美术大学英语四级试题

美术大学英语四级试题

PartIReadingComprehension(40points)SectionA(20points)Directions:Thereare2passagesinthissection.Eachpassageisfollowedbysomequestionsorunfinishedstatements.ForeachofthemtherearefourchoicesmarkedA),B),C)andD).Youshoulddecideonthebestchoice.PassageOneQuestions1to5arebasedonthefollowingpassage.Intheworldofart,colortheoryisacornerstoneconcept.Itinvolvesthepracticalapplicationofcolormixingandthevisualeffectsofspecificcolorcombinations.Whilehistorically,artistslearnedtheseprinciplesthroughapprenticeshipandpractice,modernarteducationoftenincorporatesamorescientificapproach.Thecolorwheel,developedbySirIsaacNewton,isafundamentaltool.Itarrangescolorsinacircletoshowtherelationshipsbetweenprimarycolors(red,yellow,blue),secondarycolors(green,orange,purple),andtertiarycolors.Understandingcolorharmonyiscrucialforartists.Complementarycolors,whichsitoppositeeachotheronthecolorwheel(likeredandgreen),createhighcontrastandvibrantlookswhenplacedsidebyside.Analogouscolors,whicharenexttoeachotheronthewheel(likeblue,blue-green,andgreen),offerharmonyandserenevisualcomfort.Thepsychologicalimpactofcolorsisalsosignificant.Forinstance,warmcolors(reds,oranges,yellows)areoftenassociatedwithenergyandpassion,whilecoolcolors(blues,greens,purples)evokecalmnessandstability.Thisknowledgeempowersartiststoconveyspecificmoodsandmessagesthroughtheirwork,influencingtheviewer'semotionalresponsebeforetheyevenprocessthesubjectmatter.1.Whatisthemainpurposeofthecolorwheelinart?A)TolistallthecolorsdiscoveredbyIsaacNewton.B)Toshowthehistoricaldevelopmentofcolors.C)Todisplaytherelationshipsbetweendifferentcolors.D)Toreplacetraditionalapprenticeshipinartlearning.2.Accordingtothepassage,whichcolorcombinationwouldcreatethehighestcontrast?A)Blueandblue-green.B)Redandorange.C)Yellowandgreen.D)Redandgreen.3.Theword"serene"inParagraph2isclosestinmeaningto______.A)excitingB)peacefulC)complicatedD)dull4.Whatcanbeinferredaboutthepsychologicalimpactofcolors?A)Itistheonlyfactorartistsconsider.B)Itworksindependentlyoftheartwork'ssubject.C)Coolcolorsarealwaysmorepopularthanwarmcolors.D)Ithelpsartistscommunicateemotionsintentionally.5.Whatisthepassagemainlyabout?A)ThebiographyofIsaacNewton.B)Thescientificprocessofmakingpigments.C)Theimportanceandapplicationofcolortheoryinart.D)Thedifferencesbetweenmodernandhistoricalarteducation.PassageTwoQuestions6to10arebasedonthefollowingpassage.Publicart,suchasmurals,sculptures,andinstallationsinurbanspaces,playsamultifacetedrolebeyondmeredecoration.Itcantransformblandcityscapes,fostercommunityidentity,andprovokepublicdiscourse.However,thecreationandmaintenanceofpublicartinvolvecomplexchallenges,primarilyfundingandpreservation.Fundingoftencomesfromamixofpublicgrants,privatedonations,andpercent-for-artprograms,whereapercentageofaconstructionproject'sbudgetisallocatedtoart.Yet,securingconsistentfundingisdifficult,aspublicbudgetsfluctuatewitheconomiccycles.Preservationisanotherhurdle.Unlikemuseumpieces,publicartisexposedtoweather,pollution,andsometimesvandalism.Conservationrequiresspecializedskillsandongoinginvestment,whichmanymunicipalitiesstruggletoafford.Despitethesechallenges,thevalueofpublicartisincreasinglyrecognized.Itcanboostlocaltourism,increasepropertyvalues,andprovideartistswithsignificantvisibility.Moreimportantly,itmakesartaccessibletoeveryone,notjustgallery-goers,democratizingculturalexperienceandenrichingdailylife.Thedialogueitsparks—abouthistory,society,orbeauty—isaninvaluablepartofavibrantcivicculture.6.WhatisNOTmentionedasaroleofpublicartinthepassage?A)Improvingtheappearanceofurbanareas.B)Stimulatingpublicdiscussion.C)Guaranteeinghighprofitsforartists.D)Strengtheningcommunityspirit.7.Whatdoes"percent-for-artprograms"referto?A)Taxdeductionsforartists.B)Usingaportionofabuildingproject'sfundsforart.C)Sellingpublicarttofundcityprojects.D)Afixedpercentageofmuseumticketsfundingpublicart.8.Whyispreservingpublicartparticularlychallenging?A)Artistsarenotinterestedinmaintainingtheirwork.B)Itiskeptincontrolledenvironmentslikemuseums.C)Itfacesoutdoorhazardsandlacksconsistentconservationfunds.D)Thematerialsusedareinherentlyshort-lived.9.Accordingtothepassage,howdoespublicartdemocratizeculturalexperience?A)Bybeingsoldatlowprices.B)Bybeingcreatedthroughpublicvoting.C)Bybeingaccessibletoallpeopleinpublicspaces.D)Byfeaturingonlypopularandsimplethemes.10.Whatistheauthor'soverallattitudetowardspublicart?A)Stronglycritical.B)Cautiouslyoptimistic.C)Indifferentandneutral.D)Deeplyskeptical.SectionB(20points)Directions:Inthissection,youaregoingtoreadapassagewithtenstatementsattachedtoit.Eachstatementcontainsinformationgiveninoneoftheparagraphs.Identifytheparagraphfromwhichtheinformationisderived.Youmaychooseaparagraphmorethanonce.Eachparagraphismarkedwithaletter.TheEvolutionofAnimationTechniquesA)Thehistoryofanimationisastoryoftechnologicalandartisticinnovation.Longbeforecomputers,artistssoughttocreatetheillusionoflifeandmotion.Earlydeviceslikethezoetrope(aspinningcylinderwithsequentialimages)andtheflipbookdemonstratedthepersistenceofvision,thefoundationalprinciplethatallowsustoperceiveaseriesofstillimagesascontinuousmovement.B)Theearly20thcenturysawthebirthoftraditionalhand-drawn,orcel,animation.PioneerslikeWaltDisneyperfectedthislabor-intensiveprocess.Eachframewasdrawnbyhandontransparentcelluloidsheets(cels),whichwerethenphotographedinsequenceoverpaintedbackgrounds.Thiseraproducediconiccharactersandestablishedmanystorytellingconventionsstillusedtoday.However,theprocesswasextremelytime-consumingandrequiredlargeteamsofartists.C)Thequestforefficiencyledtonewtechniques.Rotoscoping,inventedin1915,involvedtracingoverlive-actionfilmfootagetocreaterealisticmovement.Limitedanimation,popularizedbystudioslikeHanna-Barberainthe1950sand60s,reducedthenumberofdrawingspersecondandreusedbackgroundsandcharacterpartstocutcostsfortelevisionproduction.Whilesometimescriticizedforlowerfluidity,itallowedformoreanimatedcontenttobeproduced.D)Amonumentalshiftbeganinthe1970sand80swiththeadventofcomputer-generatedimagery(CGI).EarlyCGIwasusedforsimpleobjectsandeffectsinlive-actionfilms.Thefirstfullycomputer-animatedfeaturefilm,ToyStory(1995),markedaturningpoint.CGIcreatedthree-dimensionalworldswithdepth,realistictextures,andlightingimpossibletoachievebyhand,revolutionizingtheindustry'svisualpossibilities.E)Today,animationisahybridfield.Traditional2Danimationisstillvaluedforitsartisticexpression.3DCGIdominatesfeaturefilmsandgaming.Motioncapturetechnologyrecordsactors'movementstoanimatedigitalcharacterswithlifelikeprecision.Furthermore,softwareallowsfordigital2Danimation,blendingtheaestheticofhand-drawnartwiththeefficiencyofdigitaltools.Theevolutioncontinueswithvirtualrealityandreal-timerendering,pushingtheboundariesofhowanimatedstoriesaretoldandexperienced.11.Theprinciplethatmakesusseeseparateimagesasmovingiscalledpersistenceofvision.12.Thefirstfeature-lengthfilmmadeentirelywithCGIwasToyStory.13.Rotoscopingwasamethodtoachievemorerealisticanimationbyusinglive-actionfilmasaguide.14.Hand-drawnanimationrequireddrawingeverysingleframeindividually,makingitveryslowtoproduce.15.Modernanimationoftencombinesdifferenttechniquesandtechnologies.16.LimitedanimationtechniquesweredevelopedprimarilytosavetimeandmoneyforTVshows.17.Earlymechanicaldevicesprovedthebasicconceptbehindanimation.18.Motioncaptureisusedtotransferrealistichumanmovementstodigitalcharacters.19.CGIanimationintroducedathree-dimensionalqualitythatwasdifficulttoachievemanually.20.Celanimationinvolveddrawingontransparentsheetsplacedoverstaticbackgrounds.PartIIVocabularyandStructure(20points)Directions:Thereare20incompletesentencesinthispart.ForeachsentencetherearefourchoicesmarkedA),B),C)andD).ChoosetheONEanswerthatbestcompletesthesentence.21.Theartist'slatestwork______astrongsenseofnostalgiathroughitsuseoffadedcolorsandfamiliarobjects.A)conveysB)reservesC)persuadesD)preserves22.Beforetheexhibition,allpaintingsmustbe______inframestoprotectthemduringtransport.A)mountedB)measuredC)modeledD)mixed23.Thecritic'sreviewoftheplaywassurprisingly______;hepointedoutbothitsbrilliantactinganditsweakplot.A)objectiveB)subjectiveC)negativeD)arbitrary24.Goodlightingis______todisplayingsculptureseffectively;ithighlightstheirformandtexture.A)crucialB)curiousC)casualD)cautious25.Themuseum'snewwingwasdesignedto______withtheoriginalclassicalbuilding,creatingablendofoldandnew.A)contrastB)competeC)harmonizeD)argue26.Themeaningofthisabstractpaintingisopento______;viewerscaninterpretitinmanyways.A)instructionB)interpretationC)interruptionD)invention27.Sheusedavarietyof______,includingcharcoal,ink,andpastels,inherdrawings.A)instrumentsB)mediumsC)galleriesD)canvases28.Theartschool______studentstoexperimentwithdifferentstylesduringtheirfirstyear.A)discouragesB)encouragesC)embarrassesD)engages29.The______ofthemuraltookoversixmonths,astheartistworkedonscaffoldingtocovertheentirewall.A)creationB)creatureC)creditD)crisis30.Hisstyle______significantlyafterhistriptoAsia,incorporatingmoreminimalistelements.A)evolvedB)involvedC)revolvedD)solved31.Weneedto______thebudgetcarefullytoensurewehaveenoughfundsforbothmaterialsandmarketing.A)allocateB)accelerateC)appreciateD)alternate32.Thegallerywill______anexhibitionofcontemporaryphotographynextFriday.A)hostB)hostessC)guessD)grant33.Theartist'sworkis______inseveralmajormuseumsaroundtheworld.A)representedB)reproducedC)recommendedD)remembered34.The______linesinthesketchgiveitasenseofenergyandmovement.A)straightB)curvedC)brokenD)parallel35.Tounderstandarthistory,onemuststudythesocialandpoliticalcontextinwhichtheworkswere______.A)producedB)preventedC)predictedD)proposed36.Thevalueofthepainting______aftertheartistwonaninternationalprize.A)appreciatedB)approvedC)approachedD)applied37.Theuseoflightandshadow,knownas______,isessentialforcreatingdepthinapainting.A)chiaroscuroB)collageC)frescoD)impressionism38.Thecontract______thattheartistretainsthecopyrighttoallreproducedimages.A)specifiesB)speculatesC)specializesD)sponsors39.Hisearly______asaportraitpainterlaidthefoundationforhislaterabstractwork.A)trainingB)tradingC)tracingD)touring40.Theinstallationartpieceisdesignedtobe______,allowingvisitorstowalkthroughandinteractwithit.A)impressiveB)immersiveC)impulsiveD)impossiblePartIIITranslation(15points)Directions:TranslatethefollowingparagraphintoChinese.Digitalarthasbecomeanintegralpartofcontemporarycreativeexpression.Utilizingsoftware,tablets,andstyluses,artistscreateworksrangingfromdigitalpaintingsandillustrationsto3Dmodelsandanimations.Thismediumoffersunparalleledflexibility,allowingforeasyediting,layering,andexperimentationwitheffectsthatwouldbedifficultorimpossiblewithtraditionalmaterials.Furthermore,digitalartfacilitatesglobalsharingandcollaboration,connectingartistsandaudiencesacrosstheworldinstantly.Whiledebatesaboutitsvaluecomparedtotraditionalartcontinue,itsinfluenceonvisualculture,design,andentertainmentisundeniable.PartIVWriting(25points)Directions:Forthispart,youareallowed30minutestowriteashortessayonthetopic:TheImportanceofArtEducationinUniversities.Youshouldwriteatleast120wordsbutnomorethan180words.TheImportanceofArtEducationinUniversities---AnswerKeyPartIReadingComprehensionSectionA1.C)Toshowtherelationshipsbetweendifferentcolors.2.D)Redandgreen.3.B)peaceful4.D)Ithelpsartistscommunicateemotionsintentionally.5.C)Theimportanceandapplicationofcolortheoryinart.6.C)Guaranteeinghighprofitsforartists.7.B)Usingaportionofabuildingproject'sfundsforart.8.C)Itfacesoutdoorhazardsandlacksconsistentconservationfunds.9.C)Bybeingaccessibletoallpeopleinpublicspaces.10.B)Cautiouslyoptimistic.SectionB11.A12.D13.C14.B15.E16.C17.A18.E19.D20.BPartIIVocabularyandStructure21.A)conveys22.A)mounted23.A)objective24.A)crucial25.C)harmonize26.B)interpretation27.B)mediums28.B)encourages29.A)creation30.A)evolved31.A)allocate32.A)host33.A)represented34.C)broken35.A)produced36.A)appreciated37.A)chiaroscuro38.A)specifies39.A)training40.