雨课堂学堂在线学堂云《Observation and Embodiment in Chinese Landscape Painting(中国画学·中国山水画的观物与体象)（中国美术学院）》单元测试考核答案

第1题SpringExcursionoftheSuidynastyisfromwhichoneofthefollowingpainters:AWangWeiBZhanZiqianCLiSixunDWangMo第2题‍WhichoneofthefollowingYuanpaintersdidn’tfollowthestyleofLiChengandGuoXioftheNorthernSongdynasty:AZhuDerunBTangDiCYaoTingmeiDGaoKegong第3题WhichoneofthefollowingpointsarenotincludedintheLoftyAmbitionofForestsandStreams:AThearchaicstyleismostvaluedinpainting.BThreeDistanceTheorem:highdistance,deepdistance,andleveldistance.CThemountainsinspringarelightandseductiveasifsmiling;themountainsinsummerhaveablue-greencolorwhichseemstobespreadoverthem;themountainsinautumnarebrightandtidyasiffreshlypainted;themountainsinwinteraresadandtranquilasifsleeping.DMountainshavewaterastheirveins,grassandtreesastheirhair,andmistandcloudsastheirspirit.第4题LandscapepaintinggraduallyseparatedfromwhatkindoffigurepaintingandbecameaseparategenreduringtheWei,Jin,andSouthernandNorthernDynasties?A

“Observeitsmomentumfromafar,andcomprehenditsqualityincloseproximity.”B

“Sagesofremotepastdiscoveredthephilosophicalwisdominherentinnaturethroughimaginationandcontemplation.”C

“Figureslargerthanmountains,waterscapeshowingnoexpanse.”D

“Heavenandearthexistinharmonywithmeandallthingsintheuniverseareinseparablefromme.”第5题WhoinfluencedtheformationofMiFu’slandscapepaintingstyle?AWangQiaBWangWeiCLiSixunDDongYuan正确答案：ABD第6题ThereweretwomaindifferentstylesoflandscapepaintingintheTangdynasty,onerepresentedbyLiSixunandLiZhaodao,andtheotherbyWuDaozi.

第7题WangWei,apoetandapainter,istheoriginatorofliteratipainting.

第1题ThetexturestrokesusedinTravelersbyStreamsandMountainsare:AUnraveled-ropestrokesB“Split-bean”shapedtexturestrokesCHempfiberstrokesDLotusleaftexturestrokes第2题VisualeffectsofTravelersbyStreamsandMountainsdonotinclude:‎AThemountainsaremistyandthewaterisbrimming.BAsdarkastheobscuretwilight.CTheinkisheavyandthick,andthemomentumisimposing.DAswalkingonamountainatnight,deepinthedark.第3题ThepaintingmethodoftheupperpartofthefountainintheTravelersbyStreamsandMountainsis:ASplittingwaterBWatertextureCOutliningwaterDAlloftheabove第4题WhichoneofthefollowingideasarefromZhuangzi：‍ATherefore,thosewhoestablishtheimageillustratetheintent,sotheimagecanbeabolished.BToobtaintheimageistoabolishtheword.CWithinittruemeaningresides,Iintendtoclarifybuthaveforgottenmywords.DObtainingtheintentandabolishingtheword.第5题WhichofthefollowingworksbelongtoFanKuan:AWintryGrovesinaSnowyLandscapeBASolitaryTempleamidClearingPeaksCTravelersbyStreamsandMountainsDSittingAlonebyaStream正确答案：ACD第6题TravelersbyStreamsandMountainsdepictsaviewoftheShaanxiarea.第7题TheYuandynastypainterZhaoMengfusaidFanKuan’spaintingswere“truemasterpiecesoftheancientandpresent-day,”and“thebestofallSongpaintings.”‏Chaptertest第1题WhichoneofthefollowingplacesisshowninPureandRemoteViewsofStreamsandMountains?AJiangnanareaBNorthChinaCNorthwestareaDSouthwestarea第2题“WhenreadingWangWei’spoems,onecanconjureupapicturesqueimage.WhenviewingWangWei’spaintings,onecanexperienceapoeticsentiment”wasstatedby:‎AWangWeiBSuShiCHuangTingjianDMengHaoran第3题InthepoeminscribedbytheQianlongemperor“Xiajiajiafafuyinzhong,”“Fuandyin”means:AappreciatingandchantingBcaressingandlisteningCstrokingandchantingDcaressingandchanting第4题TheformatofPureandRemoteViewsofStreamsandMountainsis:AAlbumleafBFansurfaceCHandscrollDHangingscroll第5题WhichofthefollowingtexturestrokeswereusedinPureandRemoteViewsofStreamsandMountains:ANail-headtexturestrokeBMud-wadingtexturestrokeCHemp-fiberstrokesDAx-cuttexturestroke正确答案：ABD第6题Therenderingmethodisactuallyapartoftheinkmethodaswell.第7题Whilethelandscapepaintingdepictsnature’sformallikeness,italsoalludestotheauthor’sinnerworld.Chaptertest第1题“TheFourMastersoftheYuandynasty”are:AHuangGongwang,QianXuan,WangMeng,NiZanBZhaoMengfu,HuangGongwang,WangMeng,NiZanCZhaoMengfu,QianXuan,HuangGongwang,WuZhenDHuangGongwang,WuZhen,WangMeng,NiZan第2题The“RemainingMountain”ofDwellingintheFuchunMountainsisinthecollectionof:‎AShanghaiMuseumBZhejiangProvincialMuseumCTaipeiPalaceMuseumDThePalaceMuseum,Beijing第3题WhichoneofthefollowingviewsisfromZhuangzi:A“Drawinspirationfromallthingsinnature,andinternalizingthespiritofhissaintedsubject.”B“Embracingmyriadthingswithinone’sbosom.”C“Puttheminordetailsasideandextractthekeyelements,andthenoutlinetheforminmind.”D“Purestateofthemind”and“forgettingthedifferenceandoppositionbetweenselfandtheuniverse.”第4题What’sthemediumofDwellingintheFuchunMountains:AInkonsilkBInkandcoloronpaperCInkonpaperDInkandcoloronsilk第5题WhichofthefollowingworkswerepaintedbyHuangGongwang:‏ADwellingintheMountainsduringSummerBGreatSummitsofFuchunCClearingafterSuddenSnowDNineMountainPeaksafterSnowfall正确答案：BCD第6题DwellingintheFuchunMountainswaslaterpraisedasthe“paintingoftheOrchidPavilion,”where“OrchidPavilion”referstoWangXizhi’sPrefacetotheOrchidPavilionGathering.‍第7题TheQianlongemperorbelievedthatthe“ZimingScroll”wasgenuineandthatthe“TheMasterWuyongScroll”wasaforgery,andthisconclusioniscorrect.‌Chaptertest第1题WhichuniquemethodintraditionalChinesepaintingisreferredtoas“knowingbyobservationandrememberingbyheart”?AAlloftheaboveBPaintingthroughtextCPaintingfrommemoryDPaintingon-site第2题WhichpieceofWangMeng’sworkwasinscribedbyDongQichang(Mingdynasty)ontheinscriptiveblock(shitang)that“ApaintingbyWangShuming,bestoftheworld”?ATheDaoistImmortalGeZhichuanMovingHisDwellingBLodgeintheForestofLakeTaiCDwellingintheMountainsduringSummerDSeclusionintheQingbianMountains第3题WangChanglingproposedthatpoetryhadthree“realms”intheRulesofPoetry.Whichofthefollowingdoesnotbelongtothethreerealms?ATherealmofobjectsBTherealmof

imaginationCTherealmofenvironmentDTherealmof