中国旗袍文化.ppt

中国旗袍文化 the chinese cheongsam culture,满洲国时期,民国时期,现代,旗袍的历史,中国旗袍文化,满洲国时期,旗袍是女性服饰之一，源于满族女性传统服装,in the period of manchuria,cheongsam is a female clothing of manchu women, from traditional clothing,满洲国时期,琵琶襟,旗装的特点是立领，右大襟，紧腰身，下摆开衩。古旗装有琵琶襟、如意襟、斜襟、滚边或镶边等。,in the period of manchuria,qizhuang is characterized by the collar, right dajin, tight waist, skirt slits. the flag with the pipa lapel, collar, xie jin, ruyi piping or edge,民国时期,民国之初，剪辫发，易服色，把属于封建朝代的冠服等级制度送进了历史博物馆，这一切为倒大袖与新样式旗袍的延生创造了条件。,the period of the republic of china,at the beginning of the republic of china, cut hair, easy to wear color, belonging to the feudal dynasties of the crown clothing hierarchy to the history museum.,the period of the republic of china,all this is big sleeves and new style cheongsam extension to create conditions.,现代,二十年代后期和三十年代，围绕思想潮流的此消彼长，旗袍在长短、宽窄、开衩高低以及袖长袖短、领高领低等方面展开“较量”。,modern,the late twentys and thirtys, around the ideological trend of the shift, cheongsam “contest in the length, width, height and length of sleeve cuff slits short turtleneck collar, etc.“,现代,近十几年来，时装中重新出现的旗袍，在国际时装舞频频亮相，风姿绰约有胜当年，并被做为一种有民族代表意义的正式礼服出现在各种国际社交礼仪场合。,modern,in recent years, the re-emergence of fashion cheongsam, frequently appeared in the international fashion dance, charming appearance and personality have to win that year, and was as a formal dress has a national representative significance appeared in various international social etiquette.,在传统与现代、维护传统的“善”与追求美的思想潮流碰撞中，旗袍越来越贴近时代、贴近生活，脱离原来的样式，变得经济便利、美观适体。,in the traditional and the modern, the maintenance of the traditional “good“ and the pursuit of ideological trend collision cheongsam beauty, more and more closer to the era, close to life, from the original style, becomes the economical convenience, beautiful and fit.,旗袍的历史,旗袍改自满族妇女服装（旗服）。区别于沿袭了3000多年的汉服服制，清朝三百余年的中国女装以旗服为主流。而二十世纪二十年代初，在西方文化的影响下，中国妇女开始领悟到“曲线美”，对旗袍不断改进，推陈出新，力求把自己优美的身材曲线表现出来。但这并非一帆风顺，于是中西文化冲突的“拉锯战”，便被缝在旗袍上。,the history of the qipao,qipao from manchu womens clothing (flag.). different from the followed the 3000 years of chinese dress, the qing dynasty more than three hundred years of chinese women to its service as the mainstream. the early nineteen twenties, under the influence of western culture, chinese women began to realize the “beauty“, continuous improvement, bring forth the new through the old to dress, to show your graceful curves. but it is not everything is going smoothly. so the conflict between chinese and western culture, the “tug of war“, it is sewn to the cheongsam,旗袍文化,物质文化 (material culture) 精神文化 (spiritual culture),物质文化,旗袍作为满族传统服装，只是为了满足满族放牧，利于骑射，便于做一些激烈的运动等。,manchu cheongsam as traditional clothing, just in order to meet the manchu grazing, good qishe, easy to do some intense exercise.,精神文化,旗袍在中国的服装业上占据独一无二的位置，影响着中国乃至世界服装业的发展，激发着设计师们的灵感。仍然是唯一代表中国女性的服装，频频出现在各种场合和各种礼仪上。旗袍多年来所代表的中国女性形象，展现了东方女性的风采。 qipao in chinese garment industry to occupy the position of the one and only, affect the development of garment industry in china and even the world, inspiring designers. still is the only representative of chinese women clothing, frequently appears in various occasions and various ceremonial. chinese female images represent cheongsam years, show the oriental female charm.,有关旗袍的传说,很久以前，镜泊湖边上住着一位叫黑妞的家姑娘她觉得穿宽大衣裙打鱼不方便，就自己动手裁制了一件多纽袢儿两侧开襟的连衣长衫，捕鱼时将衣襟撩起系在腰间，既大方，又实用。一天晚上，皇上梦见了先王告诉他，在镜泊湖边上有一位身穿锦袍的俊俏渔家姑娘，她便是皇儿的娘娘。皇上醒来喜出望外，急令差人前去寻找。后来，黑妞就入了宫，成了娘娘，打这以后，八旗女姓都效仿皇后穿上这种长衫，后人就把旗人女姓的这种长衫叫做“旗袍”。,the cheongsam legend,a long time ago, jingbo lake lived a call girl home girl she think wearing a loose dress fishing is not convenient, oneself begin make a loop on both sides of the children in addition cardigan dress gown, fishing will skirt lifted on his waist line, both generous, and practical. one night, the emperor was the first king told him, wearing a robe with a girl in jingpo lake, she is the emperors empress.,the emperor woke up be overjoyed, urgent make poo