ezrapound解析PPT学习教案

1、会计学1ezrapound解析解析第1页/共29页 (1) Pounds life experiencesPounds life experiences (2) Pounds major worksPounds major works (3) Pound and ImagismPound and Imagism (4) Juxtaposition and Superposition of the imagesJuxtaposition and Superposition of the images第2页/共29页Pounds life Pounds life (1) Ezra pound wa

2、s born in 1885 in Hailey, Idaho, and brought up in Pennsylvania.(2) After college in Pennsylvania and a brief stint as a teacher, in 1908 Pound travelled to Venice and then to London.(3) In 1912 he appointed himself foreign editor of poetry.(4) In 1913 pound became the literary executor of Ernest Fe

3、nollosa (18531908).(5) He moved to Paris in 1920, and then settled in Italy in 1924. 第3页/共29页(6) Enamored with Benito Mussolini, Pound made anti-American radio broadcasts during World War II. He was arrested as a traitor in 1945.(7) In 1958 he returned to Italy, where he continued to write and make

4、translations until he died in 1972. 第4页/共29页Pounds major worksPounds major worksCollections: A Lume Spento (1908) 灯火熄灭之时 Cathy (1915) Homage to Sextus Propertius (1917)向塞克斯图斯普罗佩提乌斯致敬 Hugh Selwyn Mauberley (1920) 休赛尔温毛伯利 CantosFamous poems: In a Station of the Metro A Pact第5页/共29页Imagism Imagism （190

5、9191719091917）第6页/共29页 Imagism is a poetic movement of England and the United States, which flourished from 1909 to 1917. it is a branch of the symbolism literary movement which was used chiefly in The Western World during that time. It stressed free choice of subject matters (often dealing with sin

6、gle, concentrated moments of experience), concreteness of imagery, musical phrases, economy of expression, and the use of a dominant image. It aimed at instantaneous effect, visual and concise.第7页/共29页Content of Content of ImagismImagism Origin of Origin of Imagism Imagism Three phases Three phases

7、of imagismof imagism第8页/共29页The origins of Imagism are found in two poems, Autumn and A City Sunset by T.E.Hulme. These were published in January 1909 by the Poets Club in London. The second phase of the movement was the period of some three years (19121914) when Ezra pound took over and championed

8、the new poetry. In 1914, Pound turned from Imagism to Vorticism. Since Pound left Imagism, Amy Lowell carried on leading that movement and caught up with several principled propositions.Three phrases of imagismThree phrases of imagism第9页/共29页 T.E.Hulme suggests that modern art should deal with expre

9、ssions and communication of momentary phases in the poets minds. And poetic techniques should become subtle enough to record exactly the momentary impressions. “Each word must be an image seen.” “Each sentence should be a lump; a piece of clay, a vision seen.” ImagismImagism第10页/共29页 Pounds definiti

10、on: “An Image is that which presents an intellectual and emotional complex in an instant of time.” An image “gives that sense of sudden liberation; that sense of freedom from time limits and space limits; that sense of sudden growth, which we experience in the greatest works of art.”第11页/共29页 In 191

11、2 Pound and Flint laid down three imagist poetic principles: (1) Direct treatment of the thing whether subjective or objective. (2) To use absolutely no word that does not contribute to the presentation. (3) As regarding rhythm: to compose in the sequence of the musical phrase, not in sequence of a

12、metronome.第12页/共29页Major objectives of Imagism Major objectives of Imagism (according to Amy Lowell, 1917)(according to Amy Lowell, 1917) (1) to use the language of common speech(2) to use the exact word (3) to avoid clichs(4) to create new rhythms to express a new mood(5) to allow absolute freedom

13、in choice of subject(6) to present an image (concrete, definite)(7) to strive for concentration(8) to suggest rather than to offer complete statements第13页/共29页 Imagism derived from their opposition to the writing style of the poets at that time. Secondly, the popularity of “Bergson fad” influenced t

14、he imagists. Thirdly, the poetry of Symbolism founded a new path for imagism to composing new poem, it greatly inspired imagist. There existed great influence of Japanese Haiku and Chinese poetry on the Imagist movement. The Origins of ImagismThe Origins of Imagism第14页/共29页Japanese HaikuJapanese Hai

15、ku Haiku is the shortest form of poetry in Japan. It tells a story or makes a picture in your mind of something that happens in nature. Many descriptive words are used in this seventeen-syllable poem. Usually haiku is written in three lines. There are five syllables in the first line, seven in the s

16、econd, and five in the third. It does not rhyme. The poetry form of haiku was developed in Japan and later became popular in the United States.第15页/共29页 荒木田守武荒木田守武(1473-1549)俳句：俳句： 落花飞返枝头落花飞返枝头 一只蝴蝶一只蝴蝶Basil Hall Chamberlain ，Japanese Poetry (1910)：Fallen flower returning to the branch;Fallen flower

17、 returning to the branch;Behold! It is a butterfly.Behold! It is a butterfly.Ezra Pound: The fallen blossom flies back to its branch:The fallen blossom flies back to its branch:A butterflyA butterfly The footsteps of the cat upon the snow:The footsteps of the cat upon the snow:(are like)(are like) p

18、lum blossoms. plum blossoms.第16页/共29页日本日本“俳圣俳圣”松尾芭蕉（松尾芭蕉（16441694） 古池塘古池塘 “古池塘，青蛙跃入，水清响古池塘，青蛙跃入，水清响” 寒鸦宿枯枝，秋深日暮时。寒鸦宿枯枝，秋深日暮时。 芭蕉芭蕉 枯藤老树昏鸦枯藤老树昏鸦舟行在莲塘，莲花碰触小鬓上。舟行在莲塘，莲花碰触小鬓上。 子规子规 采莲南塘秋，莲花过人头采莲南塘秋，莲花过人头柿叶飘零人径绝。柿叶飘零人径绝。 秋樱子秋樱子 “古木无人径古木无人径”第17页/共29页 周易周易系辞上系辞上：“子曰：子曰：书不尽言书不尽言，言不尽意，言不尽意.” 王弼王弼 周易略例周易略例明象明

19、象：“夫象者，夫象者，出意者也；言者，明象者也。尽意莫若象，尽出意者也；言者，明象者也。尽意莫若象，尽象莫若言。言生于象，故可寻言以观象；象生象莫若言。言生于象，故可寻言以观象；象生于意，故可寻象以观意。意以象尽，象以言著于意，故可寻象以观意。意以象尽，象以言著，故言者所以明象，得象而忘言；象者，所以，故言者所以明象，得象而忘言；象者，所以存意，得意而忘象。存意，得意而忘象。” 第18页/共29页In a Station of the Metro In a Station of the Metro The apparition of these faces in the crowd Petal

20、s on a wet, black bough 白居易白居易长恨歌长恨歌 “玉容寂寞泪阑干，梨花一枝春带雨玉容寂寞泪阑干，梨花一枝春带雨” 第19页/共29页In a Station of the MetroIn a Station of the Metro第20页/共29页 Alba As cool as the pale wet leaves of lily-of-the-valley She lay beside me in the dawn崔护崔护题都城南庄题都城南庄 去年今日此门中，去年今日此门中， 人面桃花相映红人面桃花相映红。 人面不知何处去，人面不知何处去， 桃花依旧笑春风。桃

21、花依旧笑春风。杜牧杜牧赠别赠别 娉娉袅袅十三余，娉娉袅袅十三余， 豆蔻梢头二月初豆蔻梢头二月初。苏轼苏轼采桑子采桑子 多情多感仍多病，多景楼中。尊酒相逢，乐事回头一笑空。多情多感仍多病，多景楼中。尊酒相逢，乐事回头一笑空。 停杯且听琵琶语，细捻轻拢。停杯且听琵琶语，细捻轻拢。醉脸春融，斜照江天一抹红醉脸春融，斜照江天一抹红。 第21页/共29页落叶哀蝉曲落叶哀蝉曲 罗袂兮无声，玉墀兮尘生。罗袂兮无声，玉墀兮尘生。 虚房冷而寂寞，落叶依于重扃。虚房冷而寂寞，落叶依于重扃。 望彼美之女兮，安得感余心之未宁？望彼美之女兮，安得感余心之未宁？ Liu Che Ezra Pound The rustli

22、ng of the silk is discontinued, Dust drifts over the court-yard, There is no sound of foot-fall, and the leaves Scurry into heaps and lie still, And she the rejoicer of the heart is beneath them: A wet leaf that clings to the threshold. 第22页/共29页第23页/共29页第24页/共29页 Juxtaposition of the imagesJuxtapos

23、ition of the imagesCantos 64 (Pound)Moon, cloud, tower a patch of the battiseroMoon, cloud, tower a patch of the battisero all of whiteness all of whiteness温温庭筠庭筠商山早行商山早行：鸡声茅店月，人迹板桥霜。：鸡声茅店月，人迹板桥霜。 贺铸贺铸青玉案青玉案：试问闲愁都几许？：试问闲愁都几许？ 一川烟草，满城风絮，梅子黄时雨。一川烟草，满城风絮，梅子黄时雨。 顾城顾城弧弧 线线 鸟儿在疾风中鸟儿在疾风中 迅速转向迅速转向 少年去捡拾少年去捡拾 一枚分币一枚分币 葡萄藤因幻想葡萄藤因幻想 而延伸的触丝而延伸的触丝 海浪因退缩海浪因退缩 而耸起的背脊而耸起的背脊 第25页/共29页 Cino Cino I will sing of the white birdsI will sing of the white birdsIn the blue waters of heavenIn the blue waters of heavenThe clouds that are