必修二Unit1课时作业复习阅读+七选五+课文填空+翻译+短文填空

一、阅读理解（每题2.5）ASofar,dozensofvillagesinChinahavebeenrecognizedamongtheBestTourismVillagesbytheUnitedNationsWorldTourismOrganization.Herearefourofthem.AzhekeinYunnanProvinceSurroundedbyriceterraces(梯田),over60“mushroomcottages”withbrickwallsandgrassroofsareregardedasthebest-preservedarchitectureofHaniethnicgrouptraditioninYuanyangcounty,YunnanProvince.Formorethan160years,thetinyvillagehasbeenhometotheHaniethnicgroup,withitsnamemeaning“aplacewherebambooforestsflourish”intheHanilanguage.TaopinginSichuanProvinceTaopingvillageinLixiancounty,SichuanProvince,isalandofbeautythatboaststhemarvelousheritageofoneofChina’soldestethnicgroups—theQiang.Thevillagehasoneofthebest-preservedancientQiangarchitecturalcomplexeswithahistoryof2,000years.Interestingly,thevillageisawholeentityformedby98interconnectedstonehousesandtwonine-storywatchtowers.XitouinZhejiangProvinceLocatedinthemountainousregionofLongquan,ZhejiangProvince,Xitouvillageisaplacewithalongtraditionofceladonporcelain(青瓷)making.Here,familieshaveprotectedandhandeddowntheirtechniquesthroughgenerations.Thevillage,withahistoryof1,400years,hassevenancientkilns(窑)stillinuse.In2009,thetraditionalwood-firedtechniqueofLongquanceladonporcelainwasrecognizedbyUNESCOasanIntangibleCulturalHeritageofHumanity.YandunjiaoinShandongProvinceThisfishingvillagefacestheYellowSea,witha7,000-meter-longcoastline.FoundedduringtheChongzheneraoftheMingDynasty(1627-1644),thevillagehasalonghistory.Theseagrasshousesarealocalarchitecturalfeatureandthousandsofwhooperswansenjoytheirwintertimethere.1．Whichvillagehasthelongesthistory?A．AzhekevillageinYunnanProvince. B．TaopingvillageinSichuanProvince.C．XitouvillageinZhejiangProvince. D．YandunjiaovillageinShandongProvince.2．WhatdoAzhekevillageandTaopingvillagehaveincommon?A．Theyarebothbigancientvillages. B．Theybothhaveuniquecoastalscenery.C．Theyprotecttheethnicminorityculture. D．Theysavemanywildplantsandanimals.3．WhatcanweknowaboutXitouvillage?A．Itismainlylocatedonthecoast. B．Itishometoethniccommunities.C．Itdevelopsquicklyandprosperously. D．ItpreservestheChineseporcelainculture.BOverthepastthreeyears,KangJianhascreatedmorethan400doughsculptures(面塑)andbecomeacity-levelinheritor(传承人)ofthisintangibleculturalheritageinMohe,HeilongjiangProvince.“WhenIwasalittleboy,everytimemyparentsmadedumplings,theywouldgivemeasmallpieceofdough,”hesaid.“Itriedtomakevariousanimals—arabbit,afish,orasnail.Thesmall,simpleobjectsbroughtmelotsofgoodchildhoodmemoriesandplantedtheseedsoffineart,especiallysculpture,inmyheart.”Kang’sparentswerenotfinanciallyabletosupporthisdesiretostudyfineartswhilehewasatschool.Buthedidn’tgiveup.Hespenthissparetimeafterschoolstudyingdrawingbyhimself.Then,inDecember2018,duringavisittoamuseuminBeijing,Kang,forthefirsttime,gotinformationabouttheintangibleculturalheritageofdoughsculpting,whichattractedhimgreatly.“Iwasreallyexcitedtolearnaboutdoughsculpting.”hesaid.“ThenIhadtheideaoftakingmychildhoodinterestupagain.”Hethenspent20dayslearningskillsfromBaiChunyu,aprovincial-levelinheritorofdoughsculpting.AndinAugust2019,hegotthechancetolearnfromanothernational-levelinheritor.Kangspentnearlyallhissparetimepracticing,hopingtoimprovequickly.“Tolearnasmuchaspossibleduringmy40daysthere,Ipracticedeverydayfrom6amuntillateatnight,”hesaid.“WhenIslept,Ihadtoputmyhandsinhotwatertorelievethepain.Butalltheeffortsturnedouttobeworthit.”InApril,Kangcompletedthedoughsculpturesof108charactersfromthenovelOutlawsoftheMarshafter16monthsofwork.“MostofmydoughsculpturesaretraditionalChinesecharacters.Inmymind,therealvalueofmydoughsculptureasanationalintangibleculturalheritageliesinitsconnectionwithtraditionalChineseculture.That’sthecharmandsignificanceoftheart,”hesaid.4．WhatinspiredKangtohavethedreamofdoughsculpting?A．Histalentfordrawing.B．HisadmirationforBai’sskills.C．Hisparents’encouragementandsupport.D．Hischildhoodexperienceswithdough.5．WhatdidKangdotolearndoughsculpting?A．Hesoughtguidancefrommasters.B．Hepaidfrequentvisitstomuseums.C．Hegotformaltrainingatanartschool.D．Hesoughthelpfrommanysculptinglovers.6．WhatdoesKangprobablythinkofhislearningofdoughsculpting?A．Tiringbutrewarding. B．Costlyandstressful.C．Fruitfulandsmooth. D．Boringbutproductive.7．WhydoesKanglikemakingdoughsculpturesofChinesecharacters?A．Togetmorerecognition.B．Toattractmoreenthusiasts.C．TobetterexpressChineseculture.D．ToimproveskillswithfamiliarcharactersC“Theseobjectsreflectpeople’spursuitofbeauty.Theyhavebeentreasuredandpasseddownthroughthecenturiesbecausetheyareoutstandingexamplesofartisticexcellence,”saysZhuXiaoyun,curatoranddirectorofinternationalrelationsatthemuseum.Shesaysthetourtakespeoplethroughdifferentexhibitionhalls,introducingartifactsthatshowcasearangeofcraftsmanshipandartforms,helpingthemunderstandtheevolutionofChineseculturalandaesthetictraditions.Someoftheobjects,shesays,appreciatethebeautyofnature,andunderlinethe“daofaziran”principleinclassicChinesephilosophy,thatis,learningfromnatureandfollowingitsprinciples.Otherscelebratethepinnacleofancientcraftsmanship,suchasaseventh-centurygoldnecklaceinlaidwithpearlsandredandbluegemstones.Thenecklacehasapoignantbackstory.In608,9-year-oldLiJingxun,ayoungaristocratandgranddaughterofYangLihua,adaughterofYangJian,thefoundingemperoroftheSuiDynasty(581-618),wasburiedinanextraordinaryceremony.Archaeologistsexcavatinghertombmorethan1,300yearslaterwereastonishedbytherichnessoftheburial,whichincludedthenecklacenowdisplayedintheexhibitionAncientChina.Otherartifactsreflectthegrandeurofsocialrituals,suchasintricatelypatternedbronzesfromtheShangDynasty(c.16thcentury-11thcenturyBC),usedinmajorceremonies.Stillothersconveyromanceandfreedom,suchasaTangDynasty(618-907)muralofawomaninaflowingreddressperformingthe“scarfdance”,inwhichthedancerwovelongscarvesthroughtheair.8．Whyhavetheobjectsmentionedinthepassagebeentreasuredforcenturies?A．Theyareexpensiveandrare.B．Theyrepresentexcellentartistry.C．Theywereownedbyancientemperors.D．Theytellstoriesofordinarypeople.9．Whatdoesthemuseumtourhelppeopleunderstand?A．Howtocreateancientartifacts.B．Thehistoryofthemuseumitself.C．ThedevelopmentofChineseculturalandaesthetictraditions.D．ThedifferencesbetweenChineseandWesternartforms.10．Whatdoesthe“daofaziran”principleemphasize?A．Controllingnaturethroughtechnology.B．Learningfromnatureandfollowingitsrules.C．Usingnaturalmaterialstomakeartifacts.D．Decoratingobjectswithnaturalpatterns.11．WhatdotheShangDynastybronzesreflect?A．Thebeautyofnature.B．Thegrandeurofsocialrituals.C．Romanceandfreedom.D．Dailylifeofancientpeople.二、七选五（每题2.5）Naturalsitesandhistoricbuildings,whenleftalone,canslowlybeinbadcondition.12Forthesereasonswemustprotectthem.“WorldHeritage”isthetitlegiventoplaceschosenfromnaturalsitesandhistoricbuildingsaroundtheworld.Theseplacesareconsideredspecial,valuableandrequireprotection.Theymaybeplacesofnaturalorculturalrelicsthataretheprideofthepeopleinthecountry.13Eachisatreasureofourplanetthatmustbeprotectedforusandourfuturegenerations.14That’swhymeasuresarebeingtakenaroundtheworldtoprotectthem.Forinstance,theGalapagosIslandsarenowprotectedbyrulesthatstoppeoplefrombringingorremovingplantsandanimalstoorfromtheislands,movingrocksandtouchingtheanimals.IntheUS,peoplearenotallowedtovisitGrandCanyonNationalParkbyprivatecars.Itaimstoprotectthepark’senvironmentfromthegasproducedbycars.15AustraliaismakingstricterlawstopreventagriculturalchemicalsfromflowingintotheoceanneartheGreatBarrierReef.EffortsarealsobeingmadetoprotectnaturalheritagesitesinJapan.InShiretoko,onlyasmallnumberofpeopleareallowedtowalkonitsnaturalpathatthesametime.16A．Theymayalsobehometoendangeredspecies.B．Therearelotsofnaturalheritagesitesaroundtheworld.C．Peoplecanchangetheseplacestoo,justasthewindandraincan.D．NaturalHeritageisvaluedforgeographicalcharacteristicsandbeautifulscenery.E．Evenextremelybeautifulnaturalenvironmentscanbeinbadconditioniftheyareleftalone.F．Itcanreducetheriskofpeopleaccidentallysteppingonvaluableplants.G．Thereareevensecurityguardstherewhocanarrestpeoplethatbreaktherules.三、语法填空（每空1.5，共15分）Intangibleculturalheritage(ICH)isavitalpartofChina’sculturalidentity.Amongthesetraditions,shadowpuppetry(皮影戏)standsoutasaremarkableartform1combinesstorytelling,music,andintricatecraftsmanship.However,likemanyICHitems,itoncefacedtheriskofdisappearance.Inrecentyears,theChinesegovernment2(take)activemeasurestopreserveandpromoteshadowpuppetry.Mastersofthisartarenowencouragedtoteachin3(school)andcommunities.Meanwhile,digitaltechnologyisbeingusedtorecordandarchivetheirperformances,4(ensure)thatfuturegenerationscanaccess