2026届高三考前预测02

2026届高三考前预测02一、听力选择题1.Whatisthewomanprobably?

A．She’sasinger.B．She’sadesigner.C．She’sasalesperson.2.Whatdoesthemanhavetodotomorrow?

A．Payalicensefee.B．RenewhisIDcard.C．Bringhisidentitydocument.3.Whatwillthespeakersdofirst?

A．Havesomethingtoeat.B．Watchatheatershow.C．Getonthesubway.4.Wherearethespeakersprobably?

A．Attheirhome.B．AtanItalianrestaurant.C．Atahotpotrestaurantdownstairs.5.Whydoesthewomansupporttheproject?

A．Itcreatesmorepublicparking.B．Itprovidesanindoorplayspace.C．Itbenefitsbothwildlifeandeducation.听下面一段对话，回答以下小题。6.WhathelpedAlangettheproject?

A．Hisefficiency.B．Hisintelligence.C．Hisattitude.7.Whatdoesthemanplantodo?

A．Workovertime.B．LearnfromAlan.C．Complaintohisboss.听下面一段对话，回答以下小题。8.Whatistheprobablerelationshipbetweenthespeakers?

A．Oldfriends.B．Fatheranddaughter.C．Brotherandsister.9.Whatarethespeakersdoing?

A．Lookingatfamilyphotos.B．Shoppingforanewpet.C．Planningatripoverseas.10.Whatdoesthewomansayaboutherself?

A．Sheisalwaysbusytravelingabroad.B．Shemaykeepadogafterhavingafamily.C．Shelivesaloneandoftenfeelslonely.听下面一段对话，回答以下小题。11.Whichexhibitionwillthespeakersgoto?

A．Thecalligraphyexhibition.B．Theclaysculptureexhibition.C．Thesugarpaintingexhibition.12.Whatcanthespeakersdoattheexhibition?

A．HaveaDIYexperience.B．Enjoytheperformanceofamaster.C．Attendalectureontwelveluckyanimals.13.HowwillthemangettoElmStreetStation?

A．Bybus.B．Onfoot.C．Bysubway.听下面一段对话，回答以下小题。14.Whydoesthewomanbuysomuchfood?

A．TohelpTerryout.B．TocelebratewithTerry.C．Todonateittothefoodbank.15.WhatisTerry’sproblem?

A．Heisseriouslyill.B．Heisunemployed.C．Hebrokeupwithhiswife.16.WhatistheprobablerelationshipbetweenTerryandLaura?

A．Husbandandwife.B．Fatheranddaughter.C．Brotherandsister.17.HowwillthemanhelpTerry?

A．Byofferingajobtohim.B．Byteachinghimsomeskills.C．ByaskinganHRmanagerforhelp.听下面一段独白，回答以下小题。18.WhatistheEisenhowerMatrix?

A．Amanagingsystem.B．Adigitalcalendar.C．Aplannerapp.19.Whatisthebenefitofdigitaltools?

A．Distinguishingurgentactivities.B．Avoidovercommitment.C．Helpingstayfocused.20.Whatisthemostcriticaltechniquetomanagetime?

A．Determination.B．Trackingtime.C．Settingdeadlines.二、阅读理解Artworks2026:EchoesoftheCityExhibitionCallTheModernArtsCollective(MAC)andtheDublinCultureFestivalaredelightedtoannounce“EchoesoftheCity”asthethemeofArtworks2026—anopen-callexhibitionexploringhowcitiesremember,change,anddream.Thisyear’seventinvitesartiststoreflectonurbanmemorythroughpainting,sound,photography,architectureordigitalmedia.Fromforgottencornerstoactivestreetscenes,everypieceshouldcapturehowarthelpsusseetheinvisiblerhythmofcitylife.TheexhibitionwilltakeplaceatTheMACGallery,fromNovember10toDecember15,2026.Selectedworkswillbefeaturedinthemainexhibitionhall,andeachchosenartistwillreceivea€1,200awardattheopeningceremony.SubmissionGuidelines※Format:Existingdigitalorphysicalworksinanyvisualorsoundmedium.※SubmissionProcess:Completetheonlineapplicationform;Uploadhigh-qualityimagesorvideodocumentationofyourwork;Provideashortartiststatement(maximum200words)explaininghowyourworkrespondstothetheme.Requirements※Includetitles,materials,anddimensionsofeachartwork.※Forvideoorsoundworks,ensuresmoothplaybackandstablelinks.※WorksmustremainaccessibleonlineuntilMay20,2026forreview.FurtherInformation※AllapplicationsmustbesubmittedbyApril5,2026.※Artistscanexplorelastyear’saward-winningprojectsonourofficialwebsite,whichofferinsightsintoartisticpracticeandvision.※Forquestionsabouttechnicalorconceptualdetails,contact:curator@macarts.iebeforeMarch25,2026,toreceivetimelysupportfromourteam.21.WhatisthemainpurposeofArtworks2026?

A．TodisplayDublin’sculturallandmarks.B．Torecorddailylifethroughphotography.C．Tocollectdesignsofmodernarchitecture.D．Toexploreartisticreflectionsoncitymemory.22.Whatisarequirementforartworksubmission?

A．Providingavideoartiststatement.B．Mentioningthematerialsoftheentry.C．Submittingbothphysicalanddigitalversions.D．Contactingorganizersbeforeuploadingfiles.23.Whatisthedeadlinefortheapplication?

A．March25,2026.B．April5,2026.C．May20,2026.D．November10,2026.LinMoisanobscurefilmdarkroomprinterwhorunsacramped,sunlessstudiotuckedawayfromthebustlingurbancommercialdistrict,asolitaryfigureclingingtoafadingnichecraftinthedigitalage.AsdigitalimagingtechnologyandAI-poweredretouchingtoolshavemonopolizedtheglobalphotographicindustry,manualanalogfilmdevelopinghasbecomeanearlyobsoleteskill,abandonedbymostyoungpractitionersinpursuitoffastefficiency.Inhissparsesparetime,heneverbrowsestrendyphotographyblogsorviralshortvideos,butimmerseshimselfinprofessionalperiodicalslikeTraditionalPhotographicConservationQuarterlyandauthoritativeacademicreportsissuedbytheInternationalArchiveImagingResearchInstitute.Theserigorousresearchdocumentsconcludethatchemicallyprocessedfilmprintspossessunparalleledtonallayersandphysicalpreservationstability,withaservicelife30timeslongerthanordinarydigitalprintedworks,aconclusionthathaslongsolidifiedhisstubbornadherencetopuretraditionaltechniques.Onedrizzlyafternoon,ayoungdocumentaryphotographerbroughtseveralrollsoffield-shotruralfilmtohim.Aftercarefullyappreciatingthefinishedprints,theyoungmanspokeearnestly:“Yourmeticulousmanualcraftsmanshipendowsphotoswithirreplaceablehumanwarmth,yetproperdigitaltonecalibrationcanretainthatwarmthwhilerestoringsubtle,obscureddetailsintheshadowareas.”Atfirst,LinMorejectedtheproposaldisdainfully,deeminganydigitalintegrationabetrayaloftraditionalcraftsmanshipintegrity.Butafterrepeatedcautioustrials,hewasstunnedbytheperfectblendofsoftfilmgrainandvivid,completedetails.Thissuddenepiphanymadehimcompletelyabandonhislong-heldrigidmindset.Hefinallycomprehendedthatgenuinecraftinheritanceisneverblindconservatismortotalrejectionofnovelty.Instead,itmeansholdingfasttothecoresincerityofmanualcreationwhileembracingmoderate,rationalinnovation.Itisthisdelicatebalancethatendowsancienttraditionalcraftswithlastingvitalityamidtherapidprogressofthetimes.24.WhydoesLinMosticktomanualfilmdevelopingatfirst?

A．Tocatertoyoungpractitioners’needs.B．Topreservetraditionalcraft’sauthenticity.C．Topursuefastworkefficiency.D．Togainpopularityintheindustry.25.Whatdoestheyoungphotographermeanbyhiswords?

A．Digitaltoolswillreplacefilmcraftentirely.B．Manualworkfailstorestorephotodetails.C．Filmprintslackwarmthcomparedwithdigitalones.D．Moderatedigitaladjustmentcancomplementtraditionalfilmwork.26.Inparagraph5,theword“epiphany”isclosestinmeaningto_________.

A．asuddenandpowerfulrealizationB．agradualandcarefulplanC．adeepsenseofregretD．abriefmomentofdoubt27.HowcanLinMobebestdescribed?

A．Persistentandopen-minded.B．Stubbornandreckless.C．Rigidandindifferent.D．Ambitiousandhumorous.Wetlandsarewidelyvaluedasnaturalpollutioncleanersandhabitatsforendangeredspecies.Holdingcarbondioxide-processingmicrobes(微生物)thatplayakeyroleinclimatechangedynamics,they’realsoakeypartofthecarboncycle:Althoughwetlandscoveronlyabout3%ofEarth’ssurface,theyaccountforasmuchas30%ofsoilcarbonstorage.Yetsomewetlandmicrobessecreteanotherpowerfulgreenhousegas—methane,whichmaycanceloutsomeofthebenefitsofpullingcarbondioxidefromtheatmosphere.Tringe,anenvironmentalmicrobiologistintheU.S.,istryingtodeterminejusthowmuchwetlandsactuallyhelpcounteractclimatechange,byturningtoanoveldisciplinecalledmetagenomics,whichinvolvessequencing(测序)thecollectivegeneticmaterialsofallthemicrobesinagivenlocation.Scientistsusechemicalstotakeoutthegeneticmaterialfromanenvironmentalsample—say,acupofdirtywater.Theyrunclonedsnippets(克隆片段)ofthematerialthroughasequencingmachine,whichreadsoutwhatmakesupeachsnippet.Afterallthedataarepiecedbacktogether,theyrevealthedistinctgenesequencesofthemillionsofmicrobesinthesample.Theresult:abroadoverviewofthemicrobialcommunityandthefunctionseachmicrobeperformswithintheecosystem.Tringe’ssamplinghasbroughtsomeevidencethatcertainlandscapecharacteristicsinfluencemicrobialpopulationsinwaysthataffectgreenhousegasreleasesandcarbonstorage.Saltierwetlandareas,forexample,tendtoattractmicrobialcommunitiesthatproducelessmethane,asdoareaswithmoreactivewaterflows.“We’reabletopredictwhichsitesmightproducemoreorlessmethane,”Tringesays.Data,however,arestilllimited,soTringecannotdefinitivelysayhowwetlandrestorationplannerscanbestlimitthesereleaseswhilekeepingcarbonstorageprocessesundamaged.Ultimately,Tringewantstocreatecomputermodelsallowingexpertstoanalyzethepotentialgreenhousegaseffectsofvariousrestorationstrategies.ButwhatfiresTringe’simaginationevenmorethanshapingwetlands’environmentallegacyismappingamicrobialuniversethathaslongbeenhidden.28.Whatdoestheunderlinedword“secrete”inparagraph1probablymean?

A．Giveoff.B．Takein.C．Figureout.D．Breakdown.29.Whatisparagraph3mainlyabout?

A．Wetlandssampling.B．Anoveldiscipline.C．Metagenomicsequencing.D．Microbialcommunities.30.WhatareTringe’skeyfindingsabout?

A．Wetlands’capacityforcarbonstorage.B．Methane’sgreatimpactonmicrobialvarieties.C．Predictivecomputermodelsforwetlandrestoration.D．Linksbetweenlandscapefeaturesandmethanereleases.31.WhatcanbeinferredaboutTringefromthelastparagraph?

A．Sheprioritizestheoreticalresearch.B．Sheencounterstechnologicalbarriers.C．Sheinnovateswetlands’restorationstrategies.D．Shevaluesexplorationofthemicrobialworldmore.Naturewordslikeriver,mossandblossomhaveappearedlessfrequentlyinbooksoverthepastyears.Thisdecline,accordingtoastudybyprofessorMilesRichardsonfromtheUniversityofDerby,mirrorsabroaderchangehehastracedthrough220yearsofrecordsonurbanisation,thelossofwildlifeinneighbourhoods,andparentsnolongerpassingonengagementwithnaturetotheirchildren.Thecomputermodellinginthestudyalsopredictsan“extinctionofexperience”,withfuturegenerationscontinuingtoloseanawarenessofnaturebecauseitisnotpresentinincreasinglybuilt-upneighbourhoods,whileparentsnolongerpassonan“orientation(倾向)”towardsthenaturalworld.Thisisconsistentwithfindingsfromotherstudies,whichidentifyadultnatureconnectednessasthestrongestpredictorofwhetherachildwillbecomeclosetonature.Richardsonsaidthatwhenhetestedpolicyandurbanenvironmentalchangesinthemodelhewassurprisedatthescaleofthechangesrequiredtorestoretheconnectiontonature.Increasingbiodiversegreenspacesinacityby30%mightlooklikesignificantpositiveprogressforwildlifeandpeoplebutRichardsonsaidhisstudysuggestsacitymightneedtobe10timesgreenertoturnarounddeclinesinnatureconnection.Effortstosimplyencourageadultstoengagewithnatureareofteninsufficientforlastingchange.Moreeffectivearemeasuresthatbuildnatureconnectionfromanearlyage,suchasforestschoolsforyoungchildren.Researchindicatesthatgovernmentinitiativesreshapingearlyeducationandurbandesignmustbeconsistentlyappliedoverthenext25years.Onceestablished,thisconnectioncanbecomeself-sustaining.Richardsonsaidthescaleofsocietalchangerequiredmightnotbeaschallengingasitappeared.AstudyonpeopleinSheffieldfoundthattheyspentjust4minutesand36secondsonaverageinnaturalspaceseachday.“Increasethatbyten,andpeoplearespending40minutesoutsideeveryday—thatmaybeenough,”hesaid.“Thekeyistomakethesegainslastacrossgenerations,”headded.32.WhatchangehasRichardsontracedinhisstudy?

A．Naturewordshavedisappearedfrombooks.B．Peoplehavelessdirectcontactwithnature.C．Urbanisationhasdamagedwildlifehabitats.D．Parentsspendmoretimeoutdoorswithkids.33.Whatmightcausefuturegenerationstohave“extinctionofexperience”inthemodel?

A．Theyareraisedawayfromnature.B．Theycan’tadapttochangesinnature.C．High-risebuildingsfillneighbourhoods.D．Schoolsofferfewnaturesciencelessons.34.Whatisamosteffectivesolutiontotheissueaccordingtothetext?

A．Advancinglong-termpolicies.B．Launchingeco-friendlycampaigns.C．Focusingonraisingadults’awareness.D．Enlarginggreenspaceincertainareas.35.RichardsonmentionedthestudyonpeopleinSheffieldtoshow________.

A．naturecontactvariesfromcitytocityB．people’slivinghabitsarehardtochangeC．anewwaytomeasurenaturetimeisneededD．smalleffortshelpimprovecontactwithnatureSweatingisoftenseenasasignofeffortinthegym.36AccordingtoexpertslikeAdamCollinsfromtheUniversityofBath,theanswerisnotthatsimple.Sweatingisprimarilyyourbody’sbuilt-incoolingsystem.37Thesweatonyourskinthenabsorbsexcessbodyheatasitevaporates(蒸发).Thisevaporationprocessiscrucialforregulatingyourtemperature.Exerciseisacommoncauseforthisriseintemperature.Themoreintenseyourworkout,themoreheatyourbodygenerates38.“Therearemanyotherfactorsthatinfluencehowmuchyousweat,”Collinsexplains.Theenvironmentaltemperature,humidity(湿度)andyourclothingallplaysignificantroles.Forinstance,inahotyogaroom,youmightsweatheavilyeveninarelaxedpose.Inhighhumidity,sweatevaporatespoorly,makingyoufeelsweatierregardlessofyouractualeffortlevel.39Thisiswhytwopeopledoingthesameworkoutcansweatverydifferently.Yourfitnesslevel,age,sex,bodysize,andevenhowaccustomedyouaretothelocalclimateaffectyoursweatrate.Awell-trainedathleteoftenstartssweatingsoonerandmoreefficientlythanabeginner,astheirbodyhasadaptedtocoolitselfbetter.Therefore,usingsweatalonetomeasureworkoutintensityismisleading.Moreaccurateindicatorsincludeyourbreathingrate,perceivedexertion,andheartrate.Anyway,sweatisnotanaccuratesignofexerciseintensity.40.

A．Individualdifferencesarealsokey.B．Butisittrulyareliablesignofahardworkout?C．Thisheatis,infact,yourbodyburningcalories.D．Itisakeypartofkeepingyousafeduringexercise.E．Thisincreasedheattypicallymakesyousweatmore.F．Itis,however,aclearsignofwaterlossandasignaltodrinkwater.G．Whenyourcoretemperaturerises,yourbrainsignalsyourbodytosweat.三、完形填空Humanbraincannotlearnallbyitself.Weneedtotrainourselvestobebetterlearners—to41takepartinthelearningprocess.Thesekindsoflearningbehaviorsarecalled“activelearning”.Therearetwokindsofvoices.Yourinnervoiceexpressesyour42opinions,whiletheoutervoicetellsyouaboutopinionsfromwhatyouhearorread.Althoughyourinnervoicecanbeuseful,itcanalso43inthewayoflearning.Ifyoukeeppayingtoomuchattentiontoit,youriskmissingimportantinformation.Instead,activelearnersareopen-mindedandfocusonwhatthespeakerissaying,notonwhattheir44issayinginthebackground.Ifyoufindyourinnervoicedifficulttocontrol,youcan45withitasmostactivelearnersdo.Whenyourinnervoicetellsyouaspeakeriswrong,thinkaboutwhythespeakermayberight.Beflexibleinyouropinionsandyoumightendup46thespeakerafterall.Askingquestionsistheeasiestwayto47activelearning.Whenyougetinformationfromsomeone,frombooksortheInternet,asksomequestionsaboutthetopic.The48willleadyoutofurtherlearning,andtheveryactofworkingoutquestionswillhelpyoutoachieveahigherlevelofunderstandingaboutthetopic.Inshort:Donotstopbeing49.Activelearnersdonot50everythingtheylearn.Theyattempttofindthetruthattheheartofeachidea.Evenwhenanideasoundsentirely51,theremaybeanaspectofitthatisbasedontruth.Ifyoutrytofindoutthe52ofanidea,nomatterhowcrazyitseems,youwillincreaseyourchanceoflearningsomething.Manypeoplerefusetolearnwhatissaidbecauseofwhothespeakeris.Itistruethatwecannothelp53somepeople.Butdonotforgetyoucanstilllearnfromthem.Activelearnersdonot54peoplebasedonfirstimpressionsorpersonalfeelings.This55theotherwayaswell—donotjustassumethatsomepeoplearealwaysrightjustbecausetheyareyourfriends.41.A．carefullyB．activelyC．negativelyD．meaninglessly42.A．personalB．publicC．wrongD．right43.A．liveB．changeC．runD．get44.A．voiceB．partnerC．speakerD．brain45.A．talkB．thinkC．argueD．relate46.A．turningdownB．agreeingwithC．quarrelingwithD．dependingon47.A．promoteB．preventC．highlightD．delay48.A．ideasB．answersC．opinionsD．criteria49.A．kindB．curiousC．sweetD．brave50.A．denyB．doubtC．acceptD．accomplish51.A．unlikelyB．unpredictableC．correctD．credible52.A．complexityB．functionC．theoryD．source53.A．rememberingB．understandingC．dominatingD．disliking54.A．judgeB．helpC．guideD．teach55.A．leadsB．refusesC．goesD．runs四、语法填空Directions:Afterreadingthepassagebelow,fillintheblankstomakethepassagecoherentandgrammaticallycorrect.Fortheblankswithagivenword,fillineachblankwiththeproperformofthegivenword;fortheotherblanks,useonewordthatbestfitseachblank.TheBrands(品牌)LostinTranslationChinesebrandsaremovingintoforeignmarketsasneverbefore.Thewaythey56(perceive)whentheyarrivedependsnotjustonthequalityoftheirproductbutalsoontheirname.Afewcompaniesarealreadymasteringforeignbranding.Haidilao,arestaurantchain57(specialize)inspicysoups,hasstartedusingthewordHiasasimplifiednameatitsoverseasshops.PopMart,thetoycompanywhichmakesthesensationalLabubudolls,looksrightathomeinAmericaorEurope.Thesearethefew58aregettingitright.Manyothersstruggle.TakeMixue(蜜雪冰城)asanexample.Thecompany’snametranslatesto“honeysnow”,butinsteadofmakinguseofthatoverseas,ithasemployedthephonetic(音译的)versionofitsChinesename,whichisnoteasy59(pronounce).Thenamewilllimitthebrand’sgrowthabroad,predictsChrisPereiraofImpact,aconsultingfirm,60peoplewillnotknowhowtosayitwhenrecommendingittofriends.ManyChinesecompanieschoseill-advisedforeignnamesdecadesagoand61(stick)withthem.Forexample,anelectronicsmakerchoseanEnglishnamethatfaintlyreflects62Chineseonebutsoundscloserto“chintzy”,anAmericanwordforcheaplymade.ManyfirmstrytoturntheirChinesenameintoonethatsoundsWestern,butendupwithnonsense:Youngor,afashionbrand,isoneexample.Andyetthisisoftenpreferabletoexperimentingwithsymbolisminaforeigntongue,asdemonstratedbytheChinesesunglassesbrandthatnameditself63theworld’smostfamousblindperson,HelenKeller.Foreign-soundingnamesthatprovideinternationalappealathomecanbe64(helpful)inoverseasmarkets.HavingcreatedtheimpressionamongsomeChineseconsumers65itisGerman,Adolph,aChineseshampoo-maker,nowfacesthepossibilitythatthisverystrategycouldbackfireintheGermanmarket.Sothetakeawayisquiteclear:thetrueartofbrandingliesinfindinganamethattravelswell.五、书信写作66.假定你是李华，你的外国笔友Lucy写信告知你，她计划来你的家乡游玩。请你给她写一封邮件，推荐一日游行程，内容包括：(1)活动安排；(2)当地美食。注意：(1)写作词数应为80个左右；(2)请按如下格式在答题卡的相应位置作答；(3)开头与结尾已给出，不计入总词数。DearLucy,I’mgladtohearyouwillcometomyhometown._________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________Yours,LiHua六、书面表达67.ThelastthingJulianrememberedwastheblindfold,theroughhandsshovinghimintoavan,andthesharpprickofaneedleinhisarm.Whenheopenedhiseyes,hewaslyingonacoldstonefloor,hiswristsrawfromtheropesthathadbeencutaway.Theairsmelledofmold,rust,andsomethingelse—somethingmetallic,likeoldblood.Hesatupslowly,hisheadthrobbing.Moonlightfilteredthroughanarrowslitinthestonewall,castingpalestripesacrosstheroom.Ashiseyesadjusted,hesawthewallsweremadeofmassivegrayblocks,wornsmoothbycenturies.Aheavywoodendoorwithironbandsstoodonthefarside,boltedfromtheoutside.Abovehim,carvedintotheceiling,wasthenumber10.Hisheartsank.Bef