亦曾研究并刻仿勃朗特姐妹的小说创作手法,因此,“康沃尔小说”大多情节比较曲折,人物(特别是女主人公)刻画比较细腻,在渲染神秘气氛的同时,夹杂着带有宿命论色彩的感伤主义。...英国女作家达夫妮·杜·穆里埃(DaphneduMa39DavidO.Selznick(大卫.O.塞尔兹克尼))(1902-1965),Americanfilmproducer,b.Pittsburgh.HeworkedforstudiosinHollywoodbeforefoundingSelznickInternationalPicturesin1936.Selznick'smostfamousmovieisGonewiththeWind(1939),whichhealsohelpedtowriteanddirect.HisotherimportantfilmsincludeAStarIsBorn(1937)一个明星的诞生/星海浮沈录,ThePrisonerofZenda(1937)罗宫秘史,Rebecca(1940),Spellbound(1945爱德华大夫),DuelintheSun(1946),TheThirdMan(1949),andTenderIstheNight(1962).HissecondwifewastheactressJenniferJones.戴维·奥·塞尔兹尼克...DavidO.Selznick(大卫.O.塞尔兹克尼))40I.Awards&NominationsAcademy–1940CategoryNomineeWin/NominatedBestActorLaurenceOliverNominated

BestActressJoanFontaineNominated

BestDirectorAlfredHitchcockNominated

BestOriginalScoreFranzWaxmanNominated

BestScreenplayRobertE.SherwoodNominated

BestSpecialEffectsJackCosgroveNominated

BestSupportingActressJudithAndersonNominated

...I.Awards&NominationsAcademy41II.CastandCredits...II.CastandCredits...42JoanFontaine琼·芳登(born1917).U.S.motion-pictureactressJoanFontaineappearedinmanyHollywoodfilms,beginningin1937.ForherperformanceinSuspicion(1941)深闺疑云

,FontainewontheAcademyawardforbestactress.ShealsoperformedmajorfilmrolesinRebecca(1940),TheConstantNymph永恒的少女(1943),andJaneEyre(1944)....JoanFontaine琼·芳登(born1917)43LaurenceOlivier

(1907-89)aBritishactorofficiallycalledLordOlivier,whoworkedinthetheatreandcinemaforover50yearsandisoneofthegreatestactorsofthe20thcentury.HeisfamousfordirectingandactinginthreefilmsofplaysbyShakespeare:HenryV(1944),Hamlet(1948),andRichardIII(1956).OtherfilmsincludeWutheringHeights(1939),Rebecca(1940),andMarathonMan(1976).HewasalsothefirstdirectoroftheNationalTheatreinLondon....LaurenceOlivier(1907-89)aB44GeorgeSanders乔治·桑德斯

BorntoBritishparentsinRussia,SanderswaseducatedinEnglandandbasedinHollywoodfromthelate1930s.Heenjoyedoccasionalsuccessinrolesagainsttype("RageofHeaven"1941,"TheMoonandSixpence"1942),butisbestknownastheschemingblackmailerinAlfredHitchcock's"Rebecca"(1940)andastheacidulousdramacritic,AddisonDeWitt,in"AllAboutEve"(1950),forwhichhewonasupportingactorOscar....GeorgeSanders乔治·桑德斯Bornto45AlfredHitchcock(1899-1980)aBritishfilmdirectorwhomade filmsintheUKandtheninHollywoodforalmost50years.Hemadethrillers(=filmsthattellexcitingstoriesaboutcrimeandmurder)suchasTheThirty-NineSteps(1935),Psycho(1960),andTheBirds(1963).Heisfamousforhisuseofsuspense(=afeelingoffearandexcitementthatyouhavewhenyouexpectthatsomethingbadisgoingtohappen).Peoplesometimesusetheword"Hitchcockian"todescribeastoryorsituationinwhichthereisalotofsuspense....AlfredHitchcock(1899-1980)a46III.SynopsisAyoungladyisstayinginMonteCarlowithheremployerMrs.VanHopper,arichandoverbearing1lady,whenshemeetsthewealthyMaximdeWinter.MaximhasbeentravelingtryingtorecoverfromhisfirstwifeRebecca’suntimelydeathinadrowningaccident.Theyoungladyisclumsyandshy,butsheisalsobeautifulandsweet.Theseattributes2arenotmissedbythewealthyMaximdeWinter.Attheendoftheyounglady’sstayatMonteCarlo,Maximaskshertomarryhim.TheyquicklygetmarriedandreturntoManderley,Mr.Winter’sspectacularmansion....III.SynopsisAyoungladyiss47However,thesecondMrs.deWinterbeginstorealizesheisnotentirelywelcomeinhernewrole.WhentheyarrivesatManderley,shediscoversthatthefirstMrs.deWinterisfarfromforgotten.EverywhereshegoesandeveryonewithwhomshespeaksremindsherofthebeautyandaccomplishmentsofRebecca.Shebecomesconvincedthatherhusbandisconstantlycomparinghistwowives.Worstofall,shegetsadecidedlychilly4receptionfromthehousekeeperMrs.Danvers....However,thesecondMrs.deWi48SheneverletsMrs.deWinterforgetRebeccaandhowshewaslovedbyeveryone,especiallyMaxim.Mrs.DanversfinallyrevealsthedepthofherhatredbysuggestingacostumeoriginallywornbyRebeccaforMrs.deWintertowearataparty.AfterMaxim’sexpectednegativereaction,Mrs.Danversurgeshertocommitsuicidebythrowingherselffromthewindow.Mrs.deWinterissaved,though,bythenoiseoftherescueofaboatfoundnearManderley.Inthecabinoftheboat,Rebecca’scorpseisfound,thusdisprovingMaxim’sformeridentification.Soaninquestmustbetakentoinvestigateherdeath....SheneverletsMrs.deWinter49Whenhiswifetriestocomforthim,MaximrevealsthetruthbehindhismarriagewithRebeccaandtellsherhowRebeccadied.Duringtheinquest,itisdiscoveredthatRebecca’sboatwasdamaged,andhadnotcapsized5aswaspreviouslythought.Circumstantial6evidencebeginstopileupagainstMaxim,untilavisittoRebecca’spersonalphysicianrevealsherrealintentionandclearsMaxim’sname.Everythingseemstochangeforthebetterforthenewly-wedcouple,exceptwhentheycomebacktoManderleyandfinditinflame…...Whenhiswifetriestocomfort50Clip1Lastnight,IdreamtIwenttoManderleyagain.ItseemedtomeIstoodbytheirongateleadingtothedrive,andforawhileIcouldnotenterforthewaywasbarredtome.Then,likealldreamers,Iwaspossessedofasuddenwithsupernaturalpowersandpassedlikeaspiritthroughthebarrierbeforeme.Thedrivewoundawayinfrontofme,twistingandturningasithadalwaysdone.

drive:thehardareaorroadbetween yourhouseandthestreet汽车道...Clip1Lastnight,IdreamtIw51ButasIadvanced,Iwasawarethatachangehadcomeuponit.Naturehadcomeintoherownagain,andlittlebylittlehadencroacheduponthedrivewithlongtenaciousfingers.Onandonwoundthepoorthreadthathadoncebeenourdrive,andfinally,therewasManderley,Manderley------secretiveandsilent.Timecouldnotmartheperfectsymmetryofthosewalls.Moonlightcanplayoddtricksuponthefancy,andsuddenlyitseemedtomethatlightcamefromthewindows.

encroach:toadvancebeyondproperorformerlimits侵蚀;蚕食 mar:toinflictdamage,especiallydisfiguringdamage,on损坏...ButasIadvanced,Iwasaware52Andthenacloudcameuponthemoonandhoveredaninstantlikeadarkhandbeforeaface.Theillusionwentwithit.Ilookeduponadesolateshell,withnowhisperofapastaboutitsstaringwalls.WecannevergobacktoManderleyagain.Thatmuchiscertain.Butsometimes,inmydreams,IdogobacktothestrangedaysofmylifewhichbeganformeinthesouthofFrance.........53Clip22.Mrs.deWinter: Iwasdownatthecottageonthebeachtheotherday.Therewasamanthere,aqueersortofperson.Jasperkeptbarkingathim.Crawley:Oh,yeah.Must’vebeenBen.Exerciseme,he’squiteharmless.Wegivehimoddjobsnowandthen.Mrs.deWinter:Thatcottageseemedtobegoingtowreckandruin.Whyisn’tsomethingdonetoit?Crawley:WellIthinkifMaximwantedanythingdoneaboutit,he’dtellme.

exercise:tostirtoangeroralarm;upset激怒;使不安...Clip2...54Mrs.deWinter:ArethoseallRebecca’sthingsdownthere?Crawley:Yes,yes,theyare.Mrs.deWinter:Whatdidsheusethecottagefor?Crawley:Theboatusedtobemoorednearthere.Mrs.deWinter:Whatboat?Whathappenedtoit?Wasthattheboatshewassailingin,whenshewasdrowned?Crawley:Yes.Itcapsizedandsank.Shewaswashedoverboard. capsize:tooverturnorcause tooverturn 倾覆...Mrs.deWinter:Arethoseall55Mrs.deWinter:Wasn’tsheafraidtogooutlikethatalone?Crawley:Shewasn’tafraidofanything.Mrs.deWinter:Wheredidtheyfindher?Crawley:NearEd

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