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湖南省怀化市沅陵县2023年考研《英语一》全真模拟试卷SectionIUseofEnglishDirections:Readthefollowingtext.Choosethebestword(s)foreachnumberedblankandmarkA,B,CorDontheANSWERSHEET.(10points)MymotheralwayssaysthatI’mborntodanceballet.ButthatSeptemberwhenIwasinaballetclassandwenttodoaturn,somethingjusthappened.IhearditandIsurely1it.IwentrighttoadoctorandgotanX-rayexamination,which2alotofdamagetomyknee—a(n)3injuryforadancer.Ihadtohavea(n)4EverythinghadbeengoingsowellandnowIhadthishugeinjury.Dancewasmylife,but5,Iwasn’tgoingtobeabletodoitforayearor6neveragain.Mydadwasreallyabiginspirationforme.Hewas7abattleagainstcanceratthattime.Heshowedmehowtomakeitthrougha8situation.Ithoughtthatifhecoulddothat,Icouldhandlethis,too.9myoperation,Ihadgreatdifficultywalking,butIknewthatifIreallyworkedhard,myinjurywouldheal.Severalmonthslater,Idefinitelywasn’tatmystrongest,butIcould10aclass.ThedancingIdidwas11atfirst—movesthatmykneecouldhandle.Oncewestartedpracticinginthefall,Iwasbeginningtofeellikemyself12Oneday,I13thescheduleandmynamewasnexttoEliotFeld.Ithoughtitmustbea(n)14becauseheisveryfamousintheballetworld.Butitwasn’t.He15meandtaughtmealotofthings.Atl8,Ihadasoloperformance!Itwasabig16Iwassoexcitedandfeltlikearealballerina.Afterthe17,Eliotsaid,“Youknow,youhavea(n)18—andyouarealsomadeofsteel.”That,comingfromhim,wasthe19compliment(赞美)Ihaveeverreceived.I’dliketothinkthat20myinjurymademestrong.1、A.touched B.accepted C.broke D.felt2、A.pointed B.said C.read D.showed3、A.necessary B.deadly C.practical D.important4、A.holiday B.cry C.operation D.test5、A.intime B.allofasudden C.atpresent D.onceinawhile6、A.possibly B.luckily C.surprisingly D.hardly7、A.leading B.fighting C.losing D.inventing8、A.wonderful B.difficult C.positive D.heavy9、A.After B.During C.At D.Over10、A.setout B.takeup C.breakinto D.getthrough11、A.basic B.quick C.formal D.hard12、A.before B.then C.again D.too13、A.stole B.borrowed C.faced D.checked14、A.mistake B.opportunity C.problem D.task15、A.held B.obeyed C.encouraged D.received16、A.surprise B.secret C.success D.position17、A.speech B.performance C.competition D.match18、A.gift B.chance C.luck D.exercise19、A.simplest B.deepest C.greatest D.smartest20、A.dealingwith B.lettingout C.settingup D.turningtoSectionIIReadingComprehensionPartADirections:Readthefollowingfourtexts.AnswerthequestionsbeloweachtextbychoosingA,B,CorD.MarkyouranswersontheANSWERSHEET.(40points)Text1Theytrainfourhoursaday,oftenwakingupat4:30or5forbefore-schoolpractices.Theireveningsandweekendsareeatenupbytwice-weeklytravelgames.Everydayisthesame;there’snobreak.No,thesearen’tOlympicathletes;they’rekids.Thebenefitsofsportsareobvious.So,it’snotsurprisingthat,accordingtoCNN,41millionAmericanchildrenplaycompetitivesports.Butwhendoesthisbecometoomuchofagoodthing?Sevenyearsago,asurveyinSportingKidmagazinefound84percentofathletes’parentshadobservedbelligerentbehaviorinotherparentsatgamesandthat2percenthadbeentargetsofthisbehavior.Whatdoesthissayaboutsportsculture,andourcultureasawhole?Someparentshavebecomesocrazyabouttheirchildren’swinningthattheydon’tstoptothinkaboutwhatexampletheyaresetting.Ifathletesareconstantlysurroundedbyadultswhoscreamatcoachesandattacksportsofficials,theymaythinkthatthisisacceptablebehavior.They’lltrytowinatallcosts.Inotherwords,theywon’tknowhowtoacceptdefeat,andlearnfromit.Theamountoftimesomeathletesspendpracticingcanbedangerous.AccordingtoSportsIllustrated,over3.5millionathletesyoungerthan15sufferedfromasports-relatedinjury—that’snearlyoneinten!Manyinjuriescausepermanent(永久的)damageifnottreated.Sowhatcanwedoaboutthissituation?Somearguethatthereisnoproblem,becausesportshasalwaysbeenandwillalwaysbecompetitive.Butdidyourgrandparentsspendhourseachdaypracticingtennisorvolleyball?No,theyprobablyplayedwiththeneighborhoodkidsafterschool,notworryingaboutwinning.Alltheywantedwastohavefun.Andthat’swhatweneedtochangeinyouthsports—focusonenjoyment.1、Whatdoestheunderlinedword“belligerent”referto?A.Aggressive.B.Mild.C.Elegant.D.Reasonable.2、What’stheconsequenceofadults’badexamples?A.Youngathletes’scoreswillbeaffected.B.Youngathletes’performancewillsuffer.C.Youngathleteswon’tknowhowtosucceed.D.Youngathleteswon’tdealwithfailureproperly.3、Whatisthetoneofthetext?A.Relaxed.B.Critical.C.Objective.D.Humorous.4、Whichisthebesttitleforthetext?A.Morepractice,lessfailureB.FightforvictorytothelastsecondC.Enjoymentfirst,competitionsecondD.ProhibitkidsfromcompetitivesportsText2AdultEducationCoursesComputerStudiesTechnologyisadvancingatarapidpace,andwerelymoreandmoreoncomputersforeverythingfromcookingtoorganisingourtaxes.Thissix-weekcoursewillgiveyouanunderstandingofcomputerfundamentals,includingtheuseofsoftwarepackages(Word,ExcelandPowerpoint)andhowtousetheInternet.Start:May2,2019Time:Wed7pm-9pmCost:$300Length:6weeksPlace:SydneyCollegeWoodworkLearnthebasicsofwoodworkingwithsimplehands-onprojectstobuildyourconfidenceandskills.Eachlessonexploresadifferentareaofwoodworkingthatwillprovideyouwiththeskillsneededforanywoodworkingproject.Flexiblelearningallowsyoutochooseonlythelessonsthatinterestyou.Start:April15,2019Time:Mon5pm-7pmCost:$30perlessonLength:12weeksPlace:AdultLearningCentreWebDesignProvidesadvancedtraininginsoftware,design,andcodingfortheweB.Studentsmusthavealreadycompletedarecognisedbasicwebdesigncourseorhaveatleast2years'relevantworkexperience.StudentscompletingthecoursewillreceivetheDiplomainAdvancedWebDesign.Start:June1,2019Time:Weekdays9am-4pmCost:$4,990Length:40weeksPlace:UniversityofTechnologyArtThispracticalcourseisintendedtohelpestablishedartiststaketheircreativityfurther.Fromsketchingandcolour,tocomposition,paintingandexperimentingwithstyle,youwillstudyandexploreanengagingvarietyofcreativemediaandsubjectmatter.Start:April21,2019Time:Thur3pm-6pmCost:$750Length:15weeksPlace:CityArt201、Whichcoursesaresuitableforbeginners?A.WebDesignandArt.B.ComputerStudiesandArt.C.WoodworkandWebDesign.D.ComputerStudiesandWoodwork.1、Whichcourseawardsstudentsanofficialcertificate?A.Art.B.Woodwork.C.WebDesign.D.ComputerStudies.2、HowmuchwillastudentwhoattendsonlyhalfofalltheWoodworklessonspayintotal?A.$30. B.$180.C.$250. D.$360.Text3AccordingtoGuglielmoCavalloandRogerChartier,readingaloudwasacommonpracticeintheancientworld,theMiddleAges,andaslateasthesixteenthandseventeenthcenturies.Readerswere“listenersattentivetoareadingvoice,”and“thetextaddressedtotheearasmuchastotheeye.”Thesignificanceofreadingaloudcontinuedwellintothenineteenthcentury.UsingCharlesDickens’snineteenthcenturyasapointofdeparture,itwouldbeusefultolookatthefamilialandsocialusesofreadingaloudandreflectonthefunctionalchangeofthepractice.Dickenshabituallyreadhisworktoadomesticaudienceorfriends.InhislateryearshealsoreadtoabroaderpubliccrowdChaptersofreadingaloudalsoaboundinDickens’sownliteraryworks.Moreimportantly,hetookintoconsiderationtheVictorianpracticewhencomposinghisprose,somuchsothathiswritingismeanttobeheard,notonlyreadonthepage.PerformingaliterarytextorallyinaVictorianfamilyiswelldocumented.Apartfrompromotingapleasantfamilyrelationship,readingaloudwasalsoameansofprotectingyoungpeoplefromthedangerofsolitary(孤独的)reading.Readingaloudwasatoolforparentalguidance.Bymeansofreadingaloud,parentscouldalsointroduceliteraturetotheirchildren,andassuchthepracticecombinedleisureandmoreseriouspurposessuchasreligiouscultivationintheyouths.Withinthefamily,itwascommonplaceforthefathertoreadaloudDickensreadtohischildren:oneofhissurvivingandoften-reprintedphotographsfeatureshimposingonachair,readingtohistwodaughters.Readingaloudinthenineteenthcenturywasasmuchaclassphenomenonasafamilyaffair,whichpointstoawidespreadbeliefthatVictorianreadershipprimarilymeantamiddle-classreadership,ThosewhofelloutsidethisgrouptendedtobeoverlookedbyVictorianpublishers。Despitethis,Dickens,withhispublishersChapmanandHall,managedtodistributeliteraryreadingmaterialstopeoplefromdifferentsocialclassesbyreducingthepriceofnovels.Thiswasalsomadepossiblewiththetechnologicalandmechanicaladvancesinprintingandthespreadofrailwaynetworksatthetime.Sincetheliteracylevelofthissectionofthepopulationwasstilllowbeforeschoolattendancewasmadecompulsoryin1870bytheEducationAct,aconsiderablenumberofpeoplefromlowerclasseswouldlistentorecitalsoftexts.Dickens’sreaders,whowerefromsuchsocialbackgrounds,mighthaveheardDickensinthismanner.SeveralbiographersofDickensalsodrawattentiontothefactthatitwastypicalforhistextstobereadaloudinVictorianEngland,andthusilliteracywasnotanobstacleforreadingDickens.Readingwasnolongerachieflyclosetedformofentertainmentpracticedbythemiddleclassathome.Aworking-classhomewasinmanywaysnotconvenientforreading:thereweretoomanydistractions,thelightingwasbad,andthehomewasalsooftenhalfaworkhouse.Asaresult,theVictoriansfromthenon-middleclassestendedtofindrelaxationoutsidethehomesuchasinparksandsquares,whichwereidealplacesforthepublictogowhileawaytheirlimitedleisuretime.Readingaloud,inparticularpublicreading,tosomeextentblurredthedistinctionsbetweenclasses.TheVictorianmiddleclassdefineditsidentitythroughdifferenceswithotherclasses.Dickens’spopularityamongreadersfromthenon-middleclassescontributedtothecreationofanewclassofreaderswhoreadthroughlistening.DifferentreadersofDickenswerenotreadingsolitarilyand“jealously,”touseWalterBenjamin’sterm.Instead,theyoftenenjoyedamorecommunalexperience,anexperiencethatisgenerallylackingintoday’sworld.Modemaudiobookscanbeconsideredacontemporaryversionofthepractice.However,whilethetwentieth-andtwentieth-first-centurytrendforindividualstolistentoaudiobookskeepssomeeharacteristicsoftraditionalreadingaloud-suchas“listenersattentivetoareadingvoice”andtheearbeingthefocus—itisafarmoresolitaryactivity.1、WhatdoestheauthorwanttoconveyinParagraph1?A.Thesignificanceofreadingaloud.B.Thehistoryofreadingaloud.C.Thedevelopmentofreadingpractice.D.Therolesofreadersinreadingpractice.2、HowdidthepracticeofreadingaloudinfluenceDickens’sworks?A.Hestartedtowriteforabroaderpubliccrowd.B.Heincludedmorereadablecontentsinhisnovels.C.Scenesofreadingaloudbecamecommoninhisworks.D.Hisworkswereintendedtobebothheardandread.3、HowmanybenefitsdidreadingaloudbringtoaVictorianfamily?A.2.B.3.C.4.D.5.4、WherecouldaLondonsteelworkerpossiblyhavegonetoforreading?A.TrafalgarSquare.B.His/herownhouse.C.NearbybookstoresD.Workingplace.5、WhatchangedidreadingaloudbringtoVictoriansociety?A.Differentclassesstartedtoappreciateandreadliteraryworkstogether.B.Peoplefromlowersocialclassesbecameacceptedasmiddle-class.C.Anon-classsocietyinwhicheveryonecouldreadstartedtoform,D.Thedifferencesbetweenclassesgrewlesssignificantthanbefore.6、Whatislikelytobediscussedafterthelastparagraph?A.Newreadingtrendsforindividuals.B.Theharmofmodemaudiobooks.C.Thematerialformodemreading.D.Readingaloudincontemporarysocieties.Text4ChildrenandYouthSidewalkSaleYoungpeopleareburstingwithartisticenergy.TheChildrenandYouthSidewalkSale(CYSS)oftheCentralPennsylvaniaFestivaloftheArtsisafunwayforboysandgirlstoexpressthemselvesvisually.Itfocusesonencouragingthecreativegrowthofyoungpeople,believingtheycandeveloptheirartisticpotentialthroughpersonalexpressioninindividualoriginalobjects.CYSSisahighlightofChildrenandYouthDay,Wednesday,July12,2018.Thisdayfeaturesperformancesforandbyyoungpeople,artandcraftworkshopsanddemonstrations.Allartistsmusthebetweentheagesof8and18andliveorhaverelativeslivinginanyofthecentrallylocatedPennsylvaniacountiestoparticipate.Allartworksmustbeoriginalandage-appropriatefortheevent’saudience,mostofwhomareunder18.Thesalesofworkmadefromsmallanimalsandthesalesoffoodareprohibited.Acompletelistingoftherulescanbefoundintheapplication.Pleasereviewtherulescarefullyastheymayhavechangedsinceyoulastparticipatedintheevent.Artistsmustpersonallybepresentduringtheentireclay.Representatives,includingfamilymembers,maynotattendinplaceoftheartist.HowtoEnter1.Completebothsidesoftheentryform.Aparentsignatureisrequired.2.Onaseparatesheet,provideabriefdescriptionoftheartworkandthematerialsused.Donotsendsamples;theycannotbereturned.3.Encloseatleastonephotographofyourwork.4.MailapplicationandphotoofyourworktoP.O.Box1023,CentralPennsylvaniaFestivaloftheArts.1、What’stheaimofCYSS?A.Toteachyoungpeopletodeveloptheirinterestinarts.B.Tohelpyoungpeoplegetsomeextramoneyfortheirwork.C.Togetyoungpeopletodeveloptheirartisticpotential.D.Toimprovetheperformingskillsofyoungpeople.2、What’sthefeatureofChildrenandYouthDay?A.Alltheartworksareoriginalandproperforyoungpeople.B.Mostoftheartworksarefocusedonanimalprotection.C.TheparticipantsmustberesidentsofcentralPennsylvania.D.Thesalesofartworksaboutanimalsarenotallowed.3、Whichofthefollowingisrequiredforapplication?A.Asampleoftheapplicant’sartwork.B.Areturnenvelopewithstampsonit.C.Detaileddescriptionoftheartwork.D.Thesignatureoftheapplicant’sparent.PartBDirections:ReadthefollowingtextandanswerthequestionsbychoosingthemostsuitablesubheadingfromthelistA-Gforeachnumberedparagraph(41-45).Therearetwoextrasubheadingswhichyoudonotneedtouse.MarkyouranswersontheANSWERSHEET.(10points)Worriedaboutthe1.(prepare)forherfeast,Lalaquicklyturnedforhomewithhercollectionofnuts,melons,andotherfruitShehadalmostreachedherdestination2.adelicioussmellarrestedherprogressandshestoppedThesmellofcookingmeatfilledtheairsurroundingher,andhersensesbecamedizzywithhungerAbruptlyshesatdown,only3.(scoop)upbyhersisterLunaLalasmiledwithreliefJustthenDahu,herhusband,cameupbehindherHehadalargesquareface,with4.(strong)pronouncedeyebrowsandcheekbonesOverhisshoulderhecarriedseveralfishandsomepiecesofwoodunderhisarmLalasmiledandhandedsomestonescrapersovertoDahu,5.smiledandwentoutsidethecavetobeginhistaskFirsthelookedcarefullyatthescrapersandthenwentto6.cornerofthecaveandpulledoutsomemoretoolsHe7.(choose)onelargestoneandbegantouseitlikeahammerstrikingtheedgeofthescraperthatneeded8.(sharpen)NowandthenDahuwouldstop,lookatitandtryit9.hishandbeforecontinuinghistaskHestoppedwhenhefeltthescrapersweresharpenoughtocutupthemeatandscrapethefishAshepassed10.toLala,thefirstoftheguestsfromtheneighbouringcavesbegantoarrivefordinnerWuZetian,theonlywomanemperortoruleancientChina,isconsidered1.oneofthemostpowerfulwomeninChinesehistoryShewasbornintoa(n)2.(wealth)familywithgreatbeautyandintelligenceThisbeautifulgirl,unlikeothersinancientChina,3.(be)infavourofreadingandoftentravelledaroundthecountrywithherfatherwhenshewasyoung,4.increasedherknowledgeanddevelopedhertalentsWhenshewasaboutfourteen,she5.(send)tothepalaceandmarriedtotheEmperorAftermanydifficultiesandhardships,she6.(successful)madeherselfqueenAfewyearsafterEmperorGaozongdied,WuZetianchangedthenameofthedynastyTangtoZhou,andbecameEmpress7.seemedlikeahardtaskforwomentoberulersinancienttimes,butWuZetiansucceededWhensheruledthecountry,shesupportedeconomicandcultural8.(develop)andimprovedpeople’slivingqualityShealsoencouragedgirlstogotoschool9.(study)Beforethen,girlswerenotallowedtogotoschoolWuZetiandiedattheageof82,10.(leave)agravestonewithoutanywordsonitAlthoughtheZhoudynastyonlylastedforonegeneration,itmarkedanimportantperiodinChinesehistorySectionIIITranslationDirections:TranslatethefollowingtextintoChinese.WriteyourtranslationontheANSWERSHEET.(15points)Faces,likefingerprints,areunique.Didyoueverwonderhowitispossibleforustorecognizepeople?1、.Yetaveryyoungchild–orevenananimal,suchasapigeon,canlearntorecognizefaces.Wealltakethisforgranted.2、.Whenwetalkaboutsomeone’spersonality,wemeanthewaysinwhichheorsheacts,speaks,thinksandfeelsthatmakethatindividualdifferentfromothers.Likethehumanface,humanpersonalityisverycomplex.Butdescribingsomeone’spersonalityinwordsissomewhateasierthandescribinghisface.3、.Butifyouwereaskedtodescribea“niceperson”,youmightbegintothinkaboutsomeonewhowaskind,considerate,friendly,warm,andsoforth.Therearemanywordstodescribehowapersonthinks,feelsandacts.GordonAirport,anAmericanpsychologist,foundnearly18,000Englishwordscharacterizingdifferencesinpeople’sbehavior.4、.Bookworms,conservatives,militarytypes–peoplearedescribedwithsuchterms.Peoplehavealwaystriedto“type”eachother.ActorsinearlyGreekdramaworemaskstoshowtheaudiencewhethertheyplayedthevillain’sorthehero’srole.Infact,thewords“person”and“personality”comefromtheLatinpersona,meaning“mask”.Today,mosttelevisionandmovieactorsdonotwearmasks.5、.A.Ifyouwereaskedtodescribewhata“niceface”looklike,youprobablywouldhaveadifficulttimedoingso.B.Butwecaneasilytellthe“goodguys”fromthe“badguys”becausethetwotypesdifferinappearanceaswellasinactions.C.Wealsotellpeopleapartbyhowtheybehave.D.Peoplehavedifficultyindescribingthefeaturesoffingerprints.E.Andmanyofususethisinformationasabasisfordescribing,ortypingone`spersonality.F.Expertssaythatactorsdifferintheirbehavioral
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