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art,Warmingupunreasonable,Thatfatwomanlookedridiculousinhertightgoldendress.,adoptridiculous,Themayoradoptaridiculoussuggestion.,abstractnotspecific;basedongeneralideas,abstractadj.抽象的,深奥的n.摘要v.摘录,提取,分离eg:Beautyisabstractbutahouseisnot.美是抽象的,房子是具体的。拓展:abstractfrom从中提取intheabstract抽象地,一般性地,Thearticlewasabstractedfromalongernewbook.2)Imjusttalkingintheabstractnow.,ComparisonofWesternandChinesepainting.,TimeWesternChinese,5thto15thcenturyAD,15thto16thcentury,Late19thcenturytoearly20thcentury,20thcenturytotoday,Whichdoyouthinkhasagreaterchange?,Whydowesternpaintingshaveagreaterchange?Nowwedliketolearnsomethingaboutthehistoryofwesternpainting.Firstpleasewritethewordsaccordingtotheirexplanations.,g_s_f_p_r_c_c_p_,1.aplacewheremanypicturesorpaintingsareondisplay2.aperson,athing,etcthatstandforamoregeneralqualityorsituation3.togiveattention,effecttoaparticularthing,situationorpersonratherthananother4.somethingoneowns;wealth5.veryfunny,sillyorunreasonable6.causingdiscussionanddisagreement7.tomakesbbelievethatsomethingistrue8.foretell;tosaysomethingwillhappeninthefuture,allery,ymbol,ocus,ossession,idiculous,ontroversial,onvince,redict,Scanning:PartOneAnIntroductiontotheHistoryofWesternPaintingGothroughthepartandanswerthefollowingquestions:Whatinfluencesart?Thewayoflifeandbeliefsofthepeople.WhyhasChineseartchangedless?BecauseChinahasfollowedasimilarwayoflifeforaverylongtime.Whycantthetextdescribeallthestylesofwesternart?Becausetherearetoomanydifferentstyles.,PartTwoTheMiddleAges(5thto15thcenturyAD)Readthepartcarefullyandfillintheblanks:Inthe_oftheMiddleAges,artistshowedmuch_inshowingrespectandloveforGod_showingnatureandpeopleastheyreallywere.Andpaintingsfromthisperiodare_withreligious_._,thingshadbeguntochangebythe13thcenturywhensomepainters,_GiottodiBondone_amorerealisticstyleof_religiousscenes.,period,interest,instead,of,filled,symbols,However,forexample,created,painting,sinceretobelieveingodorgods,religioustheme,GiottodiBondone(1267-1337).Florentinepainterandarchitect.HewasrecognizedasthefirstgeniusofartintheItalianRenaissance.Giottolivedandworkedatatimewhenpeoplesmindsandtalentswerefirstbeingfreedfromtheshacklesofmedievalrestraint.Hedealtlargelyinthetraditionalreligioussubjects,buthegavethesesubjectsanearthly,full-bloodedlifeandforce.,NowletsknowGiottodiBondoneandoneofhispaintingsandsomeotherpaintingsatthattime.,GiottodiBondone乔托迪邦多纳,犹大之吻,圣母与圣婴,天使报喜织锦画,TheMiddleAges,PartThreeTheRenaissance(15thto16thcentury)Readingthepartanddealwiththefollowingproblems,What?,Why?,Result?,tooktheplaceof,becamefocusedmoreon.,Richpeoplecollectartfor,paidtopaintthemselves,houses,possessions,activities,achievements,returnedto,triedtopaintas.,Fillintheblanks,Paintersthen_howtodrawthings_.AndMasacciowas_useperspectiveinhispaintings.Whenhispaintings_,people_theirreality._therulersofperspectivenotbeendiscovered,peoplewouldnthavebeenabletopaintsuchrealisticpictures.Andoilpaints_madecolorslookricheranddeeper.,discovered,inperspective,thefirstto,werefirstseen,wereconvinced,of,Had,development,Masaccio(1401-1427),thefirstgreatpainteroftheItalianRenaissance,whoseinnovationsintheuseofscientificperspectiveinauguratedthemodernerainpainting.,NowletsknowMasaccioandhispaintings,anothertwopaintersatthattimeLeonardodaVinciandRaffaelloSanzioandtheirmostfamouspaintingsandsomeotherpaintingsatthattime.,LeonardodaVinci(1452-1519),RaffaelloSanzio(1483-1520)拉斐尔,TheSchoolofAthens,PartFourImpressionism(late19thtoearly20thcentury)Dealwiththefollowingproblems:,Changes,Insociety,Inlife,Inart,Threeaspects,Changedfromagriculturaltoindustrial,inventions,.movedfromcountrytocity,ledtochanges,brokeawayfromimpressionistsinParis.paintoutdoors,toshowfellatdifferenttimes,becausechange,hadto,Feature,notasdetailedas,Criticism,hatedbecameangry,saidcarelessridiculous.,印象派是19世纪后半期诞生于法国的绘画流派,其代表人物有莫奈、雷诺阿、西斯莱、德加等。他们继承了法国现实主义前辈画家库尔贝“让艺术面向当代生活”的传统,使自己的创作进一步摆脱了对历史、神话、宗教等题材的依赖,摆脱了讲述故事的传统绘画程式约束。艺术家们走出画室,深入原野和乡村、街头,把对自然清新生动的感观放到了首位,认真观察沐浴在光线中的自然景色,寻求并把握色彩的冷暖变化和相互作用,以看似随意实则准确地抓住对象的迅捷手法,把变幻不居的光色效果记录在画布上,留下瞬间的永恒图像。这种取自于直接外光写生的方式和捕捉到的种种生动印象以及其所呈现的种种风格,不能不说是印象派绘画的创举和对绘画的革命。印象派美术运动的影响遍及各国,获得了辉煌的成就。,莫奈

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