英美诗歌选读 第八讲

英美诗歌选读英美诗歌选读 第八讲第八讲 叙事诗 第一节史诗 史诗可分为三种 即史诗 epic 戏拟史诗 epic satire 和英雄叙事诗 heroic narrative 一 史诗 史诗指一种宏篇巨制且自成一卷的叙事诗 用高雅的语言叙述英雄的事迹 风格庄严 华美 多用精巧的修辞手法 如史诗明喻等 早期诗史多为民族传奇 往往被看成是一个 民族的伟大文化财富之一 如英国民族史诗 贝奥武甫 Beowulf 即是如此 其他史诗 有斯宾塞的 仙后 The Faerie Queen 1590 1596 贾尔斯 弗莱彻 Giles Fletcher 1586 1623 的 基督的胜利 Christs Victorie and Triumph in Heaven and Earth over and after Death 1610 弥尔顿的 失乐园 Paradise Lost 1667 复乐园 Paradise Regained 1671 布莱克的 弥尔顿 也可以看作是一部史诗 贝奥武甫 现代译文第 735 行 第 766 行描述了贝奥武甫在鹿厅与巨怪葛婪代的激战 Mighty and canny Hegylac s kinsman was keenly watching for the first move the monster would make Nor did the creature keep him waiting but struck suddenly and started in he grabbed and mauled a man on his bench bit into his bone lappings bolted down his blood and gorged on him in lumps leaving the body utterly lifeless eaten up hand and foot Venturing closer his talon was raised to attack Beowulf where he lay on the bed he was bearing in with open claw when the alert hero s comeback and armlock forestalled him utterly The captain of evil discovered himself in a handgrip harder than anything He had ever encountered in any man on the face of the earth Every bone in his body quailed and recoiled but he could not escape He was desperate to flee to his den and hide with the devil s litter for in all his days he had never been clamped or cornered like this Then Hygelac s trusty retainer recalled his bedtime speech sprang to his feet and got a firm hold Fingers were bursting the monster back tracking the man overpowering The dread of the land was desperate to escape to take a roundabout and flee to his lair in the fens The latching power in his fingers weakened it was the worst trip the terror monger had taken to Heorot 1 Beowulf a verse translation by Seamus Heaney 斯宾塞 仙后 的内容如诗人在卷首序诗所言 激烈的战斗和忠贞的爱情将是我歌的 主旨 其内容之一是对颇有作为的伊丽莎白女王的歌颂 表现民族主义的自豪 第一章一 开始就开门见山地讲一位骑士的故事 第二诗节如下 But on his brest a bloudie Crosse he bore The deare remembrance of his dying Lord For whose sweete sake that glorious badge he wore And dead as living ever him adored Upon his shielde the like was also scored For soveraine hope which in his helpe he had Right faithful true he was in deede and word But of his cheere did seeme too solemne sad Yet nothing did he dread but ever was ydrad 2 斯宾塞向后来的诗人赠送了一笔宝贵遗产 那就是他有名的九行诗体 这里引的诗节 就是典型的斯宾塞诗体 这是一种复杂的诗体 押韵格式为 abab bcbc c 前八行是五韵步 第九行即最后一行延长为六韵步 节奏徐缓 韵式有连锁之美 b 韵重复四次 c 韵三次 这种诗体影响深远 拜伦 雪莱 济慈 丁尼生等都曾经用该诗体写出佳作 因此人们称 斯宾塞为 诗人的诗人 弥尔顿 失乐园 是关于人的堕落的史诗 其内容可以简述为 撒旦被上帝战败 报 仇心切 诱使上帝所创造的人类始祖亚当一夏娃偷吃了智慧树上的果子 上帝震怒 把他 们逐出伊甸园 第一章写的是上天的一场战争 两大天使集团进行了较量 以撒旦为首的集团失败 被打入地狱 在地狱里 撒旦对局势做了痛苦的重新估量 估量的的结果是决心复仇 撒 旦在此发表了慷慨激昂的演说 第一卷第 105 行 第 124 行 What though the field be lost All is not lost the unconquerable Will And study of revenge immortal hate And courage never to submit or yield And what is else not to be overcome That Glory never shall his wrath or might Extort from me To bow and sue for grace With suppliant knee and deifie his power Who from the terror of this Arm so late Doubted his Empire that were low indeed That were an ignominy and shame beneath This downfall since by Fate the strength of Gods And this Empyreal substance cannot fail Since through experience of this great event In Arms not worse in foresight much advanced We may with more successful hope resolve To wage by force or guile eternal War Irreconcileable to our grand Foe Who now triumphs and in th excess of joy Sole reigning holds the Tyranny of Heav n 3 该史诗第二章写会上辩论 第三章转到天堂 第四章出现亚当和夏娃 史诗的语言不 再是金鼓铁甲之声 不再是上帝与耶稣的严肃对话 而是人间的多情话语 史诗在以下诗 行中结束 In either hand the hastening Angel caught Our lingering parents and to the eastern gate Led them direct and down the cliff as fast To the subjected plain then disappeared They looking back all the eastern side beheld Of Paradise so late their happy seat Waved over by that flaming brand the gate With dreadful faces thronged and fiery arms Some natural tears they dropped but wiped them soon The world was all before them where to choose Their place of rest and Providence their guide They hand in hand with wandering steps and slow Through Eden took their solitary way 4 这是这部史诗的结束 也是人类世间生活的开始 世界整个放在他们面前 生命将 延续下去 复乐园 写的是耶稣挫败了撒旦的种种诱惑 使撒旦在成功地诱惑了夏娃之后终于 遭到失败 这样 人类就可以赎罪而重新升入天堂 也就是恢复了乐园 全诗的结构是一 场大辩论 耶稣与撒旦不断辩论 自始至终 贯穿四章 诗的开始七行是全诗的总序 I who erewhile the Happy Garden sung By one man s disobedience lost now sing Recovered Paradise to all mankind By one man s firm obedience fully tried Through all temptation and the Tempter foiled In all his wiles defeated and repulsed And Eden raised in the waste Wilderness 5 第一句是说诗人在写 复乐园 之前曾写了 失乐园 咏亚当受诱惑食禁果而失去乐 园 第二行的 一人 one man 指亚当和夏娃 他们夫妇是一体 二 戏拟史诗 戏拟史诗 即讽刺史诗 指一种通过滑稽性地模仿严肃史诗的手法 主要描写非英雄 故事的长篇叙事诗 如蒲柏的 劫发记 The Rape of the Lock 1714 拜伦的 唐璜 Don Juan 1819 24 等 唐璜 既讲关于唐璜的故事性很强的游记故事 也是拜伦个人的闲谈录 诗人随时 对故事中的人物 情节加以说明 评论等 唐璜出生在西班牙 后来却因为爱情纠葛而离 家漂泊海上 由西而东 到过希腊 土耳其 俄罗斯 成了女皇宠臣 后来他又受女皇派 遣 出使英国 这样他又由东到西 穿越大陆而出现在伦敦 唐璜是在旅途中碰到各种事 情的参与者和当事人 他活动频繁 所遭遇的事或惊险 如海上遇风暴 所盛船只沉没 卷入伊斯迈城下一场血战 或滑稽 如被卖为女奴 在土耳其苏丹的后宫里同后妃宫女等 厮混 而进入英国后 他又如诗人一样老练讽刺 对很多事情都有叙有议 诗歌这样开始 道 I want a hero an uncommon want When every year and month sends forth a new one Till after cloying the gazettes with cant The age discovers he is not the true one Of such as these I should not care to vaunt I ll therefore take our ancient friend Don Juan We all have seen him in the pantomime Sent to the devil somewhat ere his time 6 三 英雄史诗 英雄叙事诗指一种风格庄严 典雅 类似史诗的叙事诗 叙述英雄的伟大业绩或所遭 受的苦难 但情节单一 一般来说 能够在一两个小时内一口气读完的叙述英雄事迹的长 诗就可以被叫做英雄叙事诗 如 乔叟 坎特伯雷故事 中 教士讲的故事 The Parson s Tale 讲述的是名人落难记 包括 圣经 中的人物撒旦 参孙 赫拉克勒斯 以及西班牙的彼得王 叙利亚古国国王的故事等 另外还有莎士比亚的 维纳斯与阿多尼 斯 Venus and Adonis 1593 鲁克丽斯受辱记 The Rape of Lucrece 1594 丁尼 生 国王叙事诗 Idylls of the King 1859 中的叙事段落 马修 阿诺德的 邵莱与罗斯 托 Sohrab and Rustum 1853 等 维纳斯与阿多尼斯 写的是爱神维纳斯爱上了青年阿多尼斯 但阿多尼斯不为所动 他的兴趣在打野猪 虽然她一再劝阻 他还是去了 结果死于猪牙之下 But this foul grim and urchin snouted boar Whose downward eye still looketh for a grave Ne er saw the beauteous livery that he wore Witness the entertainment that he gave If he did see his face why then I know He thought to kiss him and hath kill d him so Tis true tis true thus was Adonis slain He ran upon the boar with his sharp spear Who did not whet his teeth at him again But by a kiss thought to persuade him there And nuzzling in his flank the loving swine Sheath d unaware the tusk in his soft groin Had I been tooth d like him I must confess With kissing him I should have kill d him first But he is dead and never did he bless My youth with his the more am I accurst With this she falleth in the place she stood And stains her face with his congealed blood 7 鲁克丽斯受辱记 长达 1855 行 鲁克丽斯是古罗马将领柯拉廷的妻子 美丽贞淑 在丈夫率军在外时 遭到罗马王子塔尔昆的强奸 她飞函召回丈夫和父亲 说明情况 要 他们报仇 然后举刀自杀 此事激起罗马群众公愤 赶走塔尔昆一家 从此废除国王 由 执政官掌权 诗歌是这样开始的 From the besieged Ardea all in post Borne by the trustless wings of false desire Lust breathed Tarquin leaves the Roman host And to Collatium bears the lightless fire Which in pale embers hid lurks to aspire And girdle with embracing flames the waist Of Collatine s fair love Lucrece the chaste Haply that name of chaste unhappily set This bateless edge on his keen appetite When Collatine unwisely did not let To praise the clear unmatched red and white Which triumph d in that sky of his delight Where mortal stars as bright as heaven s beauties With pure aspects did him peculiar duties 8 第二节歌谣 歌谣 ballad 是一种相当简短的叙事诗 往往以民间故事为题材 其中以爱情悲剧 凶杀 冒险情节居多 情感真挚 有浓厚的生活和劳动气息 格调清新 形式活泼 语言 朴实 歌谣词句简练押韵 容易上口 便于传诵 一般是三韵步和四韵步交替使用 第一 三行为抑扬格四韵步诗行 第二 四行为抑扬格三韵步诗行 押韵格式一般为 abxb 有些 诗节的第二行和第四行里出现迭句 也有一些诗节运用递增重复 使故事情节得到发展 传统歌谣都是无名氏作品 一代一代口传下来的 其最大特点是单纯质朴 也有知名 诗人自觉创作的文人歌谣 华兹华斯和柯尔律治匿名出版的 抒情歌谣集 The Lyrical Ballads 1798 中就有华兹华斯的 荆棘 The Thorn 痴尔 The Idiot Boy 等和柯 尔律治的 古舟子咏 The Rime of the Ancient Marine 奥斯卡 王尔德的 雷丁监狱之 歌 The Ballad of Reading Goal 1898 也属于文人歌谣 另外还有考珀 William Cowper 1731 1800 的滑稽歌谣 约翰 吉尔宾 John Gilpin 等 柯尔律治的 古舟子咏 描述的是一次海上杀死一只信天翁而遭受的可怕经历 诗开 始几个诗节如下 The Wedding Guest sat on a stone He cannot choose but hear And thus spake on that ancient man The bright eyed Mariner The ship was cheered the harbour cleared Merrily did we drop Below the kirk below the hill Below the lighthouse top The Sun came up upon the left Out of the sea came he And he shone bright and on the right Went down into the sea 9 从这些诗节可看出 这首歌谣交替使用抑扬格四韵步和抑扬格三韵步 非常标准 又如柯珀的 约翰 吉尔宾 John Gilpin was a citizen Of credit and renown A train band captain eke was he Of famous London town John Gilpin s spouse said to her dear Though wedded we have been These twice ten tedious years yet we No holiday have seen To morrow is our wedding day And we will then repair Unto The Bell at Edmonton All in a chaise and pair My sister and my sister s child Myself and children three Will fill the chaise so you must ride On horseback after we 10 这些诗节也是抑扬格三韵步和四韵步交替使用 但是 并非所有的歌谣都是如此 变体形式很常见 例如济慈的歌谣 冷酷的妖女 第 二 三 四诗节 O what can ail thee knight at arms So haggard and so woe begone The squirrel s granary is full And the harvest s done I see a lily on thy brow With anguish moist and fever dew And on thy cheek a fading rose Fast withereth too I met a lady in the meads Full beautiful a faery s child Her hair was long her foot was light And her eyes were wild 11 John Keats La Belle Dame sans Merci 每个诗节的前三行是抑扬格四韵步 第四行才是三韵步 而且这些韵步不是很统一 有的是抑抑格 有的是抑扬格 第三个韵步还是省略了非重读音节的扬抑格 其押韵格式 仍然是 abxb 王尔德的 雷丁监狱之歌 中 每个诗节则有六诗行 其开始两个诗节如下 He did not wear his scarlet coat For blood and wine are red And blood and wine were on his hands When they found him with the dead The poor dead woman whom he loved And murdered in her bed He walked amongst the Trial Men In a suit of shabby grey A cricket cap was on his head And his step seemed light and gay But I never saw a man who looked So wistfully at the day 12 Oscar Wilde The Ballad of Reading Gaol 虽然这些诗节仍然是四韵步和三韵步交替使用 但只有第二 六行属于三韵步 每个 诗节的押韵格式为 abxbyb 华兹华斯的 荆棘 虽然也是四韵步和三韵步交替使用 但一个诗节已长达十一行 其第六诗节如下 Now would you see this aged Thorn This pond and beauteous hill of moss You must take care and choose your time The mountain where to cross For oft there sits between the heap So like an infant s grave in size And that same pond of which I spoke A Woman in a scarlet cloak And to herself she cries Oh misery oh misery Oh woe is me oh misery 13 William Wordsworth The Thorn 第三节戏剧诗 戏剧诗 dramatic poem 的含义宽泛 既指运用某中戏剧技巧 如戏剧对话 dramatic dialogue 戏剧独白 dramatic monologue 等写的诗歌 又指供阅读而不太适合演出的诗 剧 poetic drama or verse drama 还泛指任何剧本中出现的诗歌的各种形式 戏剧诗一般 用素体来写 如莎士比亚 如愿 以下诗行 The sixth age shifts Into the lean and slipper s pantaloon With spectacles on nose and pouch on side His youthful hose well sav d a world too wide For his shrunk shank and his big manly voice Turning again toward childish treble pipes And whistles in his sound Last scene of all That ends this strange eventful history Is second childishness and mere oblivion Sans teeth sans eyes sans taste sans everything 14 Shakespeare As You Like It Act III Scene VII 弥尔顿的悲剧 力士参孙 Samson Agonistes 1671 和雪莱的 解放了的普罗米修 斯 Prometheus Unbound 1820 也属于戏剧诗 力士参孙 一开始就通过参孙之口介绍了他的处境 SAMSON A little onward lend thy guiding hand To these dark steps a little further on For yonder bank hath choice of sun or shade There I am wont to sit when any chance Relieves me from my task of servile toil Daily in the common prison else enjoined me Where I a prisoner chained scarce freely draw The air imprisoned also close and damp Unwholesome draught But here I feel amends The breath of Heaven fresh blowing pure and sweet With day spring born 15 John Milton Samson Agonistes Lines 1 11 该诗剧的结尾处 是信使向外面的人传达参孙在皇宫宴会大厅是如何与敌人同归于尽 的 Hitherto Lords what your commands imposed I have performed as reason was obeying Not without wonder or delight beheld Now of my own accord such other trial I mean to show you of my strength yet greater As with amaze shall strike all who behold This uttered straining all his nerves he bowed As with the force of winds and waters pent When mountains tremble those two massy pillars With horrible convulsion to and fro He tugged he shook till down they came and drew The whole roof after them with burst of thunder Upon the heads of all who sat beneath Lords ladies captains counsellors or priests Their choice nobility and flower not only Of this but each Philistian city round Met from all parts to solemnise this feast Samson with these immixed inevitably Pulled down the same destruction on himself The vulgar only scaped who stood without 16 John Milton Samson Agonistes Lines 1640 1659 雪莱的 解放了的普罗米修斯 描述了理想社会里解放了的女性是什么样子 And women too frank beautiful and kind As the free heaven which rains fresh light and dew On the wide earth passed gentle radiant forms From custom s evil taint exempt and pure Speaking the wisdom once they could not think Looking emotions once they feared to feel And changed to all which once they dared not be Yet being now made earth like heaven 17 Shelley Prometheus Unbound Act III Scene IV Lines 153 162 妇女的解放只是全人类解放的一个部分 而整个社会的解放之后 将是一副全新的面 目 The loathsome mask has fallen the man remains Sceptreless free uncircumscribed but man Equal unclassed tribeless and nationless Exempt from awe worship degree the king Over himself just gentle wise but man Passionless no yet free from guilt or pain 18 Shelley Prometheus Unbound Act III Scene IV Lines 193 198 第四节故事诗 故事诗 metrical tale 就是用诗的形式讲的故事 坎特伯雷故事 由很多个故事组成 向人们清晰地展现了十四世纪上半叶英国社会各阶层的社会面貌 其中巴思妇所讲的关于 她自己的婚姻的故事就特别有代表性 她是讲她自己的故事 Now sire thanne wol I telle you forth my tale As evere mote I drinke win or ale I shal saye sooth tho housbondes that I hadde As three of hem were goode and two were bade The three men were goode and riche and olde Unnethe mighte they the statut holde In which they were bounden unto me Ye woot wel what I mene of this pardee As help me God I laughe whan I thinke How pitously anight I made hem swinke And by my fay I tolde of it no stoor They hadde me yiven hir land and hir tresor Me deeded nat do lenger diligence To winne hir love or doon hem reverence They loved me so wel by God above That I ne tolde no daintee of hir love As wis womman wol bisye hire ever in oon To gete hire love ye ther as she hath noon But sith I hadde hem hoolly in myn hand And sith that they hadde yiven me all hir land What sholde I take keep hem for to plese But it were for my profit and myn ese 19 像巴思这样的女人 即使在今天 其思想也是很前卫的 从大家所能接受的道德标准 来看 她的某些思想一般人不敢恭维 坎特伯雷故事 中其他人讲的是关于他人的故事 比如磨房主就讲了一个住在一个 很有钱但很吝啬的木匠家里的穷书生的故事 This clerk was cleped hende Nicholas Of derne love he coude and of solas And therto he was sly and ful privee And lik a maide meeke for to see A chambre hadde he in that hostelrye Alone withouten any compaignye Fetisly ydight with herbes swoote And he himself as sweete as is the roote Of licoris or any setewale 20 华兹华斯的 迈克尔 Michael 其副标题是 一首牧歌 a Pastoral Poem 但它 应该属于叙事诗 主要讲述老牧人迈克尔一家三口的故事 诗歌一开始不久 就描述了主 人公迈克尔的情况 Upon the forest side in Grasmere Vale There dwelt a Shepherd Michael was his name An old man stout of heart and strong of limb His bodily fame had been from youth to age Of an unusual strength his mind was keen Intense and frugal apt for all affairs And in his shepherd s calling he was prompt And watchful more than ordinary men Hence had he learned the meaning of all winds Of blasts of every tone and oftentimes When others heeded not he heard the South Make subterraneous music like the noise Of bagpipers on distant Highland hills 21 迈克尔老人老年得子 爱之如珍宝 但孩子长大后进城务工 堕落之后远走异国 一 去不回 儿子出事后 迈克尔老人仍然顽强健壮地生活在田园上 His bodily frame had been from youth to age Of an unusual strength Among the rocks He went and still looked up to sun and cloud And listened to the wind and as before Performed all kinds of labour for his sheep And for the land his small inheritance And to that hollow dell from time to time Did he repair to build the Fold of which His flock had need 22 1 赫依拉勇武的外甥目不转睛 看这杀人凶手如何实施攻击 那怪物并无耐心 说 时迟 那时快 早已抓起一位沉睡中的战士 迫不及待 一把撕开 放进血盆大口 将骨锁咬得粉碎 狼吞虎咽 鲜血如注 刹那间整具尸首已入腹中 连手带足 然后 他猛扑上前 伸手便抓假睡在床的英雄 张开魔爪直捣贝奥武甫 不料那猛士回敬得 更快 翻身坐起 以全身重量压上他的手臂 孽障之主立刻发现 世界上没有任何地 方任何人 请他领赏过如此强大的受力 他心中惧怕起来 可一下子又脱不了身 他想逃窜 逃进黑暗的老巢 窜回鬼怪中间 行凶一世 他从来没受过这番礼遇 然 而那豪杰 赫依拉的外甥 牢记着那天晚上的誓言 一跃而起 将魔爪死死钳在手掌 怪物的手指断了 他不顾一切 拼命向外挣扎 英雄步步紧逼 罪犯只求躲避 不管 什么地方 但愿早早告辞鹿厅 藏进沼泽老巢 他知道自己手指的力量 已经留在敌人 手中 这害人妖精 来鹿厅这同意趟 可真没赶巧 冯象 译 此译文是译者根据古英语 译出 故与这里采用的现代作家诗人希尼的现代英语译文不能一一对应 2 他胸前饰有一枚血红的十字 这是对殉难之主的亲切纪念 为了主 他戴上这枚光 辉的标志 敬奉主 虽死犹如永活一般 同样的红十字也绘在银盾上面 表明想获 得主佑的最高希望 在言行两方面他都忠心可见 但一幅庄严的神情流露在脸上 他 无所畏惧 却总是令人敬畏异常 胡家峦 译 3 地盘丢了又怎样 并非什么都丢光 不挠的意志 热切的复仇心 不灭的憎恨 以及永不屈服 永不退让的勇气 还有什么难以战胜的呢 他的暴怒或威力永远 夺 不走我身上的那荣耀 经过这一次战争的惨烈 好容易才使他的政权动摇 这时还要 弯腰屈膝 向他 哀求怜悯 拜倒在他的权力之下 那才真正是卑鄙 可耻 比这次 的沉沦还要卑贱 因为我们生而有神力 秉有清轻的灵质 不能朽坏 又因这次大事 件的经验 我们要准备更好的武器 更远的预见 更有成功的希望 用暴力或智力向 我们的大敌 挑起不可调和的持久战争 他现在正自夸胜利 得意忘形 独揽大权 在天上掌握虐政呢 朱维之 译 4 那天使看见这情景 急忙 两手牵住我们的始祖父母 一直把他们领到乐园的东门 急速奔下山岩 如履平地 然后不见了 他们二人回顾 自己原住的幸福乐园的东侧 那上面有火焰的剑在挥动 门口有可怖面目和火武器的队伍 他们滴下自然的眼泪 但很快 就拭掉了 世界整个放在他们 面前 让他们选择安身的地方 有神的意图作 他们的指导 二人手携手 慢移流浪的脚步 告别伊甸 踏上他们孤寂的路途 朱维 之 译 5 我先前曾讴歌那快乐的庭园 那庭园只为一人违逆天命而丧失了 现在又来歌咏这 为人类而收复的乐园 这乐园只为一人严守神旨而复得 经过种种诱惑 试探 抵抗 诱惑者一切诡计 终于追奔逐北 握取最后胜利 在广漠的荒野中复兴伊甸 朱维之 译 6 我缺少一个英雄 真是个不寻常的缺陷 当每年每月都有一个新的英雄产生 直到 报章上满纸登载了一阵废话以后 这时代却发现他不是真正的英雄 象这些个我实在 无意来歌颂 因此我就把我们的老朋友唐璜拿来 我们大家在哑剧里都看到过他 他似乎没有活到他的寿限就一命呜呼 朱维基 译 7 但是丑恶的拱着嘴巴的野猪 眼光总是下垂 像是寻找坟地 根本没看见他的翩 翩的风度 请注意他是怎样对待他的 如果他看到他的脸 那么我知道 他是本想吻 他 竟那样把他杀害了 的确 的确 阿多尼斯是这样被杀 他挺着尖矛奔向野猪 野猪并没有再磨他的牙 只是想用一吻把他说服 这亲热的猪 用鼻子在他身上乱拱 一不当心 把牙插进了他的腹中 我若有他那样的牙 我得承认 我早已用一吻就 会把他杀害 不过他已死了 他不曾用他的青春 和我缱绻 只怪我的命太坏 说完 这话她立即晕倒在地 脸上染了他的淤凝的血迹 梁实秋 译 8 欲火中烧的塔尔昆 鼓着邪恶的淫念 匆匆离开围攻阿尔地亚的罗马大军 带着 隐在灰烬中的无光火焰 往科拉提阿姆去称心如愿 想用一团烈火来拥抱 柯拉廷的 贞洁美妻鲁克丽斯的腰 也许那 贞洁 之名不幸 激起了他的强烈欲念 皆因柯拉 廷一时冲动 不该那样极口的称赞 他的娇妻之无比的美艳 她的两眼有如天上的明 星 对他熠熠照耀 脉脉传情 梁实秋 译 9 客人在一块石头上坐下来 没法子 他只能静听 这目光灼灼的古舟子 把往事 叙述分明 人声喧嚷 海船离港 兴冲冲 我们出发 经过教堂 经过山冈 经 过高高的灯塔 太阳从左边海面升起 仿佛从海底出来 它大放光明 在天上巡行 向左边沉入大海 杨德豫 译 10 约翰 吉尔宾是一位 有名望的市民 而且他还是著名伦敦 一队人马首领 吉 尔宾爱妻对他讲 虽然我们结婚 已长达乏味二十年 还没度过假期 明天是我们结 婚日 那么我们就去 位于爱德蒙特的 钟 全坐四轮马车 我妹