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2026年GRE语文考试真题(完整版)
Section1:SentenceEquivalence(SingleBlank)
1.Althoughthepolitician’spublicpersonawasoneofunwaveringconfidence,privatemomentsrevealeda_______nature,oftenplaguedbyindecisionandanxiety.
A.bombastic
B.pusillanimous
C.mercurial
D.steadfast
E.timorous
F.vacillating
2.Thecritic’sreviewofthenewsymphonywassurprisingly_______;ratherthandissectingthetechnicalmeritsofthecomposition,shefocusedentirelyontheemotionalresonanceitevokedwithinthecontextofcontemporarysocialupheaval.
A.analytical
B.esoteric
C.tangential
D.autodidactic
E.evanescent
F.incidental
3.Medievalalchemistswereoftenmotivatedbyagenuinedesiretounderstandthenaturalworld,yettheirmethods,relyingheavilyonmysticalsymbolismratherthanempiricalobservation,remain_______tomodernscientists.
A.anathema
B.elucidatory
C.analogous
D.antithetical
E.germane
F.obscure
4.Thenewpolicyintroducedbytheadministrationwasintendedtostreamlinebureaucraticprocedures,butinpractice,itservedonlyto_______thealreadyconvolutedprocesswithadditionallayersofoversight.
A.simplify
B.exacerbate
C.mollify
D.attenuate
E.complicate
F.alleviate
5.Whiletheauthor’searlyworkswerecelebratedfortheirraw,unfilteredemotionalism,hislaternovelsadoptedamore_______tone,favoringintellectualdetachmentovervisceralexpression.
A.cerebral
B.impassioned
C.polemical
D.dispassionate
E.didactic
F.aesthetic
Section2:TextCompletion(TwoBlanks)
6.Thediscoveryoftheancientmanuscriptwasinitiallymetwithskepticismbytheacademiccommunity,whoregardeditspurportedprovenanceas(i)_______;however,subsequentcarbondatingconfirmeditsauthenticity,effectively(ii)_______thedetractorsandvalidatingtheinitialclaimsofthearchaeologicalteam.
Blank(i)
A.dubious
B.exemplary
C.arcane
Blank(ii)
D.vindicating
E.silencing
F.encouraging
7.TheCEO’smanagementstyleisoftendescribedas(i)_______,assheoscillatesbetweenmicromanagingminordetailsandcompletelyignoringstrategicplanning,leavingemployeesconfusedand(ii)_______.
Blank(i)
A.consistent
B.capricious
C.despotic
Blank(ii)
D.empowered
E.demoralized
F.inspired
8.Inanefforttopreservetheendangeredlanguage,theresearchersdevelopedamobileapplicationthatutilizes(i)_______algorithmstoanalyzespeechpatterns,atechnologicalapproachthatrepresentsasignificantdeparturefromthe(ii)_______methodsoftraditionalethnography.
Blank(i)
A.rudimentary
B.sophisticated
C.antiquated
Blank(ii)
D.innovative
E.conventional
F.empirical
9.Thenovel’snarrativestructureisdeliberately(i)_______,mirroringtheprotagonist’sfragmentedpsyche;thistechnique,whilechallengingforsomereaders,ultimatelyservesto(ii)_______thethematicexplorationofmemoryandidentity.
Blank(i)
A.linear
B.coherent
C.disjointed
Blank(ii)
D.obscure
E.illuminate
F.trivialize
10.Thesenator’sattemptto(i)_______thescandalwithapublicapologyfailedmiserably,asnewevidenceemergedthatcontradictedhisearlierstatements,provinghiscontritiontobe(ii)_______ratherthansincere.
Blank(i)
A.exacerbate
B.mitigate
C.ignore
Blank(ii)
D.spontaneous
E.calculated
F.genuine
Section3:TextCompletion(ThreeBlanks)
11.Thetransitionfromfeudalismtocapitalismwasnotasingulareventbuta(i)_______processcharacterizedbyfrequentperiodsofstagnationandregression.Whileeconomichistoriansemphasizetheroleofmarketforces,sociologistsarguethatculturalshiftswereequally(ii)_______,notingthatthechangingperceptionofusuryfromasintoanecessaryeconomicfunctionwas(iii)_______inthedevelopmentofthemodernfinancialsystem.
Blank(i)
A.precipitous
B.halting
C.seamless
Blank(ii)
D.negligible
E.pivotal
F.detrimental
Blank(iii)
G.animpediment
H.anirrelevance
I.instrumental
12.Theplaywright’sdialogueisrenownedforits(i)_______,capturingthespecificvernacularoftheregionwithsuchprecisionthatoutsidersoftenfinditnearlyimpenetrable.Thislinguisticdensity,however,isnotmerelyastylisticflourish;itservesto(ii)_______theaudienceintheimmediaterealityofthecharacters,refusingtoallowtheviewerthecomfortof(iii)_______.
Blank(i)
A.clarity
B.opacity
C.inscrutability
Blank(ii)
D.alienate
E.immerse
F.bewilder
Blank(iii)
G.detachment
H.familiarity
I.comprehension
13.Recentstudiesinquantumbiologysuggestthattheprinciplesofquantummechanics,specificallyquantumcoherence,mayplayarolein(i)_______processessuchasphotosynthesis.Ifthesefindingsholdtrue,theywould(ii)_______thelong-heldassumptionthatquantumeffectsaretoofragiletoexistinthewarm,noisyenvironmentsofbiologicalsystems,potentiallyopeningnewavenuesfor(iii)_______energytechnologies.
Blank(i)
A.mechanical
B.biological
C.metabolic
Blank(ii)
D.bolster
E.refute
F.clarify
Blank(iii)
G.archaic
H.renewable
I.stagnant
Section4:ReadingComprehension
Passage1
TheprevailingnarrativeregardingtheextinctionoftheNeanderthalspositsthattheywereoutcompetedbyanatomicallymodernhumans(AMH),whopossessedsuperiorcognitiveabilitiesandmoreadvancedtooltechnologies.This"ReplacementModel"suggeststhatAMH,migratingintoEuropefromAfrica,rapidlysupplantedtheindigenousNeanderthalpopulationsthroughacombinationofdirectconflictandindirectresourcecompetition.However,recentpaleogeneticevidencecomplicatesthisunidirectionalviewofhistory.AnalysisofNeanderthalgenomeshasrevealedthatinterbreedingbetweenNeanderthalsandAMHdidoccur,leavingalegacyofNeanderthalDNAinthegenomesofnon-Africanmodernhumanpopulations.Furthermore,archaeologicalevidencefromsitesinsouthernSpainandGibraltarsuggeststhatNeanderthalssurvivedseveralmillennialongerthanpreviouslythought,contemporaneouslyexistingwithAMHinisolatedrefugia.Thesefindingschallengethenotionofarapid,decisivereplacementandinsteadpointtowardamorecomplexscenarioinvolvingprolongedinteraction,culturalexchange,andperhapsevenadegreeofassimilation.ThesurvivalofNeanderthalsintheserefugiaimpliesthattheirextinctionwasnotsolelyduetobiologicalinferioritybutmayhavebeendrivenbyclimaticfluctuationsanddemographicfragmentation.
Question14
Theprimarypurposeofthepassageisto
A.ArguethatNeanderthalswerecognitivelysuperiortoanatomicallymodernhumans.
B.PresentevidencethatchallengesthetraditionalReplacementModelofNeanderthalextinction.
C.DescribethespecifictooltechnologiesusedbyNeanderthalsintheIberianPeninsula.
D.ProvethatclimaticfluctuationswerethesolecauseofNeanderthalextinction.
E.Demonstratethatgeneticanalysisistheonlyreliablemethodforstudyingprehistory.
Question15
Accordingtothepassage,whichofthefollowingpiecesofevidenceunderminesthe"ReplacementModel"?
A.ThediscoveryofadvancedtoolsinAfricansitesdatingback100,000years.
B.ThepresenceofNeanderthalDNAinmodernnon-Africanhumangenomes.
C.ThefactthatNeanderthalsmigratedintoEuropebeforeanatomicallymodernhumans.
D.Thelackofanyskeletalremainsindicatingconflictbetweenthetwogroups.
E.TherapidexpansionofanatomicallymodernhumansintoAsia.
Question16
Theauthormentions"refugia"(line12)mostlikelyinorderto
A.SuggestareaswhereNeanderthalswereabletoavoidcompetitionwithmodernhumans.
B.Indicatethelocationswheretheearliestinterbreedinglikelyoccurred.
C.Highlighttheregionsmostseverelyaffectedbyclimaticfluctuations.
D.IdentifythesiteswherethemostadvancedNeanderthaltoolswerefound.
E.ArguethatNeanderthalsweregeographicallyisolatedfromtherestofEurope.
Passage2
Theconceptof"biologicalindividuality"issurprisinglyfluid.Whileweintuitivelycategorizeasingleorganismasanindividual—likeahumanbeingoramapletree—natureoftenblurstheseboundaries.ConsiderthePortuguesemano'war.Itappearstobeasinglejellyfish-likeentity,yetitisactuallyacolonialorganismcomposedofnumerousspecializedpolypsandmedusoidsthatarephysiologicallyintegratedandfunctionallyinterdependent.Thesezooidscannotsurvivealone;thefeedingpolypcapturesprey,thereproductivepolypensurespropagation,andthefloatingpolypprovidesbuoyancy.Aretheyoneindividualormany?Similarly,intheplantkingdom,quakingaspensoftenformvastclonalcoloniesthroughasinglerootsystem.Agroveofthousandsoftrunksmaybegeneticallyidentical,sharingresourcesandrespondingtostimuliasaunifiedentity.Fromanevolutionaryperspective,theunitofselectionisnotnecessarilythephysiologicalindividualbutthegeneticlineage.Thisperspectiveforcesare-evaluationofwhatconstitutesan"organism."Iftheboundaryoftheindividualisdefinedbygeneticuniquenessandfunctionalindependence,thentheaspengroveisasingleindividual,despiteitsphysicalfragmentation.Conversely,ifindividualityisdefinedbyphysiologicalautonomy,thenthemano'warisacollective.Thisambiguityhighlightsthatbiologicalindividualityisnotabinarystatebutaspectrum,influencedbytheinterplayofgenetics,physiology,andevolutionarystrategy.
Question17
TheauthordiscussesthePortuguesemano'warinorderto
A.Provideanexampleofanorganismthathasclearlydefinedbiologicalboundaries.
B.Illustratethedifficultyofapplyingtheconceptofindividualitytocertainlifeforms.
C.Contrastmarinelifewithterrestrialliferegardingthedefinitionofanorganism.
D.Arguethatcolonialorganismsaremoreevolutionarilyadvancedthansolitaryones.
E.Demonstratehowphysiologicalintegrationensuressurvivalinharshenvironments.
Question18
Whichofthefollowingcanbeinferredaboutthequakingaspengrovefromthepassage?
A.Itiscomposedofgeneticallydistincttreesthatcooperateforsurvival.
B.Itchallengesthedefinitionofindividualitybasedonphysiologicalautonomy.
C.Itisconsideredasingleindividualunderalldefinitionsofbiologicalindividuality.
D.Itreproducessexuallyratherthanthroughcloning.
E.Itdemonstratesthatphysicalfragmentationpreventsfunctionalunity.
Question19
Thepassagesuggeststhatthe"unitofselection"inevolutionisbestdescribed
A.Asthephysiologicalorganismthatinteractswiththeenvironment.
B.Asthephysicallydistinctentitycapableofindependentsurvival.
C.Intermsofgeneticcontinuityratherthanphysicalstructure.
D.Asthecolonialorganismthatfunctionsmostefficiently.
E.Throughthebinarystateofbeingeitheranindividualoracollective.
Question20
Selectthesentenceinthepassagethatexplicitlystatestheauthor'sconclusionregardingthenatureofbiologicalindividuality.
A."Theconceptof'biologicalindividuality'issurprisinglyfluid."
B."Thesezooidscannotsurvivealone..."
C."Fromanevolutionaryperspective,theunitofselectionisnotnecessarilythephysiologicalindividualbutthegeneticlineage."
D."Thisperspectiveforcesare-evaluationofwhatconstitutesan'organism.'"
E."Thisambiguityhighlightsthatbiologicalindividualityisnotabinarystatebutaspectrum,influencedbytheinterplayofgenetics,physiology,andevolutionarystrategy."
Passage3(LongPassage)
Therelationshipbetweenartandpropagandahashistoricallybeencontentious,particularlyinthecontextof20th-centurytotalitarianregimes.Theprevailingaesthetictheoryindemocraticsocietiesoftenholdsthatartshouldbeautonomous,servingonlythepursuitofbeautyortruth,freefromthetaintofpoliticalinstrumentalization.Incontrast,totalitarianregimes,mostnotablyNaziGermanyandStalinistRussia,explicitlydemandedthatartservethestate,promotingspecificideologiesandglorifyingthenation.Thisdichotomy,however,oftenobscuresthesubtlewaysinwhichartindemocraticsocietiesalsofunctionspropagandistically,albeitthroughdifferentmechanisms.
InNaziGermany,theconceptof"Gleichschaltung"(coordination)forcedallculturalinstitutionstoalignwiththeParty'sideology.Artwasnotmerelyencouragedbutmandatedtobeheroic,monumental,andraciallypure.Theresultwasabodyofwork—epicfilms,imposingarchitecture,andidealizedpaintings—thatwasaestheticallysophisticatedyetmorallybankrupt.Thepropagandavaluelaynotjustintheexplicitmessagebutintheaestheticizationofpoliticsitself.Bymakingtheregime'sideologyvisuallyandemotionallyresonant,artbypassedcriticalfacultiesandappealeddirectlytotheemotions.Thiswasthe"fascination"offascism;itofferedatotalizingaestheticexperiencethatpromisedtranscendencethroughcollectivebelonging.
StalinistSocialistRealismfollowedasimilartrajectory,thoughwithdistinctstylisticrequirements.WhereNaziartoftenlookedbacktoamythicclassicalpast,SocialistRealismwasostensiblyforward-looking,depictingthetriumphantmarchoftheproletariattowardautopianfuture.Artistswererequiredtoadheretothemethodof"partinost"(party-mindedness),ensuringthateveryworkreflectedthePartyline.Thestrictcontrolextendedtothesuppressionofavant-gardemovementslikeSuprematismandConstructivism,whichweredeemed"bourgeois"and"formalist"becausetheyprioritizedabstractformoversocialcontent.Theconsequencewasahomogenizationofartisticexpression,wheredeviationfromtheprescribedstylewasnotjustanartisticfailurebutapoliticalcrime.
However,toviewpropagandaastheexclusiveprovinceoftotalitarianstatesistoignorethepervasivesoftpowerofculturalproductioninliberaldemocracies.Whilethestatedoesnottypicallydictateartisticcontentinademocracy,marketforcesandprevailingsocialnormsexertasimilarhomogenizingpressure.TheHollywoodstudiosystem,forinstance,duringtheGoldenAge,functionedasadefactopropagandamachine,promotingAmericanvaluesofindividualism,capitalism,andthenuclearfamily.TheHaysCode,whilenotagovernmentmandate,wasaself-imposedindustryregulationthatcensoredcontenttomaintainaspecificimageofAmericanmorality.Thisformofpropagandaismoreinsidiousbecauseitoperatesundertheguiseofentertainmentandfreechoice,maskingtheideologicalstructuresthatunderpinthenarratives.
Furthermore,thedistinctionbetween"artforart'ssake"and"politicalart"isitselfaconstruction.Allartexistswithinasocialcontextandmakesassumptions,consciouslyorunconsciously,aboutthenatureofreality.Alandscapepaintingthatignorestheindustrialblightsurroundingitmakesapoliticalstatementaboutwhatisworthdepictingandwhatshouldbehidden.Byframingtheworldinspecificways,artprivilegescertainperspectivesandmarginalizesothers.Therefore,thequestionisnotwhetherartispropaganda,buttowhatextentitalignswithdominantpowerstructuresandwhetheritoffersaspaceforresistanceorcritique.
Inthecontemporaryera,thelineshaveblurredfurtherwiththeadventofdigitalmediaandcorporatesponsorship.Publicartinstallationsareoftenfundedbycorporationsseekingto"greenwash"theirimage,associatingtheirbrandwithculturalprestige.Theboundariesbetweenadvertising,entertainment,andarthavebecomeincreasinglyporous.Thissuggeststhatthetotalitarianmodelofexplicit,state-directedpropagandaismerelyanextrememanifestationofabroaderdynamic:theuseofculturetolegitimizepower.Whetherthepowercomesfromadictatororacorporateboardroom,thefunctionoftheartremains—tonaturalizetheexistingorderandmakethecontingentappearnecessary.
Question21
Theprimarypurposeofthepassageisto
A.CompareandcontrasttheartisticmeritsofNaziGermanyandStalinistRussia.
B.Arguethatartisinherentlypoliticalandfunctionsasatoolofpowerinallsocieties.
C.Defendtheconceptof"artforart'ssake"againstpoliticalinstrumentalization.
D.Criticizethesuppressionoftheavant-gardeintotalitarianregimes.
E.AnalyzethespecifictechniquesusedinSocialistRealismtopromotetheproletariat.
Question22
Theauthormentions"Gleichschaltung"and"partinost"primarilyto
A.HighlightthestylisticdifferencesbetweenNaziandStalinistart.
B.Demonstratetheorganizationalmechanismsusedbytotalitarianstatestocontrolart.
C.Showthatbothregimesvaluedmythicclassicaltraditionsequally.
D.Arguethatartisticfreedomwasimpossibleinthe20thcentury.
E.Provideexamplesofavant-gardemovementsthatweresuppressed.
Question23
Accordingtothepassage,whichofthefollowingistrueregardingtheHollywoodstudiosystemduringtheGoldenAge?
A.ItwasdirectlycontrolledbytheUnitedStatesgovernmenttoproducewarpropaganda.
B.Itoperatedwithcompleteartisticfreedom,unlikethesystemsinEurope.
C.ItfunctionedasapropagandisticforcebypromotingspecificAmericanvaluesthroughmarketmechanisms.
D.Itrejectedtheuseofpropagandainfavorofpurelyaestheticconsiderations.
E.ItwasprimarilyinfluencedbyStalinistSocialistRealism.
Question24
Theauthorsuggeststhatalandscapepaintingwhichignoresindustrialblightispoliticalbecauseit
A.Explicitlysupportstheindustrialcomplex.
B.FailstoadheretotheprinciplesofSocialistRealism.
C.Makesastatementaboutwhatisworthyofrepresentation.
D.Iscreatedbyartistswhoarefundedbycorporateinterests.
E.Attemptstoappealtotheviewer'semotionsratherthantheircriticalfaculties.
Question25
Inthefinalparagraph,theauthorimpliesthat"greenwashing"bycorporationsis
A.Amorehonestformofartthanstate-sponsoredpropaganda.
B.Anexampleofhowartcontinuestoservetheinterestsofpowerstructures.
C.Anecessaryevilforthefundingofpublicartinacapitalistsociety.
D.Adistinctphenomenonthatisunrelatedtotheconceptofpropaganda.
E.Asuccessfulattempttoresistthedominantideologiesofthestate.
Question26
Whichofthefollowingbestdescribesthefunctionofthethirdparagraphinthepassageasawhole?
A.Itprovidesadetailedcounter-argumenttotheclaimsmadeinthesecondparagraph.
B.Itoffersaspecificexampleofthegeneralprincipleintroducedinthefirstparagraph.
C.Itrefutestheideathatpropagandaisuniquetototalitarianstatesbyexaminingdemocraticcontexts.
D.ItsummarizesthehistoricaldifferencesbetweenEuropeanandAmericanart.
E.Ittransitionsfromadiscussionofvisualarttoadiscussionofcinema.
Question27
Thepassagesuggeststhatthe"fascinationoffascism"(line20)referstothe
A.IntellectualrigorofNaziaesthetictheory.
B.Abilityoffascistarttoemotionallyengagetheviewerandbypasscriticalthought.
C.Historicalinterestmodernscholarshaveinstudyingtotalitarianart.
D.TechnicalsuperiorityofNazifilmandarchitecture.
E.GlobalinfluenceofNaziartonothertotalitarianregimes.
Section5:QuantitativeReasoning(Content-basedLogic/MathApplicationinVerbalContext)
Note:WhilethisisaVerbalsection,theGREsometimestestslogic.However,forthisspecificVerbaltestrequest,wewillsticktostandardVerbalquestiontypesbutperhapsincludeapassagewithquantitativedata.Note:WhilethisisaVerbalsection,theGREsometimestestslogic.However,forthisspecificVerbaltestrequest,wewillsticktostandardVerbalquestiontypesbutperhapsincludeapassagewithquantitativedata.
Passage4(QuantitativeContext)
Inastudyofavianmigrationpatterns,researcherstrackedtwopopulationsofgeese,PopulationAandPopulationB.PopulationAconsistsof1,200geese,andPopulationBconsistsof800geese.Thestudyobservedthat30%ofthegeeseinPopulationAmigratedtoRegionX,while45%ofthegeeseinPopulationBmigratedtoRegionX.Concurrently,20%ofPopulationAmigratedtoRegionY,and10%ofPopulationBmigratedtoRegionY.Theremaininggeeseinbothpopulationsdidnotmigratebutremainedintheirbreedinggrounds.
Question28
IfagooseisselectedatrandomfromthetotalcombinedpopulationofAandB,whatistheprobabilitythatitmigratedtoRegionX?
A.0.36
B.0.375
C.0.40
D.0.42
E.0.45
Question29
Whichofthefollowingstatementsmustbetruebasedonthedataprovided?
A.MoregeesefromPopulationAmigratedtoRegionYthanfromPopulationB.
B.ThetotalnumberofgeesemigratingtoRegionXisgreaterthanthetotalnumbermigratingtoRegionY.
C.Thepercentageofthetotalcombinedpopulationthatremainedinbreedinggroundsislessthan50%.
D.PopulationAhasahigherrateofmigration(toanyregion)thanPopulationB.
E.ThenumberofgeesefromPopulationAthatwenttoRegionXisdoublethenumberfromPopulationBthatwenttoRegionY.
Section6:SentenceEquivalence(6Select2)
29.Thephilosopher’sargumentswereso_______thattheymanagedtoconvinceevenhisstaunchestcritics,whowereforcedtogrudginglyacceptthelogicofhisconclusions.
A.specious
B.cogent
C.lucid
D.fallacious
E.equivocal
F.perspicuous
30.Despitetheinitialexcitementsurroundingthenewdiscovery,theresultsprovedtobe_______whensubsequentexperimentsfailedtoreplicatetheoriginalfindings.
A.anomalous
B.verifiable
C.replicable
D.irreproducible
E.consistent
F.elusive
31.TheCEO’s_______demeanorduringthecrisisreassuredtheemployees;hercalmpresencepreventedpanicfromspreadingthroughtheoffice.
A.fractious
B.agitated
C.placid
D.mercurial
E.serene
F.tumultuous
32.Whiletheartist’searlyworkwasvibrantandfulloflife,hislatercompositionswereoftencriticizedforbeingoverly_______andlackinginemotionaldepth.
A.somber
B.dynamic
C.kinetic
D.lethargic
E.vivacious
F.insipid
33.Historiansoftenregardthetreatyasa_______measure;ittemporarilyhaltedtheconflictbutfailedtoaddresstheunderlyinggrievancesthatwouldeventuallyleadtorenewedwarfare.
A.permanent
B.salutary
C.deleterious
D.provisional
E.conciliatory
F.expedient
****
AnswerKeyandExplanations
1.E,F
Analysis:Thesentencecontraststhepublicpersonaof"unwaveringconfidence"withtheprivatenature.Theclueis"plaguedbyindecisionandanxiety."
E.Timorousmeansshowingfearorlackofconfidence.
F.Vacillatingmeanswaveringbetweendifferentoptions,i.e.,indecisive.
Whynotothers?Bombastic(high-soundingbutempty)doesn'tfittheprivateanxiety.Mercurial(changeable)isclosebutlessspecifictofearthantimorous.Steadfastistheopposite.
2.C,F
Analysis:Thesentenceuses"ratherthan,"indicatingacontrast.Thecriticdidnotfocusontechnicalmerits(analysis),butonemotionalresonanceinasocialcontext.
C.Tangentialmeansdivergingfromamaintopicorperipheral.Ifsheignoredthetechnicalmeritsofthesymphonyitselftotalkaboutsocialcontext,thereviewwastangentialtothesubjectofthemusic'stechnicality.
F.Incidentalmeansoccurringasaminorresultorsubordinate.Here,thereviewtreatedthemusicasincidentaltothesocialcontext.
Whynotothers?Analyticalisthecontrast.Esoteric(specialized)doesn'tfitthesocialcontextfocus.
3.A,D
Analysis:Thesentencecontrasts"genuinedesiretounderstand"with"mysticalsymbolismratherthanempiricalobservation."Thekeyistheconflictbetweenalchemyandmodernscience.
A.Anathemameanssomethingorsomeonethatonevehementlydislikes.
D.Antitheticalmeansdirectlyopposed.
Whynotothers?Elucidatory(explanatory)andanalogous(similar)aretheopposite.Obscureistooweak;modernscientistsdon'tjustfinditunclear,theyfinditfundamentallyopposedtotheirmethods.
4.B,E
Analysis:Theclause"butinpractice"signalsacontrast.Theintentwasto"streamline"(simplify),buttheresultwastheopposite.
B.Exacerbatemeanstomakeaproblemorbadsituationworse.
E.Complicatemeanstomakedifficult.
Whynotothers?Simplify,mollify(soothe),andalleviate(ease)areallsynonymsfortheintendedoutcome,nottheactualresult.
5.A,D
Analysis:Thesentencecontrasts"raw,unfilteredemotionalism"with"intellectualdetachment."
A.Cerebralmeansintellectualasopposedtoemotionalorphysical.
D.Dispassionatemeansnotinfluencedbystrongfeelings;objective.
Whynotothers?Impassionedandpolemical(aggressiveargument)areemotional.Didactic(teaching)andaesthetic(beauty)don'tfitthecontrasttoemotionalismaswellascerebraldoes.
6.A,D
Analysis:Theinitialreactionwas"skepticism,"sotheprovenancewasviewednegatively(Blanki).Theevidence"confirmeditsauthenticity,"whichsupportstheoriginalteamandopposestheskeptics(Blankii).
Blank(i)A.Dubiousmeansdoubtfulorsuspicious.
Blank(ii)D.Vindicatingmeanstoclearofblameordoubt;toproveright.
Whynotothers?Exemplaryispositive.Arcaneisobscure.Silencingistoostrong;theevidenceprovedthemwrong(vindicatedtheteam)ratherthanjustshuttingthemup.Encouragingistooweak.
7.B,E
Analysis:TheCEO"oscillatesbetweenmicromanaging...andcompletelyignoring,"whichisinconsistentbehavior(Blanki).Thisleavesemployeesconfusedandlikelyfeelingbad(Blankii).
Blank(i)B.Capriciousmeansgiventosuddenchangesofmoodorbehavior.
Blank(ii)E.Demoralizedmeanshavinglostconfidenceorenthusiasm.
Whynotothers?Consistentanddespoticdon'tfittheoscillation.Empoweredandinspiredarepositiveopposites.
8.B,E
Analysis:Theappusesalgorithmstoanalyzespeech(Blanki).Thisisadeparturefrom"traditional"methods(Blankii).
Blank(i)B.Sophisticatedfitsthecontextofmodernalgorithmsbetterthanrudimentaryorantiquated.
Blank(ii)E.Conventionalmeanstraditional.Thedepartureisfromtheoldtothenew.
Whynotothers?Innovativeistheoppositeofwhatgoesintheblank(it'sadeparturefromX).Empiricalisatraitofscience,notnecessarilytheoppositeofthenewapp.
9.C,E
Analysis:Thestructuremirrorsa"fragmentedpsyche,"soitisbrokenup(Blanki).Thistechniqueservestohelpunderstand(illuminate)thethemes(Blankii).
Blank(i)C.Disjointedmeansseparatedordisconnected.
Blank(ii)E.Illuminatemeanstolightuporclarify.
Whynotothers?Linearandcoherentareopposites.Obscureandtrivializearenegative;thesentenceimpliesthetechniqueisuseful("servesto").
10.B,E
Analysis:Theapologyfailedbecausenewevidencecontradictedhim.Hetriedtoreducethedamage(Blanki).Theapologywasnot
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