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canyoumatchthepaintingwiththepainters monet reading ashorthistoryofwesternpainting fastreading thispassageisabout andtheinformationisorganizedaccordingto ashorthistoryofwesternpaiting timeperiods thestructureofthetext fiveparts part1 para 1 part2 para 2 part3 para 3 4 part4 para 5 6 part5 para 7 themiddleagestherenaissanceimpressionismmodernart ageneralintroduction careful readingparagraph2 nowlet senjoysomepaintingsinmiddleages themiddleages religious giottodibondone paragraph3 4 1 readthetwoparagraphsandfillintheform peopleandnature masaccio 1 whatwasoneofthemostimportantdiscoveriesduringthisperiod 2 whoisthefirsttousethistechnique masaccio howtodrawthingsinperspective early20thcentury lightandshadow ridiculous 1 readthetwoparagraphsandfillintheform paragraph5 6 2 listentotapethenfillintheblanks inthelate19thcentury europe agreatdeal fromamostly societytoamostly one manypeoplemovedfrom to thereweremany and naturally thesechangesalsoledtonewpaintingstyles oneofwhichwasimpressionism changed agricultural industrial thecountryside thenewcities newinventions socialchanges paragraph7 readtheparagraphandfillintheblanks twoextremes ononehand concentrateon ontheotherhand looklike abstract certainqualitiesoftheobject realistic photographs 1 whichofthefollowingstatementsistrue a paintingsinmiddleageswereveryrealistic b westernarthaschangedalotsincethe5thcentury c impressionistpaintingswerepaintedmainlyindoors d modernartbeganintherenaissance scanning 2 atfirstmostpeoplehatedtheimpressionists styleofpainting because theirpaintingswereveryabstract theirpaintingswereveryrealistic theybrokeawayfromthetraditionalstyleofpainting d theirpaintingswereveryridiculous 3 intherenaissance painters paintedreligiousscenesinamorerealisticstyle b focusedmoreonreligionthanonhumans c begantopaintoutdoors d returnedtoclassicalromanandgreekideasaboutart 4 discoveredhowtomakepaintingslookmorerealbyusingperspective giottodibondone masaccio claudemonet d pablopicasso 5 accordingtothetext artisinfluencedlesslikelyby a socialchangesb thewayoflifec agricultured beliefsofpeople6 whendidpeoplefocusmoreonpeopleandlessonreligion from5thto15thcenturyad from15thto16thcentury c fromlate19thtoearly20thcentury d from20thcenturytotoday 7 whatdoesthetextmainlytellus howreligiouspaintingdeveloped howoilpaintingdeveloped howimpressionistpaintingdeveloped d howwesternartdeveloped tellwhetherthestatementstrueorfalseaccordingtothetext 1 westernarthaschangedverylittleoverthelastseventeencenturies 2 paintersinthemiddleagesdidnotuseperspective 3 intherenaissancemostartistspaintedindoors 4 abstractartisstillanartstyletoday f t t t stylesinwesternarthavechanged artis bythe and duringthemiddleages themain ofpainterswasto themes artistswere creating and forgod manytimes influenced customs faithofapeople aim representreligious interestedin respect love summary intherenaissance peoplebecamefocusedmoreon andlesson artiststriedtopaint and astheyreallywere masaccioused inhispaintingswhichmadepeopleconvincedthattheywere aholeinthewall arealscene humans religion people nature perspective lookingthrough at inthelate19thcentury europechanged fromamostly societytoamostly one the werethefirsttopaint theyhadtopaint andtheirpaintingswerenot ofearlierpainters agreatdeal agricultural industrial impressionists outdoors quickly detailedasthose as todaypeopleaccept asthe of somemodernartis whilesomeis impressionists beginning modern art realistic paintings abstract
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