舞蹈作品欣赏（appreciation of dance works）

舞蹈作品欣赏（APPRECIATIONOFDANCEWORKS）FILLINTHEBLANKS1THECONTENTSANDFORMSOFDANCEISANIMPORTANTPARTOFTHEARTOFDANCE,THEDANCEINCLUDES1,WILLBETHETHEME,PLOTANDENVIRONMENTALFACTORS2,THEBASISOFTHEBODYRHYTHMANDAESTHETICNORMSOFCHINESECLASSICALDANCE3KINDSOFKOREANDANCE,INCLUDINGAGRICULTURALDANCE,MASKDANCE,1,1ETC4AMERICANMODERNBALLETREPRESENTATIVEOF1,1,15GENERALIZEDMODERNDANCECONTENTISVERYBROAD,INADDITIONTOTHEINTERNATIONALSTANDARDDANCEANDDISCO,1,1,STEPDANCEETC6ISTHEHISTORYOFTHEDEVELOPMENTOFCHINESEDANCEARTONTHETHIRDPEAK,THEWHOLESOCIETYFROMTHEROYALTYTOTHEPOPULACEWITHOUTHONOR7CHINESECLASSICALDANCEISPROPOSEDCHINESEDRAMATISTANDOPERADANCERWILLBEMR8CLASSICALBALLETORIGINATEDIN19DANCE“WATER“ISTHEINTERPRETATIONOFTHEWORKBYTHEFAMOUSDANCERHERDANCINGCHASTITY,FRESHANDNATURAL,BEAUTIFUL,ANDVERYPRETTYANDCHARMING,RICHFLAVOROFLIFE,KNOWNASTHE“GOLDENPEACOCKDAISAID“INCLUDING1AND110BALLROOMDANCE11ZHOUDAIISTHEIRONAGE,THEANCIENTDANCEARTFORMAPEAKATTHISTIME,THEREPRESENTATIVESOFWHICHWILLBE12YUANISTHETHREEGENERATIONOFMINGANDQINGDYNASTIESCHINAWILLBEAPERIODOFRAPIDDEVELOPMENTTHE13BALLETFORMEDINFRANCEDURINGTHEREIGNOFKING1MANYTHEORISTSHAVE14ROMANTICBALLETDANCEPERIOD,TWENTYMILLIONBIRDSWEREENRICHEDDANCEFORMS,TOCREATESCULPTURETECHNIQUETOSHAPETHEGROUPDANCESTYLE15DANCE“MOONLIGHTDANCEINTHEDAI,DAIDANCE,WOMENAREASSOFTASTHEMOONINTHETITLE,ISTHEINTERPRETATIONOFTHEWORKBYTHEFAMOUSDANCER16ANHUIHUAGUDENGACTINGROLEINVARIETY,METICULOUSDIVISIONOFLABORSAIDTHEFEMALETWENTYMILLIONBIRDS,MENCALLEDDRUMRACK17CHINESEDANCEVARIETY,THEREAREPEDESTRIANSTOCROSSFROMTWENTYMILLIONBIRDSTWENTYMILLIONBIRDSTWENTYMILLIONBIRDSSILKDANCEETC18CHINESETRADITIONALDANCEISDIVIDEDINTOTWENTYMILLIONBIRDSTWENTYMILLIONBIRDSCROSSFROMTHETWOCATEGORIES,THEFORMER“LIGHT“REFINED“,THELATTERISROUGH,MAGNIFICENT“THETWODANCEFORMTHETWOAESTHETICCHARACTERISTICSOFCHINESETRADITIONALDANCE,NAMELY“MASCULINE“AND“FEMININEBEAUTY“19BALLETDEVELOPMENTOFTHE“GOLDENAGE“INTERMSOFDANCESKILLS,ART,PERFORMANCEFORMSHAVEAGLORIOUSANDRESPLENDENTSTAGETWENTYMILLIONBIRDSWEREENRICHEDDANCEFORMS,TOCREATESCULPTURETECHNIQUETOSHAPETHEGROUPDANCESTYLE20“HEROES“ISTHECREATIONOFDANCEWORKSBYFAMOUSCHOREOGRAPHER1THECONTENTANDFORMOFTHE21DANCEISANIMPORTANTPARTOFTHEARTOFDANCE,WHICHFORMELEMENTSOFDANCEWORKSINCLUDING1,1ANDDANCEPERFORMANCEMEANS22TWENTYMILLIONBIRDSISATURBULENTERAOFANCIENTCHINA,BUTALSOTHECULTURALEXCHANGEOFTHETIMES,INADDITIONTOHUYUEHUANDHANDANCEDANCE,ALSOPOPULARBUDDHISTDANCE23YIDANCEVARIETY,INCLUDINGSONGS,TWENTYMILLIONBIRDSANDTWENTYMILLIONBIRDSDRUMDANCE24RUSSIANCLASSICALBALLETREPRESENTATIVEOF1,1,125INTERNATIONALSTANDARDDANCELATINDANCEINCLUDINGRUMBA,1,1,BULLDANCE,COWBOYDANCE26INTERNATIONALSTANDARDDANCEINCLUDING1AND127SHANDONGYANGKODANCEINCLUDING28TWENTYMILLIONBIRDSDURINGTHESONGANDDANCEOFPHYSICALCONDITIONSHASREACHEDAVERYHIGHLEVEL,ONLYSOFTLIGHT,LIGHTCANBELIKEASWALLOW,FLYINGWITHTHEWINDANDROTATINGARMSFORMTOEXPRESSCHINATRADITIONALDANCE“ELEGANT“BEAUTY29BALLETDEVELOPMENTOFTHE“GOLDENAGE“INTERMSOFDANCESKILLS,ARTDIRECTOR,INTERMSOFPERFORMANCEFORMSHAVEAPPEAREDAGLORIOUSANDRESPLENDENTSTAGESTUDENTSAREREQUIREDTOCHOOSEBALLETTRAININGACCORDINGTOTHERULE,UNDERSTANDINGTHEMECHANICSOFBALLETTECHNIQUEETC30DANCEWORKS“WASCREATEDBYTHEFAMOUS“CHUWAISTCHOREOGRAPHEROF1TWOVIDEOQUESTIONS“EXCUSEME“CHUWAISTVIDEODANCEWORKS1THEWORKBELONGSTOABCCHINAMODERNDANCE,CLASSICALDANCEDANCINGDYAODANCE2,THEWORKSREPRODUCETHEANCIENTCHINESEUNIQUEDANCEFORMANDFLAVORABCCHUWUSHUYUEDVIDEODANCEWORKS“RIVERDANCE“3THEDANCEBELONGSTOAJAZZDANCE,BBREAKDANCE,CTAPDANCE,DDISCOTHE4KINDSOFFROMA,USA,B,IRELAND,C,GERMANY,D,FRANCETHEVIDEODANCE“PEACOCK“,PLEASE5THEDANCEORIGINATEDFROMTHEBALLETA“THESPIRITOFBIRDS“,B,YUNNANSOUND,C,YUNNANIMPRESSION,D,PEACOCK6THEWORKSHOWSAWORKSTHROUGHTWOINTERTWINED,STICKSTIEDTREE,METAPHORTWOYOUNGLOVERSINLOVE,LOVEEACHOTHER,SHOWTHEBEAUTYOFHUMANNATURE,WHILESINGINGTHEBEAUTYOFNATURE,LOVEGREATBTHECYCLEOFLIFESNATURE,INWHICHLOVEISANIMPORTANTPHASEINTHISCYCLEOFLIFECWOMANHASASOFTNAMELIKETHEMOON,DISNOTONLYAHOLY,ELEGANTANDBEAUTIFULPEACOCK,BUTALSOANELFFULLOFLIFEANDMYSTERYVIDEODANCEWORKS,PLEASE7THEDANCEBELONGSTOTHEINTERNATIONALSTANDARDDANCEABCVIENNAWALTZFOXTROTWALTZQUICKSTEPD8THEDANCEDERIVESFROMA,CANADA,B,USA,C,AUSTRIA,D,UKVIDEODANCEWORKS“NORTHWIND“EXCUSEME9THEDANCEORIGINATEDFROMTHEBALLETA“SWANLAKE“,B“WHITEHAIREDGIRL“,C,“REDDETACHMENTOFWOMEN“,DBUTTERFLYLOVERS10THEDANCEHASSHOWNYOUAREINSULTEDATHUANGSHIRENABYANGBAILAOBOUGHTAREDSTRINGTIEDTOYOUCYOUSEETHEENEMYINTHEMOTHERTEMPLE,EXCEPTIONALLYJEALOUSDNEWYEARSEVE,THIRTY,ATHOMETOWAITFORFATHERYANGBAILAOSNEWYEARHOMESCENEVIDEODANCEWORKS“BOWLDANCE“EXCUSEME11THEDANCEBELONGSTODANCINGAUYGUR,B,KOREANNATIONALITY,C,MONGOLIAN,D,HUINATIONALITYVIDEODANCE,“LONGDRUM“,PLEASE12THEDANCEBELONGSTOAYAODANCE,BYIDANCE,CTUJIADANCE,DKOREANDANCEVIDEODANCEWORKS“BIGGIRLBEAUTIFUL“EXCUSEME13THEWORKBELONGSTOAYUNNANBCNORTHEASTOFANHUIFLOWERDRUMLANTERNYANGKODANCEDHEBEIYANGKODANCE14THEPERFORMEROFTHEWORKISAWANGYABINBCDWANGXIAOYANDOLMAMAYILAVIDEODANCEWORKS“GRADUATIONSONG“15THEWORKBELONGSTOAMODERNDANCE,BCLASSICALDANCE,CINTERNATIONALSTANDARDDANCE,DFOLKDANCE16THEWORKSHOWSAISGRADUATINGSOON,ANDTHENEWNESSOFSTUDENTSENTERINGNEWJOBSBGRADUATESOON,STUDENTSCONFUSEDABOUTTHETURNINGPOINTINLIFEAGROUPOFCSTUDENTS,SHOWINGTHEFEELINGSOFDEVOTIONATGRADUATIONDENTRANCESOON,STUDENTSAREBURDENEDWITHHEAVYPRESSUREVIDEODANCEWORKS“WINGSOFHEARTS“17THEWORKBELONGSTOAHANIDANCE,BDONGDANCE,CMIAODANCE,DYIDANCE18THEWORKISABCDTHREEDANCEDANCEDANCEDANCE“EXCUSEME“STAGECOACHVIDEODANCEWORKS19WOULDYOUPLEASETELLMETHECHOREOGRAPHERACHENWEIYA,B,WUXIAOBANG,C,LIUMIN,D,ZHANGJIGANG20THEWORKSHOWSGREATATHEREDARMYPASSEDACROSSTHEDADURIVER,THECHINAREDARMYSOLDIERSSACRIFICE,COURAGEANDHEROISMBTHEWORKDEPICTSASOLDIERWHO,ALONE,ISDESPERATETOFIND,TODIG,ANDTOFINDTHELIGHTSOFLIFEBEFORECOLLAPSINGONTHECRUSHEDSTONESCGROUPPETREL,INTHEDARKCLOUDSROLLINGONTHESEAANDSKY,FLYTHEPICTURE,ARTISTICCONCEPTIONABYSS,ORIGINALITYDTHEDISASTERTHATWARBRINGSTOPEOPLEVIDEODANCEWORKSOF“RAINBOWRAINCOATDANCE“EXCUSEME1THEWORKBELONGSTOAMODERNDANCE,BCLASSICALDANCE,CBALLET,D,FOREIGNNATIONALITY,FOLKDANCE2THEWORKISADANCEREFLECTINGORTHEPERIODABCDINTHEMINGDYNASTYHANDYNASTYTANGDYNASTYOFTHESUIDYNASTYVIDEODANCE“BREAKDANCE“3WOULDYOUPLEASETELLMEWHICHDANCEBELONGSTOACLASSICALDANCE,BBALLET,CMODERNDANCE,D,MONGOLIANDANCE4ISTHISDANCEFROMA,USA,B,SPAIN,C,ENGLAND,D,FRANCEVIDEODANCEWORKS“SPARROWSPIRIT“EXCUSEME5THEWORKBELONGSTOABCMONGOLIADAIDANCEDANCEDANCEDANCINGDYAO6THEPERFORMEROFTHEWORKISAKNIVES,MEILAN,B,XUZIQI,C,YANGLIPING,D,LIUYANVIDEODANCE,PLEASE7THEDANCEBELONGSTOTHEINTERNATIONALSTANDARDDANCEABCVIENNAWALTZFOXTROTWALTZQUICKSTEPD8THEDANCEDERIVESFROMAUK,B,USA,C,AUSTRIA,D,CANADAVIDEOBALLET,PLEASE9THEDANCEORIGINATEDFROMTHEBALLETA“SWANLAKE“B“ROMEOANDJULIET“C“GISELLE“D“FAIRIES“10THEBALLETISARUSSIANCLASSICALBALLETMASTERPIECEBTHEHEYDAYOFROMANTICISMCTHEFIRSTWORKOFTHETHIRDRANKPOPULACEDURINGTHEENLIGHTENMENTPERIODDMASTERPIECEOFMODERNSPANISHBALLETVIDEODANCEWORKS“BOWLDANCE“EXCUSEME11THEDANCEBELONGSTOAUYGURDANCE,BKOREANDANCE,CDANCE,DHUIDANCEVIDEODANCEWORKS“FOURSTRINGS“EXCUSEMEMAYINGHUAGUY12THEDANCEBELONGSTOAYAODANCE,BYIDANCE,CTUJIADANCE,DKOREANDANCEVIDEODANCEWORKS,PLEASE13THEDANCEBELONGSTOADRUMYANGKO,BNORTHEASTYANGKO,CJIAOZHOUYANGKO,D,HAIYANGYANGKO14THEFOLLOWINGSTATEMENTISINCORRECTAISAKINDOFYANGKOINSHANDONGBS“THREEBENDS“ISITSBASICFEATURECHASSUCCESSFULLYAPPLIEDFOR“INTANGIBLECULTURALHERITAGE“DISSPREADINTHREEPROVINCESOFNORTHEASTCHINAVIDEODANCE“PENTIUM“,PLEASE15THEWORKBELONGSTOABCKOREANDANCEDANCINGDANCEDANCEINMONGOLIAUYGURD16THEWORKSHOWSATHEDARKSIDEOFTHEPRAIRIEWOLFBGRASSLANDYOUNGWOMEN,LIVELY,BRAVECHARACTERCTHEPASTORALHOSPITABLEDISPOSITIONOFHERDSMENBYSHAPINGTHEGROUPIMAGEOFMONGOLIANYOUNGHERDSMEN,DWORKSOUTTHEPOSITIVEANDOPTIMISTICSPIRITOFTHEPEOPLEWITHTHECHANGESOFTHETIMESAFTERTHEREFORMANDOPENINGUPIN80SVIDEODANCE,HANDINHAND,PLEASE17THEWORKBELONGSTOACLASSICALDANCE,BMODERNDANCE,CBALLET,DFOLKDANCE18THEWORKISABTHREECDSOLODANCEDANCEDANCEVIDEODANCE“PETREL“,PLEASE19THECHOREOGRAPHYOFTHEDANCEISA,CHENWEIYA,B,WUXIAOBANG,C,ZHAOMING,D,ZHANGJIGANG20,THEWORKSHOWSGREATATHEREDARMYPASSEDACROSSTHEDADURIVER,THECHINAREDARMYSOLDIERSSACRIFICE,COURAGEANDHEROISMBTHEWORKDEPICTSASOLDIERWHO,ALONE,ISDESPERATETOFIND,TODIG,ANDTOFINDTHELIGHTSOFLIFEBEFORECOLLAPSINGONTHECRUSHEDSTONESCAGROUPOFSEAPETREL,INTHEDARKCLOUDSONTHESEAANDTHESEATOFLYTHEPICTURE,THEARTISTICCONCEPTIONOFTHEABYSS,ORIGINALITYDTHEDISASTERTHATWARBRINGSTOPEOPLETHEVIDEODANCE“ROUGEBUTTON“21THEWORKBELONGSTOABCMODERNDANCE,CLASSICALDANCEDANCINGDYAODANCE22THEWORKISORPERFORMEDABCLIUYANYABINGWANGQIUHUIHUANGDOUDOUDBALLROOMDANCE,PLEASE23THEDANCEBELONGSTOABCFOXTROTRUMBACHACHADANCEDPASODOBLETHE24KINDSOFFROMAUS,BCUBA,CSPAIN,BARDWESTVIDEODANCEWORKS“EMANCIPATEDSERFSSING“EXCUSEME25THEDANCEBELONGSTOABCMONGOLIATUJIADANCEDANCEDANCEDANCINGDYAO26THEWORKSHOWSADANCETO“BOUND“AND“LIBERATION“AND“RELEASE“OFTHETHREEPERIODOFEMOTIONALSTRUCTURE,SINCEREEXPRESSIONOFSERFSINTIBETINCHINAUNDERTHELEADERSHIPOFTHECOMMUNISTPARTYSTANDUPTODOMASTERSREALFEELINGS,WARMLYINTHEDEMOCRATICREFORMINTIBET50YEARSAGOBSHAPEDTHEPOSITIVEANDOPTIMISTICSPIRITOFTHEMONGOLIANYOUTHHERDSMENAFTERTHEREFORMANDOPENINGUPCGRASSLANDWOLFUNKNOWNSIDE,COMPLETELYOVERTURNEDTHEPREVIOUSWOLF,GREEDANDCRUELTYOFSUPERFICIALCOGNITIONTHEDDANCEUSESTAPDANCETODESCRIBETHEENTHUSIASMOFTHEPEOPLEFORBUILDINGTHEQINGHAITIBETRAILWAYVIDEODANCEPIECE“AFEATHER“EXCUSEME27THEDANCEBELONGSTOACLASSICALDANCE,BMODERNDANCE,CBALLET,D,MONGOLIADANCE28THEWORKREFLECTSACALLSONHUMANSTOSTOPTHEINDISCRIMINATECULLINGOFBIRDSBCALLSONHUMANSTOSTOPINDISCRIMINATECULLINGOFWOLVESCCALLSFORPROTECTIONOFGREENERYANDTHEMAINTENANCEOFECOLOGICALBALANCED,THISISASTORYABOUTENVIRONMENTALPROTECTIONVIDEODANCEWORKS“FOURLITTLESWAN“,PLEASE29,“FOURLITTLESWAN“DANCESECTIONBELONGSTOTHEBALLETA“SWANLAKE“,B“WHITEHAIREDGIRL“,C“GISELLE“,D“SPARTACUS“30THEFOLLOWINGEVENTSHAVENOTHINGTODOWITHTHEBALLETAWHITESWANIMAGEOFELEGANTANDNOBLE,THEMAINMOVEMENTSSTRETCH,NOBLE,FRESHANDREFINEDBBALLETMUSICCOMPOSEDBYTCHAIKOVSKYCTHEDANCEWASCOMPOSEDBYPETIPAANDTHERUSSIANBALLETMASTERIVANOV,INTHEDPLAY,THEWHITESWANWASASLEEPFOR100YEARSANDWOKEUPTOMEETTHEPRINCEVIDEODANCEWORKS“IS“THEKINGOFQIN31THEDANCEBELONGSTOACONTEMPORARYDANCE,BMODERNDANCE,CBALLET,DCLASSICALDANCE32THEFOLLOWINGSTATEMENTISCORRECTA,THISISAVICTORYINTHEFASCISTWARBCHINESEMAN,NOTAFRAIDOFSACRIFICEANDCOURAGEOFTHEDASHABOUTINABATTLEFIELD,DAUNTLESSHEROISMC,AFOLKARTIST,SHOWSHISTRUEFEELINGSWHENHEISDRUNK,ANDHISPERSISTENTPURSUITOFARTANDHISBOUNDLESSEMOTIONDTHISISAFOURMANDANCE,SHOWINGFOURMENSGOODLOVEVIDEODANCEWORKS“LOVEOFTHEHAWTHORNTREE“33THEDANCEBELONGSTOABCDTHREESOLODANCEDANCEDANCE34THEDANCEBELONGSTOACLASSICALDANCE,BMODERNDANCE,CBALLET,D,RELIGIOUSDANCEVIDEODANCEWORKS“XIEGONGCLOGS“EXCUSEME35THEWORKBELONGSTOAMODERNDANCE,BCLASSICALDANCE,CDAIDANCE,D,YAODANCE36THEDIRECTOROFTHEWORKISAZHANGJIGANG,B,LIUYAN,C,SUNYING,D,CHENWEIYAVIDEODANCE,“PICKINGGRAPES“,PLEASE37THEWORKBELONGSTOAUYGURDANCEBDANCECDDANCEDANCINGOFDAIMENG38THEPERFORMEROFTHEWORKISAZHAOLIPINGBSUNYINGCAIDATURADBAISHUXIANGVIDEODANCEWORKS“TIAOYUE“EXCUSEMEAH39WOULDYOUPLEASETELLMEWHICHDANCEBELONGSTOAHANIDANCE,BMIAODANCE,CDAIDANCE,DYIDANCE40THEFOLLOWINGSTATEMENTISWRONGAHASSUCCESSFULLYAPPLIEDFORFEEMATERIALCULTURALHERITAGEBTHEDANCEISOFTENPERFORMEDATWATERSPLASHINGFESTIVALCHASTHREEMAINACTIONSTEPJUMPANDJUMP,CLAPTHERHYTHMISBRIGHTANDTHEMOODISCHEERFULDMALEDANCERSPLAYINGBIGSANXIANORFLUTE,FEMALEANDMALEDANCEALONGTOTHERHYTHMORHANDRING,SWINGING,CLAPKICKINGFOOT,ROTATINGDANCEVIDEODANCEWORKS“FANDANCEINDEED“EXCUSEME1THEWORKBELONGSTOABCMODERNDANCE,CLASSICALDANCEDANCINGDYAODANCE2THEWORKISORPERFORMEDABCDLIUYANWANGYABINQIUHUIHUANGDOUDOUVIDEODANCEBALLROOMDANCE3WOULDYOUPLEASETELLMEWHICHDANCEBELONGSTOABCFOXTROTRUMBACHACHADANCEDPASODOBLE4ISTHEDANCEFROMAUSA,BSPAIN,C,BRAZIL,D,CUBAVIDEODANCEWORKS“BUTTERFRAGRANCE“5THEWORKBELONGSTOABCMONGOLIATUJIADANCEDANCEDANCEDANCINGDYAO6THEWORKSHOWSADANCETO“BOUND“AND“LIBERATION“AND“RELEASE“OFTHETHREEPERIODOFEMOTIONALSTRUCTURE,SINCEREEXPRESSIONOFSERFSINTIBETINCHINAUNDERTHELEADERSHIPOFTHECOMMUNISTPARTYSTANDUPTODOMASTERSREALFEELINGS,WARMLYINTHEDEMOCRATICREFORMINTIBET50YEARSAGOBTHROUGHTHESHAPINGOFTHEMONGOLIANYOUTHHERDSMENAFTERTHEREFORMANDOPENINGUP,SHOWINGAPOSITIVEANDOPTIMISTICSPIRITOFTHESPIRITOFPROGRESSTHECDANCETAKESATAPDANCEAPPROACHTODESCRIBETHEPEOPLESENTHUSIASMFORBUILDINGTHEQINGHAITIBETRAILWAYDSHOWEDATOUCHINGSTORYOFAGROUPOFTIBETANGIRLSFRIEDANDBUTTEREDTOTHEPLAPEOPLESLIBERATIONARMYVIDEODANCEWORKS“GOINGTOTOWN“7THEDANCEBELONGSTOACLASSICALDANCE,BMODERNDANCE,CBALLET,D,MONGOLIADANCE8THEWORKREFLECTSAEMPTYNESTPARENTSSTORIESBMODERNNERVOUSWORKSTORYTHESTORYOFCLEFTBEHINDCHILDRENDAGROUPOFMIGRANTWORKERSFOLLOWTHEDREAMOFWORKINGINTHECITYSTORY“EXCUSEME“FROMTHEVIDEODANCEWORKS9THEDANCEBELONGSTOACONTEMPORARYDANCE,BMODERNDANCE,CBALLET,DCLASSICALDANCE10THEWORKSHOWSAAGROUPOFANCIENTPALACEFACINGREPRESSIONOFTHEFEUDALSOCIETY,ALTHOUGHTHETRAGICFATEANDHATREDBUTINCAPABLEOFACTIONBISTHEPERFORMANCEOFTHESPRINGINMARCH,HEKIYANAGIIYO,CUIBREEZESKIRT,GRACEFULPOSE,AGIRLFROMTHEDANCE,OUTING,WITHSPRINGGREEN,SINGINGINTOASUNNY,BLUEANDWHITEYELLOWGRASSINSOUTHERNBEAUTYCTHISGROUPOFYOUNGPEOPLEWHOSEEKKNOWLEDGE,THEHARDSHIPSOFTHEHARDSTUDY,TEARS,HAPPINESSANDFRUSTRATIONDREPRODUCESTHEUNIQUEDANCEFORMANDFLAVOROFCHUINANCIENTCHINAVIDEODANCEWORKS“IV“,PLEASE11THEDANCEBELONGSTOABCDTHREESOLODANCEDANCEDANCE12THEDANCEBELONGSTOACLASSICALDANCE,BBALLET,CMODERNDANCE,D,MONGOLIADANCEVIDEODANCEWORKS“REDRIBBONTIE“EXCUSEME13THEDANCEBELONGSTOTHEBALLETAB“BUTTERFLYLOVERS“,“WHITEHAIREDGIRL“C“THEREDDETACHMENTOFWOMEN“D“TONGQUEJI“MANYOFTHE14DAIDANCECATEGORY,WHICHINCLUDESTHEPEACOCKDANCE,GALIGHTDANCE,AXITIAOYUEETCTHEFIRSTDANCEOFTHE15MODERNDANCEISTHEVIENNAWALTZ,WHICHCOMESFROMAUSTRIA16,DANCINGCANNOTBESEPARATEDFROMMUSIC,DANCEISALWAYSDISPLAYEDUNDERTHEACCOMPANIMENTOFMUSICMUSICPLAYSTHEROLEOFRENDERINGANDCONTRASTTHEATMOSPHERE,ANDSHOWINGTHEPLOT17“DAOLANG“ISADANCEWORKSMAXRAPTIBETANDANCE18WEI,JINANDNORTHERNANDSOUTHERNDYNASTIES,ALARGENUMBEROFWESTERNMUSIC,DANCEANDEXOTICMUSICANDDANCEWEREINTRODUCEDINTOOURCOUNTRY1MODERNDANCEISAKINDOFDANCESCHOOLWHICHISOPPOSEDTOCHINESECLASSICALDANCEATTHEBEGINNINGOFTHETWENTIETHCENTURY19,DANCEANDACROBATICS,GYMNASTICS,ALTHOUGHTHEBODYISASTHEMAINARTISTICPERFORMANCETOOLSTHEFORMERISTHEDISPLAYOFSKILLSANDSKILLS,THELATTERALSOHAVEFEELINGS20BROADMODERNDANCESINCLUDEBALLROOMDANCING,DISCO,BREAKDANCE,JAZZ,TAPDANCE,ETC21OFTHEORIGINALSOCIALDANCEPRODUCEDINTHERHYTHMOFLABOR,ISTHREEANDASONGDANCEFORMTHECONTENTREFLECTSTHEEMERGENCEOFLABOR,HUMANREPRODUCTION,CLANCLANSTRUGGLE,