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life as nothingnessanalysis of a clean well-lighted place student number: 20074180502course: a survey of american literaturetutor: huang huihuidecember 30, 2010life as nothingnessanalysis of a clean well-lighted placethis weekend i learned the article named a clean well-lighted place by hemingway in part time. this article gave me the deepest impression among these reading materials. although i admit that may be i didnt understand it well, i really want to make few remarks about it.“a clean, well-lighted place” is one of hemingways most acclaimed short stories, as much for its exquisitely sparse writing style as for its expertly rendered existentialist themes. existentialism is a philosophical movement whose adherents believe that life has no higher purpose and that no higher being exists to help us make sense of it. instead, humans are left alone to find meaning in the world and their lives. in “a clean, well-lighted place,” the older waiter sums up the despair that drives him and others to brightly lit cafs by saying simply, “it is a nothing.” in “a clean, well-lighted place,” hemingway suggests that life has no meaning and that man is an insignificant speck in a great sea of nothingness. the older waiter makes this idea as clear as he can when he says, “it was all a nothing and man was a nothing too.” when he substitutes the spanish word “nada” into the prayers he recites, he indicates that religion, to which many people turn to find meaning and purpose, is also just nothingness. rather than pray with the actual words, “our father who art in heaven,” the older waiter says, “our nada who art in nada”effectively wiping out both god and the idea of heaven in one breath. not everyone is aware of the nothingness, however. for example, the younger waiter hurtles through his life hastily and happily, unaware of any reason why he should lament. for the old man, the older waiter, and the other people who need late-night cafs, however, the idea of nothingness is overwhelming and leads to despair. having been told that the key to understanding the deeper meaning of a clean well lighted place by ernest hemingway is by seeing what most is used most in it; i think the fact that the theme of nada or “nothingness” leads the short story. so i think this story is around the theme -life as nothingness.first, the story is filled with light and shadows, as an old man sits through another sleepless night-in the quiet of a well-lighted cafe. the older waiter explains to the younger, more impatient waiter, you do not understand. this is a clean and pleasant cafe. it is well lighted. the light is very good and also, now there are shadows of the leaves. here, light is a symbol of mans attempts to resist the darkness. most of people are afraid of darkness, especially in the heart. so we want to find things that can give us power and hope. we all need some kind of light in a world filled with darkness. we all need somethingto help us to get through the night; even it is only a tiniest glimmer of hope!for a lonely, old man, the clean, well-lighted cafe is a slight respite from the darkness. he drinks himself into a drunken state, hoping that sleep will come-taking him from the quiet desperation that has already caused him to attempt suicide once. like the old man, the older waiter likes to stay late at cafe, and he understands on a deep level why they are both reluctant to go home at night. he tries to explain it to the younger waiter by saying, “he stays up because he likes it,” but the younger waiter dismisses this and says that the old man is lonely. indeed, both the old man and the older waiter are lonely. the old man lives alone with only a niece to look after him, and we never learn what happened to his wife. he drinks alone late into the night, getting drunk in cafe. the older waiter, too, is lonely. he lives alone and makes a habit of staying out late rather than going home to bed. but there is more to the older waiters “insomnia,” as he calls it, than just loneliness. an unnamed, unspecified malaise seems to grip him. this malaise is not “a fear or dread,” as the older waiter clarifies to himself, but an overwhelming feeling of nothingnessan existential angst about his place in the universe and an uncertainty about the meaning of life. whereas other people find meaning and comfort in religion, the older waiter dismisses religion as “nada”nothing. the older waiter finds solace only in clean, well-lit cafe. there, life seems to make sense. the older waiter recognizes himself in the old man and sees his own future. he stands up for the old man against the younger waiters criticisms, pointing out that the old man might benefit from a wife and is clean and neat when he drinks. the older waiter has no real reason to take the old mans side. in fact, the old man sometimes leaves the caf without paying. but the possible reason for his support becomes clear when the younger waiter tells the older waiter that he talks like an old man too. the older waiter is aware that he is not young or confident, and he knows that he may one day be just like the old manunwanted, alone, and in despair. ultimately, the older waiter is reluctant to close the caf as much for the old mans sake as for his own because someday hell need someone to keep a cafe open late for him. brash and insensitive, the younger waiter cant see beyond himself. he readily admits that he isnt lonely and is eager to return home where his wife is waiting for him. he doesnt seem to care that others cant say the same and doesnt recognize that the caf is a refuge for those who are lonely. the younger waiter is immature and says rude things to the old man because he wants to close the caf early. he seems unaware that he wont be young forever or that he may need a place to find solace later in life too. unlike the older waiter, who thinks deeplyperhaps too deeplyabout life and those who struggle to face it, the younger waiter demonstrates a dismissive attitude toward human life in general. for example, he says the old man should have just gone ahead and killed himself and says that he “wouldnt want to be that o
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