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3Outside:brickbuildingwithirregularopenings.Howmanystoreys?Playingagameaboutthescaleofthebuilding.

One-wayframe.Loadwillgofromrafterstobeams.Wallsaretwo-wayframes.Mainconstructionmaterials:brickandtimber,butbrickworknon-4Firstfloorplan:bookshelvesgomeandering.Raftersandbeams:alltimber.Giventhesespans,someroofmembersmightbeoversized.Beamsareok,butraftersareprobablyoversized.

ContrastinapproachwithKimbellArtMuseum4500sq.m:minimizationandsequestration.Inlargerbuilding,thereonegame;insmallerbuilding,thereisanothergame.Lookingatimageswithnumbers.theKopenickTheOldTheRiver 9Timberreadsasfurniture.Timberisnotreadasstructuralelement.Sampleofbrickworktogetcoursingsright.Lowerright:concretefloorandwalls.Brickfaçadeaddedafterwards.Gluelambeams胶合木梁.Geometryoftheroof:combinationofdrainageconsideration.Alwaysbettertohave

Thicknessoftheconcreteandthethicknessofthebeams.Keepconcretethin.Materialsarerenderedequivalentinexpression.Timber-timberconnections:commonlysteelbracketsnailedontothebeam.32”ZhouYixing’sfamousassignmentonthiscanbedownloaded

Roofbeams:one-wayframe.Colours,shapes,horizontallinearity,veryfewwindows,fullcon-cretewallbehindglass.Tilingpattern,photoshopGEOMETRICSYSTEM丨ORDER丨看不见的秩序和看得见的形式,灵感分别来源于罗马营寨城和罗马的铺装装饰艺MOSAIC丨ROMANApavementinarchitectureisastoneortilestructure,thepavement,whichcanserveafloororanexternalfeature.Pavementscanbemadeofflagstoneswhichareusedforthingslikepavinggardens,tilesalsothereweremosaicswhichwerecommonlyusedbytheRomans.Mosaicistheartofcreatingimageswithanassemblageofsmallpiecesofcoloredglass,stone,orothermaterials.Itmaybeatechniqueofdecorativeart,anaspectofinteriordecoration,orofculturalandspiritualsignificanceasinacathedral.Smallpieces,normallyroughlycubic,ofstoneorglassofdifferentcolors,knownastesserae,(diminutivetessellae),areusedtocreateapatternorpicture.FromWikipedia,thefreePLANGENERATION丨STRUCTURE丨ONEWAY利用ONEWAYFRAME的方式假设了500根预制钢筋混凝土梁。 并且建筑行为更加经济,有效ColourononeConcreteribs.Roughenedconcreteusingspecialformwork.Twointersectingskylights.Thinnessoftheblackceilingplane.Class1formworkcanonlybeusedReinforcementsattheCOLDWARM丨 门厅处于建 处,连接各个功能区,需要大尺度空间因此占有两个基本空间单元。天井的加入使明暗分明并且模糊了空间的真实轮廓 曾令TheMuseumsofModernArtandStockholm,1991-采光承重体门厅构

MAXSPAN丨最大跨生活的公共空间。是外部空间的延续。在此处,博物馆的 此处的最大跨度约为22米既72英尺反映真实结直上直下的视觉体天井交接处略显笨重,交叉的两条大梁使空间迟钝,拖隐藏真实结 垂直方向上的空间纯粹,简洁,衬托出光线的纯

Theconcretecannotbepouredallatonce.4separatepours.Allreinforced.Serviceabilitycriteriaisnotabigconcernhere.Deflectionsandmovementnotaworry.Initialdeflectionswouldbethemainissue(whenformworkisClass2orClass3concrete.Weseetheroughness.ContrastwiththeJapanesehouse.Flatversuscurved Wehavetodescribethecomplexcurvesforformwork.Orderingtheglassbeforeconcretehasbeenpoured.DealingwiththelateralMaybepost-tensionedcables.UppercurvebuiltbeforelowerSeagramlookstall;Hearstlookslesstall.Conventionally,tallbuildingsareportalisedorbraced.Omittingtheverticalelementsofastructureandonlyusediagonals,diagridssaveabout20%ofsteelcomparedtoconventionalsteelframe.Createsomeredunduncies.911planecrash.Thisbuildingismorelikelytosurvive911. Cornertreatmentfor

Coordinationofexistingbuildingwithnewstructure.RectilinearpartasLiftcorenottakingonmajorstructuralDiagonalExpensiveatrium.AkindofA-frameSydney,WesternsideofCBD.Diagridappearsontheoutside.Lowerleft:connectionofdiagridtointernalstructure.Residentialbuilding:lessload50%,columnsclosertogether.

Officebuilding:columnsspacedwideapart.Weneedalightstructure.Diagriduses20%lesssteel,lighter.Lateralloadshandledtogetherwithverticalloads.Diagrid.HowdoesitturntheNoverticalloadscarriedaroundtheIntersectionofthisdiagridoccursateveryCantilever.Howtoachievethinness?SomeelementsAconcretecore.Normally,diagridprovideslateralstability,soconcretecoreisnotnecessary.Berlin,fashionablearea,周围多现代主义风格建常规用地,用地富London,UKhistoricalarea,周围各时代古典建筑马头状不规则用

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