2026年中考英语考前冲刺押题试卷及答案（二十）

2026年中考英语考前冲刺押题试卷及答案（二十）（考试时间：120分钟满分：120分）第一部分听力（20分）Ⅰ.听句子，选择正确图片（每小题1分，共5分）（略，图片为中考拔高类场景图：传统榫卯结构数字化建模、青少年无人机编程大赛、新能源电池研发实验、非遗皮影戏与数字投影融合、中外青少年非遗文化研学营）1.ABC2.ABC3.ABC4.ABC5.ABCⅡ.听句子，选择正确答语（每小题1分，共5分）6.A.Digitalmodelingoftraditionalmortiseandtenonstructureisawasteoftime,becausethetraditionalhand-mademethodismoreauthenticandvaluable.B.Digitalmodelingcanhelprecordthedetailsoftraditionalmortiseandtenonstructureaccurately,protectthisintangibleculturalheritageandpromoteitsinheritanceamongyoungpeople.C.Traditionalmortiseandtenonstructureisoutdatedandhasnovalueofdigitalmodeling,soweshouldfocusonmodernbuildingtechnology.7.A.ParticipatingintheyouthUAVprogrammingcompetitionistoodifficultformiddleschoolstudents,anditwillaffecttheiracademicperformance,soit’snotworthparticipatingin.B.TheyouthUAVprogrammingcompetitionnotonlytestsourprogrammingabilitybutalsocultivatesourinnovationconsciousnessandpracticalability,whichisverybeneficialforourfuturedevelopment.C.Aslongaswecanwinawardsinthecompetition,wedon’tneedtomasterthecoreprogrammingskillsandpracticaloperationability.8.A.Theresearchanddevelopmentofnewenergybatteriesisnotnecessary,becausetraditionalfuelbatteriesaremorematureandcheaper.B.Newenergybatterieshavetheadvantagesofhighenergydensity,longservicelifeandenvironmentalprotection,whichwillreplacetraditionalfuelbatteriesinthefuture.C.Theresearchanddevelopmentofnewenergybatteriesisonlysuitablefordevelopedcountries,anddevelopingcountrieshavenoabilitytocarryoutrelatedresearch.9.A.Combiningintangibleculturalheritageshadowpuppetrywithdigitalprojectionwilldestroythetraditionalartisticcharmofshadowpuppetry,soweshouldfirmlyopposeit.B.Integratingshadowpuppetrywithdigitalprojectioncanmaketheperformancemorevividandattractive,andletmoreyoungpeopleunderstandandlovethistraditionalart.C.Digitalprojectiontechnologyistoocomplextobeappliedtoshadowpuppetry,anditwillincreasetheperformancecost.10.A.IntheSino-foreignyouthintangibleculturalheritageresearchcamp,weonlyneedtoshowforeignstudentsChineseintangibleculturalheritageanddon’tneedtolearnfromtheirculturalcharacteristics.B.TheSino-foreignyouthintangibleculturalheritageresearchcampisagoodplatformtoexchangeandlearnfromeachother,whichcanpromotethemutualunderstandingandintegrationofdifferentcultures.C.Languagebarriersmakeitimpossibletocarryouteffectivecommunicationintheresearchcamp,soithasnopracticalsignificance.Ⅲ.听对话，选择正确答案（每小题1分，共5分）11.Whydidtheboyfailtocompletethedigitalmodelingofthemortiseandtenonstructureinthecompetition?A.Hedidn’tmasterthecoreoperationskillsofdigitalmodelingsoftwareandcouldn’tsolvethetechnicalproblemsencountered.B.Heforgottobringthedatamaterialsofthemortiseandtenonstructureandcouldn’tcarryoutmodelingwork.C.Hewastoonervousduringthecompetitionandmadealotoflow-levelmistakesinoperation.12.WhatwillthegirldotoimproveherUAVprogrammingabilityfortheupcomingcompetition?A.ShewillspendthreehourseverydaypracticingprogramminganddoingpracticaloperationtrainingwithUAVs.B.Shewillonlywatchonlineteachingvideosandnotdoanypracticaloperationexercises.C.Shewillaskherclassmatestohelpherfinishtheprogrammingtaskandnotspendtimelearningbyherself.13.WhatdoestheboythinkofthefuturedevelopmentofnewenergybatteriesinChina?A.Itwilldevelopslowlybecauseofthelackofcoretechnologyandhighresearchanddevelopmentcosts.B.Itwilldeveloprapidlywiththesupportofnationalpoliciesandtheeffortsofscientificresearchteams,andcatchupwiththeworld’sadvancedlevel.C.Itwillstopdevelopingbecauseitisnotacceptedbythemarketandconsumers.14.Whatproblemdidthetwospeakersmeetwhenintegratingshadowpuppetrywithdigitalprojection?A.Theycouldn’tfindsuitabledigitalprojectionequipmenttomatchtheshadowpuppetryperformance.B.Theycouldn’tbalancethetraditionalartisticcharacteristicsofshadowpuppetryandthevisualeffectofdigitalprojection.C.Theirschooldidn’tprovidethemwithprofessionalguidanceandtrainingondigitalprojectiontechnology.15.WhatpreparationwillthetwospeakersmakefortheSino-foreignyouthintangibleculturalheritageresearchcamp?A.Theywilllearnabouttheintangibleculturalheritageandculturaltaboosoftheforeignstudents’countries,andpreparedetailedintroductionmaterialsofChineseintangibleculturalheritage.B.TheywillonlyreciteEnglishwordsrelatedtointangibleculturalheritageandnotpracticetheirspokenEnglish.C.Theywillnotprepareanymaterials,becausetheresearchcampwillprovideallthenecessarycontent.Ⅳ.听短文，选择正确答案（每小题1分，共5分）16.Whatisthepassagemainlyabout?A.Agroupofmiddleschoolstudents’experienceofintegratingtraditionalshadowpuppetrywithdigitalprojectionanddisplayingitintheSino-foreignyouthresearchcamp.B.Thedevelopmenthistoryofnewenergybatteriesintheworld.C.HowtolearnUAVprogrammingskillsquicklyasamiddleschoolstudent.17.Whatdidthestudentsdotomakeshadowpuppetrymoresuitablefordigitalprojectionperformance?A.Theychangedtheshapeandcolorofshadowpuppetstomakethemmoreinlinewiththevisualeffectofdigitalprojection.B.Theykeptthetraditionalshapeandartisticcharacteristicsofshadowpuppetsandadjustedthedigitalprojectionparameterstomatchthem.C.Theygaveupthetraditionalshadowpuppetsandmadenewoneswithdigitaltechnologytoreplacethem.18.WhatproblemdidthestudentsmeetwhendisplayingtheirshadowpuppetryperformanceintheSino-foreignyouthresearchcamp?A.Foreignstudentscouldn’tunderstandthestoryconnotationandculturalbackgroundoftheshadowpuppetryperformance.B.Thedigitalprojectionequipmentbrokedownsuddenlyduringtheperformanceandcouldn’tcontinue.C.Theperformancetimewastooshorttoshowthecharmofshadowpuppetrycompletely.19.Howdidthestudentssolvetheproblem?A.Theyinvitedprofessionaltranslatorstoexplainthestoryconnotationandculturalbackgroundoftheperformancetoforeignstudentsinrealtime.B.Theychangedthestoryoftheshadowpuppetrytoasimpleonethatforeignstudentscouldeasilyunderstand.C.Theystoppedtheperformanceandshowedforeignstudentspicturesofshadowpuppetsinstead.20.Whatcanwelearnfromthestudents’experience?A.Traditionalintangibleculturalheritagecanbeinheritedanddevelopedthroughinnovationandcross-culturalexchange.B.Traditionalshadowpuppetryisnotsuitableformodernsocietyandwillbereplacedbydigitalart.C.Thestudentsspenttoomuchtimeontheperformancepreparationandtheiracademicperformancedeclinedsharply.第二部分笔试（100分）Ⅰ.单项选择（每小题1分，共20分）21.—Idon’tknow______wecanintegratetraditionalshadowpuppetrywithdigitalprojectionperfectlytoshowitscharm.—Weneedtocombinethetraditionalartisticcharacteristicswithmoderndigitaltechnology.A.whatB.howC.whyD.where22.—BythetimetheSino-foreignyouthintangibleculturalheritageresearchcampstartsnextweek,we______theintroductionmaterialsofChineseshadowpuppetryforthreeweeks.A.willprepareB.havepreparedC.willhavebeenpreparingD.prepared23.—Howlonghaveyou______themodelofthetraditionalmortiseandtenonstructuremadebydigitalmodeling?—Forfourmonths.It’sapreciousworkthatrecordsthebeautyoftraditionalcraftsmanship.A.boughtB.keptC.borrowedD.sold24.Ifyou______moreattentiontotheoperationdetailsofUAVprogramming,you______avoidmakingtechnicalmistakesinthecompetition.A.pay;willB.willpay;willC.pay;won’tD.willpay;won’t25.—Thisisthelaboratory______wecarriedoutthenewenergybatteryresearchexperimentlastmonth.—Istillrememberthedifficultprocessofsolvingthetechnicalproblemsintheexperiment.A.whichB.whereC.whoD.whose26.—______youpleasehelpmetranslatetheintroductionoftraditionalmortiseandtenonstructureintoEnglish?I’mnotgoodatprofessionalEnglishtranslation.—Sure,I’llhelpyouafterIfinishmyUAVprogrammingpractice.A.WouldB.MustC.NeedD.Should27.TheyouthUAVprogrammingcompetition______heldinourcitylastmonth,anditattractedmorethan800studentsfromallovertheprovince.A.isB.areC.wasD.were28.Ourteacherencouragesus______traditionalmortiseandtenonstructurewithdigitalmodelingtopromoteitsspreadamongyoungpeople.A.combineB.tocombineC.combiningD.combined29.—OfalltheintangibleculturalheritageIhavelearned,shadowpuppetryisthe______.Itrequiresgreatpatienceandexquisiteskillstomakeandperformshadowpuppets.A.mostdifficultB.moredifficultC.leastdifficultD.lessdifficult30.There______anewenergybatteryexhibitioninourprovincenextmonth,andmanyfamousscientificresearchinstitutionsathomeandabroadwillparticipateinit.A.willbeB.willhaveC.isD.was31.—WhereisTom?—He______totheshadowpuppetrystudiotolearnshadowpuppetryperformanceskills.HewillbebacknextThursday.A.hasbeenB.hasgoneC.wentD.willgo32.—I’msorryImadeatechnicalmistakeintheUAVprogrammingcompetitionandletourteamlosethechancetowintheaward.—______.Everyonemakesmistakes,andthemostimportantthingistosumupexperienceandmakeprogress.A.You’rewelcomeB.Itdoesn’tmatterC.MypleasureD.That’sright33.Thedigitalmodelingprojectoftraditionalmortiseandtenonstructureis______thantheonewedidlastyear.Itrequiresmoreprofessionaldigitaltechnologyandtraditionalcraftsmanshipknowledge.A.morechallengingB.challengingC.mostchallengingD.themostchallenging34.—Couldyouplease______thespeedoftheEnglishintroductionvideoaboutnewenergybatteries?It’stoofastformetocatchthekeyinformation.—Sorry,I’llslowitdownrightawayandaddsubtitlestoit.A.turnupB.slowdownC.turndownD.speedup35.Shedidn’tparticipateintheSino-foreignyouthintangibleculturalheritageresearchcamp______shewasbusypreparingforthenewenergybatteryresearchexperiment.A.soB.butC.becauseD.becauseof36.—Whatwereyoudoingwhenyourteachercameintotheclassroomyesterdayafternoon?—I______theprogrammingcodeoftheUAVandwasabouttotestit.A.waswritingB.wroteC.amwritingD.write37.Whichofthefollowingsentencesisincorrect?A.Heisan18-year-oldboywhoisgoodattraditionalmortiseandtenonstructuredigitalmodeling.B.Sheis18yearsoldanddedicatedtopromotingthespreadofshadowpuppetry.C.Heisan18yearsoldstudentwholovesUAVprogrammingandnewenergyresearch.D.Sheisateenageraged18whoisskilledatprofessionalEnglishtranslation.38.—Couldyoutellme______longittakestocompletethedigitalmodelingofatraditionalmortiseandtenonstructure?—Aboutfivedays.A.howB.howfarC.whenD.where39.Bythetimewearrivedatthenewenergybatteryexhibition,theopeningceremony______for40minutes.A.hasstartedB.hadstartedC.hasbeenonD.hadbeenon40.—Iwanttoimprovemyabilitytointegrateshadowpuppetrywithdigitalprojection.—Youshould______moreexcellentintegratedworksandlearnfromtheirdesignandperformanceexperience.A.communicateB.watchC.createD.practiceⅡ.完形填空（每小题1.5分，共15分）Intangibleculturalheritageisthesoulofanation,carryingtheprofoundculturalheritageandhistoricalmemoryofthenation.Intheeraofrapiddevelopmentofdigitaltechnologyandcross-culturalcommunication,intangibleculturalheritageisfacingthechallengeofbeingforgottenandlost.Howtoinnovatetheinheritancemodeofintangibleculturalheritageandpromoteitscross-culturalcommunicationhasbecomeanurgentproblemforustosolve.Myexperienceofparticipatingintheintangibleculturalheritageinnovationteamhasmademedeeplyrealizetheimportanceofintegratingintangibleculturalheritagewithdigitaltechnologyandcross-culturalexchange.WhenIwasinGrade12,Ijoinedayouthinnovationteamfocusingonintangibleculturalheritageprotectionandinnovation.Ourteam’sgoalwastointegratetraditionalshadowpuppetrywithdigitalprojectiontechnology,makethisancientintangibleculturalheritageglowwithnewvitality,andletitgototheworldthroughSino-foreignyouthculturalexchangeactivities.Atthebeginning,weencounteredmanyunexpecteddifficulties.Ontheonehand,wewerenotproficientintheproductionandperformanceskillsofshadowpuppetry,anditwasdifficulttoshowtheartisticcharmofshadowpuppetry.Ontheotherhand,welackedprofessionaldigitalprojectiontechnologyandcouldnotorganicallycombineshadowpuppetryperformancewithdigitalprojectioneffect.Inaddition,whenwetriedtopromoteourintegratedworksincross-culturalcommunication,wefoundthattherewasahugeculturalandlanguagegap.Foreignyoungpeoplecouldnotunderstandthestoryconnotationandculturalbackgroundofshadowpuppetry,andcouldnotappreciateitsartisticvalue.Withthehelpofprofessionalshadowpuppetryartistsanddigitaltechnologyexperts,wedidnotgiveup.Wespentalotoftimelearningshadowpuppetryproductionandperformanceskillsfromoldartists,andstudieddigitalprojectiontechnologyandvisualdesignprincipleshard.Wealsocollectedalotofmaterialsabouttheculturalbackgroundandstoryconnotationofshadowpuppetry,andaddeddetailedEnglishintroductionsandsubtitlestoourintegratedworks,explainingtheoriginandculturalmeaningofshadowpuppetry.Atthesametime,weusedinternationalsocialmediaplatformstodisplayourworksandheldonlineexchangeactivitieswithforeignyoungpeople,sharingthecreationprocessandculturalconnotationofourintegratedworks.Aftersixmonthsofhardwork,ourintegratedworksofshadowpuppetryanddigitalprojectionhavebeenrecognizedbymanyforeignyoungpeopleandwonthefirstprizeintheSino-foreignyouthintangibleculturalheritageexchangecompetition.Someforeignculturalinstitutionseveninvitedustodisplayourworksabroadandcarryoutculturalexchangeactivities.Thisexperiencemademeunderstandthattheinheritanceanddevelopmentofintangibleculturalheritageisnotonlyaboutpreservingtheoriginalform,butalsoaboutinnovationandcommunication.Onlybyintegratingintangibleculturalheritagewithdigitaltechnologyandbreakingthroughculturalandlanguagebarrierscanwemakeintangibleculturalheritagesurviveanddevelopintheneweraandbepassedontofuturegenerations.Inthefuture,Iwillcontinuetodevotemyselftotheinnovationandcross-culturalcommunicationofintangibleculturalheritage,andstrivetoletmoreforeignyoungpeopleunderstandandloveChineseintangibleculturalheritage.41.A.soulB.wasteC.troubleD.burden42.A.shallowB.profoundC.simpleD.ordinary43.A.leftB.joinedC.refusedD.forgot44.A.unexpectedB.easyC.simpleD.interesting45.A.proficientB.familiarC.interestedD.bored46.A.organicallyB.carelesslyC.quicklyD.slowly47.A.gaveupB.keptonC.putoffD.turneddown48.A.hardlyB.suddenlyC.finallyD.clearly49.A.prizeB.criticismC.hatredD.neglect50.A.preservationB.innovationC.separationD.destructionⅢ.阅读理解（每小题2分，共30分）ATheintegrationoftraditionalmortiseandtenonstructurewithdigitalmodelinghasbroughtnewopportunitiesfortheprotectionandinheritanceofthistraditionalcraftsmanship.Mortiseandtenonstructure,atraditionalChinesearchitecturalcraftsmanshipwithahistoryofmorethan3,000years,isfamousforitsexquisitestructure,firmnessanddurability,andnoneedfornailsorglue.However,withthedevelopmentofmodernarchitecturaltechnology,traditionalmortiseandtenonstructureisfacingtheriskofbeingforgotten.Manyyoungpeoplearenotinterestedinlearningthiscomplexcraftsmanship,andthenumberofinheritorsisdecreasingdaybyday.Inaddition,thetraditionalhand-mademortiseandtenonstructureislimitedbyproductionefficiencyandcannotmeettheneedsofmodernarchitecturaldesign.Inrecentyears,digitalmodelingtechnologyhasprovidedanewwayfortheprotectionandinheritanceofmortiseandtenonstructure.Digitalmodelingtechnologycanhelprecordthedetailsofmortiseandtenonstructureaccurately,includingthesize,shapeandconnectionmodeofeachpart,whichcaneffectivelyavoidthelossofcraftsmanship.Atthesametime,digitalmodelingtechnologycaninnovatetheapplicationformofmortiseandtenonstructure.Forexample,combiningmortiseandtenonstructurewithmodernarchitecturaldesignanddigitalarttocreatemorefashionableandpracticalworks,whicharemorepopularamongyoungpeople.Inaddition,digitalmodelingtechnologycanhelpmortiseandtenonstructurebreakthroughgeographicallimitations,andspreadtoallpartsoftheworldthroughtheInternetandsocialmediaplatforms,allowingmorepeopletounderstandandlovethistraditionalChinesecraftsmanship.However,theintegrationoftraditionalmortiseandtenonstructurewithdigitalmodelingalsofacessomechallenges.First,somedigitalmodelingworksover-pursuethevisualeffectandignorethetraditionalartisticcharacteristicsandpracticalvalueofmortiseandtenonstructure,leadingtothelossofitsoriginalcraftsmanshipvalue.Second,theapplicationofdigitalmodelingtechnologyrequiresprofessionaltalentswhoarefamiliarwithbothmortiseandtenonstructureanddigitaltechnology,andthereisaseriousshortageofsuchtalents.Third,thecostofdigitalmodelingtechnologyapplicationisrelativelyhigh,whichlimitsthelarge-scalepromotionofdigitalmodelingworksofmortiseandtenonstructure.Despitethesechallenges,theintegrationoftraditionalmortiseandtenonstructurewithdigitalmodelingisaninevitabletrend.Withthejointeffortsofthewholesociety,thisancientcraftsmanshipwillsurelyglowwithnewvitalityinthedigitalage.51.Whatisthemainideaofthepassage?A.ThehistoryoftraditionalChinesemortiseandtenonstructure.B.Thechallengesoftraditionalmortiseandtenonstructureprotection.C.Theintegrationoftraditionalmortiseandtenonstructurewithdigitalmodeling.D.Thewaystoattractyoungpeopletotraditionalmortiseandtenonstructure.52.WhichexampleisNOTmentionedabouttheintegrationofmortiseandtenonstructurewithdigitalmodeling?A.Usingdigitalmodelingtechnologytorecordthedetailsofmortiseandtenonstructure.B.Combiningmortiseandtenonstructurewithmodernarchitecturaldesignanddigitalart.C.Usingdigitalmodelingtechnologytoimprovetheproductionefficiencyofmortiseandtenonstructure.D.Sellinghand-mademortiseandtenonstructureworksinforeignmarkets.53.Whatproblemdoestraditionalmortiseandtenonstructureface?A.Itistoopopularandhastoomanyinheritors.B.Itisfacingtheriskofbeingforgottenandthenumberofinheritorsisdecreasing.C.Itistooexpensivetomakehand-mademortiseandtenonstructureworks.D.Itisonlylovedbytheelderlyandnotacceptedbyyoungpeople.54.Whatchallengedoestheintegrationofmortiseandtenonstructurewithdigitalmodelingface?A.Therearetoomanyprofessionaltalents.B.Thecostofdigitalmodelingtechnologyapplicationisrelativelyhigh.C.Digitalmodelingworksofmortiseandtenonstructurearenotpopularamongforeignaudiences.D.Thegovernmentdoesnotsupporttheintegration.55.Whatistheauthor’sattitudetowardstheintegration?A.Negative.B.Positive.C.Neutral.D.Doubtful.BThedevelopmentofnewenergybatteriesisakeylinkintheglobalenergytransformation.Withtheincreasingseverityofenvironmentalpollutionandthegradualdepletionofnon-renewableenergysources,developingcleanandefficientnewenergybatterieshasbecomeaglobalfocus.Newenergybatteries,whichusecleanenergysuchaslithiumandhydrogenasrawmaterials,havetheadvantagesofhighenergydensity,longservicelife,zeroemissionandlowpollution.Theycaneffectivelyreducetheemissionofpollutantsandeasethepressureofenergyshortage,whichisofgreatsignificanceforthesustainabledevelopmentoftheworld.Inrecentyears,thedevelopmentofnewenergybatterieshasmaderemarkableprogress.Manycountrieshaveformulatedpreferentialpoliciestopromotethedevelopmentofnewenergybatteries,suchassubsidiesfornewenergybatteryresearchanddevelopmentandtheconstructionofsupportingfacilities.InChina,theresearchanddevelopmentofnewenergybatterieshasenteredaleadingstageintheworld,andmanydomesticenterprisesandscientificresearchinstitutionshavelaunchedavarietyofhigh-performancenewenergybatteryproductsandachievedimportanttechnologicalbreakthroughs.Atthesametime,thetechnologyofnewenergybatteriesisconstantlyimproving,andthesafetyandstabilityofbatterieshavebeengreatlyimproved,whichsolvestheproblemsthathavelongplaguedconsumers.However,thedevelopmentofnewenergybatteriesalsofacesmanydifficulties.First,thecostofnewenergybatteriesisrelativelyhigh,whichmakesmanyconsumersunabletoaffordthem.Second,theconstructionofsupportingfacilitiesfornewenergybatteriesisnotperfect.Therearenotenoughchargingstationsandbatteryrecyclingfacilitiesinmanyplaces,whichbringsinconveniencetotheuseofnewenergyproducts.Third,theproductiontechnologyofnewenergybatteryrawmaterialsisrelativelycomplexandthecostishigh,whichlimitsthelarge-scalepromotionofnewenergybatteries.Inaddition,therearestillsomepotentialsafetyhazardsintheuseofnewenergybatteries,whichneedtobesolvedurgently.Topromotethehealthydevelopmentofnewenergybatteries,governments,enterprisesandscientificresearchinstitutionsneedtoworktogether.Governmentsshouldincreaseinvestmentinnewenergybatterytechnologyresearchanddevelopment,formulatemorepreferentialpolicies,andspeeduptheconstructionofsupportingfacilities.Enterprisesshouldstrengthentechnologicalinnovation,reducetheproductioncostofnewenergybatteries,andimprovethesafetyandstabilityofbatteries.Scientificresearchinstitutionsshouldcarryoutin-depthresearchonkeytechnologiessuchasnewenergybatteryrawmaterialsandproductionprocesses,andprovidetechnicalsupportforthedevelopmentofnewenergybatteries.Onlyinthiswaycannewenergybatteriesbewidelypopularizedandmakegreatercontributionstoenvironmentalprotectionandenergyconservation.56.Whatarenewenergybatteries?A.Batteriesthatuseoilasrawmaterialsandemitalotofpollutants.B.Batteriesthatusecleanenergysuchaslithiumandhydrogenasrawmaterialsandhavezeroemission.C.Batteriesthatusecoalasrawmaterialsandarenotenvironmentallyfriendly.D.Batteriesthatareonlyusedindevelopedcountries.57.WhichisNOTanadvantageofnewenergybatteries?A.Theyareenvironmentallyfriendlyandcanreducetheemissionofpollutants.B.Theyhavehighenergydensityandlongservicelife.C.Theyaresafeandstableandhavenopotentialsafetyhazards.D.Theycaneasethepressureofenergyshortage.58.Whatdifficultydoesthedevelopmentofnewenergybatteriesface?A.Theservicelifeofnewenergybatteriesistooshort.B.Theconstructionofsupportingfacilitiesfornewenergybatteriesisnotperfect.C.Theproductioncostofnewenergybatteriesistoolow.D.Thereisnodemandfornewenergybatteriesinthemarket.59.Whatmeasureshouldwetaketopromotethedevelopmentofnewenergybatteries?A.Reduceinvestmentinnewenergybatterytechnologyresearchanddevelopment.B.Speeduptheconstructionofsupportingfacilitiesfornewenergybatteries.C.Ignoretheimprovementofnewenergybatterysafetytechnology.D.Increasetheproductioncostofnewenergybatteries.60.Whatisthemainideaofthepassage?A.Theadvantagesofnewenergybatteries.B.Thedifficultiesofnewenergybatterydevelopment.C.Theimportance,progress,difficultiesanddevelopmentmeasuresofnewenergybatteries.D.Thecomparisonbetweennewenergybatteriesandtraditionalfuelbatteries.CSino-foreignyouthintangibleculturalheritageexchangeplaysanimportantroleinpromotingthespreadofChineseintangibleculturalheritage.Intheprocessofglobalization,ChineseintangibleculturalheritageneedstogototheworldthroughSino-foreignyouthexchangeactivities,sothatmoreforeignyoungpeoplecanunderstandandappreciatethecharmofChineseintangibleculturalheritage.However,Sino-foreignyouthintangibleculturalheritageexchangeisnotaneasytask,whichfacesmanychallengessuchasculturaldifferences,languagebarriersandaestheticdifferences.CulturaldifferencesarethebiggestobstacleinSino-foreignyouthintangibleculturalheritageexchange.Differentcountriesandregionshavedifferentculturalbackgrounds,valuesandaestheticconcepts,whichleadstothefactthatforeignyoungpeoplemaynotunderstandtheculturalconnotationandartisticvalueofChineseintangibleculturalheritage.Forexample,Chineseshadowpuppetryoftencarriesuniqueculturalmeanings,suchasthelegendoftheWhiteSnakesymbolizingloyaltyandperseverance.However,foreignyoungpeoplemaynotunderstandthesesymbolicmeaningsandcanonlyseethesurfaceformoftheperformance.Inaddition,languagebarriersalsoaffecttheeffectofSino-foreignyouthintangibleculturalheritageexchange.ManyChineseintangibleculturalheritagetermsandexpressionsaredifficulttotranslateaccuratelyintoforeignlanguages,leadingtothelossofculturalconnotationintranslation.Atthesametime,aestheticdifferencesalsomakeforeignyoungpeoplehavedifferentviewsonChineseintangibleculturalheritageworksfromus.TocarryouteffectiveSino-foreignyouthintangibleculturalheritageexchange,weneedtotakecorrespondingmeasures.First,weshouldstrengthentheresearchontheculturalbackgroundandaestheticconceptsofforeignyoungpeople,anddesignex