美国文学之《了不起的盖茨比》中英文PPT.ppt

francisscottkeyfitzgerald,francisscottkeyfitzgerald(september24,1896december21,1940)wasanamericanauthorofnovelsandshortstories,whoseworksaretheparadigmwritingsofthejazzage,atermhecoinedhimself.heiswidelyregardedasoneofthetwentiethcenturysgreatestwriters.fitzgeraldisconsideredamemberofthelostgenerationofthe1920s.,fitzgeraldwasbothaleadingparticipantinthetypicallyfrivolous,carefree,money-makinglifeofthedecadeand,atthesametime,adetachedobserverofit.hewasthemostrepresentativenovelistofthe1920s.,f.scottfitzgerald,lifeandcareerliterarycharacteristicsthegreatgatsby,lifeandliterarycareer,birth:bornintoast.paulmiddle-classfamilyin1896father:gentlemanlybutunsuccessfulinbusinessmother:descendantofanirishimmigrantenteringprincetonat17joiningthearmyin1917;writingtheromanticegoist;fallinginlovewithzeldasayredischargedfromthearmyin1919;goingtonewyorkreturningtost.paul;publishingthissideofparadisein1920gettingmarried;goingtonewyork;flappersandphilosophersandtalesofthejazzagepublishedin1920and1922respectively,lifeandliterarycareer,becoming“theangeloftwenties”;thebeautifulandthedamnedpublishedin1922goingtofrancein1924;spokesmanof“thelostgeneration”;producingthegreatgatsbyin1925;tenderisthenightandstoriesmarriageproblem;loneliness,alcohol,andtheawarenessthathewasdissipatinghistalent:breakdownonthebrinkofdespairanddisintegrationbetween1934and1937;illwithtb,drinkingmoreheavily,andmakingtwounsuccessfulattemptsatsuicideacceptingawritingcontractforhollywood,butdismissedfromhisworklatein1938startingthewritingofthelasttycoonwhichremainedunfinishedwithhisdeathin1940.,literarycharacteristics,fitzgerald:excellentchroniclerofthejazzagegreatness:findingintuitivelyinhispersonalexperiencetheembodimentofthatofthenationandcreatingamythoutofamericanlifepursuinghisideals;objectiveenoughtoanalyze,satirizeandcriticizethemsimplicityandgracefulnessmetaphorsandsymbolsmanipulatingrelationbetweenthegeneralandthespecificboldimpressionisticandcolorfulquality,themes:moneyandlove,attitudetowardsmoney:contradictoryandcomplexdoublevision:knowingitwellinside;seeingitironicallyoutsidespecialexperience:familiarwithlifestyle,mentalstateandmoralstandardsoftherichcriticaloftherichandshowingthedisintegratingeffectsofwealthontheemotionalmake-up,novelsoff.scottfitzgerald,thissideofparadisethebeautifulanddamnedthegreatgatsbytenderisthenightthelasttycoon,二十多年创作生涯，发表多部长篇小说和160多篇短篇小说。剧本：美女和被诅咒的人、伟大的盖茨比、生死同心、女人、乱世佳人、居里夫人、夜色温柔我最后一次看到巴黎、绮梦初艳等长篇小说：最后一个大亨、明智的事、了不起的盖茨比、夜色温柔、人间天堂等短篇小说：姑娘们与哲学家们、爵土时代的故事、富家公子、本杰明巴顿奇特的一生、伯妮斯剪发、遗失的十年等,人间天堂(thissideofparadise,1920),第一部长篇（划时代作品）。主人公阿莫瑞布莱恩外表俊美、家境富裕、娇生惯养。曾考入普林斯顿大学成为大学生，后参加第一次世界大战，战争让他看清了这个时代和人性的一些本质。退伍后更加迷茫、颓废。30岁时变得愤世嫉俗、厌世，开始“厌恶这个社会制度”，盼望来一场社会革命，把自己推到社会的顶峰。小说以作者自己求学和海外生活为原型，描述主人公从预备学校到大学，再经历第一次世界大战的经历，再现“迷惘一代”精神面貌，主人公是多愁善感、满脑子幻想的年轻人，一心想“飞黄腾达”，娶漂亮姑娘做妻子。可因家庭状况欠佳，漂亮姑娘不愿嫁他。他由此“厌恶这个社会制度”，“盼望来一场社会革命，把我翻到社会的顶峰”。,夜色温柔(tenderisthenight，1934),生前完成的最后一部长篇，描写一个出身寒微但才华出众的青年对梦幻般理想的追求以及最终遭到失败、变得颓废消沉的故事。小说背景是作者熟悉的欧洲大陆，时间为19171930，但小说展现的仍是美国“爵士乐时代”的社会场景。一部自传性小说，探索一种酷似作者所经历的感情与精神的崩溃过程，描写了强烈的怀旧情绪、悔恨心理、失落的希望、破灭的幻想、人格的分裂。,tenderisthenight,迪克戴弗是来自美国中西部的年轻有为的精神医生，在瑞士的苏黎世进行精神病的病理研究。他参与了对富家女尼科尔沃伦的治疗。尼科尔因百万富翁的父亲与她乱伦而患上精神病的。在治疗过程中尼科尔爱上了迪克，迪克不顾他人的劝阻娶了尼科尔。婚后，他将全部的精力花在照顾有病的妻子上，自己的事业则逐渐荒疏。尼科尔在迪克的悉心照料下慢慢康复，过上了正常的生活，迪克却身心疲惫不堪重负日趋消沉。出于苦闷和无聊，迪克与一个名叫萝丝玛丽的女孩产生了爱情纠葛，而尼科尔则同阔少爷汤米寻欢作乐。最后，尼科尔同迪克离婚，嫁给汤米；迪克孓然一身返回美国，在他的家乡小镇以一个普通医生的身份行医了结余生。,jazzageandtheroaringtwenties,thejazzagedescribestheperiodaftertheendofworldwari,throughtheroaringtwenties,endingwiththeonsetofthegreatdepression.theroaringtwentiesthespiritoftheroaringtwentieswasmarkedbyageneralfeelingofdiscontinuityassociatedwithmodernity,abreakwithtraditions,jazzage(1919-1929),thejazzageisthenicknameinamericaofthedecadeofthe1920s,beginningfrom1919tothecrashattheendof1929.itreferstothe“twenties”ofthiscentury.thesetenyearswere,foramericans,atimeofcarefreeprosperity,isolatedfromtheworldsproblem,bewilderinggreatsocialchange,andafeverishpursuitofpleasure.thesewerethetenyearswhenthefirstworldwarwasjustover,whennewinventionsandmanufacturingtechniquesgreatlychangedthewaypeoplelived;whenpeoplemovedfromthecountrysideingreatnumbers;whenwomenwontherighttovoteandmanystartedtoearntheirownmoney.,jazzage,whencars,washingmachines,radiosandvacuumcleanersbecamecommonplace;andwhenmillionsofpeoplelivedbeyondtheirmeansandwentintodebtinordertoobtainsuchthingswhilethemiddleclassfranticallypursuedindividual“success”andpersonalenjoyment.theylivedarich,extravagant,frivolousmoneymakinglife,anditwasthisstyleoflivinggavethedecadeofthe1920ssuchnicknameasthe“jazzage”,the“dollardecade”,andthe“roaringtwenties.”,jazzage,everythingseemedtobefeasiblethroughmoderntechnology.newtechnologies,especiallyautomobiles,movingpicturesandradioproliferatedmodernitytoalargepartofthepopulation.formaldecorativefrillswereshedinfavorofpracticalityinbothdailylifeandarchitecture.atthesametime,jazzanddancingroseinpopularity,inoppositiontothemoodofthespecterofworldwari.assuch,theperiodisalsooftenreferredtoasthejazzage.,literature,theroaringtwentieswasaperiodofliterarycreativity,andworksofseveralnotableauthorsappearedduringtheperiod.booksthattakethe1920sastheirsubjectinclude:thegreatgatsbybyf.scottfitzgeraldisoftendescribedastheepitomeofthejazzageinamericanliterature.allquietonthewesternfrontbyerichmariaremarquerecountsthehorrorsofwwiandalsothedeepdetachmentfromgermancivilianlifefeltbymanymenreturningfromthefront.,thissideofparadisebyf.scottfitzgeraldportraysthelivesandmoralityofpost-worldwariyouth.thesunalsorisesbyernesthemingwayisaboutagroupofexpatriateamericansineuropeduringthe1920s.,thegreatgatsby,thegreatgatsbyisanovelbytheamericanauthorf.scottfitzgerald.firstpublishedonapril10,1925,itissetonlongislandsnorthshoreandinnewyorkcityduringthesummerof1922andisacritiqueoftheamericandream.,majorcharacters,nickcarraway-thenarratorofthenovel;movesfromthemidwesttonewyorktolearnthebondbusiness.jaygatsby-livesnexttonickinamansion;throwshugeparties,completewithcateredfood,openbars,andorchestras;peoplecomefromeverywheretoattendtheseparties,butnooneseemstoknowmuchaboutthehost.daisybuchanan-shallowgirlwhoistheemodimentofgatsbysdreams;shewasgoingtomarrygatsbybuthewentofftowar.tombuchanan-husbandofdaisy;acruelmanwholiveslifeirresponsibly.jordanbaker-acynicalandconceitedwomanwhocheatsingolf;wantsnicktogooutwithher.myrtlewilson-tomhasanaffairwiththismarriedwoman,andthenabandonsherafterhebecomeboredwithher.georgewilson-myrtleshusband,thelifeless,exhaustedownerofarun-downautoshopattheedgeofthevalleyofashes.,thegreatgatsby,theplotofthenovelgatsbyisapooryouthfromthemidwest.hefallsinlovewithdaisy,agirlfromawealthyfamily.asapoorlad,gatsbyistoopoortomarryher,sodaisyismarriedtoarichyoungmannamedtombuchanan.determinedtowindaisyback,gatsbyengageshimselfinbootleggingandotherillegalactivities,thusearnsenoughmoneytobuyamagnificentmansion.therehehostsdazzlingpartieseveryweekendinthehopeofattractingthebuchananstocome.bychancehisnext-doorneighbor,nickcarraway,isdaisysrelativeandhehelpsgatsbytomakeanappointment.theyfinallycomeandgatsbymeetsdaisyagain.buthefindsdaisyisnolongertheidealloveofhisdream.,theplotofthenovel,asenseoflossanddisillusionmentcomeoverhim.daisyandtomdonotreallyloveeachother.infact,tomhasamistressbythenameofmyrtlewilson,whoisthewifeoftheownerofagarage.onedaydaisyquarrelswithtomandinafitofangershedrivesgatsbyscarandkillsmyrtleinanaccident.inordertoprotectthemselves,daisyandtomplottoshifttheblameontogatsby,sayinggatsbyhasanaffairwithmyrtleandhekillshereventually.myrtleshusbandgeorgewilsonbreaksintogatsbyshouseandshotshimtodeath.thebuchanansescape,andtheonlytwopersonsattendinggatsbysfuneralarenickandgatsbysfather,whoreadsthenewsinnewspaper.,了不起的盖茨比内容简介,尼克从中西部故乡来到纽约，在他住所旁边正是本书主人公盖茨比的豪华宅第。这里每晚都在举行盛大的宴会。尼克和盖茨比相识，故事就这样开始了。尼克对盖茨比充满探究的兴趣。探究的结果是：尼克了解到盖茨比内心深处有一段不了之情。年轻时的盖茨比并不富有，他是一个少尉军官。他爱上了一位叫黛茜的姑娘，黛茜对他也情有所钟。后来第一次世界大战爆发，盖茨比被调往欧洲。,似是偶然却也是必然，黛茜因此和他分手，转而与一个出身于富豪家庭的纨绔子弟汤姆结了婚。黛茜婚后的生活并不幸福，因为汤姆另有情妇。物欲的满足并不能填补黛西精神上的空虚。盖茨比痛苦万分，他坚信是金钱让黛茜背叛了心灵的贞洁，于是立志要成为富翁。几年以后，盖茨比终于成功了。他在黛茜府邸的对面建造起了一幢大厦。盖茨比挥金如土，彻夜笙箫，一心想引起黛茜的注意，以挽回失去的爱情。,尼克为盖茨比的痴情所感动，便去拜访久不联系的远房表妹黛茜，并向她转达盖茨比的心意。黛茜在与盖茨比相会中时时有意挑逗。盖茨比昏昏然听她随意摆布，并且天真地以为那段不了情有了如愿的结局。然而真正的悲剧却在此时悄悄启幕。黛茜早已不是旧日的黛茜。黛茜不过将她俩目前的暖昧关系，当做一种刺激。尼克终于有所察觉，但为时已晚,一次黛茜在心绪烦乱的状态下开车，偏偏轧死了丈夫的情妇。盖茨比为保护黛茜，承担了开车责任，但黛茜已打定主意抛弃盖茨比。在汤姆的挑拨下，致使其情妇的丈夫开枪打死了盖茨比。盖茨比最终彻底成为了牺牲品。盖茨比至死都没有发现黛茜脸上嘲弄的微笑。盖茨比的悲剧在于他把一切都献给了自己编织的美丽梦想，而黛茜作为他理想的化身，却只徒有美丽的躯壳。尽管黛西早已移情别恋,尽管他清楚地听出“她的声音充满了金钱”,却仍不改初衷,固执地追求重温旧梦。,人们在为盖茨比举行葬礼，黛茜和她丈夫此时却早已在欧洲旅行的路上。不了情终于有了了结。尼克目睹了人类现实的虚情寡义，深感厌恶，于是怀着一种悲剧的心情，远离喧嚣、冷漠、空洞、虚假的大都市，黯然回到故乡。,了不起的盖茨比的思想意义,以盖茨比的追求和毁灭来表现“美国梦”的幻灭，深刻揭露了“美国梦的”虚假实质。所谓的美国梦是一种相信只要在美国经过努力不懈的奋斗便能获致更好生活的理想，而非依赖于特定的社会阶级和他人的援助。一般而言，“美国梦”包含几个要素：美国提供了人人都能成功的机会；成功取决于自己的才能和努力，而不是家世和背景；人人都拥有平等的权利；人人都有信仰的自由。“这些要素是与历史密不可分的，也必须和时代背景结合起来看。”,analysisofmajorcharacters,jaygatsbygatsbyisayoungmanwhorosefromanimpoverishedchildhoodinruralnorthdakotatobecomefabulouslywealthy.however,heachievedthisloftygoalbyparticipatinginorganizedcrime.fromhisearlyyouth,gatsbydespisedpovertyandlongedforwealthandsophisticationhedroppedoutofst.olafscollegeafteronlytwoweeksbecausehecouldnotbearthejanitorialjobwithwhichhewaspayinghistuition.thoughgatsbyhasalwayswantedtoberich,hismainmotivationinacquiringhisfortunewashislovefordaisybuchanan.gatsbyimmediatelyfellinlovewithdaisysauraofluxury,grace,andcharm,andliedtoherabouthisownbackgroundinordertoconvinceherthathewasgoodenoughforher.daisypromisedtowaitforhimwhenheleftforthewar,butmarriedtombuchananin1919,whilegatsbywasstudyingatoxfordafterthewarinanattempttogainaneducation.fromthatmomenton,gatsbydedicatedhimselftowinningdaisyback,andhisacquisitionofmillionsofdollars,hispurchaseofagaudymansiononwestegg,andhislavishweeklypartiesareallmerelymeanstothatend.,nickcarraway,nickrepresentsanotherpart:thequiet,reflectivemidwesterneradriftinthelurideast.helivesinthewesteggdistrictoflongisland,nextdoortogatsby.nickisalsodaisyscousin,whichenableshimtoobserveandassisttheresurgentloveaffairbetweendaisyandgatsby.asaresultofhisrelationshiptothesetwocharacters,nickistheperfectchoicetonarratethenovel,whichfunctionsasapersonalmemoirofhisexperienceswithgatsbyinthesummerof1922.heistolerant,open-minded,quiet,andagoodlistener,and,asaresult,otherstendtotalktohimandtellhimtheirsecrets.gatsby,inparticular,comestotrusthimandtreathimasaconfidant.oftenhefunctionsasfitzgeraldsvoice,asinhisextendedmeditationontimeandtheamericandream.insofarasnickplaysaroleinsidethenarrative,heevidencesastronglymixedreactiontolifeontheeastcoast,onethatcreatesapowerfulinternalconflict.ontheonehand,nickisattractedtothefast-paced,fun-drivenlifestyleofnewyork.ontheotherhand,hefindsthatlifestylegrotesqueanddamaging.thisinnerconflictissymbolizedthroughoutthebookbynicksromanticaffairwithjordanbaker.,daisybuchanan,daisyrepresentstheparagonofperfectionshehastheauraofcharm,wealth,sophistication,grace,andaristocracy.sheisbeautifulandcharming,butalsofickle,shallow,bored,andsardonic.finally,ratherthanattendgatsbysfuneral,daisyandtommoveaway,leavingnoforwardingaddress.likezeldafitzgerald,daisyisinlovewithmoney,ease,andmaterialluxury.sheiscapableofaffection,butnotofsustainedloyaltyorcare.sheisindifferenteventoherowninfantdaughter.daisyrepresentstheamoralvaluesofthearistocraticeasteggsetinthe1920s.,themes,thedeclineoftheamericandreaminthe1920sthehollownessoftheupperclass,motifs,geographyweathersymbolsthegreenlightthevalleyofashestheeyesofdoctort.j.eckleburg,了不起的盖茨比艺术特色,一、第一人称的叙事视觉“身在其中，又置身其外”，不是“叙述自我”，而是“经验自我”。尼克盖茨比的近邻，黛西的远房表兄，汤姆的大学同学，同时又在和黛西的密友谈恋爱。置身于人物关系网的核心，同时有没有直接的利害关系。,二、颜色在作品中的象征作用,1、白色冷漠、空虚。白色在美国的文学中有着特别的含义,它既可以象征纯洁也可以象征冷漠;它既可以象征高贵也可以象征空虚它既可以使善良的更显纯真但也可使贪欲更显卑污。首先,菲茨杰拉德在小说中反复在黛西身上使用了白色:她出场时穿着一身白色的衣裙。显得高贵而神秘、洁白而美丽。让盖茨比着迷,却如同白云一样只能让她从眼前飘过。“黛西如同一个住在白色宫殿的公主。在纯真的外表下却有着”白色”所象征的空虚与冷漠。“我们在做什么呢?别人都是怎么渡过这一天的”?黛西自己的话将她的空虚无聊表露无疑。,尼克在汤姆的家里第一次见到表妹黛西时，黛西一身素白，身上所散发出的光辉使得整座房子都笼罩在一种舒缓的浅淡色调中。白色在小说里无疑是属于黛西的。正是这种貌似的纯洁、美丽、童贞、无邪深深吸引着盖茨比，白衣飘飘的少女时期黛西的纯洁形象在他的内心深处烙下了不可磨灭的印象。成为盖茨比迷恋一生，却又始终无法企及的梦想。虽然在尼克的安排下，盖茨比最终见到了心上人黛西，但唤醒黛西旧情的并不是盖茨比的一片痴情，而是他别墅内部的豪华装饰和盖茨比本人的奢华生活方式。,这时候的黛西已不再是当年的黛西，环境已把她彻底腐蚀了。在东部的物质世界中，对金钱和物欲的渴望早已把她扭曲成了贪婪、空虚、自私的庸俗女人。即便盖茨比拥有再多的财富，也无法拯救她堕落的灵魂。换个角度看，白色也象征着懒惰、浅薄、无知、无用，而这才是黛西的本质所在。盖茨比的美国梦永远无法完整、完满。为了赢得黛西的爱，他拼命赚钱，在获得大量的金钱与物质财富后，奢华铺张，夜夜笙歌的生活掩盖不了他的空虚。内心深处对以往纯洁的黛西的向往化为支撑他的精神支柱。然而残酷的现实再次给他以狠狠的打击。这再一次深化了美国梦破灭这一主题。,2、黄色金钱、衰亡,黄色也是不得不提的一种颜色。这种金钱、权势、富贵的象征在小说中总是与死亡相联系。黛西在慌乱中撞死汤姆情人时开的正是盖茨比那辆黄色轿车。盖茨比被威尔逊杀死跌入游泳池的刹那，菲茨杰拉德形容他如一片落叶掉进黄色的丛林间。或许通过这种联系，作者想告诉读者有时金钱正是引领我们走向死亡的罪恶之源。,黄色是权力、财富和地位的象征。为了重新得到他的爱情，盖茨比无时无刻不在向黛西传递着富足的信息：他乘坐的华丽而贵重的汽车是浅黄色的；与黛西见面时戴的领带是金色的；每逢周末，在盖茨比的花园里所举行的豪华、盛大、灯火辉煌的宴会上，轿车、食物、酒吧等都是黄色的，所有这些黄色象征着一种喧嚣、财富、金钱至上的氛围，在这样一种氛围中，一个人要想成功，必须借助金钱的力量。,小说中黛西和她的丈夫汤姆无疑是金钱的奴隶。金钱是黛西爱情的基础，享乐是她的生活准则，对黛西来说，财富远比爱情重要。婚礼当天，她断然抛弃了深爱她的穷小子盖茨比，嫁给了有钱有地位的花花公子汤姆。戴上汤姆送给她的那串价值三十万美元的项链，跟汤姆结了婚。五年后，看到盖茨比发了财，一下子嚎啕大哭起来。黛西虽然物质上很富有，但精神上却异常空虚，整天无所事事地打发日子。作者在小说中很好地运用了黄色这种象征喧嚣、金钱的色彩，表现了那个时代的特征和人物命运。,3、红与白,汤是姆和黛西的豪宅的基调色彩。既然白色象征着黛西的个性特征，那么红色无疑能更完美地展示汤姆自私、傲慢、野蛮、残酷的个性。优越的家世背景使得汤姆骄傲自大，目中无人，菲茨杰拉德在小说中这样描写到，他总是野蛮地推开挡在他前面的每个人，一头红色鲁莽公牛的形象跃然纸上。他虽然与黛西结婚，但却经常与情人幽会。在察觉到妻子和盖茨比的私情后，竟然把她带到盖茨比面前，以证明盖茨比无法对自己造成伤害。虚伪的自负从此可见一斑。最后在得知妻子开车无意撞死自己情人时，出于对盖茨比的嫉妒，他用心险恶地唆使情人的丈夫残酷地杀死了自己的情敌。从本质上看，他才是真正双手沾满鲜血的凶手。红色在小说中为汤姆形象的塑造划下了完整的句号。,4、绿色希望。,习惯上人们总是把绿色与青春、活力、春天、希望相联系。然而在这部小说中，菲茨杰拉德赋予绿色以全新的象征意义。长岛码头黛西那盏绿灯无疑是书中的一个主要意象。盖茨比的信念就在那盏绿灯上，那是他未来的仙境，终其一生的梦想，盖茨比常常在晚上孤独地望着它，伸开双手想去拥抱它那青春和爱情的象征，仿佛是黛西的化身。虽然这一切似乎渐行渐远，盖茨比仍孤注一掷地试图抓住它。每逢周末盖茨比都有意在黛西住宅对面西卵岛上那座豪华的白色大理石别墅里通宵达旦举行盛大的晚会，招待四方慕名而至的宾客。他想以此来炫耀自己的财富和显赫的社会地位，重新把黛西吸引到自己的身边。,然而在这个过程中盖茨比忽略了至关重要的一点，企图以财富和地位换回爱情的做法本身就与爱情的真谛相违背。而他从金钱唤回的女人身上所能得到的只有虚情假意。他的美国梦从开始就是个无法实现的错误，这种错误导致了他的悲剧结局。他最终为了黛西，为了理想献出了自己的生命。正如小说末了，尼克又想起了盖茨比信奉的这盏绿灯，似乎近在眼前，他几乎不可能抓不住，实际上却可望而不可及，他的梦想已经远远逝去了。,除了以上提到的三种颜色之外，作品中还有其他具有象征意义的颜色，如象征着精神废墟和迷惘的“灰谷”；以及体现在乔治.威尔逊这个小人物身上具有象征意义的蓝色。威尔逊初次出场，作者说他是一个“浅黄色头发、无精打采的男人，贫血，其貌不扬”还特别提到他有一双浅蓝色的眼睛。威尔逊在故事中始终是一个窝窝囊囊、没本事的男人，他妻子根本不把他放在眼里，汤姆也把他当傻瓜，小说中蓝色象征着忧郁和悲伤。作者匠心独运，巧妙地利用色彩的象征意义成功地刻画人物、揭示了主题。,thegreatgatsby,mythologicalandarchetypalapproach,twomythologicalandarchetypalaspects,inpractice:thegreatgatsbywrittenbyf.s.fitzgeraldin19251.seasons:prototypeseasoncode2.archetypalmotifs:a.questmotif(foridentityandthepromisedland)b.exilemotif,thegreatgatsby,prototypeseasoncodebyfrye:themythosofspring:comedythemythosofsummer：romancethemythosofautumn:tragedythemythosofwinter:ironyseasons:prototypeseasoncodenaturehasitsowncycle,thefourseasonsoftheyear(spring,summer,autumnandwinter).basedonthemythostheoryoffrye,theequivalenceofthechangingseasonsfindstheirfullexpressioninthisnovel.specifically,thisstorybeginsinspring,whichsymbolizeshopeandanticipation.gatsbysencounterwithdaisyoccursinsummer,whichstandsforsuccessandprosperity.itisduringthattimegatsbyreacheshisclimaxbothinhisloveaffairandcareer.attheendofthestory,itisautumn,representingthemischanceofgatsbyhisfailuretobeupperclassandhisfinaldeath.,archetypalmotifsorpatterns,questmotifs1.questforidentity:hechangeshisnameinordertoberecognizedofhisidentity,duringwhichhegoesthroughcontinuoustests,althoughenjoyingmomentaryresplendencefinallyendingtragicallyasphaeton.archetypeofphaeton:ittellsatragicstoryofayoungmanwhosacrificeshisshortlifeforpursuinghisself-identity.phaetonisatruesonofapollo,thesun-god,buthismotherisacommonwomanontheearth.thusformanyyearshekeepslivinginalandofmortalsfarfromtheapollospalace,butheholdssuchabeliefthathisidentityisasonofgod.however,themomenthespeaksofhisnoblebirth,heisalwaysmockedbypeopleandnoonetakesseriouslywhateverhesays.,therefore,whenhegrowsstrongenoughhestartsajourneytohisfathersgoldenpalacetogettherecognitionofhistrueidentitybytheclaimofhisgoldenchariot.theboyissostrong-mindedthatneitherofwarningofperilsnorthreateningofconsequencescanshakehisdetermination.onthefatalday,phaetonmountstothegodsplaceinhisgoldenchariot.thetragedydrawsitscurtains.hedoesenjoythegloriousmomentpeoplewhohaveoncemockedhimarenowfarbelowhim,windflyingbyearsandcloudswhirlingaround,butthisgloryonlylastsforawhile,forsoonthingsareoutofhiscontrol.,steedsbegintogallop;chariotswervesfromthepath;theearthburstsintoablaze;greatcitiesperishwitheverythinginthem;plantsandtreesaredriedupandconsumed,andnationsareswallowedonebyonebythevastconflagration.cryingforpain,screamingforpanic,wailingformourning,howlingforanguishandbeggingformercypervadeeverywhereandfinallyreachtheheaven.greatlyshocked,fullofgriefandindignation,zeustakesouthisthunderboltfuriouslyandhurlsittophaetonwithfullstrength.phaeton,streakingdownthroughtheairlikestar,meetshistragicfateatlast,theparallelbetweenphaetonandgatsby:jaygatsby,originallynamedasjamesgatsby,isapoorboyfromwesternpartofamerica,whoseparentsarejustshiftlessandunsuccessfulfarmpeople.however,henevertakesthemashisrealparentsatall.justasphaeton,althoughhelivesamongthecommoncommunity,heisquitesureabouthisnoblebirthfromtheverybeginning.heknowsheis“asonofgod”,andhecanfullytaketheresponsibilityof“hisfathersbusiness”,whichiswhyhechangeshisnameaswellashisfamilybackgroundandeducationexperiencestomatchwithhisidentity.however,bothofthemareambitiousbutrecklessyoungmen.whenphaetononcespeaksabouthisnoblebirth,nobodyaroundbelieveshim.whathegetsinreturnisonlymockingandridicule.althoughgatsbyneverspeaksofhisidentityinpublic,hedoespossess“aconstant,turbulentrot”inhisheart,andhecanalwaysfeelakindof“grotesqueandfantasticconceits”hauntinghiminhisbedatnight.neitheroftheirnoblebirthcangainrecognitionfromothers,whichseemsaheavyblowontheirprideintheirinnermosthearts.therefore,ajourneyofpursuingfortrueidentityandrecognitioncomesintobeing.,2.questforthepromisedland:gatsbyinvolvesintotheillegalbootleggingbusinessjustforearningmoneytogetridofhisoriginalbondageoflowbirthtopursuehispromisedlandupperclass,butdiesprematurelysimilartomoses.archetypeofmoses:moses,whichmeans“pulloutofwater”inhebrew(exodus2:8),isoneoftheposterityofisraelitepeoplelivingegyptbutgrowingupamongthericharoundtheegyptianpharaoh.althoughheiswell-nursedinthegrandeurofkingspalace,hehasneverforgottenhistruenationalidentityandalwayskeepseyeingonhismiserablepeoplewhohavebeensufferingthemaltreatmentandcruelslaveryfromegyptians.onedayhekillsanegyptianoutofragewhoisthenbeatingoneofthoseisraeliteslavesandhastoescapetom