关于电影的英语演讲稿

1 / 9 关于电影的英语演讲稿 电影书写的影片，籍影像与声音的关系来表达，而非靠 (演员或非演员的 )动作和声调的模仿。它不分析，也不解释。它重组。 罗伯特 布烈松 (法国 ) 以下是关于电影的英语演讲稿的范文，供大家参考 ! There are so many movies Ive loved that the entire list would be nearly book-length. Its tough to pick just a few, but Ill give it a try. Before I start any kind of numbered list, I have to include one film that . well, itd be unfair to call it (them, really) my favorite film(s), as they float in the stratosphere above anything like a numerical favorites list. It isnt fair to list it with others. While Ill still refer to #1 on the list below as my favorite as follow. Movie:dAmlie Poulain, Directed by :Jean-Pierre Jeunet. Jean-Pierre Jeunet has created montages of insignificance and triviality only to bring out in an euphemistic way the biggest support one can get in life; single character,including Amelie herself,has some kind of peculiarity in their characteristics(which 2 / 9 often resemble the eccentricity of Dickensian characters)but the one thing binds them together is their agony of being lonely,unnoticed and search for companionship and is like the angel who repairs the missing links in their lives and finds a root of her Alls Well that Ends Well motto of fairy-tales has been adopted very skilfully in this movie and it rather wakes up the fairy godmother in each of us. For0 years Jean-Pierre Jeunet collected small astonishing and intriguing moments in his life, taking notes in his diary, not knowing that he was up to co-write and direct one of the most successful film in French film history. Jean-Pierre Jeunet fell in love with the story and the film he titled Le fabuleux destin dAmlie Poulain. But its popularity was even a surprise to Jean-Pierre Jeunet himself as he once stated: I guess I have to produce a film like Alien Resurrection (USA 1997) to make a movie like Le fabuleux destin dAmlie Poulain, obviously not aware of the films potential. Unfortunately the film didnt win an Academy Award for the best foreign film in001 which still puzzles film fans all over the world. 3 / 9 I consider Jean-Pierre Jeunets film as a masterpiece. In my opinion, it is an outstanding film in film history for its cinematography, the music, the story, but above all the overall atmosphere. Going to the cinema is like meditating. We sit for over one-hour and comfortable chair - our breath slows down and as the lights are switched off, we enter a dream world. We seek to escape our normal world just for a short period of time, to experience something totally different and yet, we want to find ourselves in this world. Thanks to Jean-Pierre Jeunet I had a wonderful dream, I will never forget. Jean-Pierre Jeunet and his camera man, Bruno Delbonnel, wanted to make the film look like the Spanish painter did his artwork. To establish a dreamlike atmosphere they used mostly red and green, sometimes adding a little blue spot in the picture to set the contrast. Audrey Tautou (Amlie Poulain), mostly wears either red or green dresses, as well as the housekeeper (Yolande Moreau as Madelaine Wallace, concierge), and Amlies mother (Lorella Cravotta as Amandine Poulin) in the beginning of the film. When 4 / 9 Amlie Poulain sits down to watch the tragedy of her life on her TV, there is an outstanding of a blue lamp in the background. Sometimes the use of color gets very obvious. Amlies apartment for example is almost completely red, the underground station and the train station are kept in green and the green grocery store stands out from the grey buildings. Honestly, I havent noticed the extreme use of color the first time I watched the movie. I just wondered how Jeunet succeeded in establishing such a fabulous atmosphere. The atmosphere is also supported by the magnificent music by Yann Tiersen who has composed 1songs in 1days for this movie. The principal motive appears in many variations somehow being joyful, yet at the same time sad - slow and sometimes fast and activating. The music supports every moment in the film and becomes the sound of a fabulous world. Camera movement certainly contributes its part to the atmosphere. Balanced and unbalanced pictures contribute to the message of each shot. Right in the beginning when Amlies mother is introduced, the picture is balanced symbolizing her pursuit for 5 / 9 correctness and cleanliness. The same can be about the first shots of Amlies father. When talking about his dislikes, the shots are unbalanced. But more impressing are some camera movements. For example there is an astonishing high angle shot of Amlie flipping stones on le canal in Paris. The camera shows her leaning on a fence, flying above her head then craning to a low angle shot to show her flipping stones in the direction of the camera. Another one worth mentioning might be the chase of the repairs person. Nino is shown falling up the steps chasing the repairs person for the photo machines. The camera turns to show the man getting in the car driving off. Still in a low angle Nino starts his moped, trying to follow the worker, almost hitting a car. Amlie is entering the p icture running after Nino. The camera follows her, then turning almost 180 around her to show her hold Ninos red bag that he lost. When Amlie sits in front of the station, we see her in a long shot, the camera dollies in to fly over her head to an over-the-shoulder shot. Some of these camera movements are really awesome, not only from a technical point of view, but moreover from an aesthetic 6 / 9 standpoint. They support the dreamlike atmosphere, adding interesting aspects to ordinary actions. This movie is delightful from start to finish. Although some of the coincidences and chance meetings are highly improbable (both going to NYC? Both watching the same TV set at the same time?), they cannot spoil what is a genuinely touching and moving experience. Instead of a the usual scenario where two people try desperately to find love, the two leads, Li Chiao (Maggie Cheung) and Li Xiao Jun (Leon Lai), try desperately to avoid it. Both Mainlanders, she has come to Hong Kong to make her fortune; he has come to earn enough money to marry his long-time fiance back on the Mainland. Through a brief meeting in a McDonalds where Li Chiao works one of her several part-time jobs, and Xiao Jun has come to experience the unknown-in-his-hometown food, they become friends. They discover a shared love for the songs of Taiwanese singer Teresa Tang, which become the soundtrack to their relationship. Both are lonely, and gradually they form a genuine friendship, then a not-so-casual intimate relationship. Their struggle to remain true 7 / 9 to their original goal in coming to Hong Kong leads to an emotional crisis for both them and their partners. The struggle takes place over a ten year period, during which they separate only to keep bumping into one another and reopening old wounds. The resolution of this struggle is sweet indeed. The lead actors are both exceptional, particularly Leon Lai, who always seemed to be playing a variation on himself until this film. He is completely believable as the naive and trusting Xiao Jun, and Maggie Cheung is, as ever, radiant and affecting. The songs of Teresa Tang are used to great effect, one of which gives the film its title (Tian mi mi, the title of the Chinese version, roughly translates as Sweet Like Honey). Loses a point for the number of coincidences, but otherwise unreservedly recommended. I have just finished watching it. The emotions came out from deep down in my heart, and I couldnt control myself to stop crying. This is the film of love, reality and dream. It has nothing to do politically with HongKong before or after 1997. It shows the story of 8 / 9 two young people who think they are young enough to not choose and avoid love as the dream of life, instead, they pretend to make their materialised dreams come true. However, after their dreams do come true, they are not satisfied. When they turn over their faces, and realise that having each other is the dream. This is a soft and gentle film that in some way affect your heart deep down inside. The struggle the characters experienced are somehow showing the contradictions that all the immigrants would encounter. Those two immigrants from mainland of China into HongKong have the reluctance of choosing between dream or love, just like all the foreigners