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The Comporation between Hamlet and Zhaoshi OrphenShakespeare is a great playwright of the English Renaissance, Ji Junxiang is a famous playwright in Yuan Dynasty of china. China and Britain are separated by vast oceans, tens of thousands of years, and then the transport is not developed, so the relationship and influence of the two different generations of different dramatists not. However, Shakespeare Hamlet and Ji Junxiang Zhao of the Orphan are based on the history of the legend, the ancient metaphor, and have similar plot chains, that is: he jockeyed for power - and loyal - Hero king or forced or unconsciously renzeizuofu - Zhi Xiaozhen - revenge. Two there is a corresponding relationship between the main characters in the play: Hamlet and Zhao Gu, Claudius J and Tu jia. However, it is not difficult to find that the structure, the conflict and the theme of the two are obviously different. This paper attempts to make a comparative study of these two works, to examine the similarities and differences between the two, to analyze the causes of these similarities and differences.OneRevenge, like love and marriage, is a major theme of literature, it reveals the cultural spirit of a nation. In turn, the cultural spirit of a nation exerts a subtle influence on the protagonists revenge. Hamlet is the father of revenge action through Hamlet drama always, Zhao Gu for the whole family is Zhao the Orphan the climax of revenge.In the cause of the revenge, the two play all pay attention to the justice of revenge, because only the right side of the revenge is legitimate, be sure of revenge. At this point, the story of revenge at all times and in all countries are the same. However, Hamlet plays more emphasis on justice to revenge, Hamlet kills Claudius J just to revenge for the father, what is more important is reforming the universe. Zhao the Orphan series emphasizes the family ethics, emphasizing the murder, kill zhao gu Tuan feel irreconcilable hatred, Jia is private to a great extent. The reason why there is such a difference, it is because of the growth in the Chinese tradition of the feudal Zhao in the feudal family, and Hamlet living in the European Renaissance humanism tide.In the way of revenge, Wright chose to destroy Claudius J completely, not only in the flesh to destroy him, but also in spirit to defeat him. When praying Claudius, Hamlet gave up his chance to kill, because Hamlet believed that killed him in Claudius, wash my soul, is tantamount to the wicked to heaven, this is simply a way of complaining. For a long time, the influence of western countries by Christianity, people generally respect God, heaven yearning for happiness, the maximum punishment for people than people in purgatory.After Cheng Ying indicated, zhao gu knows a blood feud, his first thought was: I broke the old man alive. Because only as soon as possible to kill the enemy, is the best revenge. Although Zhao Tuan Gu is lonely Yifu, but in the face of the enemy of the family, the feeling is not worth mentioning. Zhao gu revenge action is fast, resolute.Hamlet has killed the evil enemies with his sword and Claudius J himself under the poison, avenged his father, but he also paid a young life, with his death, he could not complete the task of reforming the course . Hamlet drama inherited the tradition of the ancient Greek tragedy, the use of a tragedy in the end of the form, so that the hero of Hamlets death in the tragic atmosphere of the end of the tragic.Zhao gu finally captured Tu Anjia, taking revenge for his family, the objective is to state in addition to disaster. In the end, Zhao Wu, who was given the name of the surname, was given a name by the name.Comparison of Hamlet and the Orphan ZhaoHe Wei: Hamlet the and Zhao Orphan of the comparison of the fifth line is Liejue Zu Qing, All sufferings have their reward. From the results of Zhao the Orphan revenge, play obviously by China traditional philosophy and ethical concepts such as a middle course, karma, mournful but not distressing effect of the outcome of reunion.TwoThe Hamlet series was written in 1601, the story comes from the Danish historian Saxos Danish history (about 1200). Although it is written in Denmark, in fact, refers to the end of sixteenth Century, the beginning of the British in seventeenth Century. Zhao the Orphan Series in the early Yuan Dynasty, the story comes from the Zuo Zhuan and historical records. Although not directly involved in the anti script element complex song, but from the actual situation, this play is up Gudang vengeance chronicles, the positive role of anti oppression in the 1. Shakespeare and Ji Junxiang are on their legacy from the theme, and using; two plays appeared similar plot chain.The object of Hamlet drama happened after the selection of events is a Hamlet near the end of the death of the father, mother married for theatrical performance, with the gap between the people such as the ghost scene and scene review and compression of the story of the time span, the performers of the time and the time consistent performance events. Hamlet drama is divided into five acts, the twenty-one plan, the time span of only two months. Shakespeare use retrospective structure, the time span is very long, the idea of a complex event hard to a few scenes, so thatHamlet drama shows the mass structure. The Orphan Zhao play in accordance with the time sequence of the organization of the plot, one line, one line in the end. Zhao the Orphan is a half off drama a time span of twenty years. Ji Junxiang uses the line type structure, as a slow dawn approach, a few minutes or even seconds by actors show the audience believe that time has passed a few days or even a few years.No conflict no play. Compare the conflict in the two play, you will find the strength of the conflict between the two sides of the direction of growth and decline is just the opposite. Prince Hamlet is happy in her fathers death, people love him and respect him. After the death of his mother, he became the prince of melancholy. Old classmates became an accomplice, even his courtiers cater to the crafty king, also become lovers Ophelia crafty king tool use. With the development of the plot, Hamlet face more and more enemies, the prince of melancholy into a lonely prince. On the contrary, Claudius J is the maker of all evil, there are more and more people agree with him, listen to him. When the orphan was born with vast relatives, when out of the fathers. Tu Anjia in order to extermination, brains, search alone, and use unscrupulous divisive tactics righteous desperate to add. After a fierce struggle, finally Tu Anjia trap, and Zhao Gushou as a son raised. Twenty years later, zhao gu knew the truth on the public support, Wei Yi Dao, under the help of Cheng Ying, to hold Tu Anjia revenge. In just one of Zhao Gu, gradually from weak to strong A just cause enjoys abundant support. On the contrary, in the evil side of the Tu Anjia, although powerful, but more and more against his people, his influence from strong to weak, until the destruction of.In the subject, Zhao the Orphan series emphasizes the feudal society of the perfect righteousness and piety, this spirit is not available in the Hamlet series and Hamlet series, the Zhao the Orphan is also a humanist ideal drama lack. It can be said that the Hamlet series is a hymn of humanist, the Zhao the Orphan series is the performance of the victory or loyalty.Two different drama tragedy spirit. Flowing in Hamlet drama tragedy spirit with the fate of individuals are closely related, and show the strong praise of life. Hamlet single-handed Claudius J launched a desperate struggle with the flow, outnumbered, the weak against the strong, as a humanist, he could not rely on the masses of the people, as a lonely fighter, his life is to destroy the logic necessity of the development of. Compared with the Hamlet drama, the flow through the the Orphan Zhao drama of the tragedy of the spirit of the group closely linked, and reveals the sympathy for the weak in life. Han Jue, feeling weak and innocent Zhao gongsunchujiu as solitary, struggle to shock and indignation and right thief Tuan Jia, a personal sacrifice, another person to stand up again. Justice of the people with their own sacrifice for the survival of Zhao Gu, Zhao Gus life is also the value of justice in the death of a time to get a raise. In the end, Zhao Gus success in revenge also depended on the strength of the group.ThreeHamlet drama and the Orphan Zhao drama is rooted in the strong historical life of the soil, but also rooted in the richIn the real life of the soil, is a very good brightness of a mirror. Reflect the British and Chinese people in the long history of the development of the formation of the national characteristics of the spiritual character. This national culture has a potential impact on the survival, thinking, emotion and behavior of the people.On the survival and destruction, thinking of liability issues such as reforming the universe makes Hamlet shilly-shally, he is a contradictory man, is also a real person. He is evil in Claudius killed him, he also paid a life, his tragic destruction makes his humanism sublimate. In him, people can see the light of the dark kingdom. As a worldwide major tragedy, Hamlet plays the basic characteristics of the western tragedy,Tragedy hero is generally a hero of the great men, and basically men. Two, the gradual escalation of the tragic conflict and can not be reconciled, mainly for the main character of the opposition to their opposition, such as the fate of the character, such as social struggle. Three, the tragedy hero dies tragically in the end, people not only face the death, and certainly the active meaning of death caused by.According to the script name orphan great revenge shows, Zhao Gu is the protagonist of the play. Although Zhao Gu in the play in the play is not much more than one person is not playing, but the dramatic conflict is always around and resolved by Zhao gu. Between the righteous and the Tu Anjia P struggle, but it seems to be the end of hills and rivers, The path winds along mountain ridges. Finally, zhao gu Xueyuan, cheerful. The Orphan Zhao play reflects the basic characteristics of Chinese Classical Tragedy: first,
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