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Task:Thefirstgreatworksofdigital turearealreadybeingTranslator:Timeused:4Thefirstgreatworksof alreadybeing turearealreadybeingIt’sanunfortunatefeatureofworkingbothanovelistandagamesthatIendupsittingthroughalotpanels,round-tables,discussionsandotherexerciseshead-noddingwheredigitalpeopletrygettogripswith ling,orstorypeopletrytounderstandtheBoththesetypesofeventhaveaggravations.Whendigitalpeopleworkshopsorcolloquiaorjamsareinfinitenamesforthebasic翻译，英英释义是ofbringingpeopletogether“ combinationwithcoffee)storyling,theyoftenseemnotnoticethatquitealotofverypeoplehavebeenthinkingveryaboutstoriesfor,oh,the3,000-4,000years.I’veheard suggestthatmaybestorieshavestructural“pattern”or“structuralordering”holdstogethertheirparts,apparentlyrealisingthatalotofhavewrittenaboutthis,fromAristotleAndlet’snotevengetontothewhosaythingslike“dataisagetonto“productsareastory”,robo-vacuumcleanerhasastoryto故事可说—除工智能可以 应该以超形式交互形式、还是超和交互混合的形式何止存在，电子游戏可是（GTA我不会把GTA当做实验性文（尽you”.Noitisn’t,nothey’renot,andnounlessartificialinligencehascomemuchfasterthananticipated–itButmoreaggravatingeventhanthistheforums,summits,breakoutandseminarson“digital ture”byexceedinglywell-meaningartswhocantalkforhoursaboutwhatfuturemightbefor linginthistechnologicalage–whetherweproducehyperlinkedor ctivemulti-strandednovelsandpoemswithoutapparentlynoticingthatgamesexist.Andtheydon’tjust They’rethemosthyperlinkedfastest-growingmediumofourage.experimentaltechnological turealreadyhere;it’sthenoiseyou’retogetyourchildrentoturndownyoupenyourthoughtsabouttheLocation-based不oflocation-basedstoryWhenIbringthisupwithartsandlitypes,Ioftengetthesortof“ohcome”responsethatcanonlyfromsomeonewhohasnowhatsoeverwithwhathavebeen,andcanbe.thatGrandTheftAutoMaybeyoucansay.Maybeyoucan–plentyofhave–butno,Iwouldn’tciteGTAfascinatingexperimentallituremorethanI’dciterobo-Godzilla-blockbusterPacificRimanexampleavant-gardefilm-making(it’sButare experimentingwithmorestorylingthanany“digitalliprojectI’veseen?Yes,certainly.Andyouwanttothinkofyourselfaswellread,orwellcultured,youneedtoengagewiththem.Topickjust10examplesfromrecentyears,it’shardtoimaginehowyoucouldopineonthefutureofli turewithouthavingyedthebrilliantlycharacterfuland-wallbreakingPortal,thesombreandengrossingPapers,Please,orthedazzlinglysurrealexplorationoftheAmericansubconscious,KentuckyRouteZero.Areyouinterestedindiscussingexperimental“readitinanyorder”li ture?Thenforgoodness’sake,ythemysterynarrativesofHerStoryandGoneHomeandthehilariousandunsettlingTheStanleyParable.Ifyouwanttotalkabouthowwriterscanengagewithpolitics,capitalism,ortheenvironmentalmovement,you’llbeshowingyourignoranceifyouhaven’tyedOiligarchy.Interestedinhowstorylerscanengagewiththemesofmortality?You’llwantSpider:TheSecretofBryceManor,orJasonRohrer’sshort,powerfulgamePassage,orthesublimeJourney.Eachofthesegamescould–andprobablyshould–betaughtinschoolstoinspirethenextgenerationofTheproblemisthatpeoplewholikescienceandtechnology,andpeoplewholikestorylingandtheartshavetypicallybeencedindifferentbuildingssinceabouttheageof16.Wehaven’tbeentaughthowtoadmireeachothers’work,torecogniseexcellence,oreventoknowthatthereisexcellencein“theotherculture”.There’sakindofsullenarroganceonbothsides,拿近几年来的10个例子来件对人进行力气对的故事感？斯庄园的出自·罗 在大约16岁时就都被分在不breaking不是特别somepeopleinbothcampssimplydenyingthattheotherknowsanythingworthlisteningto.Thereisakindof“worthy”artsprofessionalwhothinksthatknowingnothingaboutgames–likesaying“Idon’tevenowna evision!”–isamarkerofin lectualsuperiority.Butwecan’taffordthatkindofthinkinganymore.Beingculturallyeducatedaboutgamesisasimportantasgoingto