2025~2026学年山东淄博市度高三教学质量阶段性检测(淄博二模)英语试卷_第1页
2025~2026学年山东淄博市度高三教学质量阶段性检测(淄博二模)英语试卷_第2页
2025~2026学年山东淄博市度高三教学质量阶段性检测(淄博二模)英语试卷_第3页
2025~2026学年山东淄博市度高三教学质量阶段性检测(淄博二模)英语试卷_第4页
2025~2026学年山东淄博市度高三教学质量阶段性检测(淄博二模)英语试卷_第5页
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2025~2026学年山东淄博市度高三教学质量阶段性检测(淄博二模)英语试卷一、阅读理解TopOnlineSummerProgramsin2026Researchshowsthatwell-designedsummerprogramscanstrengthenhighschoolstudents’academicskills.Onlineoptionsprovidesimilarbenefits,allowingstudentstoexplorecollege-levelsubjects,gainhands-onexperience,andbuildastrongerprofileforcollegeapplications.Belowarefournotableonlinesummerprograms.StanfordPre-CollegiateSummerInstitutes(SPCS)Aselectivetwo-weekonlineprogramforgrades8-11focusesonintensivestudyofasinglesubject.Studentsattenddailyliveclassesandcollaboratewithmotivatedpeersworldwide.Coursesoffercollege-leveldepthinSTEM,humanities,engineering,andmore(non-credit).●Keyrequirements:Fullparticipationwithcamera/microphoneon;ages13-18.●Applicationdeadline:March13,2026CornellPre-collegeSummerOnline(CPSO)AllowshighschoolstudentstotakeCornellundergraduatecoursesremotely,earning3-12creditsandanofficialtranscript(成绩单).Courseslast3or6weeksandcoverfieldssuchasarchitecture,business,andmedicine.●Keyrequirements:Ages15-19;completionofatleast10thgrade;courseprerequisites(前提)apply.●Applicationdeadline:AsearlyasApril28,2026(variesbysession)PennPre-CollegeOnlineProgram(PPOP)Studentsenrollincredit-bearingundergraduatecoursestaughtbyPennstaff,followingstandarduniversityschedules,assignments,andexams.SuccessfulcompletionresultsinanofficialUniversityofPennsylvaniatranscript.●Keyrequirements:Minimum3.5GPA(绩点);strongwritingskills;recommendationletter;Englishproficiencyisessentialforinternationalcandidates.●Applicationdeadline:April15,2026UCBerkeleyPre-CollegeScholarsSummerVirtual(UCBPSV)Offerhighschoolstudentsthechancetotakelower-divisionUCBerkeleycoursesonlineforcollegecredit.HundredsofoptionsareavailableacrossSTEM,socialsciences,andhumanities,withavirtuallearningcommunitythatincludesBerkeleystudentsandvisitingundergraduates.●Keyrequirements:Completionof10thor11thgradebysummer2026;atleast16yearsoldbyJune21,2026;minimum3.0GPA.●Applicationdeadline:May10,2026Costsforeachprogram

ProgramApplicationTuitionSpecialNotesSPCS$65$3,200per2-weeksessionNoadditionalhiddenfeesCPSO$75$1,940(1credit)

Max:12creditsApplicationfeecannotberefundedPPOP$0$8,462

(1course,4credithours)NoapplicationfeeUCBPSV$25$635peracademicunitMax:6unitsRegistrationfee$585anddocumentfee$73arechargedoncepersummer1.WhatisrequiredforinternationalapplicantstoPPOP?

A.Englishproficiencyproof.B.Completionofatleast10thgrade.C.Aminimum3.0GPA.D.Beingatleast16yearsold.2.Howmuchwillastudentpayfortakinga2-unitcourseintheUCBPSV?

A.$1,293.B.$1,855.C.$1,928.D.$1,953.3.Whatdothefourprogramshaveincommon?

A.TheyhavethesameGPAandgradesrequirements.B.Theyinvolveinteractionwithuniversitystudents.C.Theyawardsufficientcollegecreditstoparticipants.D.Theyallowhighschoolerstotakecollege-levelclasses.Anestimated3outof4peoplehaveafearofpublicspeaking.Iamoneofthem.Atthebeginningofeveryschoolyear,anewcropof15-year-oldspileintomyvirtualclassroom.Regardlessoftheirattitude,I’malwaysembarrassedtoadmitIamterrified.Justfakeituntilyoumakeit,mypeersadvised.ButnomatterhowmuchIfakedit,andhowmanyyearsspentteachingthesamecurriculum,thefearhasremained.Onemightexpectthatthiswouldcausemetobeashamed,topracticeevenharder,tostudypublicspeakingmethods.ButIhavelearnedanotherway.Onthefirstdayofclass,overhalfsharedintheirself-introductionparagraphthattheywereshyandafraidtospeakupinclass.Thisisawidespreadphenomenonforanyteacher,butmystudents’awarenessofitallowedmetostepintothemomentimmediatelytomeetthemwheretheywere.Myrepliesontheirpaperswerepersonal:I’mthereonthefirstdayofclasseveryyear,whenstrangers’eyesstarerightatme.Iknowyourshynessbecauseitmatchesmine.Andslowlybutsurely,mystudentsbegantoopenupabouttherootoftheirfears.Whentheysawme,theirexperiencedteacher,trembling,theyfeltalittlebraverwhentheirbodytrembledduringapresentation.Whentheyheardmestumble(说话结巴)overmywords,theyacceptedtheirownpausestryingtofindtherightones.Fearrarelygoesawaycompletely,andthatincludesthefearofpublicspeaking.Somanystudentsareheldboundtoitintheclassroom,butwehavethechancetoencouragebyleadingwithempathy.Thatstartswithfindingthecouragetolookinthemirrorandbehonestaboutourownflaws(不足).Wemustthenteachourselves—andbyextensionourstudents—toreframethoseflawsasstrengthsratherthanweaknesses.4.Whatdoestheunderlinedexpression“Justfakeituntilyoumakeit”inparagraph2mean?

A.Practicepublicspeakinguntilyouovercomefear.B.Hideyournervousnessuntilyoucantalkfluently.C.Developpublicspeakingskillsuntilyoumasterthem.D.Pretendtobeconfidentuntilyoutrulybecomeso.5.Whydidtheauthorprovidepersonalrepliesonstudents’papers?

A.Toencouragethemtofocusontheirpapers.B.Togivethemtipsonhowtohidetheirshyness.C.Toshowthemshehadwalkedamileintheirshoes.D.Toconvincethemthatherfearwasworsethantheirs.6.Whatdoestheauthorthinkofthefearofpublicspeaking?

A.Overwhelming.B.Common.C.Terrifying.D.Unbearable.7.Whatmessagedoestheauthor’sexperienceconvey?

A.Hardworkmightdefeatfearsinourlife.B.Feardisappearswhenwedaretoignoreit.C.Theonlythingwehavetofearisfearitself.D.Thecaveyoufeartoenterholdsthetreasureyouseek.Recentstudieshaveshownthatblindpeoplecanappreciatetheuseofoutlinesandperspectivestodescribethearrangementofobjectsandothersurfacesinspace,butpicturesaremorethanliteralrepresentations.Thisfactwasdrawntomyattentiondramaticallywhenablindwomaninmyinvestigationdecidedonherowninitiativetodrawawheelasitwasspinning.Toshowthismotion,shetracedacurveinsidethecircle(Fig.1).Iwastakenaback.Linesofmotion,suchastheonesheused,areaveryrecentinventioninthehistoryofillustration.WhenIaskedseveralotherblindstudysubjectstodrawaspinningwheel,severalshowedthewheelsspokes(轮辐)ascurvedlines,describingthemasmetaphorical(隐喻的)waysofsuggestingmotion.Butwasitabetterindicatorthan,say,brokenorwavylines—oranyotherkindofline?Idecidedtohaveatest.Icreatedraised-linedrawingsoffivedifferentwheels,spokeswithlinesthatcurved,bent,waved,dashed(虚线)andextendedbeyondtheperimeter(周长)ofthewheel.Ithenaskedeighteenblindvolunteerstofeelthewheelsandassignoneofthefollowingmotionstoeachwheel:rocking,spinningfast,spinningsteadily,shakingorbraking.Mycontrolgroupalsoconsistedofeighteensightedundergraduates.Mostguessedthatthecurvedspokesindicatedthatthewheelwasspinningsteadily;thewavysuggestedrocking;thebentindicatedshaking;thespokesextendingbeyondtheperimetersignifiedbrakingandthedashedindicatedfastspinning.Inaddition,thefavoureddescriptionforthesightedwasthefavoureddescriptionfortheblindineveryinstance.Theagreementamongthesightedwasbarelyhigherthantheblind.Evidently,theblindnotonlyunderstoodeachlineofmotion,butcollectivelycameupwiththesamemeaningasfrequentlyassightedsubjects.Thismakesitclearthattheblindalsounderstandotherkindsofvisualmetaphors(Fig.2).

WordsassociatedAgreement

withcircle/squareamongsubjects(%)

SOFT-HARD100

MOTHER-FATHER94

HAPPY-SAD94

LOVE-HATE89

ALIVE-DEAD87

LIGHT-HEAVY85Fig.2Subjectswereaskedwhichwordineachpairfitsbestwithacircleandwhichwithasquare.8.Whywastheauthorsurprisedattheblindwoman?

A.Shedrewaroughcirclebyinstructions.B.Sheadoptedasymbolrepresentingmovement.C.Shedidnotunderstandwhatawheellookedlike.D.Shewasthefirstpersontouselinesofmotion.9.Whatdidtheauthorfindabouttheblindtested?

A.Theyunderstoodlinesassymbolsofdifferentmotions.B.Theyreliedmainlyonexperiencetointerpretmovingobjects.C.Theypreferredcurvedlinesoverotherswhendescribingmotion.D.Theywerebetteratrecognizingvisualmetaphorsthanthesighted.10.Whichpicturewouldablindpersondrawtoindicatebraking?

A.B.C.D.11.Whatisthebesttitleofthetext?

A.SpinningWheels:ATopicinArtCreationB.SightedandBlind:AComparativeResearchC.VisualMetaphors:AccessibletotheBlindD.MotionLines:ANewInventioninIllustrationThe“hardproblem”ofconsciousness—howinnersensationsrelatetomeasurablebrainsignals—remainschallenging.Toaddressthis,neuroscientistsaremakingfinerdistinctionsthatmightcrackthemysteryentirely,exploringviathestructuralmethodwhetherweallexperiencesensationslikecolourinthesameway.PioneeredbyresearcherslikeNaoTsuchiya,ittreatsconsciousnessasanetworkofrelationships.Inexperiments,peoplecomparepairsofcolours,sounds,oremotionsandratetheirsimilarities.Thesedataareusedtocreateexperiential“maps”,oftenasgeometric(几何的)shapes.Throughgeometricanalysis,researchersboiledthedatadowntoashape.Themapsshowhighconsistencyacrossagesandcultures,suggestingauniversalperceptual(感知的)structurebeneathourvarieddescriptions.Onekeyfindingconcernscolor.Whenpeoplecomparehues(色调),theirjudgmentsrevealamorecomplex“colorspace”thanthetraditionalthreedimensionsofred,green,andblue.Studiessuggestwemayperceiveatleastsevendimensionsofcolor.Furthermore,individualswithdifferentcolorvisionproducedifferentlyshapedmaps,showingthatwhat“red”meansisdefinedbyitspositionwithinarelationalnetwork,whichcanvarybetweenpeople.So,peoplewithinagroupwithsharedperceptualstructuresareentitledtosay,“Myredisthesameasyourred.”Themethodalsoprobesunconsciousprocessing.Inoneexperiment,acoloredcircleflashedtoobrieflyforconsciousawareness,yetitstillinfluencedreactiontimetoasubsequent(随后的)ring.Thisimpliesthebrainunconsciouslycomparessensations,thoughtheunconsciouscomparisonsappearsdisorganized,unliketheorderlystructureofconsciousexperience.Thesestructuralstudiesofferanewwaytoinvestigatetheso-called“hardproblem”ofconsciousness:whyandhowphysicalprocessesinthebraingiverisetosubjectivefeelings.Whilethisresearchisstillevolving,itmarksashifttowardamoreprecisescienceofconsciousness—onethatcouldreshapeourunderstandingofperception,emotion,andwhatitmeanstobehuman.12.Howarethestructuralmethodexperimentsconducted?

A.Byanalyzingdescriptionstobuildperceptualstructures.B.Bycomparingexperientialmapsacrossagesandcultures.C.Byratingsensorysimilaritiestoconstructgeometricmaps.D.Bymeasuringbrainsignalstomatchuniversalrelationships.13.Whatdoesthecolorperceptionstudyshow?

A.Traditionalcolorspaceisoutofdate.B.Sevencolordimensionsareconfirmed.C.Colormeaningliesinrelationalposition.D.Individualsshareidenticalredexperience.14.Whatisthepurposeofparagraph4?

A.Todescribethecoloredcircleexperiment.B.Toshowtheexplorationofunconsciousness.C.Toillustratethestructureofunconsciousness.D.Tosummarizethekeyfindingsofstructuralstudies.15.Whatisthetextmainlyabout?

A.Anewwaytostudyconsciousness.B.Ahardproblemofconsciousness.C.Thestructureofcolorperception.D.Thebigchallengeofneuroscience.Walkingarounduniversitycampusesdayandnight,studentscaneasilyseeglowingblueemergencyphonesspreadovereveryfunctionalarea.Thesedevicescanquicklyconnectuserstoemergencyhelp.16Universitiescarryoutvariouspracticalsafetymeasurestobuildareliablesafetybarrierforteachersandstudentsoncampus.Mostyoungstudentsinlowergradessaytheycanfeelastrongsenseofsafetyoncampusallthetime.Theymentionthattheycangettimelyhelprightawayiftheyrunintosuddenrisksorunexpectedtroublesonthewaytoclassroomsanddormbuildings.Standardcampuslayoutandcompletesupportingsafetyfacilitiesgreatlyreducestudents’worriesaboutdailypersonalsafety.17However,safetyequipmentarrangedbyschoolsalonecannotachievefullprotectionaroundtheclock.18Manystudentswillkindlyremindtheirpeerstoavoidquiet,dimly-litlonelypathswhenwalkingbacklateatnight.Theylookoutforoneanotherduringafter-schooloutdooractivitiesandchoosetomoveingroupsinsteadofwalkingaloneafterdark.19Campussafetyriskshavestayedataverylowlevel.Personalsafetyaccidentsandpublicpropertylossrarelytakeplaceoncampusallyearround.Thedatafurtherindicatesthatthecombinationofschoolmanagementandstudentcautionishighlyeffective.Inaword,campussafetyreliesonjointefforts.20Onlywithclosecooperationcanpeoplekeepthecampusstable,orderlyandsafefordailystudyandpeacefullife.

A.Whilechallengesremain,currentapproachesshowpromisingresults.B.Thoughemergencyphonesareuseful,high-techsystemsremainessential.C.Studentsgenerallyfeelsecurewithcurrentsafetyarrangementsoncampus.D.Professionalsecuritypatrolsandreal-timealertsarealsoprovidedbycolleges.E.Campussafetyrecordsdemonstratethesuccessofcombinedpreventiveefforts.F.Studentinitiativeandmutualcaresignificantlyenhanceoverallcampusprotection.G.Activeparticipationfrominstitutionsandindividualscanachievelong-termsecurity.二、完形填空OnacoldBudapestafternoon,64-year-oldGyörgyiPetikKiseagerlyhurriestothelibrary.Sheisn’ttheretoread,butto21Netrevalók—monthlylectureswhereseniorslearndigitalskillsfromteenagers.Kis,whospentfouryearsinastateofunconsciousness,22needsmentalstimulation.However,withoutEnglishskills,shelacks23tonavigateinternetonherown.“Iwasafraidtoclickonthings.WhatifI24?”Throughtheprogram,shehaslearnedtouseMicrosoftTranslate—a“newtool”helpingherfeelless25.Theprogram26agrowingdigitaldivide.While97%ofHungariansaged15-50usetheinternet,90%ofthoseover80donotgoonline.Manyseniors27withbasictasks.Asthelibrarydirectorpointsout,“Fortheelderly,goingdigitalactually28themout.”Thebenefitsextendbothways.Teenvolunteersgainpatienceand29intoapre-digitalworld.“Talkingtothemislikegoingbackintime,”says19-year-oldSagieFruchter.The30inspireshimtodesignmore31technology.ForparticipantslikeKis,thelectures32morethanskills.Theynotonlylearntonavigatethedigitalworldbutalsobuildmeaningful33withyoungergenerations.Thissimpleyetpowerfulbridgeacrossthetechnologicaldivide34asareminderthatgenuineconnectiondependsonpatience,understanding,andamutual35tolearnfromoneanother—usingtheskillsthattrulymattertobringtheirworldstogether.21.A.cancelB.organizeC.financeD.attend22.A.desperatelyB.frequentlyC.originallyD.temporarily23.A.confidenceB.prejudiceC.judgmentD.curiosity24.A.gaveupB.shutupC.messedupD.hurriedup25.A.disturbedB.disconnectedC.embarrassedD.motivated26.A.ignoresB.acceleratesC.createsD.bridges27.A.communicateB.volunteerC.attemptD.struggle28.A.showsB.picksC.leavesD.crosses29.A.investigationsB.insightsC.admissionD.entrance30.A.ambitionB.experienceC.atmosphereD.experiment31.A.enjoyableB.acceptableC.accessibleD.favorable32.A.offerB.ownC.receiveD.gain33.A.schedulesB.connectionsC.impressionsD.reactions34.A.doublesB.qualifiesC.promisesD.serves35.A.willingnessB.authorityC.optionD.consideration三、语法填空阅读下面短文,在空白处填入1个适当的单词或括号内单词的正确形式。Aremarkablejadecarving(玉雕)36(discover)atLiangzhuancientcitymayholdthekeytounderstandinganancientcivilizationthatpredates(早于)whatmanyhistoriansbelievedtobeChina’soldest.LocatedinthelowerYangtzeRiverBasin,thesitehasrevealedextraordinaryjadeartifacts37(demonstrate)delicatecraftsmanship.ThediscoveriessuggestthatLiangzhuwasnotmerelyasettlement38adevelopedsocietywithadvancedtechnologicalabilities.Thejadeartifacts,particularlythe39(distinct)treasureslikebidiscsandcongtubes,revealacivilizationwithhighlydevelopedartistictraditions.Thesefindingshaveinspiredscholars40(reconsider)fundamentalassumptionsaboutChinesehistory.TheLiangzhuculturerepresents41significantchangeinourunderstandingofearlyChinesecivilization.Itdemonstratesthatcomplexsocietiesflourishedinregionspreviouslyconsideredperipheral(周边的)tothedevelopmentofChinesecivilization.Thesite,coveringanareaofover3millionsquaremeters,containsimpressivestructuresincludingcitywallsandawatermanagementsystem.42makesLiangzhutrulyremarkableisthatitpredatestheShangDynasty43nearlytwothousandyears.ThediscoveriesatLiangzhuhavechangedourunderstandingofwhenChinesecivilizationfirstemerged.In2019,theLiangzhuruins44(add)totheUNESCOWorldHeritageList,recognizing45(it)globalsignificance.Today,thesiteattractsresearchersandtouristsfromaroundtheworld.ThesejadeartifactsserveasevidenceofthegreatestancientChinesecivilization.四、书信写作46.假定你是学生会主席,为落实“健康第一”的理念,学校准备增加校园体育活动时间。英语社团正在组织以“HealthFirst”为主题的英语演讲比赛,请你撰写一篇演讲稿参赛,内容包括:(1)描述现状;(2)提出倡议。注意:(1)写作词数应为80个左右;(2)请按如下格式在答题卡的相应位置作答。Dearteachersandfellowstudents,___________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________Thankyouforlistening!五、书面表达47.阅读下面材料,根据其内容和所给段落开头语续写两段,使之构成一篇完整的短文。Theblankcanvas(画布)staredatme,itsendlesswhitesurfaceseemingtolaughatmystubborncreativeblock.Mybrushfeltheavyandlifelessinmyhand,hangingoverthepalette(调色板)wherepaintswereslowlydryingintohardblobs(一团).Iletoutadeepsighoffrustration,thesoundfillingthesilentstudio.Thispaintingwasmeanttobemymasterpiece,thekeyworkinmycollectionforartschoolapplications.Yetmymindwasjustasemptyasthecanvasbeforeme.Forweeks,Ihadforcedmyselftoseekinspiration.Iwanderedthroughmuseums,studiedcountlessartbooks,andtooklongwalksinautumnparks,hopingtocatchasparkthatwouldlightupmyimagination.Butnothingworked.Everyideafeltdullandunoriginal.Iwasanartistwithnovision,nomusetoguideme.Desperatetorunawayfrommyownfailure,Ipickedupmyjacketandasmallsketchbook,steppingouttowanderthecitystreetswithnoplanatal

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