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铜仁学院书写技能考核试题库(英语专业)
一、毛笔(考核时间30min,30字)
1、《送孟浩然之广陵》唐•李白
故人西辞黄鹤楼,烟花三月下扬州。孤帆远影碧空尽,唯见长江天际流。
2、《出塞》唐•王昌龄
秦时明月汉时关,万里长征人未还。但使龙城飞将在,不教胡马度阴山。
3、《浪淘沙》唐•刘禹锡
九曲黄河万里沙,浪淘风簸自天涯。如今直上银河去,同到牵牛织女家
4、《题金陵渡》唐・张祜
金陵津渡小山楼,一宿行人自可愁。潮落夜江斜月里,两三星火是瓜州
5、《枫桥夜泊》唐・张继
月落乌啼霜满天,江枫渔火对愁眠。姑苏城外寒山寺,夜半钟声到客船
6、《山行》唐•杜牧
远上寒山石径斜,白云生处有人家。停车坐爱枫林晚,霜叶红于二月花
7、《清明》唐・杜牧
清明时节雨纷纷,路上行人欲断魂。借问酒家何处有,牧童遥指杏花村
8、《小池》宋-杨万里
泉眼无声惜细流,树阴照水爱晴柔。小荷才露尖尖角,早有蜻蜓立上头
9、《送元二使安西》唐・王维
渭城朝雨酒轻尘,客舍青青柳色新。劝君更尽一杯酒,西出阳关无故人
10、《寒食》唐•韩姗
春城无处不飞花,寒食东风御柳斜。日暮汉宫传蜡烛,轻烟散入五侯家
11、《凉州词》唐•王之焕
黄河远上白云间,一片孤城万仞山。羌笛何须怨杨柳,春风不度玉门关。
12、《夜雨寄北》唐-李商隐
君问归期未有期,巴山夜雨涨秋池。何当共剪西窗烛,却话巴山夜雨时。
13、《芙蓉楼送辛渐》唐・王昌龄
寒雨连江夜入吴,平明送客楚山孤。洛阳亲友如相问,一片冰心在玉壶。
14^《乌衣巷》唐•刘禹锡
朱雀桥边野草花,乌衣巷口夕阳斜。旧时王谢堂前燕,飞入寻常百姓家。
15,《元日》宋•王安石
爆竹声中一岁除,春风送暖入屠苏。千门万户瞳瞳日,总把新桃换旧符。
16、《早春》唐•韩愈
天街小雨润如酥,草色遥看近却无。最是一年春好处,绝胜烟柳满皇都。
17、《早发白帝城》唐•李白
朝辞白帝彩云间,千里江陵一日还。两岸猿声啼不住,轻舟已过万重山。
18、《滁州西涧》唐•韦应物
独怜幽草涧边生,上有黄鹏深树鸣。春潮带雨晚来急,野渡无人舟自横。
19、《望天门山》唐•李白
天门中断楚江开,碧水东流至此回。两岸青山相对出,孤帆一片日边来。
20、《春日》宋•朱熹
胜日寻芳泗水滨,无边光景一时新。等闲识得东风面,万紫千红总是春。
二、硬笔(考核时间20min,英语名篇一篇,每篇300字左右)
1.TheCharm
Bythetimetheyatlastcametospeechtheywerealoneinoneofthe
rooms-remarkableforafineportraitoverthechimneyplace-outofwhichtheirfriends
hadpassed,andthecharmofitwasthatevenbeforetheyhadspokentheyhad
practicallyarrangedwitheachothertostaybehindtotalk,Thecharm,happily,wasin
otherthingstoo-partlyintherebeingscarceaspotatWeatheredwithoutsomethingto
staybehindfor.Itwasinthewaytheautumndaylookedintothehiltwindowsasit
waned;thewaytheredlight,breakingattheclosefromunderalowsombersky,
reachedoutinalongshaftandplayedoveroldwainscots,oldtapestry,oldgold,old
color.Itwasmostofallperhapsinthewayshecametohimasif,sinceshehadbeen
turnedontodealwiththesimplersort,hemight,shouldhechoosetokeepthewhole
thingdown,justtakehermildattentionfbrapartofhergeneralbusiness.Assoonas
heheardhervoice,however,thegapwasfilledupandthemissinglinksupplied,the
slightironyhedivinedinherattitudelostitsadvantage.Healmostjumpedatittoget
therebeforeher."ImetyouyearsandyearsagoinRome.Irememberallaboutit.”
Sheconfessedtodisappointment--shehadbeensosurehedidn't;andtoprovehow
wellhedidhebegantopourforththeparticularrecollectionsthatpoppedupashe
calledforthem.Herfaceandhervoice,allathisservicenow,workedthe
miracletheimpressionoperatinglikethetorchofalamplighterwhotouchesinto
flame,onebyone,alongrowofgasjets.
2.UnderthePowerofNature
Duringthewholeofadull,dark,andsoundlessdayintheautumnoftheyear,
whenthecloudshunguppressivelylowintheheavens,Ihadbeenpassingalone,on
horseback,throughasingularlydrearytractofcountry;andatlengthfoundmyself,as
theshadesoftheeveningdrewon,withinviewofthemelancholyHouseofUsher.I
knewnothowitwas—but,withthefirstglimpseofthebuilding,asenseof
insufferablegloompervadedmyspirit.Isayinsufferable;forthefeelingwas
unrelievedbyanyofthathalf-pleasurable,becausepoetic,sentimentwithwhichthe
mindusuallyreceiveseventhesternestnaturalimagesofthedesolateorterrible,I
lookeduponthescenebeforemeuponthemerehouse,andthesimplelandscape
featuresofthedomain,uponthebleakwalls,uponthevacanteye-likewindows,upon
afewrandysedges,anduponafewwhitetrunksofdecayedtrees-withanutter
depressionofsoulwhichIcancomparetonoearthlysensationmoreproperlythanto
theafterdreamofthereveleruponopium;thebitterlapseintoeverydaylife,thc
hideousdroppingoffoftheveil.Therewasaniciness,asinking,asickeningofthe
heart,anunredeemedtortureintooughtofthesublime.WhatwasitIpausedtothink
whatwasitthatsounnervedmeinthecontemplationoftheHouseofUsher?Itwasa
mysteryallinsoluble;norcouldIgrapplewiththeshadowyfanciesthatcrowded
uponmeasIpondered.Iwasfordedtofallbackupontheunsatisfactoryconclusion,
thatwhile,beyonddoubt,therearecombinationsofverysimplenaturalobjectswhich
havethepowerofthusaffectingus,stilltheanalysisofthispowerliesamong
considerationsbeyondourdepth.
3.ThePowerIsUnlimited
Besideswhich,thereisararerthingthantruth-namelypower,ordeepsympathy
withtruth.Whatistheeffect,forinstance,uponsociety,ofchildren?Bythepity,by
thetenderness,andbythepeculiarmodesofadmirationwhichconnectthemselves
withthehelplessness,withtheinnocence,andwiththesimplicityofchildren,notonly
aretheprimalaffectionsstrengthenedandcontinuallyrenewed,butthequalities
whicharedearestinthesightofheaventhefrailty,forinstance,whichappealsto
forbearance,thesimplicitywhichismostalienfromtheworldly--arekeptupin
perpetualremembrance,andtheiridealsarecontinuallyrefreshed.Apurposeofthe
samenatureisansweredbythehigherliterature,viz.,theliteratureofpower.Whatdo
youlearnfromParadiseLost?NothingatallWhatdoyoulearnfromacookery-book?
Somethingnew,somethingthatyoudidnotknowbefore,ineveryparagraph.But
wouldyouthereforeputthewretchedcookery-bookonahigherlevelofestimation
thanthedivinepoem?WhatyouowetoMiltonisnotanyknowledge,ofwhicha
millionseparateitemsarestillbutamillionofadvancingstepsonthesameearthly
level;whatyouoweispower-thatis,exerciseandexpansiontoyourownlatent
capacityofsympathywiththeinfinite,whereeverypulseandeachseparateinfluxisa
stepupward,astepascendingasuponaJacob'sladderfromearthtomysterious
altitudesabovetheearth.Allthestepsofknowledge,fromfirsttolast,carryyou
furtheronthesameplane,butcouldneverraiseyouonefootaboveyourancientlevel
ofearth;whereastheveryfirststepinpowerisaflight--isanascendingmovement
intoanotherelementwhereearthisforgotten.
4.ChangeMakesLifeBeautiful
Toregardallthingsandprinciplesofthingsasinconstantmodesorfashions
hasmoreandmorebecomethetendencyofmodernthought.Letusbeginwiththat
whichiswithout-ourphysicallife.Fixuponitinoneofitsmoreexquisiteintervals,
themoment,forinstance,ofdeliciousrecoilfromthefloodofwaterinsummerheat.
Whatisthewholephysicallifeinthatmomentbutacombinationofnaturalelements
towhichsciencegivestheirnames?Buttheseelements,phosphorusandlimeand
delicatefibers,arepresentnotinthehumanbodyalone:wedetecttheminplaces
mostremotefromit.Ourphysicallifeisaperpetualmotionofthem--thepassageof
theblood,thewastingandrepairingofthelensesoftheeye,themodificationofthe
tissuesofthebrainundereveryrayoflightandsoundprocesseswhichscience
reducestosimplerandmoreelementaryforces.Liketheelementsofwhichweare
composed,theactionoftheseforcesextendsbeyondus:itrustsironandripensout
oneverysideofusthoseelementsarebroadcast,driveninmanycurrents;andbirth
andgestureanddeathandthespringingofvioletsfromthegravearebutafewoutof
tenthousandresultantcombinations.Thatclear,perpetualoutlineoffaceandlimbis
butanimageofours,underwhichwegroupthemadesigninaweb,theactualthreads
ofwhichpassoutbeyondit.Thisatleastofflamelikeourlifehas,thatitisbutthe
concurrence,renewedfrommomenttomoment,offorcespartingsoonerorlateron
theirways.
5.SuitIsBest
Theproperforceofwordsliesnotinthewordsthemselves,butintheir
application.Awordmaybeafinesoundingword,ofanunusuallength,andvery
imposingfromitslearningandnovelty,andyetintheconnectioninwhichitis
introducedmaybequitepointlessandirrelevant,Itisnotpomporpretension,butthe
adaptationoftheexpressiontotheidea,thatclenchesawriter'smeaning:asitisnot
thesizeorglossinessofthematerials,buttheirbeingfittedeachtoitsplace,thatgives
strengthtothearch;orasthepegsandnailsareasnecessarytothesupportofthe
buildingasthelargertimbers,andmoresothanthemereshowy,unsubstantial
ornaments.Ihateanythingthatoccupiesmorespacethanitisworth.Ihatetoseea
loadofbandboxesgoalongthestreet,andIhatetoseeaparcelofbigwordswithout
anythinginthem.Apersonwhodewsnotdeliberatelydimplesofallhisthoughts
alikeincumbrousdraperiesandflimsydisguisesmaystrikeouttwentyvarietiesof
familiareverydaylanguage,eachcomingsomewhatnearertothefeelinghewantsto
convey,andatlastnothituponthatparticularandonlyonewhichmaybesaidtobe
identicalwiththeexactimpressioninhismind.ThiswouldseemtoshowthatMr.
Cobaltishardlyrightinsayingthatthefirstwordthatoccursisalwaysthebest.It
maybeaverygoodone;andyetabettermaypresentitselfonreflectionorfromtime
totime.Itmaybesuggestednaturally,however,andspontaneously,fromafreshand
livelyconceptionofthesubject.
6.AboutReadingBooks
byVirginiaWoolf
Itissimpleenoughtosaythatsincebookshaveclasses-fiction,biography,
poetry・・・weshouldseparatethemandtakefromeachwhatisrightthateachshould
giveus.Yetfewpeopleaskfrombookswhatbookscangiveus.Mostcommonlywe
cometobookswithblurredanddividedminds,askingoffictionthatitshallbetrue,
ofpoetrythatitshallbefalse,ofbiographythatitshallbeflattering,ofhistorythatit
shallenforceourownprejudices.Ifwecouldbanishallsuchpreconceptionswhenwe
read,thatwouldbeanadmirablebeginning.Donotdictatetoyourauthor;tryto
becomehim.Behisfellow-workerandaccomplice.Ifyouhangback,andreserve,
andcriticizeatfirst,youarepreventingyourselffromgettingthefullestpossible
valuefromwhatyouread.Butifyouopenyourmindaswidelyaspossible,thensigns
andhintsofalmostimperceptiblefineness,fromthetwist,andturnofthefirst
sentences,willbringyouintothepresenceofahumanbeingunlikeanyother.Steep
yourselfinthis,acquaintyourselfwiththis,andsoonyouwillfindthatyourauthoris
givingyou,orattemptingtogiveyou,somethingfarmoredefinite.Thethirty-two
chaptersofanovelifweconsiderhowtoreadanovelfirstareanattempttomake
somethingasformedandcontrolledasabuilding:butwordsaremoreimpalpable
thanbricks,readingisalongerandmorecomplicatedprocessthanseeing.Perhaps
thequickestwaytounderstandtheelementsofwhatanovelistisdoingisnottoread,
buttowrite,tomakeyourownexperimentwiththedangersanddifficultiesofwords.
Recall,then,someeventthathasleftadistinctimpressiononyouhowatthecorner
ofthestreet,perhaps,youpassedtwopeopletalking,Atreeshook,anelectriclight
danced,thetoneofthetalkwascomic,butalsotragic,awholevision,anentire
conception,seemedcontainedinthatmoment.
7.ALittleGirl
FromAlysonbyTheodoreWatts-Duncan
Sittingonagrassy,beneathoneofthewindowsofthechurch,wasalittlegirl.
Withherheadbentback,shewasgazingupattheskyandsinging,whileoneofher
littlehandswaspointingtoatinycloudthathoveredlikeagoldenfeatheraboveher
head.Thesun,whichhadsuddenlybecomeverybright,shiningonherglossyhair,
gaveitametallicluster,anditwasdifficulttosaywhatwasthecolor,darkbronzeor
black.Socompletelyabsorbedwassheinwatchingthecloudtowhichherstrange
songorincantationseemedaddressed,thatshedidnotobservemewhenIroseand
wenttowardsher.Overherhead,highupintheblue,alarkthatwassoaringtowards
thesamegauzycloudwassinging,asifinrivalry.AsIslowlyapproachedthechild,I
couldseebyherforehead,whichinthesunshineseemedlikeaglobeofpearl,and
especiallybyhercomplexion,thatshewasuncommonlylovely.Hereyes,whichat
onemomentseemedblue-gray,atanotherviolet,wereshadedbylongblacklashes,
curvingbackwardinamostpeculiarway,andthesematchedinhuehereyebrows,and
thetressesthatweretossedabouthertenderthroatandwerequiveringinthesunlight.
AllthisIdidnottakeinatonce;foratfirstIcouldseenothingbutthosequivering,
glittering,changefuleyesturnedupintomyface.Graduallytheotherfeatures,
especiallythesensitivefull-lippedmouth,grewuponmeasIstoodsilentlygazing.
Hereseemedtomeamoreperfectbeautythanhadevercometomeinmyoverset
dreamsofbeauty.Yetitwasnotherbeautysomuchasthelookshegavemethat
fascinatedme,meltedme.
8.ACuriousDecision
Anonymous
Apoorchimney-sweeper,whohadnotenoughmoneytobuyameal,stoppedone
hotsummerdayatnoonbeforeaneating-house,andremainedregalinghisnosewith
thesmellofthevictuals.Themasteroftheshoptoldhimseveraltimestogoaway,
butthesweepcouldnotleavethesavorysmell,thoughunabletopurchasethetasteof
thefood.Atlastthecookcameoutoftheshop,andtakingholdofthesweep,declared
that,ashehadbeenfeedinguponthesmellofhisvictuals,heshouldnotgoaway
withoutpayinghalfthepriceofadinner.Thepoorfellowsaidthatheneithercould
norwouldpay,andthathewouldaskthefirstpersonwhoshouldpass,whetheritwas
notanunreasonableandunjustdemand.
Thecasewasreferredtoapoliceman,whohappenedtopassatthatmoment.He
saidtothesweep:"Asyouhavebeenfeastingoneofyoursenseswiththeodorofthis
man'smeat,itisbutjustyoushouldmakehimsomerecompense;thereforeyoushall,
inyourturn,regaleoneofhissenses,whichseemstobemoreinsatiablethanyour
appetite.Howmuchmoneyhaveyou?"
nIhavebuttwopenceinalltheworld,sir,andImustbuymesomebread."
"Nevermind,"answeredtheofficer,"takeyourtwopencebetweenyourhands;
nowrattlethemloudly."
Thesweepdidso,andtheofficer,turningtothecook,said,“Now,sir,Ithinkhe
haspaidyou:thesmellofyourvictualsregaledhisnostrils;thesoundofhismoney
hastickledyourears.1*
Thisdecisiongavemoresatisfactiontothebystandersthantothecook,butit
wastheonlypaymenthecouldobtain.
9.OliverGoldsmith
ByWashingtonIrving
Therearefewwritersforwhomthereaderfeelssuchpersonalkindnessasfor
OliverGoldsmith,forfewhavesoeminentlypossessedthemagicgiftofidentifying
themselveswiththeirwritings.Wereadhischaracterineverypageandgrowinto
familiarintimacywithhimasweread.Theartlessbenevolencethatbeamsthroughout
hisworks;thewhimsical,yetamiableviewsofhumanlifeandhumannature;the
unforcedhumor,blendingsohappilywithgoodfeelingandgoodsense,and
singularlydashedattimeswithapleasingmelancholy;eventheverynatureofhis
mellow,andflowingandsoftlytintedstyle,--allseemtobespeakhismoralaswellas
hisintellectualqualities,andmakeuslovethemanatthesametimethatweadmire
theauthor.Whiletheproductionsofwritersofloftierpretensionandmoreresounding
namesaresufferedtomolderonourshelves,thoseofGoldsmitharecherishedand
laidinourbosoms.Wedonotquotethemwithostentation,buttheyminglewithour
minds,sweetenourtempers,andharmonizeourthoughts;theyputusingoodhumor
withourselvesandwiththeworld,andinsodoingtheymakeushappierandbetter
men.
AnacquaintancewiththeprivatebiographyofGoldsmithletsusintothesecret
ofhisgiftedpages.Wetherediscoverthemtolittlemorethantranscriptsofhisown
heartandpicturingofhisfortunes.Thereheshowshimselfthesamekind,artless,
good-humored,excursive,sensible,whimsical,intelligentbeingthatheappearsinhis
writings.
Scarcelyanadventureorcharacterisgiveninhisworks,thatmaynotbetraced
tohisownparty-coloredstory.Manyofhismostludicrousscenesandridiculous
incidentshavebeendrawnfromhisownblundersandmischances,andheseems
reallytohavebeenbuffetedintoalmosteverymaximimpartedbyhimforthe
instructionofhisreader.
10.ASummerDay
ByCharlesDickens
OnedaythirtyyearsagoMarseilleslayintheburningsun.Ablazingsunupona
fierceAugustdaywasnogreaterrarityinsouthernFrancethanatanyothertime
beforeorsince.EverythinginMarseillesandaboutMarseilleshadstaredatthefervid
sun,andbeenstaredatinreturn,untilastaringhabithadbecomeuniversalthere.
Strangerswerestaredoutofcountenancebystaringwhitehouses,staringwhite
streets,staringtractsofaridroad,staringhillsfromwhichverdurewasburntaway.
Theonlythingstobeseennotfixedlystaringandglaringwerethevinesdrooping
undertheirloadsofgrapes.Thesedidoccasionallywindalittle,asthehotairbarely
movedtheirfaintleaves.
Theuniversalstaremadetheeyesache.TowardsthedistantblueoftheItalian
coast,indeed,itwasalittlerelievedbylightcloudsofmistslowlyrisingfromthe
evaporationofthesea,butitsoftenednowhereelse.Farawaythedustyvines
overhangingwaysidecottages,andthemonotonouswaysideavenuesofparchedtreks
withoutshade,droppedbeneaththestareofearthandsky.Sodidthehorseswith
drowsybells,inlongfilesofcarts,creepingslowlytowardstheinterior;sodidtheir
recumbentdrivers,whentheywereawake,whichrarelyhappened;sodidthe
exhaustedlaborersinthefields.Everythingthatlivedorgrewwasoppressedbythe
glare;exceptthelizard,passingswiftlyoverroughstonewalls,andcicada,chirping
itsdryhotchirp,likearattle.Theverydustwasscorchedbrown,andsomething
quiveredintheatmosphereasiftheairitselfwerepanting.
Blinds,shutters,curtains,awnings,wereallclosedanddrawntodeepoutthe
stare.Grantitbutachinkorakeyhole,anditshotinlikeawhite-hotarrow.
11.AWetSundayinACountryInn
byWashingtonIrving
AwetSundayinacountryinn!Whoeverhashadthelucktoexperienceone
canalonejudgeofmysituation.Therainpatteredagainstthecasements;thebells
tolledfbrchurchwithamelancholysound.Iwenttothewindowsinquestof
somethingtoamusetheeye;butitseemedasifIhadbeenplacedcompletelyoutof
thereachofallamusement.Thewindowsofmybed-roomlookedoutamongtiled
roofsandstacksofchimneys,whilethoseofmysitting-roomcommandedafullview
ofthestableyard.Iknowofnothingmorecalculatedtomakeamansickofthisworld
thanastableyardonarainyday.Theplacewaslitteredwithwetstrawthathadbeen
kickedaboutbytravelersandstable-boys.Inonecornerwasastagnantpoolofwater,
surroundinganislandofmuck;therewereseveralhalf-drownedfowlscrowded
togetherunderacart,amongwhichwasamiserable,crest-fallencock,drenchedout
ofalllifeandspirit;hisdroopingtailmatted,asitwere,intoasinglefeather,along
whichthewatertrickledfromhisback;nearthecartwasahalfdozingcow,chewing
hercud,andstandingpatientlyberainedon,withwreathsofvaporrisingfromher
reekinghide;awall-eyedhorse,tiredofthelonelinessofthestable,waspokinghis
spectralheadsetofawindow,withtheraindrippingonitfromtheeaves;anunhappy
cur,chainedtoadog-househardby,utteredsomethingeverynowandthenbetweena
barkandayelp;adrabofakitchenwenchtrampedbackwardsandforwardsthrough
theyardinpatens,lookingassulkyastheweatheritself;everything,inshort,was
comfortlessandforlorn,exceptingacrewofhardenedducks,assembledlikeboon
companionsroundapuddleandmakingariotousnoiseovertheirliquor.
12.CrossingTheRubicon
FromThirtyMoreFamousStoriesRetoldbyJamesBaldwin
ThemarchtoItalywasbegun.Thesoldierswereevenmoreenthusiasticthan
Caesarhimself.Theyclimbedmountains,wadedrivers,enduredfatigue,facedall
kindsofdangerfbrthesakeoftheirgreatleader.
AtlasttheycametoalittlerivercalledtheRubicon.Itwastheboundarylineof
CaesafsProvinceofGaul;ontheothersideofitwasItaly.Caesarpausedamoment
onthebank.HeknewthattocrossitwouldbetodeclarewaragainstPompeyandthe
RomanSenate;itwouldinvolveallRomeinafearfulstrife,theendofwhichnoman
couldforesee.
Buthedidnothesitatelong.Hegavetheword,androdeboldlyacrossthe
shallowstream.
"WehavecrossedtheRubicon,*'hecriedashereachedthefarthershore."There
isnownoturningback."SoonthenewswascarriedtoRome:℃aesarhascrossed
theRubicon;'*andtherewasgreatdismayamongthosewhohadplottedtodestroy
him.Pompey'ssoldiersdesertedhimandhastenedtojointhemselvestoCaesar's
Romesenatorsandtheirfriendsmadereadytofleefromthecity.
"CaesarhascrossedtheRubicon!"wasshoutedalongtheroadsandbyways
leadingtoRome;andthecountrypeopleturnedouttomeetandhailwithjoythe
conqueringhero.
Thewordwascarriedasecondtimetothecity:℃aesarhascrossedthe
Rubicon,"andthewildflightbegan.Senatorsandpublicofficerslefteverything
behindandhurriedawaytoseeksafetywithPompey.Onfoot,onhorseback,inlitters,
incarriages,theyfledfbrtheirlives—allbecauseCaesarhadcrossedtheRubicon.
Pompeywasunabletoprotectthem.Hehurriedtotheseacoast,and,withallwho
wereabletoaccompanyhim,sailedawaytoGreece.
GasserwasthemasterofRome.
13.Andrew*sRuldstoBeRich
ThepersonofnextconsiderationisSirAndrewFreeport,amerchantofgreat
eminenceinthecityofLondon,apersonofindefatigableindustry,strongreason,and
greatexperience.Hisnotionsoftradearenobleandgenerous,and(aseveryrichman
hasusuallysomeslywayofjesting,whichwouldmakeongreatfigurewerehenota
richman)hecallstheseatheBritishCommon.Heisacquaintedwithcommerceinall
itsparts,andwilltellyouthatitisastupidandbarbarouswaytoextenddominionby
arms;fortruepoweristobegotbyartsandindustry.Hewilloftenargue,thatifthis
partofourtradewerewellcultivated,weshouldgainfromonenation;andofanother,
fromanother.Ihaveheardhimprovethatdiligencemademorelastingacquisitions
thanValero,andthatslothhasruinedmorenationsthanthesowed.Heaboundsin
severalfrugalmaxims,amongwhichthegreatestfavoriteis,"Apennysavedisa
pennygot."Ageneraltraderofgoodsenseispleasantercompanythanageneral
scholar;andSirAndrewhavinganaturalunaffectedeloquence,theperspicuityofhis
discoursegivesthesamepleasurethatwitwouldinanotherman.Hehasmadehis
fortuneshimself,andsaysthatEnglandmaybericherthanotherkingdomsbyasplain
methodsashehimselfisricherthanothermen;thoughatthesametimeIcansaythis
ofhim,thatthereisnotapointingthecompassbutblowshomeashipinwhichheis
anowner.
14.TwoWomen
Inexternals,theyweretwounobtrusivewomen;aper-fectlysecludedlifegave
themretiringmannersandhabits.InEmily'snaturetheextremesofvigorand
simplicityseemedtomeet.Underanunsophisticatedculture,inartificaltastes,andan
unpretendingoutside,layasecrecypowerandfirethatmighthaveinflamedthebrain
andkindledtheveinsofahero;butshehadnoworldlywisdom:herpowerswere
unacceptedtothepracticalbusinessoflife:shewouldfailtodefendhermost
manifestrights,toconsulthermostlegitimateadvantage.Aninterpreteroughtalways
tohavestoodbetweenherandtheworld.Herwillwasnotveryflexible,andit
generallyopposedherinterest.Hertemperwasmagnanimous,butwarmandsudden;
herspiritaltogetherunbending.
Anne'scharacterwasmilderandmoresubdued;shewantedthepower,the
fire,theoriginalityofhersister,butwaswellendowedwithquitevirtuesofherown.
Longsuffering,self-denying,reflective,andintelligent,aconstitutionalreserveand
taciturnityplacedandkeptherintheshade,andcoveredhermind,andespeciallyher
feelings,withasortofnun-likeevil,whichwasrarelylifted.NeitherEmilynorAnne
waslearned;theyhadnothoughtoffillingtheirpitchersatthewell-springofother
minds;theyalwayswroteformtheimpulseofnature,thedictatesofintuition,and
fromsuchstoresofobservationastheirlimitedexperiencehadenabledthemtoamass.
Imaysumupallbysaying,thatforstrangerstheywerenothing,forsuperficial
observerslessthannothing;butfbrthosewhohadknownthemalltheirlivesinthe
intimacyofcloserelationship,theyweregenuinelygoodandtrulygreat.
15.ThreePhysicalStates
Mostpeoplewoulddescribewaterasacolourlessliquid.Theywouldknowthat
inverycoldconditionsitbecomesasolidcalledice,andthatwhenheatedonafireit
becomesavaporcalledsteam.Butwater,theywouldsay,isaliquid.
Wehavelearnedthatwaterconsistsofmoleculescomposedoftwoatomsof
hydrogenandoneatomofoxygen,whichwedescribebytheformulathisisequally
trueofthesolidcallediceandthegascalledsteam.Chemicallythereisnodifference
betweenthegas,theliquid,andthesolid,allofwhicharemadeupofmoleculeswith
theformulathisistrueofotherchemicalsubstances;mostofthemcanexistas
gasesorasliquidsorassolids.Wemaynormallythinkofironasasolid,butifwe
heatitinafurnaceitwillmeltandbecomealiquid,andatveryhightemperaturesit
willbecomeagas.Wenormallythinkofairasamixtureofgases,butatverylow
temperaturesitbecomesaliquid,andatlowertemperaturesstillitbecomesawhite
solid.
Nothingverypermanentoccurswhenagaschangesintoaliquidorasolid.
Everyoneknowsthatice,whichhasbeenmadebyfreezingwater,canbemelted
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