主题15　文学艺术形式

5/5主题15文学艺术形式Ⅰ.阅读理解A（2026·石家庄质检）Herearesomemuseumsinhonoroffamouswritersyoucanvisit.TheShakespeareBirthplaceTrustWilliamShakespeare，perhapsthegreatestplaywrightinEnglishliterature，iscelebratedattheShakespeareBirthplaceTrust.Youcanvisithischildhoodhome，exploreexhibitsabouthislifeandworks，andexperienceliveperformancesintheRoyalShakespeareTheatre.YoucanalsovisitAnneHathaway’shouse，whereShakespearecourtedher.Location：Stratford-upon-Avon，EnglandReadingsuggestion：MacbethTheLouisaMayAlcott’sOrchardHouseDiscovertheliterarylegacy（遗产）ofLouisaMayAlcott，authorofLittleWomen，atherformerhome，OrchardHouse.ExploretheroomswhereAlcottpennedherfamousnovelandlearnabouttheinspirationsbehindherbelovedcharacters.Therehavebeennomajorchangestothehouse，sotheroomslookmuchthesame.Location：Concord，theUSReadingsuggestion：LittleWomenTheHansChristianAndersenMuseumEnjoythefairytalesthathaveattractedgenerationsattheHansChristianAndersenMuseum.ExplorethelifeandimaginationoftheDanishauthorbehindhisshortstorieslikeTheLittleMermaid.Fromthemomentyoustepintothebuilding，theexhibitiontakesyoudeeperintoAndersen’sfairytales.Location：Odense，DenmarkSuggestedreading：TheLittleMermaidThePabloNerudaHouseBuryyourselfinthepoetryofPabloNeruda，theChileanpoet.ThePabloNerudaHouseshowcaseshiscollectionofart，poetry，andpersonalartifacts，offeringapoeticjourneythroughhislifeandcreativeexpressions.IwishIknewSpanishwellenoughtoreadNeruda’sworksinhisnativelanguage.Location：Santiago，ChileSuggestedreading：TwentyLovePoemsandaSongofDespair1.WhatcanvisitorsdoattheShakespeareBirthplaceTrust？（）A.Watchliveshows. B.Learntowriteplays.C.MeetAnneHathaway. D.ReaddraftsofMacbeth.2.WhichoftheworkswasprobablywritteninSpanish？（）A.Macbeth. B.LittleWomen.C.TheLittleMermaid. D.TwentyLovePoemsandaSongofDespair.3.Whoisthetextintendedfor？（）A.Artreviewers. B.Literatureenthusiasts.C.Theatreperformers. D.Architecturedesigners.B（2026·成都诊断性检测）WriterShanXiaohuawasmeditatingwithherpeninhandinaroom.MaJunwasleaningbackwitharelaxedexpressiononhisface，exploringtheworldofliteraturewithhiscellphone.Inashop，blindwriterZhaoLingwaslisteningtoclassicworkswithcustomerswhileworking...ThesescenestakeplaceinXijicounty，amountainousareainsouthernNingxia.IthaswonthenameHometownofLiterature.Historicallyspeaking，theregionhasdeeprootsinit.TheXihaiguareawasonceapassagealongtheSilkRoad，withactiveexchangesanddiversefolkartsuchasfolksingingHua’er，storytellingandQinqiangOpera，aswellaseventslikeblessingeventsduringtheSpringFestival.Forthousandsofyears，diversecultureshaveintegratedwitheachother，creatingauniquehumanisticatmospherehere，whichinfluencedandguidedpeoplebornandraisedheretoturntheirthoughtsabouttheland，nation，homelandandthemselvesintowordsonthepage.Realityhasalwaysbeenasourceofinspiration.Considered“oneofthemostunfitplacesforhumansettlement”bytheUNinthe1970s，Xihaiguoncehadnothingbutpoorland，droughts，andadelicateecologicalenvironment.Peoplelivingherehadnochoicebuttosufferthehardshipsoflife.Itwasliteraturethatgavethemstrength.Cleanandtidyroads，publicsquareswithwell-equippedfacilities，academiesfullofbooks，factorieswithorderlyproduction...GreatchangeshavetakenplaceinXihaigu.Inthepast，povertystoppedpeoplefromwritingastheystruggledtofeedthemselvesfirst.Now，writingreflectstheirambitions.Morepeoplecancreateliteraryworks.Here，theflowersofliteraturebloomeverywhere；here，literatureisthelandthatgrowsthebestcrops.4.Whyarethescenesdescribedinthefirstparagraph？（）A.Toshowwritingiseasytomaster. B.Todescribethelocals’loveforwriting.C.TointroducesomewritersinXijicounty. D.Tocomparethesituationindifferenttimes.5.WhichcanbestdescribethetypicalfeatureofXihaiguareaaccordingtoparagraph2？（）A.Culturallyrich. B.Sociallyunstable.C.Historicallyimportant. D.Geographicallydiverse.6.WhatdidliteraturemeanforpeopleinXijicountyinthepast？（）A.Therecordingofhardships. B.Spiritualsupport.C.Theexpressionofthankfulness. D.Contactwiththeoutside.7.Whatdoesthistextmainlytalkabout？（）A.ThepursuitsofpeopleinXijicounty. B.TheculturalsignificanceofXijicounty.C.ThepowerofliteratureforpeopleinXijicounty. D.People’sunderstandingofliteratureinXijicounty.C（2026·南昌模拟）Genres（体裁）areoftenviewedasstructuralframeworksforliterarytexts，ontowhichelementslikeimagery，characters，plot，andsettingsarelayered.Theseframeworksarepasseddownthroughgenerations，evolving（演变）overtime.Amongallgenres，thenovelreceivedthemostcriticalattentioninthetwentiethcentury，oftenpraisedasthe“kingofgenres”duetoitsreflectionontherealworld.Yet，inthenineteenthcentury，itwasprimarilyseenasaformofmiddle-classentertainment.Itwasnotuntilthetwentiethcenturythatthenovelwasliftedtothestatusofanartform，joininginthesameleagueaspaintingorclassicalmusic.Lateron，manyscholarssuccessivelystudiedthecharacteristicsofnovelsfromthe18thand19thcenturies.Recently，inabookbyEdwinFrank，StrangerThanFiction，heraisesanappealingquestion：Istheresuchathingasa“twentieth-centurynovel”？Isitmeaningfultodistinguishthetwentieth-centurynovelfromitsnineteenth-centurypredecessor—orevenfromthenovelofthetwenty-firstcentury？Frankthinksso.Inhisbook，heillustrateshowthetwentieth-centurynovelmaturesintoadistinctliterarygenre.Thetwentiethcenturywasaperiodofviolentchange；therefore，violentchangeiswhatthetwentieth-centurynovelreflects—not，ornotonly，initssubjectmatterbutinitsform.Franksuggeststhat，modernasthetwentieth-centurynovelis，itshowstheculturalrelevancetodevelopmentofsocieties.However，thatrelevanceseemstohavewaned.Today，thenovelnolongerholdsacentralplaceintheculturalconversation.People’sdailyquestionhasshiftedfrom“Whatareyoureading？”to“Whatareyoustreaming？”Televisionserieshaveemergedasthedominantformofmiddle-classentertainmentinthetwenty-firstcentury.Hasprestigetelevisionreshapedtheroleofthenovel？Manynineteenth-centurynovelsgainedvitalityinthetwentiethcenturythroughfilmadaptations.HenryJames，forexample，wouldlikelybepleasedtoknowthatThePortraitofaLadyhasbeenadaptedintoaminiseries，afeaturefilm，andevenatelevisionversion—eachreachingafarlargeraudiencethantheoriginalprinteditioncouldeverhavehopedfor.8.Whydidthenovelgainrecognitioninthetwentiethcentury？（）A.Itmirroreditslinkwithreality. B.Itwaswritteninamusingforms.C.Itdisplayedattractivecharacters. D.Itwasauthoredbythemiddleclass.9.Whichaspectofthetwentieth-centurynoveldoesStrangerThanFictionfocuson？（）A.Itsriseandfall. B.Itsexpansionandeffect.C.Itssignificanceandlimitation. D.Itsevolutionanduniqueness.10.Whatdoestheunderlinedword“waned”inparagraph4mean？（）A.Varied. B.Weakened.C.Peaked. D.Remained.11.WhatdoestheexampleofThePortraitofaLadyindicate？（）A.Novelslosetheirartisticappeal. B.Adaptationsdecreasenovels’status.C.Themediabreathenewlifeintonovels. D.TVshowschangetheroleofnovels.Ⅱ.阅读七选五（2026·石家庄质检）MakeTimetoWriteSinceanewyearhasstarted，timeliesbeforeuslikeablankpage，waitingtobefilledwithwriting.Weareallbusypeople，andwesometimesfeelthatlifeisworkingagainstourwritingambitionsandpushingthemaside.Yetthemostproductivewritersarethebusiest.12.Overcomingself-doubtandfearisthekeytounlockingyourpotential.13.Mostofthetime，therealreasonwhyweavoidwritingisthatwe’reafraidoffailing.It’ssimplertocomplainaboutbeingtoobusythantofaceourfear.Tosolvethisproblem，wecantrytounderstandwhatwe’rescaredof，dealwithit，andthenfocusonmovingforward.Asimplewaytofindmoretimetowriteistogiveyourselfacleargoal.ItneedstobeSMART：specific，measurable，achievable，realisticandtime-bound.14.Ifyousuccessfullymeetyourtarget，youcouldgiveyourselfasmallreward：buyanewnotebookorpen，goforalongwalk，ortakeadayofffromwritingandjustdosomethingcompletelydifferent.15.AsHenryFordoncesaid，“Ifyoudowhatyou’vealwaysdone，you’llgetwhatyo