室内设计英文翻译.doc

The historical development of the modern design and decoration of the thing From the birth of human art, has never been out adornment this term. The art of human origin and the original decoration has some not give up in the relationship. The famous scholars wolff, that the art history. art history is a main adornment history. Decorate in the primitive society is people have created art aesthetic core. All kinds of pottery pattern become all sorts of adornment beautiful, formal beauty specimens. Adornment is a has the meaning form. It is not only the form of aesthetic, and a deeper meaning. It contains the specific social emotions and cultural awareness. It is not only the adornment sex, from the order, line, form, color etc to bring people to aesthetic pleasure, and is cultural, the cultural, ideal, symbol, history satisfy people deeper need. Walter ling in the abstract and empathy, said: the essential characteristics of adornment art is the art of a people will in the adornment art got the most pure performance. . Adornment art will of all art aesthetics of the starting point of the study and the foundation. (1) for modern decoration design also has a very important significance. From the point of view of adornment, can clearly see the development of the modern design context. A, modern design of adornment of the use of the early from 18 th century until the beginning of the industrial revolution 19 th century, industrial technology changing peoples way of life, product design in this change in the chaos and confusion. People in the habits and customs and the psychological old in the form of product and style has the very strong miss, reflects the design performance for the characteristics of adornment changes, and to pay attention to the traditional decoration tastes. Adornment and machinery production requirements of the contradiction between inevitably produce. Many designers dont willing to participate in the industrial product design, while most of the industrial product unilateral pursue standardization, low value-added production to the product itself, but ignore the decorative beauty, forms factors, modelling rough, ugly, the aesthetic taste and style products is not high. In 1851, in London, Britain in Hyde park at the world expo, industrial concentration exposed the some contradictions. Exhibits to industrial products in the majority, rough exterior. Many products added some neither fish nor fowl pattern is adornment to decorate, want to make up for its form of ugly. I introduce my family how to work?ch worse. Therefore, to John las gold and William morris, headed by a group of people of insight for a novice craft art movement , the design style of the reform movement that artists into life, art and technology with the creation of the public, understand and accept the work. It against the wind of pretension, advocate Victoria medieval simplicity decoration and the adornment of absorbing the, draw materials from the nature, creating new design style, this is a kind of valuable exploration. Its influence throughout the European nations, make new art movement flourishing in Europe. Will tell from this meaning, new art movement in new decoration against frills, advocate delicate, reasonable design, and keep the hand of modern technology, design thought the formation of the important influence. French furniture stylist Samuel, Penn launch in 1895 called the new art house in the studio and design firm, new style that designers create. In 1900, they display of the new art house in the furniture works, very successful, new art in the name of spread from now on. The display of the work has a strong natural tendency, imitation of plant configuration and structure. This and Samuel, Penns return to the nature to the slogan of are in agreement. The new art movement created very special decoration style. From Henry van DE indoor Caldwell, to thes Paris subway and entrance design, from the Anthonys high buildings, to mourinho card big posters and present there has never been a history of the socialist new adornment style to explore power. (3) the design motion using decoration, naturalistic style art and craft and the product design with, brought up in the nineteenth century and the century period of typical design style, become a modern socialist times coming prelude. two, modernistic design of adornment of negative We all know, modernistic design style is by modern art movement and the new architecture the influence of the movement developed, it has a certain social democratic colour, emphasizing the machine beautiful, the function that the design of beauty, rational, concise, practical, denied the claim illuminative action, form and function of the relationship, which is opposite to develop and design the style of the different before. As early as in 1892, the United States the Chicago school architect Sullivan asked: if we can in a period of completely give up adornment, in order to make our thoughts keenly focused on form perfect architectural and beautiful naked, this to our aesthetic interest must be a lot of good. he puts forward form follow function this reference become functionalism declaration and the core ideas. The new art movement, one of the core characters-all DE will DE in 1894 in his for art remove barriers in the article, put forward beauty is the first condition, according to the rational law and reasonable structure made of work. With function these thoughts become the prophet of mechanical aesthetics. Austria architect adolf Ruth extreme claims the importance of function. He is a strong to decorate. In 1898 he an article wrote: only in the form of seeking beauty and not rely on adornment, this is the whole human hope to achieve goals. 6 he also said the progress of civilization is useful things from on to off adornment. Once he will adornment to backward, porn, waste category. Adornment is a waste of energy, so is wasted our health, have always been so. But today it also means that the material waste, which together means that the waste of assets. Stuff in 1908, Ruth issued the decoration and the sin of the content of the text, its can be used adornment namely crime to summarize a slogan. These theory in a certain degree of modern socialist movement as the guiding ideology, the modernistic design to the function of the socialist design direction. Bauhaus movement is the cradle of modern design, also indicates the upsurge in modernistic design. Bauhaus in 1919 by LuoPeiSi weimar Germanys founded in short, 14 years (1919 1933) educational experience, form the whole design teaching system. Advocate the combination of art and technology, formed the modernistic design style. It marks the adornment of the original in form by the modern design of rational design is replaced. Bauhaus closed by the nazis, the main teaching after backbone and dispersion of students to Europe and the United States, make rational design thought in the worldwide spread. The twentieth century, the s four international style is exactly Bauhaus design style the universalization results. The international socialist style completely rejected the function of the supremacy of the decoration, rational spirit as the criterion. Modernistic design great masters, mechanical aesthetics of the representative of le le corbusiers west, proposed the housing is living machine. Is the classical mechanization and functionalization design thought. Modernistic design of adornment of rejection, does not mean that the disappearance of decoration. Instead, decoration and a new form. British scholar Peter Collins in the modern architectural design thought of the evolution of the book wrote: does the 19 th century use adornment because too much led to a deserted adornment, or decoration only changes the dress up? He thinks, the decoration and future wu, it is only unknowingly into the structure of the form. modernistic design is the adornment and structure assimilation, created no decoration decoration. Three, postmodern design of adornment of the Renaissance As people to the international socialist style, tired of, and by the s designers introduced a pop design (popDesign), meet peoples aesthetic taste. Pursuit of the goal. Colour and ru-hua adornment to be so in the 70 s. And use up the DuoZhong postmodernism style, against the international socialist design monotonous forms. Postmodernism design refers to in the modern socialist, international socialist design, a large number of use historical adornment motivation, the adornment of eclecticism type on a design style it has definite time, from the 70 s to 90 s, continued after the recession began. Postmodernism design is modernistic design challenge, is to the modern socialist, international socialist design of a kind of adornment sex, the design of the development of the international socialist, against minimalism style, advocates that the adornment gimmick to visual aesthetic pleasure, and to pay attention to the consumer psychology of satisfy. On the design of a large number of applying historical decoration marks, but not be simple restore ancient ways, is taking the compromise techniques, the traditional cultural contexts and modern design with up, creating a new stage of the decorative arts. Essentially, postmodern design is not of modern doctrine design and negative, but in overthrow must actually using the function on the basis of factors in form, which give the personification, emotional adornment effect. Postmodernism design theory of authority, American critics, architects and writer Christopher jencks, Charles said yourself: postmodernism is modern socialist plus some something else. Postmodernism design with a great amount of historical style, such as gothic, baroque. From classic to the Renaissance, all-encompassing, decoration marks, misappropriation of banter, poking fun at, exaggeration and the description of the symbol, in order to DuoZhong history of the integration of style to decorate the effect of the joining together, it is the eclecticism, many works reflect the characteristics. Such as Charles Moore of the United States of Italian design New Orleans square. Philip Johnson AT&T building, etc. In building the first put forward the claim that the United States clearly postmodern architect Robert venturi think, modernism, the international socialist style is ugly, mediocre, to little that is more doctrine, he had to order its instead of less namely tired. In 1969, a venturi use historical building symbols, with the method of the banter design in Pennsylvania walnut mountain venturi the residence. Is a complete characteristic of post-modernism in the earliest buildings. Along with the development of postmodernism design, decoration design in the position of the return. Peter hoffman, in the eighty s America building in the article said: never put the adornment as the evil. Almost all of these buildings are fully show a modified new interest in a building, and the performance of interest. Postmodernism design of the prominent characteristics of socialist, adornment is in its history socialist, eclecticism and entertaining. These tactics to adapt to the need for people to, so that people in the visual and mentally swept away gradually to industrial products by m