怪物史莱克学习

怪物史莱克学习第1页/共47页IntroductionProductionCharacterTheviewsaboutlovePostmodernisminShrekShootingtechnique第2页/共47页Introduction

Shrek(MikeMyers),agreenogrethathasalwaysenjoyedlivinginpeacefulsolitudeinhisswamp,findshislifedisruptedwhennumerousfairytalebeings,includingPinocchio,theThreeLittlePigs,andDonkey(EddieMurphy),areforcedintotheswampbyorderoftheobsessiveLordFarquaad(JohnLithgow).第3页/共47页ShrekdecidestotravelthecountrytoseeFarquaadtotrytoregainhisprivacy,withDonkeytaggingalong.Meanwhile,FarquaadtorturestheGingerbreadManintorevealingthewhereaboutsoftheremainingfairytalecreaturesuntilhisguardsrushinwithanobjectFarquaadhasbeensearchingfor:theMagicMirror.第4页/共47页TheMirrortellshimthatFarquaadtechnicallyisn'takinganddoesn'tbecomeoneuntilhemarriesaprincess.TheMirrorgiveshimthreeprincessestochoosefromincludingCinderella,SnowWhite,andPrincessFiona(CameronDiaz).FarquaadchoosesFionaandsilencestheMirrorbeforehecanmention"thelittlethingthathappensatnight".

第5页/共47页hetwomakeittoFarquaad'spalaceinDuloc,wheretheyfindthemselvesinthemidstofatournament;thewinnerwillhavethe"privilege"ofattemptingtorescueFionafromacastlesurroundedbylavaandprotectedbyafire-breathingdragonsothatFarquaadmaymarryher.ShrekandDonkeyeasilybeattheotherknights,andFarquaadagreestoremovethefairytalecreaturesfromtheswampifShrekgoesontorescueFiona.第6页/共47页ShrekandDonkeytraveltothecastleandsplituptofindFiona.Donkeyencountersthedragonandsweet-talksthebeasttosavehimselfbeforediscoveringthatthedragonisfemale.DragontakesalikingtoDonkeyandcarrieshimtoherchambers.第7页/共47页

WhenShrekfindsFiona,sheisappalledathislackofromanticism.Astheyareleaving,ShrekmanagestosaveDonkey,caughtinDragon'stenderlove,andcausinghertobecomeirate,chasingShrek,Fiona,andDonkeyoutofthecastle.Atfirst,FionaisthrilledtoberescuedbutquicklybecomesdisappointedwhenshefindsoutthatShrekisanogre.第8页/共47页thethreemaketheirreturnjourneytoFarquaad'spalace,withShrekandFionafindingtheyhavemoreincommonwitheachotheralongtheway,andfallinginlove.However,atnight,Fionarefusestocampwiththem,takingshelterinanearbycaveuntilmorning.ShrekandDonkeystayawakeandwatchthestarswhileShrekinformsDonkeythatheplanstobuildawallaroundhisswampwhenhereturns.第9页/共47页

WhenDonkeypersistsastowhyShrekwoulddothis,Shrektellshimthateveryonejudgeshimbeforetheyknowhim,thereforeheisbetteroffalone.Thenextnight,Fionatakesshelterinanearbywindmill.WhenDonkeyhearsstrangenoisescomingfromthewindmill,hefindsFionahasturnedintoanogress.Fionaexplainsshewascursedasachildandturnsintoanogreeverynight,whichiswhyshewaslockedawayinthecastle,andthatonlyakissfromhertruelovewillreturnhertoherproperform.

第10页/共47页Shrek,abouttoconfesshisfeelingsforFiona,overhearspartoftheirconversation,andisheartbrokenashemisinterpretsherdisgustathertransformationintoan"uglybeast"tobedisgustedwithhim.FionamakesDonkeypromisenottotellShrekaboutthespell,vowingtodoitherself,butwhenthenextmorningcomes,ShrekhasbroughtLordFarquaadtoFiona.Thetworeturntothecastle,whileahurtShrekreturnstothenow-vacatedswamp.第11页/共47页Shrekfindsthatdespitehisprivacy,heismiserableandmissesFiona.DonkeyshowsuptotellhimthatFionawillbegettingmarriedshortly,urgingShrekintoactiontogainFiona'struelove.TheyareabletotraveltoDulocquicklythankstoDragon,whohadescapedherconfinesandfollowedDonkey.TheyinterrupttheweddingbeforeFarquaadcankissFiona,butnotbeforethesunsets,whichcausesFionatoturnintoanogressinfrontofeveryone.第12页/共47页WhilehertransformationcausesShrektofullyunderstandwhatheoverheardatthewindmill,Farquaad,disgustedoverthechange,ordersShrekkilledandFionaimprisoned,butDragonburstsinanddevoursFarquaad.ShrekandFionaadmittheirloveforeachotherandshareakiss;Fionaisbathedinlightashercurseisbroken,第13页/共47页

butissurprisedtofindthatshehasremainedanogress.Shrekcalmsherbyassuringherthatsheisstillbeautiful.Thetwoofthemgetmarriedintheswampanddepartontheirhoneymoonwhiletherestcelebratebysinging"I'maBeliever".第14页/共47页Production

RobinWilliams,whohadworkedforJeffreyKatzenbergbeforeinAladdinandhadabitterfallingoutwithhimandTheWaltDisneyCompanyovermarketingagreements,hashintedinaninterviewthatherefusedaroleinShrek,becauseitwouldmeanworkingforKatzenbergagain.Hewouldnotstatewhichrolehehadrefused第15页/共47页ListofShrekcharactersMikeMyers-Shrek

EddieMurphy-Donkey

CameronDiaz-PrincessFiona

JohnLithgow-LordFarquaad

ConradVernon-GingerbreadMan

ChrisMiller-Geppetto/MagicMirror

CodyCameron-Pinocchio/TheThreeLittlePigs

第16页/共47页MichaelGalasso-PeterPan

ChristopherKnightsandSimonJ.Smith-ThreeBlindMice

ChristopherKnights-TheloniusAronWarner-BigBadWolf

JimCummings-CaptainoftheGuardsJeromeDeGuzman-BlindMouse

VincentCassel-MonsieurHood(aFrenchrenditionofRobinHood)KathleenFreeman-OldWoman(Donkey'sex-owner)AndrewAdamson-DulocMascot(amandressdinasuitthatlookslikeLordFarquaad)第17页/共47页There’snoloveintheworldjustlikethetaleisnotexistintheworld.Talesandlovecanonlyexistinyourownheart.Weshouldhaveaoptimisticattitudeaboutourlifeandthehopefulfutureinsteadofdoingnothing.JustlikethespiritofShrek.Theviewsaboutlove第18页/共47页thereisastoryabout“TheBeautyandBeast”andwealsoheardthatthewolflovesthesheep.Thisistheoppositeofthetraditionaboutthethemoflove.Pleasethinkaboutit,ifthewolfmarriedtothesheep,whatwillhappen?Willitbeacceptedbyus.Mostofuswillabsolutelysayno.Itissoridiculous,butifithappenourworldwillbeharmonious.Shrekmarriedtoaprincessjustpresentthistheme.第19页/共47页Iliketheendofthestory.WhentheprincesskissedShrekshebecameamonstertoo.Theycanbegintheirnewlifeinthemarsh.Thiskindofendinggiveusmorespacetothinkaboutlifeandpavedthewayfortheirfuture.Thebeautybecameamonster,isthatapity?Idon’tthinkso.Forthelovedone,changebecamelessimportant.第20页/共47页InfactIdon’tthinkShrekisamonster.Monster,whatisthedefinitionofmonster?Theappearanceisn’tlikeourscalledamonster,isn’tit?Absolutelynot.Whenachimpanzeeseeabeautifulhumanlady,hemaynotthinktheladyisprettybecausethere’snofursonthelady.Sothedifferencebetweenuglyandbeautyisjusttheconceptionsinourminds.第21页/共47页

beautyissuccessful,thebeautyofathingisascertaintypeofindividualthingsinthefulldevelopmentoftheuniquecharacter"Shrek"isbeautiful第22页/共47页honorThecartoonfilmShrek,releasedintheyear2001,hasbeenagreatsuccessandhaswonthe74thOscarAwardin2002.Itssuccesscanbetracedbacktoitsdistinctivefeatures.Ononehand,itsubvertsourexpectationofthecharactersinclassicfairytalesbyaddingsomepost-modernistelements.Whileontheotherhand,theplotsandnarrationofthisfilmareinheritedfromtheHollywoodstyle,whichincludesthehappyendingwiththeheroandheroineliving“happilyeverafter”第23页/共47页PostmodernismWritingfromthe1960sforwardcharacterizedbyexperimentationandcontinuingtoapplysomeofthefundamentalsofModernism,whichincludedExistentialismandalienation.PostmodernistshavegoneastepfurtherintherejectionoftraditionbegunwiththeModernistsbyalsorejectingtraditionalforms,preferingtheanti-noveltothenovelandtheanti-herooverthehero.第24页/共47页Theoreticalcharacteristicsofpostmodernism1.Anti-foundationalism,anti-essentialistreductionism2.Denytheintegrity,identity3.Againstthecenter,lookingfordifferencesanduncertainties4.Opposedtorational,moderndigestion5.Againstthecorrespondencetheoryoftruth,emphasizedpragmatismandknowledgeofthecommercializationofTruth第25页/共47页Introduction"Shrek"isapost-modernistclassic.Thefilmfullyembodiesthepostmoderndeconstructionoftheclassicandtraditionalaswellasthetraditionalconstructionoftheneweffort.第26页/共47页Postmodernismisthemostprominentfeatureofthetraditionalandclassicaldigestion,subversion.Itistheclassicalpast,deformationre-use,destructionofsomeofthetraditionalknowledgeandputforwardortheperformanceofthenewmorepsychologicalpointofviewoftoday'speople.In"Shrek,"wecanseemanyfamiliarthingsbutspecious.SnowWhiteandtheSevenDwarfsasthestoryoftheMirror,theWesterntraditionofthePrinceandPrincessstories.第27页/共47页Princeorprincessingeneralisacurseandturnedintosomethingoralongsleepandsolovedthathe(she)whocanliftthecurseafterthekiss,butinthisdramatheactorbecameuglyShrek,Princessisonly"thesameasthestoryof"pretendingtofallasleepwaitingfor"PrinceCharming"thekiss,shewillbeverybolddesiretolove,thelastprincessmorebeautifulbutnotugly,andso"theprinceandprincessliveugly,butveryhappylife."Thefilmeverywherecomparisonwiththetraditionalclassic,constantlyengageinsabotage.第28页/共47页.Anewlinewithwhattheconceptofmodernlife.First,itsuccessfullyraisedanewconcept.Thefinalstoryhasnotliftedthecurseoftheprincess,beautifulprincessugly,buttheyarefranklyaccepteditall.

Therefore,theabsoluteconsummationisimpossible,itisunrealistictosuccessfullycompleteonlythemajorfactors,whichisanewpost-modernconceptofart.Tastemoreoflifetoenjoy,youmayfindhappiness.Thisisthemoralofthefilm.Postmodernismisatraditionalcultureanddevelopment.第29页/共47页Effect"Shrek"extensiveuseofpost-modernisttechniqueofexpression,especiallyincharacterization,theboldandtheclassicfairytaleinthetraditionofsubvertingtheroleofimageandtheroleofseveralfairytalestogether,butthesetheimageoftheaudiencearefamiliarwithsomeofthechangesmadesothattheydifferfromtheaudiencearefamiliarcharacters,andevenaddedastalking,donkeyramblethisimageasahero,givingafreshfeel.第30页/共47页Character1.Shrek2.PrincessFiona3.othercharacters第31页/共47页

prince

Intheclassicfairytale,theprinceishandsomebutbrave,"theyaimforanobletorescuethesufferingpeople."Theywillbedanger,removeallobstaclestofindtheprincess,getridofwildbeastsandwicked(asin"SnowWhite"and"Cinderella"inthesame)tosavetheprincess,theprincessfinallygettheloveandhappinesswithherlifeintogether.第32页/共47页Shrek

Inthe"Shrek",withthebeautifulmusicplayinginitisanugly,dirtymonster.Helivesaloneintheswamp,coveredwithgreenhair,faceugly,dirtyandsmelly.Evenhischaracter,isalsoincompatiblewiththeimageofthetraditionalprince.Shrekandlonelyandevensomeautistic,badtemper,selfishness.

Graduallychanged.Pullbacktotoothiswaytobecomefriendswiththedonkey,theShrekfinallytotheaudienceofhisrichandfragileinnerworld.Shrekkind-hearted..Hissincereandsensitivefeelings,fearofinjury.PullbacktotoottheroadbetweenShrekandPrincessFionahadadeepaffection,butbecauseShrekPrincessFionahasbeenworriedthatwillnotagreetomarryamonsterandnotbraveenoughtoherconfession.Asifheisthepeoplearoundus,fleshandblood,.第33页/共47页PrincessFionaPrincessFionasawsomeonecomeandsaveherpretendedtosleeponthebed,orevenwanttotaketheinitiativetoacceptherimaginaryprincekiss.Thisclassicfairytaleofshy,pleasant,elegantimageofthealienprincess.Waybacktotootpullherperformanceisthesubversionoftraditionalprincess.Fionanotreallygood,notweak.TreesnakemadeofballoonstogiveShrekplay.Naisnotpassivewaiting,buttaketheinitiativetofight.SheboldlyexpresstheiryearningfornewlifeandtheloveforShrek,finallygothislove.第34页/共47页

talkingdonkeyAnotherprotagonistofthestorytalkingdonkeyisalsotheprotagonistoftheclassicfairytaleimageofsubversion.Intheclassicfairytale,thehandsomeprincetoridehorsestorescuetheprincess.Inthe"Shrek"inconjunctionwith第35页/共47页ShrektorescuePrincessisaramble,abitneurotic,talkingdonkey.Hischeerfuloptimism,enthusiasmbrightbuttimid.ComparedtotheclassicfairytaleprinceofStallion,heismorelikeanexchangeoffriends.Ultimatelytheencouragementofthedonkey,ShrekandPrincessFionahaveloversgetmarried,theendofthestory,Subversionofthetraditionaldonkeyistotheextreme:henotonlycansingrock,butalsofellinlovewiththedragonguardingthecastle.第36页/共47页

othercharactersFarmersregardlessoftheoriginalhonestgoodtokillindiscriminatelyShrek;puregoodnessSnowWhiteandtheSevenDwarfscohabitation;goodoldcarpenterforafewgoldcoinstosellthepuppetPinocchio;Dupullrulermethodisonlyanappearanceofadultgramugly,sordidinnerclown;outlawRobinHoodbecomearoguebanditheavy,butmartialartsisnotstrength,andevenbeatthePrincessFiona.第37页/共47页amirrortoseethepuppetmasterofcolorwords,talentshowhost,becameamajorcandidate'swifeFacktools;第38页/共47页fiercedragon

Thefiercedragonhasbecomeacruelliketohearcomplimentsthesmallwoman;eatLittleRedRidingHood'sLangwaiPohasbecomeagentle,liketowatchfashionandentertainmentmagazine.Thesefiguresareplausiblepostmodernsubversionoftheclassicfairytaleandtransformtheresulttobe第39页/共47页the"Shrek"storynarrativetechniqueandpointofview,itstillcontinuestheclassicfairytalenarrativekernel,isatraditionalHollywood-stylefairytale..第40页/共47页

Classicalliterature

Threeparts:beginning,developmentandclimax.Thethree-segmentstructureafter17,theeighthcenturywassummedupthedevelopmentofclassicisminto"unities",namely:thebeginningofthestoryleadstotheeventandintroducedthemaincharacters;themiddlepartoftheinconsistenciesandtoinitiateaction;theendofthecompletionofactionandresolvecontradictions.Fairystorydevelopmentinalmostallfaithfullyfollowedthis第41页/共47页

Th