2019-2020学年格致中学高三上英语一次月考

1、格致中学二。一九学年度第一学期第一次测验高三年级英语试卷（共10页）（测试120分钟内完成，总分140分，试后交答题卷）友情提示：昨大，你既然经历了艰苦的学习，今天，你必将赢得可喜的收获!号证考准祝你：诚实守信，沉着冷静，细致踏实，自信自强，去迎接胜利!I.ListeningComprehension（共25分）SectionADirections:InSectionA,youwillheartenshortconversationsbetweentwospeakers.Attheendofeachconversation,aquestionwillbeaskedaboutwhatwassai

2、d.Theconversationsandthequestionswillbespokenonlyonce.Afteryouhearaconversationandthequestionaboutit,readthefourpossibleanswersonyourpaper,anddecidewhichoneisthebestanswertothequestionyouhaveheard.1. A.Heknowswhoisknocking.C.Hedoesn'twanttoopenthedoor.2. A.Byplane.B.Bybus.3. A.$100.B.$200.4. A.S

3、hewenttocinema.C.Shestayedathome.5. A.Inadoctor'soffice.C.Inanoperatingroom.6. A.Themanpaidthetuitionforlearningphysics.B. Themangotalotofmoneyforhishardwork.C. Hishardworkwasnotrewardingatall.D. Hisworkbeforethetestledtoagoodresult.7. A.Afurnishedhouse.B.Arecentbook.8. A.Theywillgoswimming.B. H

4、eiseagertoknowwhoitis.D.Heisreadytoopenthedoor.C. Bytaxi.D.Bytrain.C.$300.D.$400.B.Shewenttoanexhibition.D. Shestayedwithherclassmates.B.Inaprofessor'soffice.D.Inanemergencyward.C.Afurtherstudy.D.AnewrecordB. Theywillclimbmountains.C. Theywillbuysomeclothes.D. Theywillforecasttheweathercondition

5、s.9. A.Hehasanotherlecturetoattend.B. Hehasnointerestinthelecture.C. He'sattendedthesamelecturegivenbyProfessorWilsonbefore.D. Hemightmissthelecture,ifthewomandidn'tremindhim.10. A.Shefullyagreeswiththeman.B.Theyareuncertainabouttheweather.C.Shedisagreeswiththeman.D.Shethoughtthemanwasalways

6、late.SectionBDirections:InSectionB,youwillheartwoshortpassages,andyouwillbeaskedthreequestionsoneachofthepassages.Thepassageswillbereadtwice,butthequestionswillbespokenonlyonce.Whenyouhearaquestion,readthefourpossibleanswersonyourpaperanddecidewhichonewouldbethebestanswertothequestionyouhaveheard.Qu

7、estions11through13arebasedonthefollowingpassage.11. A.Peopleareencouragedtobeacraftsman.B. Learningwoodworkingisnotashardasyouthink.C. Learningwoodworkingwillhelpyouknowmorepeople.D. Takingaclassinwoodworkingwillbeveryhelpful.12. A.BecauseIamatalentinthisartandwanttoshareitwithothers.B. BecauseIamin

8、terestedinitandwanttoshowittoothers.C. BecauseIwonderhowtopickmaterialsandhowtodoitwell.D. Becauseit'sagoodwaytoknowmorepeopleinterestedinit.13. A.Youcanexpecttodowoodworkingperfectlytheveryfirsttime.B. Doingwoodworkingmeansbeingaloneforlong.C. Youcanalsolearnfromotherpeopleinterestedinwoodworki

9、ng.D. Takingaclassinwoodworkingcostsalotofmoney.Questions14through16arebasedonthefollowingpassage.14. A.Toanalyzecausesandeffectsofusingacreditcard.B. Toencouragepeopletoborrowmoneyfrombanks.C. Toletpeopleknowtheresponsibilityinusingacreditcard.D. Topresenttheeffectofcomputersinpopularizingtheuseofc

10、reditcards.15. A.Thedevelopmentofcomputers.B. People'sgreedinessformoremoney.C. People'sneedsforlesspapermoney.D. People'slearningtobemoreresponsible.16. A.Tolearntoberesponsiblebyusingcreditcards.B. Tostopusingcreditcardsandborrowmoneyfromfriendsorrelatives.C. Topaymoneybackasfastasposs

11、ibleafterusingcreditcards.D. Tostopborrowingmoneyanduseyourownfundsforshopping.Questions17through20arebasedonthefollowingconversation.17. A.Anewspaper.B.Anadvertisementcompany.C.Acleanupcompany.D.Amarket.18. A.Shewantstosparemoreroomforsomethingnew.B. Shewantstoturntheiroldstuffintocashatalowcost.C.

12、 Sheknowsthatthesalesconsultantbeforethemandoes.D. Shejustwantstocleanuptheirhouse.19. A.Rudyislikelytobuytheirstuff.B.Rudywillcomeandtaketheirstuffaway.C.Rudyplaysguitaraswellastheman.D.Rudywillhelpthemwiththeadandthesale.20. A.Hisoldguitar.B. Theirappliances,jewelry,furnitureandexerciseequipment.C

13、. Thespringcleanupsale.D. Thelowcostofadandfriendlyservice.II. GrammarandVocabulary(共20分，每题1分)SectionADirections:Afterreadingthepassagesbelow,fillintheblankstomakethepassagecoherentandgrammaticallycorrect.Fortheblankswithgivenwords,fillineachblankwiththeproperformofthewordgiven;fortheotherblanks,use

14、onewordforeachblankthatbestfitsthecontext.Datingisanormalpartofadolescenceandaformativeoneatthat.Decadesofresearch21(suggest)alinkbetweenromanticrelationshipsandidentitydevelopment22teenteenagersmatureintoyoungadults.However,arecentstudypublishedintheJournalofSchoolHealthrevealsthatadolescentswhocho

15、osenottodatefare23,orbetterthan,their24(couple)counterpartsinsocialandleadershipskills.Theyarealsolessdepressed."Weknowthatromanticrelationshipsareverycommonamongadolescentsinfact,amajority25(involve)insometypeofromanticactivityby15to17yearsofage,"saysBrookeDouglas,aPh.D.candidateattheUniv

16、ersityofGeorgia26conductedthestudywithDr.PamelaOrpinas."It'salsoknownthatromanticrelationshipsareimportantforteenagers'individualdevelopmentandwellbeing.Sothatmadeusask:Whatdoesthissayaboutteenagerswhoarenotdating?Aretheysocialmisfits?"27turnsout,theyarenot.Throughacombinationofsel

17、f-reportedstudentsurveysandteacherfeedback,datawasgatheredonthedatinghabitsof6ththrough12thgraders,28withkeyemotionalandbehavioralinformation.Thedatawasoriginallypublishedina2013studyconductedbyOrpinas,whichrevealedanumberofdatingpatternsamongthestudents-somedatedmorefrequentlywithage,otherstookbrea

18、ksfromrelationshipsatvarioustimes.ButDouglaswasmostinterestedinthe"low"datinggroupcomprisedofstudentswhodated,onaverage,oncethroughoutmiddleandhighschool,withsome29(report)noromanticrelationshipsatall.Tofollowthe2013study,DouglasandOrpinascomparedthesocialandemotionaldataof10thgradersandfo

19、undthatalackofromanticrelationshipshadnothinderedthedevelopmentofthe"low"daters.Onthecontrary,thestudentsinthisgroupwereoverallratedhigherinsocialandleadershipskills,andlowerindepressionthanthoseinotherdatinggroups.Theresultsstandcounter30thenotionthattobeawell-adjustedandsociallycompetent

20、adolescent,youmustexperiencearomanticrelationship.Studentswhodon'tdatearedoingjustfine.SectionBDirections:Completethefollowingpassagebyusingthewordsinthebox.Eachwordcanonlybeusedonce.Notethatthereisonewordmorethanyouneed.A.pushedB.implementC.exemptingD.subjectE.guaranteedF.briefG.compromiseH.str

21、essI.certainJ.correspondingK.effectAninternationalendangeredspeciesconventionmeetinginGenevaiscloseto31musicalinstrumentsfromtraderestrictionsonrosewood.TherestrictionsundertheConventiononInternationalTradeinEndangeredSpeciesofWildFaunaandFloracommonlyreferredtoasCITESw32tintoin2017,afterstrongdeman

22、dforhigh-endrosewoodfurnitureinChinaledtoconservationworriesandviolenceinareasthatproducethewood.Butasreportedin2017,thereweresomeunintendedconsequences.Instrumentmakersandmusicians33fortheexemption,writinginaconvention34thatwithoutit,"theworldofmusicandculturewilllose35instrumentsthatproduceth

23、ehighestqualitytones,withno36conservationbenefit."TheygottheirwishMondayasakeyCITEScommitteeapprovedit.Iffinalizedasexpectedthisweek,theexemptionwillallowfinishedmusicalinstrumentsaswellaspartsandaccessoriescontainingrosewoodtobetransportedfreelyaroundtheworldwithoutpermits.Tradeinraw-materialr

24、osewoodwouldremainregulatedand37topermitsgrantedbyindividualcountries.RepresentativesoftwotopU.S.makersofacousticguitars,Pennsylvania-basedC.F.Martin&Co.andCalifornia'sTaylorGuitars,saidtheysupporttheconvention'seffortstocontrolrosewoodtrafficking,butthey38thatthemusicalinstrumentsindust

25、rywasnevertheproblem.Otherauthoritiesexpressedtheirconcernnevertheless.LisaHandy,directorofforestcampaignsattheEnvironmentalInvestigationAgency,anadvocacygroup,calledtheexemption"areluctant39formanyrosewoodsourcecountries.""Weremainconcernedthiscouldsetabadprecedent,"Handywrote.&

26、quot;Itwillbeevenmoreimperativethatthesourcingandmanufacturingprocessesarewell-controlledtoensurethatrosewood-producingcountries,whicharestrugglingtocontrolillegalloggersandtrafficking.receivetheinternationalsupporttheyneedto40theconvention."III. ReadingComprehensionSectionA（15分）Directions:Fore

27、achblankinthefollowingpassagetherearefourwordsorphrasesmarkedA,B,CandD.Fillineachblankwiththewordorphrasethatbestfitsthecontext.OnToronto'sEasternwaterfront,anewdigitalcityisbeingbuiltbySidewalkLabsafirmownedbyGoogle'sparentAlphabet.Ithopestheprojectwillbecomeamodelfor21st-Century41.However,

28、thedealhasbeencontroversial,42oneofthebiggestevertie-upsbetweenacityandalargecorporation.Andthat,43withthefactthatthecorporation44isoneofthelargesttechfirmsintheworld,iscausingsome45.SidewalkLabspromisestotransformthedisusedwaterfrontareaintoabustlingmini46,onebuilt"fromtheinternetup,"alth

29、oughthereisnotimetableforwhenthecitywillactuallybebuilt.Thefirmhassomepretty47ideasforthecity,includingself-drivingcars,reimaginingofbuildingsandweathercontrol.DanDoctoroff,thecompany'sheadandformerdeputymayorofNewYork,claimedtheprojectwas"aboutcreatinghealthier,safer,moreconvenientandmoref

30、unlives.""Wewantthistobeamodelforwhaturbanlifecanbeinthe21stCentury,"hesaid.Theareawillhaveplentyofsensorscollectingdatafromtraffic,noiseandairqualityand48theperformanceoftheelectricgridandwastecollection.Andthathas49someinthecity,includingToronto'sdeputymayorDenzilMinnan-Wong,toq

31、uestionexactlywhatSidewalkhopestoachieve."Whatdatawillbegatheredandwhatisitgoingtobeusedfor?ThesearerealandprescientissuesforthecityofToronto,"heremarked.SidewalkLabsrespondedthatthesensorswillnotbeusedtomonitorandcollectinformationoncitizens,50itwillbeusedtoallowgovernmentstobeflexibleabo

32、uthowneighborhoodsareused.Mr.Minnan-Wongisalsoconcernedthatthefirmhasnotbeenveryopenwithitsowndata."Sidewalktalksaboutopendata,butfromtheverystarttheonethingthattheyarenotmaking51 istheiragreementwithWaterfrontToronto."WaterfrontTorontoistheorganization52 revitalizingtheareaaroundthecity&#

33、39;sharbor.53Sidewalk'sdealwiththeorganizationwill54a12-acresite,butitisbelieveditwishestoexpandthistothewholearea,whichat325acreswillrepresentahugeland-grab."Eventheideaofwhatlandwearetalkingabout,evensomethingas55asthatisunclear,"saidMr.Minnan-Wong."Isthisareal-estateplayorisita

34、technologyproject?Wejustdon'tknow."41.A.productivismB.industrialismC.internationalismD.urbanism42.A.portrayingB.representingC.concealingD.regulating43.A.constrictedB.competingC.coupledD.comparing44.A.inreturnB.inquestionC.underconstructionD.underinvestigation45.A.uneaseB.aggressionC.delight

35、D.disturbance46.A.gridB.metropolisC.communityD.territory47.A.capableB.sensibleC.radicalD.rational48.A.demonstratingB.evaluatingC.manipulatingD.monitoring49.A.affectedB.enlightenedC.discouragedD.led50.A.neverthelessB.asC.ratherD.yet51.A.publicB.senseC.believeD.up52.A.chargedwithB.distributedtoC.broug

36、htaboutD.reasonedwith53.A.AdditionallyB.ComparativelyC.InitiallyD.Consequently54.A.buildB.coverC.maintainD.possess55.A.visualB.elusiveC.fundamentalD.theoreticalSectionB（22分）Directions:Readthefollowingthreepassages.Eachpassageisfollowedbyseveralquestionsorunfinishedstatements.Everyquestionsareprovide

37、dwithfourchoicesmarkedA,B,CandD.Choosetheonethatfitsbestaccordingtotheinformationgiveninthepassageyouhavejustread.（A）Mimeopensupanewworldtothebeholder,butitdoessoinsidiously（隐匿地）,notbypurposelyinjectingpointsofinterestinthemannerofatourguide.Audiencesarenotunlikevisitorstoaforeignlandwhodiscoverthat

38、themodes,manners,andthoughtsofitsinhabitantsarenotmeaninglessoddities,butaresensibleincontext.IrememberoncewhenanaudienceseemedperplexedatwhatIwasdoing.Atfirst,Itriedtogainamoreimmediateresponsebyusingslightexaggerations.Isoonrealizedthattheseactionshadnothingtodowiththeaudience'sunderstandingof

39、thecharacter.WhatIhadbelievedtobeafailureoftheaudiencetorespondinthemannerIexpectedwas,infact,onlytheirconcentrationonwhatIwasdoing;theywereenjoyingagradualawakeningaslowtransferenceoftheirunderstandingfromtheirowntimeandplacetoonethatappearedsounexpectedlybeforetheireyes.Thiswasevidencedbytheirgrow

40、ingresponsetosucceedingnumbers.Mimeisanelusiveart,asitsexpressionisentirelydependentontheabilityoftheperformertoimagineacharacterandtore-createthatcharacterforeachperformance.Asamime,Iamaphysicalmedium,theinstrumentuponwhichthefiguresofmyimaginationplaytheirdanceoflife.Theindividualsinmyaudiencealso

41、haveresponsibilitiestheymustbealertcollaborators.Theycannotsitback,mindlesslycomplacent,andwaittohavetheiremotionstitillatedbymesmericmusicalsoundsorvisualrhythmsoracrobaticfeats,orbywordsthattellthemwhattothink.Mimeisanartthat,paradoxically,appealsbothtothosewhorespondinstinctivelytoentertainmentan

42、dtothosewhoseappreciationismoreanalyticalandcomplex.Betweentheseextremesliethoseaudiencesconditionedtoresistanycollaborationwithwhatisplayedbeforethem,andthesethemimemustseducedespitethemselves.Thereisonlyonewaytoattackthosereluctantmindstakethemunaware!Theywillbedelightedatanunexpectedpleasure.56.

43、Theauthormostlikelyconsidersthecontrastofmimeartistandtourguideappropriatebecauseboth.A. bringotherstostrangeplaces.B. explorenewmeansofself-expression.C. employartisticmethodstocommunicate.D. shapethewayothersperceiveanewsituation.7/1857. Theauthormostlikelyincludestheincidentdescribedinparagraph2i

44、norderto.A. indicatetheadjustmentsanaudiencemustmakeinwatchingmime.B. showhowchallengingthecareerofamimecanbe.C. portraytheintensityrequiredtoseetheaudience'spointofview.D. dispelsomemisconceptionsaboutwhatamimeislike.58. Theunderlinedwordelusive"inparagraph3mostnearlymeans.A.activeandconcl

45、usiveB.difficulttodescribeorgraspC.passivebutvividD.inherentlysuccessful59. Accordingtothepassage,whichofthefollowingisimportanttotheartisticsuccessofmime?A. Effectivefusionofdisparatedramaticelements.B. Incorporationofrealisticdetails.C. Audienceinvolvement.D. Largeaudiences.(B)Goodtooldesignisimpo

46、rtantinthepreventionofoveruseinjuries.Well-designedtoolsanddeviceswillrequirelessforcetooperatethemandpreventawkwardhandpositions.Theywillallowtheworkertokeeptheelbowsnexttothebodytopreventdamagetotheshoulderandarm.Overuseinjuriescanthereforebepreventedorreducediftheemployerprovides,andworkersuse:po

47、wertoolsratherthanhavingtousemusclepower.toolswithspeciallydesignedhandlesthatallowthewristtokeepstraight(SeeFigure1).Thismeansthathandsandwristsarekeptinthesamepositionastheywouldbeiftheywerehangingrelaxedataperson'sside.Fijiarti,BendthwftvLrunthewrisltoolswithhandlesthatcanbeheldcomfortablybyt

48、hewholehand.Thismeanshavingaselectionofsizesrememberhattoolsthatprovideacomfortablefirmholdforapersonwithaverylargehandmaybeawkwardforsomeonewithaverysmallhand.Thisisaparticularlyimportantconsiderationforwomenwhomayusetoolsoriginallydesignedformen.toolsthatdonotpressfingers(orflesh)betweenthehandles

49、,andwhosehandlesdonothavesharpedgesorasmallsurfacearea.60. Whichofthefollowingmightbethebesttitleforthepassage?A.GoodToolDesignforWomenC.ExamplesofGoodToolDesign61. WhichofthefollowingdescribesawellA.It'skeptclosetothebody.C.Itmakesusersfeelrelaxed.62. WhatisFigure1usedtoshow?A. Theeffectiveuseo

50、fthetool.C.Theproperdesignofthehandle.B. ToolDesignandPreventionofInjuriesD.OveruseofToolsandWorkerProtection-designedtool?B.Itfullyusesmusclepower.D.It'soperatedwithlessforce.B.Thewayofoperatingthetool.D.Thepurposeofbendingthewrist.(C)Theearliestcontroversiesabouttherelationshipbetweenphotograp

51、hyandartcenteredonwhetherphotograph'stides填度)toappearancesanddependenceonamachineallowedittobeafineartasdistinctfrommerelyapracticalart.Throughoutthenineteenthcentury,thedefenseofphotographywasidenticalwiththestruggletoestablishitasafineart.Againstthechargethatphotographywasasoulless,mechanicalc

52、opyingofreality,photographersassertedthatitwasinsteadaprivilegedwayofseeing,arevoltagainstcommonplacevision,andnolessworthyanartthanpainting.Ironically,nowthatphotographyissecurelyestablishedasafineart,manyphotographersfinditpretentiousorirrelevanttolabelitassuch.Seriousphotographersvariouslyclaimto

53、befinding,recording,impartiallyobserving,witnessingevents,exploringthemselvesanythinmakingworksofart.Theyarenolongerwillingtodebatewhetherphotographyisorisnotafineart,excepttoproclaimthattheirownworkisnotinvolvedwithart.Itshowstheextenttowhichtheysimplytakeforgrantedtheconceptofartimposedbythetriump

54、hofModernism:thebettertheart,themoresubversive(颠覆的)itisofthetraditionalaimsofart.Photographers'disclaimersofanyinterestinmakingarttellusmoreabouttheharriedstatusofthecontemporarynotionofartthanaboutwhetherphotographyisorisnotart.Forexample,thosephotographerswhosupposethat,bytakingpictures,theyar

55、egettingawayfromthepretensionsofartasexemplifiedbypaintingremindusofthoseAbstractExpressionistpainterswhoimaginedtheyweregettingawayfromtheintellectualausterityofclassicalModernistpaintingbyconcentratingonthephysicalactofpainting.Muchofphotography'sprestigeto,derivesfromtheconvergence。匚聚）ofitsai

56、mswiththoseofrecentart,particularlywiththedismissalofabstractartimplicitinthephenomenonofPoppaintingduringthe1960's.Appreciatingphotographsisarelieftosensibilitiestiredofthementalexertionsdemandedbyabstractart.ClassicalModernistpainting-thatis,abstractartasdevelopedindifferentwaysbyPicasso,Kandi

57、nsky,andMatisse-presuppose虫ighlydevelopedskillsoflookingandafamiliaritywithotherpaintingsandthehistoryofart.Photography,likePoppainting,reassuresviewersthatartisnothard;photographyseemstobemoreaboutitssubjectsthanaboutart.Photography,however,hasdevelopedalltheanxietiesandself-consciousnessofaclassic

58、Modernistart.Manyprofessionalsprivatelyhavebeguntoworrythatthepromotionofphotographyasanactivitysubversiveofthetraditionalpretensionsofarthasgonesofarthatthepublicwillforgetthatphotographyisadistinctiveandexaltedactivityinshort,anart.63. Whatistheauthormainlyconcernedwith?A. DefiningtheModernistattitudetowardart.B. Explaininghowphotographyemergedasafineart.C. Explainingtheattitudeofseriouscontemporaryphotographerstowardphotographyasartandplacingthoseattitudesintheirhistoricalcontext.D. Definingthevariousapproachesthatseriouscontemporar