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UNIT3ChinesePoetsandArchitectureArchitectureisabouttryingtomaketheworldalittlemorelikeourdreams–BjarkeIngelsArchitectureisnotbasedonconcreteandsteel,andtheelementsofthesoil.Itisbasedonwonder.DanielLiberskindPoeticAlleysandLanes
WhenJohnRuskinarguesinhisPoetryofArchitecturethatnomancanbeanarchitectwhoisnotametaphysician,heistryingtoconvincehisfellowcitizensthatarchitectureismoreofa“ministry”tothemindthantotheeyes.Itwouldhavebeenhisprofoundregret,ifhehadknownhiscountrymen,whohavebeenindoctrinatedwithtoomanyconceptsaspleasantshapes,colors,shadesandbrightness,andagainsttheideathatthechieffunctionofarchitectconsistsinitsinfluenceuponpeople’smind,arebynomeanshisbestaudience,andnobodycancatchontohisargumentsowellasaChinesewhoisacquaintedwiththeartofFengshui.TheforestofArdenneighboringShakespeare’scottagesparkedtheauthor’simaginationoffairieswhoselivesareexemptfrompublichaunt.CharlesLambdevelopedanintenseattachmenttothe“lightedshopsoftheStrandandFleetStreet”,andLondon,inhisaffectionateeyes,was“apantomimeandamasquerade”.ItwasinDoveCottagethatWordsworthwrote“ToaButterfly”,“TotheSmallCelandine”and“Daffodils”.Theagreeablesightaroundthecottagewashisjocundcompanyandhisblissofthemomentsinsolitude.Intangibleastheenvironmentis,itissubconsciouslyperceivedandconsistentlyaffectingpeople’sbehaviors.Environmentshapespeople,andagreatmanbecomesgreatbecausehisenvironmentmakeshimgreat.Fengshuiisnotasuperstitiousbelieforoldwives’taleinChina,butageographicaltheoryrevealedandutilizedbyChinesepeopleinordertobeharmonizedwiththeirenvironments.SanfangQixiang(三坊七巷)or"ThreeLanesandSevenAlleys",situatedatthecenterofFuzhouCity,istheancientresidentialareabuiltonthegoldenprinciplesofFengshuiTheory,whichaccountsforthefactthatthemenoftalentcomeoutinsuccession.TheclusterofhousesislyingpeacefullyandunpretentiouslyatthefootofWushanandYushan.Allthedwellingsareofsimilarheight,andnoimposingbuildingsoropulentabodesofpridebulgeouttoinspireunexpectedawe.Viewedatthetopofthehills,theirblack-tileroofsandpurewhitewallsformanimpressiveink-washpaintingandthebestembellishmentoftherollinghills.Thelanesandalleysaresereneasifeachhasagentleheartandbalancedmind.Butthereisanexception.Theboulevardrunninglongitudinallythroughistheboisterousmarketwhereflorists,fruitstalls,drugstores,snackbars,bookshops,pawnshops,jewelryshops,andbeautysalonsareclusteredtogether.Alongbothsidesofthearterialstreetrunlatitudinallythe10lanesoralleyswhichsplitthewholeresidentialareainto11blocks,formingapatternroughlyresemblingtheChinesecharacter非,onlywithmorestrokesontheright.TherearegateserectingatallthecrossroadswherepeopleusuallystrayoffintothelanesoralleysaftertheyhavegoteverythinginthemorningfairorbeenfedtothefullinthereputableTongliSnackBarwithabowlofRouyan(肉燕Fuzhou-stylewonton).Thegatewasbuiltwithtwostonepiersandseveralhorizontaltablets,allowingonlytwomentopassthroughitatthesametime.Sincethegatesareallnarrow,thehousesarehalfconcealedindeeprecessandundisturbedsecurity.Usually,poeticcoupletsareinscribedonthegatepillars.RhymingcoupletshavebeenusedinEnglishpoetryforlong,asseeninChaucer’sTheCanterburyTalesandShakespeareanSonnets.Theyareemployedtoemphasizethethematicconcernsofpoems.ButtheChinesecoupletsonthedoorsaredisplayedinadelicateartofwritingknownascalligraphy.OnthegatetoTaAlley,forexample,thecoupletsays:Sixsonshavepassedcivilexamination,andtheneo-ConfucianismprevailinChina;Pairofprunetreesaregreetingthestudy,andgoodworksilluminatethelife.Thefirstlineisabouttheelationofafamilyforsixsonshadpassedthehighestexaminationheldbytheimperialcourt.Thesecondlineisexpressiveofascholarlypursuitofacademicachievementandpeacefulmind.OnthegatetoGongAlley,thecoupletsays:TheworldlyconcerncouldbeshakenoffwiththeprotectionofThreePuritiesinTaoisttemple.AnimmortalfamehadbeenachievedbyShenBaozhenfortheestablishmentofFuzhouShipbuildingSchool.ThefirsthalfhighlightsthefamousTaoisttempleinthealley,whilethesecondlaudsShengBaozhen’sdistinguishedservicetothecountry.Anarrowamiablelaneisstretchingitselfforward.Pedestriansarestrollingalongonthestonetabletsfromwhosecracksorjointsthewildgrassoccasionallypeepsout.Thewhitewallsarenotstainless.Mosseshaveinvadedtheircornersandsometimeswanderinggrasshasoccupiedthecornices.Thegrassisyoung,butsomedwellinghouseshavebeenstandingthereforathousandyearssincethelateJinDynasty.Itappearsthattheartofcalligraphyhasbeenborrowedinthehousebuilding,sincetherooflinesagainsttheblueskyaremorelikethesprigofplumblossomsorbrushstrokesofcalligraphicworksthanthenonchalantoutlinesofamodernapartment.TherooftrussmightbenodifferentfromotherwoodendwellingsinChina,withrafters,postsandbeamsasitsframework,buttheeavesareoftenslightlyupturned,remindingpeopleofthetypicaltailofahorizontalstrokeinformofLishu(隸書clericalscript).Betweenhousesarefamoushorseheadwalls(馬頭墻).Theyareusuallymuchhigherthantherooftrusssothattheycanshelterthehousesfromrain,fireandstealthyglances. Clearlytheaestheticsidentifiedinpicturesquedwellingsandelegantcalligraphyhasaprofoundeffectuponthedwellers.Earlyin1068,ChenShimeng,themagistrateofFuzhou,establishedapoets’cornerandnameditGuangluyintai(光祿吟台).SincethenthepoetshavefrequentedthegladewhereahugestonewiththeinscriptionsoftheChinesecharacters光祿吟台(Guangluyintai)standsuprightlikeaquietflag.WallaceStevensargues“thepoetisthepriestoftheinvisible”.Butwhenthelargenumberofindigenouspoetsarediscussed,onemayarriveattheconclusionthatthereisahealthyandinvisibleinfluencethatmakesthelanesandalleysthebirthplaceofpoets.Wereitnotforthevenerablemansionwhoseinhabitantsincludethreegreatpoets,YangqiaoAlley,foritsfailuretosurvivetheravagesoftimeandrenovations,wouldbereducedtoadrabcommercialstreet.Themansion,bearingallthemarksofFujiandwellings,iscomposedofthreecourtyards,severalsmallyards,verandasandportals.Again,poeticcoupletsareetchedontheallthepillars.Thecoupletinthelivinghallsays,fullofvitalitylikethebroadseaandboundlesssky;open-mindedlikecarefreebreezeandclearmoon.Thecoupletinthestudysays,becontentedandbediscontented;dosomethinganddonothing.XieLuan’en,oneoftheownersofthemansion,onceexplainedthesecondcouplettohisgranddaughterXieWanying,whowasthenatthetenderageof11andwouldbewidelyacclaimedforherpoeticletterTotheLittleReaders12yearslater,thatoneshouldbecontentedwithsimplelifeandbediscontentedwithpursuitofknowledgeandmoralperfection.AnotherfemalepoetwhosenameisassociatedwiththemansionisLinHuiyinorPhyllisLin.PhylliswasalsothefirstfemalearchitectinmodernChinaandtogetherwithherhusbandLiangSichengfoundedArchitectureDepartmentofNortheasternUniversity.Asanarchitectwhoexcelledequallyatpoetryandcalligraphy,sheknewbestwhatLinJueming,heruncle,haddescribedaboutthemansioninthefamousfarewelllettertohiswife--sparseplumbranchesoutsidethewindowsievingmoonlightintoexquisiteshadows.JohnRuskin8February1819–20January1900wastheleadingEnglishartcriticoftheVictorianeraaswellasanartpatrondraughtsmanwatercolouristphilosopherprominentsocialthinkerandphilanthropistBackBackmet·a·phy·si·cian
(mĕt′ə-fĭ-zĭsh′ən)n.One
who
specializes
or
is
skilled
in
metaphysics.BackMinisterV(withto)togivehelp(to).Sheministeredtohisneeds.
服侍,照料MINISTRY
Nin·doc·tri·nate
(ĭn-dŏk′trə-nāt′)tr.v.
in·doc·tri·nat·ed,in·doc·tri·nat·ing,in·doc·tri·nates
1.Toinstructinabodyofdoctrineorprinciples.2.Toimbuewithapartisanorideologicalpointofview:childrenwhohadbeenindoctrinatedagainsttheirparents'values.BackBackfengshui
(fŭng′shwā′)n.TheChineseartorpracticeofpositioningobjects,especiallygraves,buildings,andfurniture,basedonabeliefinpatternsofyinandyangandtheflowofchithathavepositiveandnegativeeffects.Backex·empt
(ĭg-zĕmpt′)tr.v.
ex·empt·ed,ex·empt·ing,ex·empts
1.Tofreefromanobligation,duty,orliabilitytowhichothersaresubject:exemptingthedisabledfrommilitaryservice.2.ObsoleteTosetapart;isolate.adj.1.Freedfromanobligation,duty,orliabilitytowhichothersaresubject;excused:personsexemptfromjuryduty;incomeexemptfromtaxation;abeautysomehowexemptfromtheagingprocess.2.Notsubjecttocertainfederalworkplacelawsorprotections,especiallythoserequiringovertimecompensation:exemptemployees.ForestofArdenAwoodedarea,formerlyveryextensive,ofcentralEnglandnorthofStratford-upon-Avon.ItprovidedthesettingforShakespeare'sAsYouLikeIt.BackCharlesLamb(10February1775–27December1834)wasanEnglishessayist,poet,andantiquarian,bestknownforhisEssaysofEliaandforthechildren'sbookTalesfromShakespeare,co-authoredwithhissister,MaryLamb(1764–1847).Back
Back
pantomime(ˈpæntəˌmaɪm)n(Theatre)(inBritain)
a.akindofplayperformedatChristmastimecharacterizedbyfarce,music,lavishsets,stockroles,andtopicaljokes.Sometimesshortenedto:panto
b.(asmodifier):apantomimehorse.2.(Theatre)atheatricalentertainmentinwhichwordsarereplacedbygesturesandbodilyactionsmas·quer·ade
(măs′kə-rād′)n.a.Acostumepartyatwhichmasksareworn;amaskedball.Alsocalledmasque.b.Acostumeforsuchapartyorball.Back
DoveCottageisahouseontheedgeofGrasmereintheLakeDistrictofEngland.ItisbestknownasthehomeofthepoetWilliamWordsworthandhissisterDorothyWordsworthfromDecember1799toMay1808,wheretheyspentovereightyearsof"plainliving,buthighthinking".BackWilliamWordsworth
(7April1770
–23April1850)wasanEnglish
Romantic
poetwho,withSamuelTaylorColeridge,helpedtolaunchthe
RomanticAge
in
Englishliterature
withtheirjointpublication
LyricalBallads
(1798).Backjocund-fulloforshowinghigh-spiritedmerriment;"apoetcouldnotbutbegay,insuchajocundcompany"-Wordsworth;Backoldwives'talen.Asuperstitiousorspuriousbeliefbelongingtotraditionalfolklore.Back
un·pre·ten·tious
(ŭn′prĭ-tĕn′shəs)adj.Lackingpretensionoraffectation;modest:
atalentedbutunpretentiousmusician;anunpretentiousspeechacceptingtheaward.2.Notelaborate,ornate,orostentatious:anunpretentiousbungalow.SeeSynonymsatplain.Backop·u·lent
(ŏp′yə-lənt)adj.1.Possessingorexhibitinggreatwealth;affluent.2.Characterizedbyextravaganceorrichabundance;lavishorluxuriant:anopulentcostume;anopulentmusical.Backem•bel•lish•ment(ɛmˈbɛlɪʃmənt)
n.1.anornamentordecoration.2.anelaborativeaddition,astoastatement.Backlongitude(ˈloŋgitjuːd)nounthedistance,measuredindegreesonthemap,thataplaceiseastorwestofastandardnorth-southline,usuallythatwhichpassesthroughGreenwich.Whatisthelatitudeandlongitudeofthattown?经度ˌlongiˈtudinaladjective经度的ˌlongiˈtudinallyadverb纵向地Backstray
(strā)intr.v.
strayed,stray·ing,strays
1.a.Tomoveawayfromagroup,deviatefromacourse,orescapefromestablishedlimits:strayedawayfromthetourgrouptolookatsomesculptures.b.Tomovewithoutadestinationorpurpose;wander:cowsthatstrayedacrosstheroadtowardtheriver.SeeSynonymsatwander.2.Tobedirectedwithoutapparentpurpose;lookinanidleorcasualmanner:Thedriver'seyesstrayedfromtheroadtowardthefields.Back
re·cess
(rē′sĕs′,rĭ-sĕs′)n.1.a.Atemporarycessationofthecustomaryactivitiesofanengagement,occupation,orpursuit:ThechairmanofthecommitteecalledforarecessuntilThursday.SeeSynonymsatpause.b.Aperiodintheschooldayduringwhichstudentsaregiventimetoplayorrelax.2.oftenrecessesAremote,secret,orsecludedplace:abirdthatlivesdeepintherecessesoftheforest.3.a.Anindentationorsmallhollow:Dirtaccumulatedintherecessesofthestatue.Back
TheCanterburyTales(MiddleEnglish:TalesofCaunterbury[2])isacollectionof24storiesthatrunstoover17,000lineswritteninMiddleEnglishbyGeoffreyChaucerbetween1387and1400.[3]In1386,ChaucerbecameControllerofCustomsandJusticeofPeaceand,in1389,ClerkoftheKing'swork.[4]ItwasduringtheseyearsthatChaucerbeganworkingonhismostfamoustext,TheCanterburyTales.Thetales(mostlywritteninverse,althoughsomeareinprose)arepresentedaspartofastory-tellingcontestbyagroupofpilgrimsastheytraveltogetherfromLondontoCanterburytovisittheshrineofSaintThomasBecketatCanterburyCathedral.TheprizeforthiscontestisafreemealattheTabardInnatSouthwarkontheirreturn.Back
Back
Back
Sixsonshavepassedcivilexamination,andtheneo-ConfucianismprevailinChina;Pairofprunetreesaregreetingthestudy,andgoodworksilluminatethelife.六子登科,理学融天地双梅探屋,修文烛古今TheworldlyconcerncouldbeshakenoffwiththeprotectionofThreePuritiesinTaoisttemple.AnimmortalfamehadbeenachievedbyShenBaozhenfortheestablishmentofFuzhouShipbuildingSchool.紫极祀三清,仙家日月超凡俗;吴兴遗甲第,船政风云耀简编.Back
non·cha·lant(nŏn′shə-länt′)adj.Casuallyunconcernedorindifferent.Back
Back
fre·quent
(frē′kwənt)adj.tr.v.(alsofrē-kwĕnt′)fre·quent·ed,fre·quent·ing,fre·quentsTopayfrequentvisitsto;beinoratoften:frequentarestaurant.Back
glade-atractoflandwithfewornotreesinthemiddleofawoodedareaBack
drab
1
(drăb)adj.
drab·ber,drab·best
1.a.Ofadullgrayishtoyellowishbrown.b.Ofalightolivebrownorkhakicolor.2.Fadedanddullinappearance.3.Dullorcommonplaceincharacter;dreary:adrabpersonality.SeeSynonymsatdull.Back
TraditionalcourtyardlayoutBack
fullofvitalitylikethebroadseaandboundlesssky;open-mindedlikecarefreebreezeandclearmoon海阔天高气象风光月霁襟怀Back
知足知不足,有为弗有为becontentedandbediscontented;dosomethinganddonothingBackassociatevb(usuallyfollbywith)1.(tr)tolinkorconnectinthemindorimagination:toassociateChristmaswithfun.2.(intr)tokeepcompany;mixsocially:toassociatewithwriters.3.(intr)toformorjoinanassociation,group,etc4.(tr;usuallypassive)toconsiderinconjunction;connect:rainfallisassociatedwithhumidity.5.(tr)tobring(aperson,esponeself)intofriendship,partnership,etc6.(tr;oftenpassive)toexpressagreementorallowoneselftobeconnected(with):BertrandRussellwasassociatedwiththepeacemovement.nBack
林徽因与梁思成书法I.Readthefollowingstatementsanddecidewhethertheyaretrue(T)orfalse(F).1.AccordingtoJohnRuskin,nomancanbearealarchitectsincethereisnometaphysician.2.Theexamplescitedinthe2ndparagraphareusedtoprovethatthelivingenvironmentcanplayasignificantroleinshapingpeople.3.The"oldwives'tale"referstothetalenarratedbytheoldwives.Theyarebasicallycreditablesincemostofthemaretheirpersonalexperience.4.ThereinThreeLanesandSevenAlleysstandsimpressivelyaclusterofmodernbuildings.TTFF5.Allthelanesandalleystherearequietsincethereisnonoisymarket.6.ThecoupletinscribedonTaAlleyshowsthatthereisaTaoistTemplealongthealley.7.RhymingcoupletshavebeenalsoemployedinEnglishPoetry.8.Thehorseheadwallsareusedonlyfordecoration.9.Guangluyintaiisapoets'cornerwhichhasbeenthereformorethanonethousandyears.10.PhyllisLinwasthefirstfemalearchitectinmodernChina.FFFTTTIIGivebriefanswerstothefollowingquestions.WhydidsuchgreatarchitectsasLinHuiyinwritepoems?Canyouwriteapoemaboutabuilding?I.TranslatethefollowingparagraphintoEnglish.中国建筑在世界建筑群体中,可谓自成一体,中国建筑的历史于中国文明史相生相伴、源远流长。从收集到的一些遗存文字图案和标本等实物中可以找到充分的证据,证明国人一向采用本土营造体系和设计构思,其主要特征从古至今未曾改变。在广袤的大地上,从新疆到东北,从内蒙古到南海沿岸,同样的营造和设计体系被广泛采用。甚至在周边国家,如东边的朝鲜和日本以及南边的越南,也常常采用中国的营造体系和类似的平面布局。数千年来这些国家一直和中国保持着密切的往来,四千多年来,尽管中国接连不断的受到外界的影响,无论这种影响是敌视或者是友善的,还是在经济文化或军事方面的影响,但在如此广袤的土地上,中国的建筑体系依然能够持久存留,富有生命力,从而构成了绵延不断的中华文明的一部分。中国建筑在世界建筑群体中,可谓自成一体,中国建筑的历史于中国文明史相生相伴、源远流长。Amongthefamilyofarchitectureoftheworld,Chinesearchitecturemaybeconsideredanindependentbranchbyitself.ItshistoryisaslongasthehistoryofChinesecivilization.从收集到的一些遗存文字图案和标本等实物中可以找到充分的证据,证明国人一向采用本土营造体系和设计构思,其主要特征从古至今未曾改变。Fromeverysourceofinformation—literary,graphicalandexemplary,therecanbegatheredconvincingevidencestestifiedtothefactthatChinesepeoplehavealwaysemployedanindigenoussystemofconstructionandaconceptionofplanningwhichhaveretainedtheprincipalcharacteristicsfromtheearliesttimestillthepresentday.在广袤的大地上,从新疆到东北,从内蒙古到南海沿岸,同样的营造和设计体系被广泛采用。甚至在周边国家,如东边的朝鲜和日本以及南边的越南,也常常采用中国的营造体系和类似的平面布局。OverthevastareafromXinjiangtothenortheast,fromInnerMongoliatothesouthseacoast,thesamesystemofconstructionandplanningisprevalent.BeyondChina,inKoreaandJapanintheeastandVietnaminthesouththesamesystemofconstructionandsimilarplanarrangementsaremuchused.数千年来这些国家一直和中国保持着密切的往来。四千多年来,尽管中国接连不断的受到外界的影响,无论这种影响是敌视或者是友善的,还是在经济文化或军事方面的影响,但在如此广袤的土地上,中国的建筑体系依然能够持久存留,富有生命力,从而构成了绵延不断的中华文明的一部分。AndthesehaveallalongbeenthecountrieswhosepeoplecanbeestablishedveryintimatecontactswiththeChineseforthousandsofyears.Theabilityofthissystemperpetuatesitselfforoverfourthousandyearsoversuchavastareaandstillremainsalivingarchitecture,andtoretainitsprincipalcharacteristicsinspiteofrepeatedandcontinuousforeigninfluence,hostileorfriendly,economical,culturalormilitary,isaphenomenoncomparableonlytothecontinuityofthecivilizationofwhichitformsanintegralpart.AbrahamLincoln,AmericanDeclarationofIndependence,casementwindow,charcoalburners,Gothicchurch,IndependenceHall,logcabin,overhang,Renaissance,settler,twigII.Fillintheblankswiththewordsorexpressionsprovided,andchangetheformifnecessarysettlerscharcoalburnerstwigsassoonastheSwedeshadsettledinDelaware.TheSwedeshadlivedin(4)inSwedenandwhentheycametoAmericawherelogswereeasytoget,theybuiltlogcabinstherealso.Atleastonelogcabinhasbecomefamous.Itistheone(5)wasbornin.NowthewholecabiniskeptinabigmarblebuildingbuiltespeciallytoholditandprotectitatHodgenville,Kentucky..logcabinsAbrahamLincolnSomeoftheearlybuildingsthatthesettlersfromEnglandbuiltwereGothicinstyle.AtJamestowninVirginiathesettlersbuiltasimplelittlebrick(6)whichhassincefallentopieces.ButanotherlittleearlychurchcalledSt.Luke’sisstillstanding.St.Luke’shasthepointedwindowsandsteeproofoftheGothic,andthisseemsstrangebecausethe(7)hadreachedEnglandsomeyearsbeforeAmericawassettledbyEnglishmen.GothicchurchRenaissanceInNewEnglandaswellasinVirginiasomeoftheearlyhouseswereGothic.Theywerebuiltofwoodandhadwindowsopeningatthesideonhinges(thewayadooropens),withmanysmallpanesofglassineachwindow—(8)theyarecalled.Generally,thesecondstoryofthesehousesstuckoutafootorsobeyondthefirststorysothattherewasan(9)infront.
(11)inPhiladelphiaisfamousasthebuildingwherethe(12)wassigned.Thatishowitgotitsname.itwasdesignedbyalawyer.ItisafineexampleofGeorgianColonialarchitectureinbrick.casementwindowsoverhangIndependenceHallAmericanDeclarationofIndependence,III.Read“PoeticAlleysandLanes”andwriteasummary.IV.Speakonthefollowingtopics.Thepsychologicalimpactofarchitecture:Howdoesthedesignandlayoutofabuildingaffectthementalstateofitsoccupants?Whatareexamplesofbuildingsthataredesignedtopromotewell-beingandpositivementalhealth,andhowdotheyachievethis?Theroleofarchitectureinfosteringcreativityandproductivity:Howcanthedesignelementsofabuilding,suchaslight,color,andspace,impactaperson’sabilitytothinkcreativelyorbeproductive?Aretherespecificbuildingfeaturesordesignstylesthataremoreeffectivethanothersinpromotingsuchtraits?V.CriticalthinkingThearchitectsofancientChinapaidmuchattentiontothedepthoftheoverhangoftheeave(飞檐).Whatarethefunctionsofsuchanarrangement?Andwhatisitsaestheticsignificance?ReadingThefirstchapterofElizabethClaghornGaskell's"TheLifeofCharlotteBronte"setsthestageforthebiographyoftheaccomplishedauthor.Publishedin1857,"TheLifeofCharlotteBronte"detailsthelifeandworksofCharlotteBronte,theesteemedVictorianauthorbestknownforherpopularnovel"JaneEyre."Inthisinitialchapter,GaskellprovidesbackgroundinformationontheBrontefamilyandtheirclosetiestothetownofHaworthinnorthernEngland.Choosethebestanswertoeachofthefollowingquestions.1.WhyhadthenumberofinhabitantsofKeighleybeenincreasingforthelasttwentyyears?A.Becausepeopleweredrawnbythegreenscenery.B.Becausepeoplehadnootherchoices.C.Becausethemarketforworstedmanufacturershadbeenextended.D.BecausealotofChineseworkersflockedintoit.√2Whichstatementistrue,accordingtothedescriptionsinthe2ndparagraph?A.Therewasnoprofessionalmiddle-classinthetown.B.Lawyersanddoctorswerelivingintheneighboringvillages.C.Alltheinhabitantswerecoalminers.D.Lawyersanddoctorswerealsoneededintheflourishingtown.3.Theinitialsentenceofthe3rdparagraph,"thetownofKeighleyneverquitemeltingintocountryontheroadtoHaworth",means________.A.thetownfinallygivesitswaytocountryB.therearehousesalongtheroadtoHaworthC.theso-calledtownresemblesavillageverymuchD.thetownhasonlyonestreet√√4.WhyistherealightfeelingofdisappointmentwhenavisitorsetshiseyesonthesceneryonthewaytoHaworthfromKeighley?A.Becausetherearenobighousesforlawyersanddoctors.B.BecausetherearenoplantsfoundalongtheroadtoHaworth.C.Becausetheroadistoobumpy.D.Becauseallthethingsaretintedwithgrey.5.Theparsonagestands_______.A.besidethegraveyardB.abovemostofthehousesC.atthefootofthemountainD.abovethegraveyard√√
ChineseFoodandWarsUNIT4LearningObjectivesGiveaspeechontheimportanceoffoodsecurityLearnaboutexpressionsonfood1Talkaboutfoodandlegend23TextWords&ExpressionsQuotationsUnderstanding
thetextLanguageExercisesReadingThereisnosincerelovethantheloveoffood.--GeorgeBernardShawTextWords&ExpressionsQuotationsUnderstanding
thetextLanguageExercisesReadingWeateinpavilionsonthesand.Pastriesmadeofcookedandshreddedfishandredandgreenpeppersandsmallnutslikegrainsofrice.Pastriesdelicateandflakyandthefishofarichnessthatwasincredible.Prawnsfreshfromtheseasprinkledwithlimejuice.Theywerefourbitestoaprawn.Ofthoseweatemany.Thenweatepaellawithfreshseafood,clamsintheirshells,mussels,crayfish,andsmalleels.--ErnestMillerHemingwayTextWords&ExpressionsQuotationsDeliciousTreatsfromTurbulentTimeUnderstanding
thetextLanguageExercisesReadingFujiancuisineisrenownedforitsexceptionalculinarytechniquesinpreparingbothlandandseadelicacies,offering
adiversearrayofflavorsandpresentinganoverviewofFujian’scustomsandhistorythroughthelegendsandstoriesassociated
with
itsdishes.Amongitswell-knownsnacksareOysterOmelet,SeaWormJelly,andGuangbing,whichwerereportedlycreatedduringperiodsofwarandhaveconnectionstocelebratedmilitarycommanderssuchasQiJiguang(戚继光),ZhengChenggong(郑成功),andZuoZongtang(左宗棠).OneofthemostpopularsnacksinnorthernFujianisGuangbing,whichhasaninterestinghistorylinkedtoQiJiguang,whowasaChinesemilitarygeneralandnationalheroduringtheMingDynasty,rememberedforhiscourageandleadershipinfightingagainstJapanesepiratesalongtheeastcoastofChina.Inthelate1562,whilepursuingJapanesepiratestoFuqing,histroopsencounteredinclementweatherandcouldnotcooktheirfood.Tosolvethisproblem,QiJiguangorderedthesoldierstobakesmallcakeswithaholeinthemiddle,whichtheystrungtogetherwithhempropeforeasytransport.Thesecakesprovedtobeadelicacyandapracticalsolutiontothetroops’mobilityandfightingcapacity.ThecakesbecamesopopularthatpeoplealloverthecoaststartedmakingthemforQi’stroops,contributingsignificantlytothewaragainsttheJapanesepirates.TohonorQiJiguang’sachievements,peopleadoptedtheword“guang”fromthemilitaryleader’snameandnamedthiscake“Guangbing”(“bing”meaningcakeorpie).Guangbingismadeprimarilyfromrefinedflour,salt,and
dietaryalkali.After
kneadingthedough,itisflattenedintoacircularcakeandtoppedwithsesameseeds,andthenholesarepunchedthroughthemiddle.Thecakeisthenlefttorisebeforebeingplacedinaspecialoventhathasbeenpreparedinadvance.Pineneedles,
freshlypickedfromthatyear,areusedtobakethecakeuntilitbecomescrispyand
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