英语电影赏析(选修)PPT课件

-,1,Apprieciatingcinema,外语教研室章春风,英文电影赏析,-,2,Introduction,EnglishMovies,英文电影赏析,-,3,ApprieciatingcinemaPurposes,1.Togainaroughideaofwhathadhappenedinthelonghistoryoffilmsandwhatishappeningnow.2.Toknowmoreaboutsomeoftherepresent-ativefilm-makers,actorsandtheirmasterpieces.3.Hopefully,trytouseeverythinglearnedinthecoursetogetabetterideaofthelanguageandtheculture.,英文电影赏析,-,4,1.Introduction,EnglishMovies-EnglishMotionPictures,InordertomakeusfamiliartoBritishandAmericanintonationandpronunciation,tounderstandtheinter-culturebetweenChinaandWesterncountries,tounderstandthebackgroundandcultureinthemovies,togetsensibilityofnativespeakingtoknowthewayofmainmediaimpactonmodernsociallife,tobewareoftheschoolsofliteratureanditseffecttothemotionpictureindustry,thereareenoughreasonstoseeEnglishlanguagemovies.,-,5,2.LanguagesandCulturesReflectedfromMovies,Languageisapartofcultureandplaysaveryimportantroleinit.Somesocialscientistsconsideritthekeystoneofculture.Also,cultureconsistsofallthesharedproductsofhumansociety.Culturereferstotheentirewayoflifeofasociety.Alloftheseonlycouldbefoundinmovies.,-,6,3.Differentculturewithdifferentvalues,Culturereferstostateofintellectualdevelopmentofasocietyandthecustoms,arts,socialinstitutions,etc.ofaparticulargrouporpeople.Theessenceofcultureisthevalues.Twokindsofpeoplewithdifferentvalueswillnotdoandthinkofsomethinginthesameway.,英文电影赏析,-,7,英文电影赏析,-,8,4.Agreatcombinationofauditiveandvisualarts,Auditiveandvisualartsarethetwomainandpopularschoolsofarts.Motionpictures,thegreatcombinationofbothoftheabove,takesthefirstplacegraduallyandattractsmassbetterthaneachoftheauditiveandvisualarts.,-,9,5.Agreatcombinationofliteratureanddrama,Itisnotnecessarytosayhowliteratureoriginsbutweallknowthatdramaisonepartofit.Fictionnovelsaremorepopularthandramasforthenewgeneration.Themotionpictureactuallytakestheplaceofthedramaartwiththehelpofthedevelopedanddevelopingtechnology.,-,10,6.TheHistoryofMotionPicturesEarlycinema,1.1826Thetechnologicalgroundworkformotionpictureswaslaidbytheinventionofphotography,2.1889ThekeybreakthroughcamewiththeintroductionbyKodakofcelluloid.,4.1895Oneofthefirstpublicexhibitionsofthenewtechnologyoccurredon28DecemberattheGrandCafinParis.,“TheCinemaofAttractions”,3.1890sThomasEdisonandLumierebrothersinFranceinventedcinemaindependently.,-,11,6.TheHistoryofMotionPicturesClassicalHollywoodCinema,1.19081926SilentMoviesTheBirthofaNation,“ACinemaofNarrative”,2.1926nowSoundMoviesDonjuan,-,12,影片原名TheGreatDictator影片译名大独裁者年代：1940地区：美国片长：124min导演：查里卓别林(CharlesChaplin)编剧：查里卓别林(CharlesChaplin)类型：喜剧主要演员：汉克曼切斯特康克林埃玛邓恩保利特戈达德雷金纳德加德纳查尔斯欧文比利吉尔伯特查里卓别林理查德亚历山大出品公司：其他色彩：黑白,ClassicalHollywoodCinemaTheGreatDictator,-,13,-,14,Theemergenceofthe“StudioSystem”,1.Thedominationoffivemajorcompanies(“BigFive”):WarnerBrothers;Loews-MGM;Fox;Radio-Keith-Orpheum(RKO);ParamountBigFive:WarnerBrothers华纳兄弟电影公司MGM美国米高梅电影制片公司（Metro-Goldwyn-Mayer）Fox(福斯电影公司和20世纪影片公司合并而成)Paramount派拉蒙公司RKO雷电华影业股份有限公司（Radio-Keith-Orpheum）,-,15,-,16,Theemergenceofthe“StudioSystem”,2.Smallercompanies(the“LittleThree”):Columbia;Universal;UnitedArtists;LittleThree:Columbia;Universal环球;UnitedArtists联美,GretaGarbo葛丽泰嘉宝,IngridBergman英格丽褒曼,VivienLeigh费雯丽,-,17,TheemergenceofMovieStars,ClassicalHollywoodwastheerainwhichthe“Star”wasborn,and“starvehicles”filmsbuiltspecificallyaroundanumberofmajorstarsbecamethemostreliablyprofitableoftheHollywoodproduction.,AudreyHepburn奥黛丽赫本,ElizabethTaylor伊丽莎白泰勒,-,18,HumphreyBogart亨莱福鲍嘉,MarlonBrando马龙白兰度,-,19,ClarkGable克拉克盖博,AlainDelon阿兰德隆,-,20,LaurenceOlivier劳伦斯奥利弗,GregoryPeck格里高利派克,-,21,Thehistoryoffilmissimplifiedbyitsshortness.EarlyCinemaClassicalHollywoodCinemaPost-ClassicalHollywoodCinema,Eachoftheseperiodsischaracterizedbycertaintechnologicaldevelopmentsandpatternsofindustrialorganization.Artistically,too,filmsfromagivenperiodoffilmhistorytendtodisplaycertaincharacteristicfeatures.,英文电影赏析,-,22,TheIdeologyofClassicalHollywoodCinema,1.Property,Enterpriseandinitiative;2.TheWorkEthic;3.Marriage,FamilyandHome;4.Progress,TechnologyandtheCity;5.SuccessandWealth;6.Americawasalandofhappiness;7.TheIdealMale;8.TheIdealFemale;,-,23,6.TheHistoryofMotionPicturesClassicalHollywoodCinema,1.19081926SilentMoviesTheBirthofaNation,“ACinemaofNarrative”,2.1926nowSoundMoviesDonjuan,-,24,6.TheHistoryofMotionPicturesPost-ClassicalHollywoodCinema,Intermsofthefilmsthemselves,post-classicalHollywoodcanbeseenasthe“NewHollywood”(or“renaissance”)periodofthelate1960sand1970s.,Thefilmwouldbereleasedfirstonthebigscreenforawindowofabout6months,followedbyareleaseonDVD/videoforawindowofanindefinitelength;afterthiswouldcomeareleaseonpay-per-viewTV,premiumcablefilmchannel,andthennetworkTV.,-,25,7.CategorizationofGenres,Howinpracticeshouldonegoaboutdeterminingthegenresofagivenfilm?Genericcategoriesaregenerallydefinedonthebasisofsubjectmatter,formalproperties,styleoraffectiveresponse.Thisreflectsthewaythatfilmmakersandaudiencesinpracticeusetheconceptofgenreasaloose,flexible,andoverlappingsystem.,-,26,History,-,27,I.EarlyCinemaD.W.Griffith:FatherofFilm,UnitedStatesfilmmakerwhowasthefirsttouseflashbacksandfade-outsTheBirthofaNation一个国家的诞生（1915）Intolerance党同伐异（1916）一个国家的诞生和党同伐异是美国电影早期的两个无法逾越的高峰，各个方面都远远超过了同期的其他电影。它们预示着格里菲斯达到了个人生涯的顶峰，也展示了电影技术上的最佳手法，为电影开始争取作为艺术的地位，并断然指出：电影是美国社会最强大的社会力量之一。,-,28,II.ClassicalHollywoodCinema,TechnologyDevelopmentofsoundDevelopmentofTechnicolor(彩色电影)2.Industry“BigFive”and“LittleThree”Verticalintegrationofproduction,distributionandexhibitionNarrative3.AestheticsContinuityediting(连戏剪接)StarsystemGenres,-,29,Thehistoryoffilmissimplifiedbyitsshortness.EarlyCinemaClassicalHollywoodCinemaPost-ClassicalHollywoodCinema,Eachoftheseperiodsischaracterizedbycertaintechnologicaldevelopmentsandpatternsofindustrialorganization.Artistically,too,filmsfromagivenperiodoffilmhistorytendtodisplaycertaincharacteristicfeatures.,英文电影赏析,-,30,III.Post-ClassicalHollywoodCinema,TechnologyDevelopmentofotherexhibitionchannelsandmultimediaplatforms2.IndustryCompetitionwithTVDistributionwindowsondifferentmediaplatforms3.AestheticsFlexibleuseofgenreRulesofcausality(因果关系）andtemporallogicobservedlessstrictlyForegroundingofstylisticdevices,-,31,Thehistoryoffilmissimplifiedbyitsshortness.EarlyCinemaClassicalHollywoodCinemaPost-ClassicalHollywoodCinema,Eachoftheseperiodsischaracterizedbycertaintechnologicaldevelopmentsandpatternsofindustrialorganization.Artistically,too,filmsfromagivenperiodoffilmhistorytendtodisplaycertaincharacteristicfeatures.,英文电影赏析,-,32,Post-ClassicalHollywoodCinema,Twomajorsub-periods:1.“NewHollywood”(or“renaissance”)period弗朗西斯科波拉FrancisFordCoppola马丁斯科西斯MartinScorsese斯坦利库布里克StanleyKubrick阿瑟佩恩ArthurPenn乔治卢卡斯GeorgeLucas史蒂文斯皮尔伯格StevenSpielberg伍迪艾伦WoodyAllen奥利弗斯通WilliamOliverStone,-,33,弗朗西斯科波拉FrancisFordCoppola（1939）,弗朗西斯科波拉“美国新浪潮”的旗手。痴呆症教父获45届奥斯卡最佳影片、最佳男主角、最佳改编剧本奖。教父续集获47届奥斯卡最佳影片、最佳导演等6项大奖。教父第三集对话27届戛纳电影节金棕榈奖。现代启示录32届戛纳电影节金棕榈奖。,-,34,马丁斯科西斯MartinScorsese（1942）,谁在敲我的门穷街陋巷艾丽丝不再住此纽约，纽约愤怒的公牛纯真年代金钱本色纽约黑帮等。代表作出租汽车司机获1976年戛纳电影节金棕榈奖,-,35,斯坦利库布里克StanleyKubrick（19281999）,光荣之路斯巴达克斯奇爱博士发条桔子2001：太空遨游巴利林顿全金属铝外壳洛丽塔闪灵紧闭双眼（大开眼界）,-,36,阿瑟佩恩ArthurPenn,邦妮和克莱德（雌雄大盗）不仅标志着阿瑟佩恩个人创作的高峰，而且是新好莱坞崛起的标志。本片的特殊之处：（1）首次出现反英雄的英雄形象。（2）融入了法国新浪潮的艺术观点和技巧：时空的自由跳接。（3）突破了好莱坞严格的类型模式，体现了类型融合的倾向：强盗片、喜剧片、爱情片等。,-,37,乔治卢卡斯GeorgeLucas（1945）,1977：星球大战新希望全球票房：7.754亿美元1980：星球大战帝国反击战全球票房：5.