《藝術文化史》word版.doc

藝術/文化/史ArtsInfo02/03/2012 1. 感謝劉昭慧、弓野隆之、盧慧紋、板倉聖哲、黃士珊所提供的資訊。部分訊息轉貼自Nixi Cura維護之Arts of China Consortium網站。2. 目前原則上固定於每周五寄發，包括展覽、演講、會議議程與徵文、網路資源、徵人啟事等訊息，歡迎大家多多貢獻資訊。3. 若有與藝術史或文化史相關的研究、演講、展覽、或會議之訊息，不論來自何地，都歡迎提供，我會將之轉給大家。雖然未必能與會，分散於天涯海角的我們卻可對各地情況有所瞭解。4. 最新訊息以紅色標示，內容包括中(Big5)、英、日文(IME)碼。5. 本期更新: 展覽、演講、研討會。6. 如有其他同好對此電子報有興趣，請告知電子郵件地址，我將加入寄送名單中。若不願收到，也請告知，以方便作業。展覽： 台灣1. 國立故宮博物院2. 國立臺灣美術館3. 世界宗教博物館4. 國立傳統藝術中心 亞洲1. 香港藝術館2. 澳門藝術博物館3. 中國故宮博物院4. 京都國立博物館5. 大和文華館6. 大阪美術館7. 東京國立博物館8. 愛知県陶磁資料館 歐美1. Freer Gallery of Art2. The Metropolitan Museum of Art3. Asian Art Museum, National Museums in Berlin4. Muse Guimet台灣1. 故宮博物院展覽：.tw/exhbition/object.htm1）得佳趣乾隆皇帝的陶瓷品味特展展期：2011年11月1日 2012年9月30日陳列室：2032）妙奪化機呂紀繪畫展 展期：2012/01/10 2012/03/25 陳列室：2123）典藏新紀元歷年入藏書畫精品展 展期：2012/01/20 2012/04/23 陳列室：105, 107 4）丁觀鵬摹顧愷之洛神圖 展期：2012/01/10 2012/03/25 陳列室：2085）清徐揚日月合璧五星聯珠圖 展期：2012/01/17 2012/07/16 陳列室：1022. 國立臺灣美術館畫家風景國民風景百年台灣行旅 展期： 2011/07/09 2012/03/31 地點： A3展覽室 .tw/chinese/ShowInfomation1_1.aspx?SN=3258&n=100433. 世界宗教博物館智慧華嚴 首都博物館佛教文物珍藏特展展期：2011年11月09日至2012年02月19日 2011年11月館慶，宗博館將與北京首都博物館攜手舉辦智慧華嚴 首都博物館佛教文物珍藏特展，每一件典藏精品，皆蘊含智慧的種子，如同華嚴世界的縮影。既是兩岸博物館交換典藏展覽的美意盛事，也以此沉澱、回歸創建世界宗教博物館的初衷本心，並持續邁步未來十年。 首都博物館百餘件北京出土與傳世的佛教文物，內容涵蓋漢傳、藏傳精品，品類齊全，風格多樣、工藝精湛，不僅反映五朝帝都佛教藝術的恢弘氣度，亦構築起慈悲與智慧的莊嚴世界。2012年宗博館也將規劃具有在地特色的專題展覽，至首都博物館展覽，兩方以展覽作為媒介，展現深厚的文化底蘊以及藝術美感；同時，亦規劃與展覽相應之專家學者文化講座、專刊出版等推廣活動，以促進兩岸宗教文化藝術以及博物館專業之交流。 一花一世界，一葉一菩提。此次我們遴選的102件佛教文物，猶如佛教華嚴世界的一花一葉，件件具有豐富而深邃的文化內涵，不僅充分體現了佛教思想追求、道德崇尚和審美意趣，而且全面展現了中國漢藏社會政治、經濟、文化等豐富的歷史資訊。透過這一件件文物，我們真心希望您獲得豐富的佛教歷史文物知識，體味佛教莊嚴神聖、寧靜安詳的藝術魅力，感悟佛教慈悲與智慧精神的真諦。4. 國立傳統藝術中心博古賞珍展期：2012年1月20日至2012年6月17日陳列室：國立傳統藝術中心展示館.tw/BoGu/index.html亞洲1. 香港藝術館墨韻國風 潘天壽藝術回顧展展期：2011年11月25日至2012年2月5日陳列室：當代香港藝術展覽廳 (二樓)潘天壽（1897 1971）是現代中國畫史上舉足輕重的人物，與黃賓虹、齊白石同被譽為傳統派四大家。潘天壽的書畫是自學成家的，他繼承傳統個性派和金石派，融花鳥、山水於一體，用筆生辣、構圖大氣磅礡，展現奮發圖強的時代精神，賦予作品強烈的現代格調。他對中國藝術傳統的提升，影響深遠。潘氏畢業於浙江第一師範學校，其後歷任上海美專國畫系教授、上海新華藝術學院教育系主任、杭州國立藝術院中國畫主任教授、國立藝專校長、浙江美術學院院長等。他是中國書畫傳統的堅定捍衛者，亦是中國畫現代教育的奠基人，他對中國藝術教育的貢獻，意義重大。是次展覽精選36件來自杭州潘天壽紀念館收藏的潘天壽不同時期書畫代表作和多種珍貴文獻，讓觀眾飽覽潘氏不同藝術階段的創作歷程。當中既有早年受吳昌碩影響的枯竹圖和1920至1930年代在上海及杭州任教時期的山水畫，亦有他享負盛名的指墨禿鷹和荷花，更有經典巨幅如鐵石帆運圖軸、夏塘水牛圖卷及雄視圖軸等。2. 澳門藝術博物館玉貌清明故宮珍藏兩宋瓷器精品展展期： 2011年12月8日開始 是次展覽是中國陶瓷史上瓷藝高峰的一次縱覽，展出故宮博物院珍藏兩宋宮廷及民間瓷器精品共一百八十七件。觀眾可透過兩宋時期宮廷與民間的瓷器，細味千年前仍歷久彌新的沉靜端雅與豐富多姿。3. 中國故宮博物院 1）明代花鳥畫展 展期：2011-11-302012-2-28 陳列室：延禧宮古書畫研究中心展廳故宮博物院收藏有豐富的中國古代書畫。其中既有晉唐宋元的稀世孤本，也有明清各個畫派名家的代表作品，可以清晰、系統地反映中國古代書法與繪畫藝術發展的脈絡。為了感受經典，分享中國書畫藝術的美輪美奐，展示中華傳統文化的博大精深，我們將分批展出歷代書畫家的精品佳作，以供廣大觀眾研究、欣賞。2）故宮博物院藏定窯瓷器精品展展期：2012.09.28-2013.07.31 陳列室：延禧宮古陶瓷研究中心展廳3）古書畫臨摹裝裱技藝傳承特展展期：2012.06.28-2012.12.12 陳列室：延禧宮古書畫研究中心展廳4） 明清扇面精品展 展期：2012.11.30-2013.02.28 陳列室：延禧宮古書畫研究中心展廳4. 京都國立博物館 特別展覧会中国近代絵画日本平成24年1月7日（土）2月26日（日）会場：特別展示館中国近代中心活躍呉昌碩、斉白石、高剣父、徐悲鴻等絵画作品、当館近年受贈須磨中心展示、多彩展開追。西洋近代物質文明衝撃、旧態依然中国社会全体揺、変革促。近代画壇改革陳師曾、高剣父、徐悲鴻等日本関係深、中国絵画近代化果日本役割決小。展覧会近代日中文化交流一面理解幸。5. 大和文華館1）書美術展期：2012年1/6（金）2/19（日）華麗装飾経典、人柄偲高僧遺墨、流麗公家書、墨蹟時代地域異美意識現。館蔵書蹟名品、中世史研究者故中村直勝博士蒐集古文書（双柏文庫）中心、書流。2）花美術展期：2012年2/25（土）4/8（日）文華苑梅桜咲美季節、花表絵画工芸展示。梅桜中心、寒中咲椿、泥中美咲蓮、花王者牡丹、様花華作品並。6. 大阪美術館1）中国拓本師古斎展期：2012年1月7日2月5日中国拓本師古斎、大阪出身実業家岡村蓉二郎(号師古斎)譲渡中心陳列行。第一章殷周秦吉金精拓本殷漢虢季子白盤銘 西周 宣王期（前827-782）頃秦公簋銘春秋景公期（前577-537）石鼓文春秋戦国秦権銘秦 始皇26年（前221）嶧山刻石 秦始皇28年（前219）第二章漢群臣上醻刻石 前漢 後元6年(前158)魯孝王刻石前漢五鳳2年(前56)萊子侯刻石新天鳳3年(16)三老諱字忌日記後漢建武28年(52)開通褒斜道刻石後漢永平9年(66)祀三公山神後漢元初4年(117)馮煥神道闕後漢永寧2年(121)嵩山開母廟石闕銘後漢延光2年(123)裴岑紀功碑後漢永和2年(137)北海相景君碑後漢永嘉元年(145)石門頌後漢建和2年(148)李禹通閣道記後漢元寿元年(155)礼器碑後漢永寿2年(156)孟残碑後漢永寿3年(157)劉平国摩崖後漢延熹元年(158)封龍山頌後漢延熹7年(164)孔宙碑後漢延熹7年(164)史晨奏銘後漢建寧2年(169)李翕黽池五瑞図後漢建寧4年(171)熹平残石後漢熹平2年(173)楊淮表紀後漢熹平2年(173)白石神君碑後漢光和6年(183)漢処士残碑後漢2世紀沈府君神道闕後漢2世紀朝侯小子残碑後漢2世紀樊敏碑後漢建安10年(205)第三章元魏墓誌元楨墓誌北魏太和20年(496)元誘妻馮氏墓誌北魏景明4年(503)元思墓誌北魏正始4年(507)元詳墓誌北魏永平元年(508)司馬紹墓誌北魏永平4年(511)普賢墓誌北魏延昌2年(513)司馬昞妻孟敬訓墓誌北魏延昌3年(514)皇甫驎墓誌北魏延昌4年(515)王誦妻元貴妃墓誌北魏煕平2年(517)元遥墓誌北魏煕平2年(517)元珽妻穆玉容墓誌北魏神亀2年(519)元孟輝墓誌北魏神亀3年(520)高植墓誌北魏正光元年(520)鄭道忠墓誌北魏正光3年(522)元秀墓誌北魏正光4年(523)元崇業墓誌北魏正光5年(524)李超墓誌北魏正光5年(525)元顕魏墓誌北魏孝昌元年(525)世宗嬪李氏墓誌北魏孝昌2年(526)元悛墓誌北魏建義元年(528)乞伏宝墓誌北魏永煕2年(533)王悦曁妻郭氏墓誌北魏永煕2年(533)僧令法師墓誌北魏永煕3年(534)王僧墓誌東魏天平3年(536)李憲墓誌 *東魏元象元年(538)*都合第四章展示第四章隋唐墓誌寇熾妻姜敬親墓誌隋開皇3年(583)元範妻鄭令妃墓誌隋開皇9年(589)張礼曁妻羅氏墓誌隋開皇9年(589)鞏賓曁妻陳氏墓誌隋開皇15年(595)蘇慈墓誌隋仁寿3年(603)劉宝曁妻王氏墓誌隋仁寿4年(604)呂胡曁妻李氏墓誌隋大業5年(609)宮人魏氏墓誌隋大業7年(611)宮人何氏墓誌隋大業8年(612)宮人蕭氏墓誌隋大業8年(612)田光山妻李氏墓誌隋大業8年(612)夫人王光墓誌隋大業10年(614)宮人鮑氏墓誌隋大業10年(614)宮人姜氏墓誌隋大業11年(615)宮人田氏墓誌隋大業11年(615)王世琛墓誌隋大業11年(615)張濬墓誌隋大業12年(616)馮忱妻叱李綱子墓誌隋大業12年(616)房逸墓誌唐聖暦2年(699)第五章三国晋南朝上尊号碑魏黄初元年(220)以後孔羨碑魏黄初2年(221)曹真残碑魏大和中(227-235)毋邱倹紀功刻石魏正始6年(245)谷朗碑呉鳳凰元年(272)禅国山碑呉天璽元年(276)天発神讖碑呉天璽元年(276)斉大公呂望表西晋大康10年(289)左棻墓誌西晋永康元年(300)広武将軍産碑前秦建元4年(368)枳楊府君神道闕東晋隆安3年(399)呂憲墓表後秦弘始4年(402)劉懐民墓誌宋大明8年(464)梁太祖神道闕梁天監元年(502)蕭秀碑陰梁天監17年(518)蕭憺碑梁普通3年(522)蕭景神道闕梁普通4年(523)第六章北朝隋唐暉福寺碑北魏太和12年(488)石門銘北魏永平2年(509)雲峯山論経書詩北魏永平4年(511)鄭羲下碑北魏永平4年(511)高慶碑北魏正光4年(523)頃？高盛碑東魏天平3年(536)敬史君碑東魏興和2年(540)李仲璇修孔子廟碑東魏興和3年(541)西門豹祠堂碑北斉天保5年(554)強独楽造像碑北周孝閔帝元年(557)郷老挙孝義雋敬碑並維摩経刻 北斉 (560)朱岱林墓誌北斉武平2年(571)赫連子悦墓誌北斉武平4年(573)馬天祥造像記北斉武平9年(578)元寿安妃盧蘭墓誌北周大象2年(580)仲思那等造橋碑隋開皇6年(586)曹植廟碑隋開皇13年(593)寧贙碑隋大業5年(609)雁塔聖教序唐永徽4年(653)2）中国工芸年金属陶磁器多彩表現 会期：2012年 1月7日（土） 2012年 2月5日（日）網址：http:/www.osaka-art-museum.jp/special/240107chuugokukougei.htm7. 東京国立博物館1）特別展北京故宮博院200選 展期：2012年1月2日（月） 2012年2月19日（日）陳列室：平成館 特別展示室 日中国交正常化40周年迎2012年、東京国立博物館北京故宮博物院名品展幕開。明時代永楽帝()清時代宣統帝溥儀()24人皇帝居城紫禁城()由来北京故宮博物院、壮麗宮殿建築180万件超誇。展覧会、貴重文物選名宝200件出品。二部構成、第1部、今門外不出宋元時代書画41件(一部展示替)展示、宮廷絵画文人画名品、書必見宋三家、元代文人名品一挙公開。青銅器玉器、陶磁器、漆器、琺瑯器、染織品多彩分野傑作揃、北京故宮展決定版。第2部、清朝最盛期築乾隆帝4肖像画軸、清朝豊世界観読解。数名品描肖像画是一是二図、現存作品再現必見。中国文明粋凝縮皇帝堪能。 展示作品： http:/www.tnm.jp/modules/r_free_page/index.php?id=1443 2）中国王朝至宝 展期：2012年10月10日（水） 2012年12月24日（月）陳列室：平成館 特別展示室13億以上人口持、世界4番目広国土持中国。現在50越民族抱、巨大国家6千年歴史現代。黄河長江大河恵高度文明発展中国、他国独自文化思想脈受継。、私日本人精神的文化的。本展、中国誕生歴代王朝都中心地域焦点当、最新発掘成果踏、地域特色文物通新中国文明像。文物魅力紹介、背景視線及、多元的発展中国文明広展観。8. 愛知県陶磁資料館日本人愛中国陶磁龍泉窯青磁展会期：平成24年1月21日（土）3月31日（土）会場：愛知県陶磁資料館本館 第1第2展示室中国浙江省西南部位置龍泉窯（）焼青磁、鎌倉時代室町時代莫大量日本輸入。中上質製品砧（）青磁天龍寺（）青磁名愛、今日数名品伝世、国宝、重要文化財指定作品少。 、日本、高麗、琉球（現在沖縄）、東南、南、西、東広地域運、当時最上質世界中人受入。2006年龍泉窯中最品質高青磁生産知大窯村地区楓洞岩（）地点、明時代初期（14世紀末15世紀初）宮廷用青磁焼窯発掘。、謎明時代皇帝使龍泉窯青磁生産実像明、世界考古学者、陶磁研究者、愛好家注目集。本展覧会、日本伝世名品数、龍泉楓洞岩窯址最新出土品併展覧、龍泉窯青磁美世界発展史、日本探。歐美1. Freer Gallery of Art1）SeasonsDecember 18March 4, 2012Highlighting the permanent collection, this series of exhibition underscores the importance of the seasons in Chinese and Japanese art and culture.Chinese LandscapesSeptember 3, 2011March 4, 2012From springtime cherry blossoms to autumnal scarlet maples, see how seasonal associations permeate Japanese poetry, art, and customs.2）Shipwrecked: Tang Treasures and Monsoon WindsSpring 2012Arthur M. Sackler Gallery The Smithsonians Freer Gallery of Art and Arthur M. Sackler Gallery in Washington, D.C., the Singapore Tourism Board, and the National Heritage Board of Singapore announced a partnership to organize the first exhibition and international tour of one of the oldest and most important marine archaeological finds of the late 20th century.The exhibition will focus on the 1998 discovery of a ninth-century shipwreck and its astonishing cargo of over 60,000 objects from Tang dynasty China, ranging from mass-produced ceramics to rare and extraordinary items of finely worked gold. The cargo has laid undisturbed on the ocean floor for more than 1,100 years until sea-cucumber divers discovered it off the coast of Indonesias Belitung Island. The ship, an Arab dhow, and its contents confirm the existence of a direct maritime trade route (alluded to in ancient Chinese and Arabic texts) from China to the Gulf and beyond well before the Portuguese set sail in the 15th century.The discovery offers scholars and scientists an unprecedented time capsule of knowledge about the period and a wealth of unanswered questions that will fuel research for decades to come.The grand opening of the exhibition will take place in Singapore in early 2011. The Sackler Gallery will host the U.S. premiere in spring 2012, coinciding with the museums 25th anniversary celebration. The exhibition is expected to travel for about five years to major museums in Asia, the United States, Europe, the Middle East, and Australia.3）Silk Road Luxuries from ChinaOpens November 5A vast network of caravan trails has long linked the oasis settlements spread across the Central Asian desert. For nearly two millennia these trade routes, now collectively known as the Silk Road, facilitated the spread of Buddhism and provided a course for the long-distance exchange of luxury goods between merchants and traders in China and the West. The impact of foreign imports on the arts of China is particularly apparent in objects dating from the sixth through eighth century, when Chinese craftsmen explored new materials, techniques, forms, and decorative patterns. They also began to use silver and gold for tableware and other functional objects. Exceptional examples of this phenomenon are now on view in the Freer Gallery. Most were made in the vicinity of the Tang capital at Changan (modern Xian) and attest to the cosmopolitan tastes of Chinese elites interested in foreign styles and customs.4）Winged Spirits: Birds in Chinese Painting February 11August 5, 2012In Chinese culture many birds are endowed with strong symbolic associations, both on their own and especially in combination with certain auspicious flowers. In the tenth century, birds and flowers emerged as major themes in traditional Chinese painting. At first such images were based on the close observation of nature and employed fine detail and color; later they derived from the painting tradition itself and often were rendered in only ink. While the primary interest of many artists was to capture the essence or spirit of their subjects, most birds in the paintings can be scientifically identified. More than thirty-five species of birds are depicted in flight, on the ground or in water, or perched on tree branches.2. The Metropolitan Museum of Art 1）Chinese Art in an Age of Revolution: Fu Baoshi (19041965) January 21 April 15, 2012 Perhaps the greatest figure painter and landscapist of Chinas modern period, Fu Baoshi successfully integrated Western and traditional artistic influences to create haunting images that evoke a mood as much as a place or person. This exhibition will treat Fus forty-year career with some seventy paintings, including many of the artists recognized masterpieces, drawn from the preeminent holdings of Chinas Nanjing Museum. The exhibition, augmented by superb works from a New York private collection, will be the most comprehensive treatment of the artists oeuvre ever presented outside of Asia. Co-organized with the Cleveland Museum of Art, the exhibition will feature a richly illustrated catalogue.2）The Printed Image in China, 8th21st Century May 5 July 29, 2012China invented both paper and printing and this exhibition presents an outstanding survey of the art of Chinese printing from the time of its inception in the ninth century through its burgeoning as an artistic medium during the seventeenth century and its continued vitality as a medium for both popular culture and political commentary during the twentieth century. The exhibition will consist of approximately 136 prints drawn from the encyclopedic holdings of the British Museum. 3）Red and Black -Chinese Lacquer 13th16th CenturySeptember 7, 2011 June 10, 2012Galleries 220222Organized in celebration of three spectacular gifts to the Museum, this small exhibition explores techniques and themes in Chinese lacquer from the thirteenth to the sixteenth century, a high point in the development of this uniquely Asian artistic tradition. Some works illustrate the carved-lacquer technique, in which multiple layers of lacqueras many as two hundredare incised deeply with lush geometric or figural patterns, or scenes of figures in landscapes. Other objects demonstrate related techniques whereby shallower incisions are inlaid with gold, pigment, or minute pieces of mother-of-pearl to create equally ornate surface decoration.Lacquerware shares the rich visual language found in ceramics, textiles, and paintings, including figural scenes based on Chinese literature and history; mythical creatures such as dragons and phoenixes; birds and other animals; and flowers and plants. Most of these motifs are imbued with meanings, usually auspicious, derived from longstanding cultural traditions. For example, the peony alludes to spring and denotes wealth, while the chrysanthemum symbolizes autumn and longevity. Both flowers frequently are grouped with others, generally lotus and plum, to define the four seasons. Other motifs, such as the Asian flycatcher (shoudainiao), a bird seen often in early carved lacquers, can serve as rebuses emblematic of good wishes. In this instance, shoudainiao can be a proxy for the notion of enduring generations, for the first character of its name, shou, is a homonym for longevity; the second, dai, for generations.3. Asian Art Museum, National Museums in Berlin 1) Bamboo and its Friends.Chinese Painting from the Ming and Qing DynastiesTue 11 October 2011 - Sun 18 March 2012The three friends of winter: bamboo, plum blossom and pine remain a very popular motif, even today. Defying the inclemencies of weather and the seasons, they have come to symbolize endurance and hardiness. At the same time, though, they particularly lend themselves to demonstrating the painters skill in handling the brush and ink. The artist does not attempt to render the bamboo and its friends faithfully, but rather strives to capture their essence, depicting each plant using just a few masterful strokes, usually in black ink.On show here are some 47 works that were mostly produced during the Ming and Qing dynasties and which depict bamboo and its wintry friends in all their forms. Bamboo, plum blossom and pine are depicted either heavy with drops of rain, poetically tender or vigorously robust. The various artists also combine them with one another or have them growing beside bubbling brooks or in the gardens of scholars. Of particular interest here are the three hanging scrolls by the Qing-era master, Zheng Xie (Banqiao, 1693-1765); one of the Eight Eccentrics of Yangzhou, he was famed for his excellent depictions of bamboo.2) Chrysanthemums and Bamboo. Symbolism, Legends, PolymorphismTue 25 October 2011 - Sun 25 March 2012Chrysanthemums and bamboo are two of the most popular motifs in Chinese painting, even today, and are imbued with rich symbolism. They are attributed with certain masculine virtues, which the artist by inference ascribes to himself to reveal facets of his personality. Both plants especially lend themselves to demonstrating the painters skill in handling the brush and ink.Todays exhibition presents 16 works, in which chrysanthemums or bamboo are combined with depictions of various animals, jagged ornamental rocks and autumnal motifs. In some pictures, chrysanthemums and bamboo also appear on their own, for instance dancing in the rain. The images are imbued with their own symbolism, depending on how they are combined with other motifs, and often also refer to stories from long ago. The manner in which they are executed is just as diverse as the motifs themselves. In style, they range from traditional monochrome paintings up to depictions in vibrant colours that border on the abstract. This range of styles lends the works their tender lyricism or gives them their lively, expressive force. The exhibition presents the diverse range of forms evident in the motifs of chrysanthemums and bamboo, in the process highlighting the fresh creative impulses with which artists of the 20th century have infused traditional Chinese painting.3) China und Preuen.Porzellan und TeeFri 1 June - Mon 31 December 2012Unter dem Stichwort Chinesisches Porzellan werden Teile des um 1755 als Geschenk fr Friedrich II. in Jingdezhen gefertigten und mit dem Groen Preuischen Staatswappen verzierten Services gezeigt, das die Stadt Emden mit einem der Schiffe der preuischen Handelskompanie erreichte. Als Kontrapunkt steht dem das Teehaus des zeitgenssischen Knstlers Ai Weiwei gegenber.Mit dieser Prsentation im Thronsaal des Museums wird auf zwei zentrale Errungenschaften des Fernen Ostens verwiesen, die unter Friedrich II. eine Brcke nach Ostasien schlugen: Porzellan und Tee. Die Ausstellung wirft ein Schlaglicht auf ein frhes Kapitel global ausgerichteter preuischer