论《围城》中隐喻的翻译研究毕业论文.doc

南京邮电大学毕 业 论 文题 目：论围城中隐喻的翻译研究 专 业： 商务英语 学生姓名： 高丽娟 班级学号： B10130520 指导教师： 杨丽 指导单位： 英语系 日期： 2014年 3月 12日至 2014 年 6 月 15 日AcknowledgementsIn writing this thesis, I received much advice, support and encouragement from a number of people. I hereby present my sincere gratitude to those who have given me a hand on the writing of this thesis.矚慫润厲钐瘗睞枥庑赖。My sincere gratitude first and foremost goes to all the teachers in the Foreign Languages Department, whose inspiring lectures gave me a holistic overview concerning linguistics and translation theories. 聞創沟燴鐺險爱氇谴净。Secondly, I would also like to extend my appreciation to my supervisor Yang Li for her guidance and instruction. 残骛楼諍锩瀨濟溆塹籟。Last but not least, I am very grateful to my beloved family and roommates who give me great help in various ways. It is with their support that I can accomplish this task.酽锕极額閉镇桧猪訣锥。AbstractMetaphor is a kind of mixture of culture and thought. Qian Zhongshu uses many vivid and humorous metaphors in The Fortress Besieged, and the translators of its English version have tried their best to keep the original features of these metaphors. This paper analyzes the translation of metaphors in the English version of The Fortress Besieged with the adaption and selection theory of translation in the dimensions of language, culture, and communication, trying to find out an effective way of translation of metaphors to make Chinese culture more widespread. The translation of metaphors in The Fortress Besieged is a process of adaption and selection of not only the eco-environment of translation, but also of language, culture, and communication.彈贸摄尔霁毙攬砖卤庑。Key Words: The Fortress Besieged; metaphor; Adaption and Selection Theory; translation 謀荞抟箧飆鐸怼类蒋薔。摘 要隐喻是文化与思维的混合物。钱钟书先生在其著作围城中运用了大量生动而幽默的隐喻，而其英译本也是尽可能保持了这些隐喻的原汁原味。本论文运用翻译适应选择论，从语言、文化、交流三个维度分析围城英译本中的隐喻翻译。通过这样的分析，阐明围城中的隐喻翻译既是对翻译生态环境的选择适应过程，也是语言、文化、交流维度的选择适应过程，本论文的写作目的是寻求一种有效的隐喻翻译方法使中国文化更广泛地传播。厦礴恳蹒骈時盡继價骚。关键词：围城；隐喻； 适应选择论；翻译ContentsChapter 1 Introduction.11.1 Object of the study.11.2 Significance of the study.11.3 Structure of the thesis.2Chapter 2 Literature review.32.1 Definition and classification of metaphor.32.1.1 Definition of metaphor. .32.1.2 Classification of metaphor.42.2 Translation of metaphor.42.2.1 Relevant theories about the metaphor translation.42.2.2 The adaption and selection theory of translation.5Chapter 3 Translation of metaphors in The Fortress Besieged.63.1 Translation in the dimension of language.63.2 Translation in the dimension of culture.8 3.3 Translation in the dimension of communication.10 3.4 The integration of dimensions of language, culture, and communication.11Chapter 4 Conclusion.134.1 Major findings.134.2 Limitations and suggestions for future study.13Bibliography.14The translation of metaphors in The Fortress Besieged茕桢广鳓鯡选块网羈泪。Chapter 1 Introduction1.1 Object of the StudyThe Fortress Besieged, written by Qian Zhongshu in 1947, is a fantastic satiric novel in the history of Chinese modern and contemporary literature. The novel is not only popular for its theme but also for its vivid and interesting language. Qian puts a large number of various figures of speech into use. Yang observes, “The statistics show that there are totally 635 metaphors in this novel, including plenty of common metaphors and some unique ones that come from writers own life experience” (2011: 2). These unique metaphors have two functions in the novel: ironic function and cognitive function. It is these metaphors that make the novel so special.鹅娅尽損鹌惨歷茏鴛賴。The novel is translated into many languages. The most well-known English version is translated by Jeanne Kelly and Nathan K. Mao. Since this English version was published, it has caught many scholars eyes. Many scholars regard it as a model to study metaphors and they apply different theories to the research on it. Some scholars study the classification of the metaphors in The Fortress Besieged (Hu Zhuanglin, 2004); some scholars focus on the effect of metaphor on revealing the theme (Su Dingfang, 2000), while this paper tries to analyze the translation of these metaphors to find an effective way of translating Chinese metaphors into English.籟丛妈羥为贍偾蛏练淨。1.2 Significance of the StudyBased on the standard of faithfulness, expressiveness, and elegance proposed by Yan Fu (1898), translators devote themselves to retaining the characteristics of source language as much as possible. As both a figure of speech and a cognitive way, metaphor possesses some special cultural features; thus, the translation of metaphors usually faces the dilemma: to keep the original taste or to give a new but similar translation. 預頌圣鉉儐歲龈讶骅籴。Different scholars have different views onthe problem. This paper analyzes the translation of metaphor in Kelly and Maos English version of The Fortress Besieged with the adaption and selection theory of translation in the dimensions of language, culture, and communication.Through such analysis, the researcher attempts to make the point that translation is an adaption process of not only the ecological environment, but also language, culture, and communication. The purpose of this paper is to seek an effectivemethod forthetranslation of metaphorin The Fortress Besieged.渗釤呛俨匀谔鱉调硯錦。1.3 Structure of the ThesisThis thesis is composed of four chapters. Chapter One is the introduction to the object, and significance and outline of the study. Chapter Two is literature review, including definition and classification of metaphor and previous empirical studies on the translation of metaphor and The Fortress Besieged. Chapter Three focuses on the translation of metaphors in The Fortress Besieged. Chapter Four is a conclusion, including major findings, limitations of the present study and suggestions for future study. 铙誅卧泻噦圣骋贶頂廡。Chapter 2 Literature ReviewIn Chapter Two, the author will review the definition and classification of metaphor, and introduce previous empirical studies of translation of metaphors in The Fortress Besieged擁締凤袜备訊顎轮烂蔷。2.1 Definition and Classification of Metaphor2.1.1 Definition of metaphor “Metaphor originates from the Greek word metaphor, meaning a transfer of贓熱俣阃歲匱阊邺镓騷。meaning” (Lv, 2003: 45). It is a figure of speech containing an implied comparison, in which a word or phrase ordinarily and primarily used of one thing is applied to another and it is the most important figure of speech, pointing out resemblance but with no acknowledging word（Websters New World Dictionary）. In 1980, Lakoff and Johnson first proposed the conceptual metaphor theory in their book Metaphors We Live By,坛摶乡囂忏蒌鍥铃氈淚。Metaphor is a systematic reflection from the specific conceptual field to the abstract conceptual field. In conceptual metaphor theory, the metaphor is rather a matter of thought than a matter of language, and it is a way of thinking and a means of cognition (1980: 3).蜡變黲癟報伥铉锚鈰赘。Translation is to turn a speech text into the meaning of another speech text in the specific social historical and cultural background. Different language systems and cultural background form different readers horizon of expectation and translation, which influence translators choice, including semantic translation criteria and translation selection. The selection of translation results slowly promote infiltration and blend the evolution of culture and language, making the language more accurate, rich and the culture more filling and full (Wang Jun, 2007). Thus, metaphors, part of language, usually have meaning in their own culture, which is the very trouble for translation of metaphors. 買鲷鴯譖昙膚遙闫撷凄。14南京邮电大学2010届本科生毕业设计（论文） 2.1.2 Classification of metaphorAs for the classification of metaphors, Peter Newmark (2001), a famous contemporary British translator, divides them into six parts: dead metaphors, trite metaphors, stock or standard metaphors, adapted metaphors, recent metaphors and original metaphors. According to Newmark (2001), there are mainly three important factors relevant to the understanding and translating of metaphors: cultural factors, extra-cultural factors and individual perception. 綾镝鯛駕櫬鹕踪韦辚糴。A Chinese scholar, Su Dingfang (2000), thinks that individual perception actually belongs to extra-cultural factors. In my paper, I divide the metaphors in The Fortress Besieged into two parts: cultural metaphors and extra-cultural metaphors including universals and idiolects. 驅踬髏彦浃绥譎饴憂锦。2.2 Theories for translation 2.2.1 The functional equivalence theory and the theory of relevance猫虿驢绘燈鮒诛髅貺庑。FunctionalEquivalenceTheory emphasisthatthefunctionalequivalenceofinformationinsteadofthedirectformalequivalenceintranslation.Therelationshipbetweenthetargetlanguagereceptorandtheytargettextshouldgenerallybeequivalenttothatbetweenthesourcelanguagereceptorandthesourcetext.Relevance theoryseeks to explain the second method of communication: one that takes into account implicitinferences. It argues that the hearer/reader/audience will search for meaning in any given communication situation and having found meaning that fits their expectation ofrelevance, will stop processing.锹籁饗迳琐筆襖鸥娅薔。As was mentioned above, the biggest problem of metaphor translation is how to deal with the cultural bound in metaphors.構氽頑黉碩饨荠龈话骛。The Fortress Besieged has been famous for its large number of metaphors. The researches concerned include the Discussion of the Metaphor Translation in the English Version of Fortress Besieged by Yang Yan (2011) and English translation ofFortress BesiegedmetaphorfromRelevance Theory by Shen Zheng (2006). Among all the relevant researches, the functional equivalence theory and the theory of relevance are used most frequently. This paper is going to analyze the translation of metaphors based on the adaption and selection theory of translation. 輒峄陽檉簖疖網儂號泶。2.2.2 The adaption and selection theory of translation尧侧閆繭絳闕绚勵蜆贅。The adaption and selection theory of translation is a macroscopic theory of translation, which is presented by Hu Gengshen (2008). Based on Darwins theory “survival of the fittest”, Hu thinks, 识饒鎂錕缢灩筧嚌俨淒。The nature of translation is that the translator adapts to the selective activities in the eco-environment of translation, with the rule of multi-dimensional adaption and adaptive selection and the method of adaptive selection in dimensions of language, culture, and communication (Hu, 2008: 4-5).凍鈹鋨劳臘锴痫婦胫籴。In brief, it means that translation is adaption and selection. Here, the eco-environment of translation refers to the environment including the original text, original language, and target language form, which is actually an entirety of the connection and influence among the language, communication, society, writer, reader, and consigner.恥諤銪灭萦欢煬鞏鹜錦。According to this theory, the rule of translation is adaption in various dimension and adaptive selection; the way of translation is adaptive and selective transformation in the dimensions of language, culture, and communication. The evaluation standard of the version is the transferring degree of multiple dimensions, the feedback of readers and the translators quality; the best translation is the one that best integrates adaption and selection (Zhang Hanqun, 2010:86-87).鯊腎鑰诎褳鉀沩懼統庫。Besides connecting translation to the eco-environment, there is another feature of the adaption and selection theory of translation, i.e., the translator is the center of translation activities, the adaption is translators selective adaption, and the selection is translators adaptive selection (Hu Gengshen，2004). This ensures the central position and the leading role of translators, improving their dominant role.硕癘鄴颃诌攆檸攜驤蔹。As for the application of this theory, many scholars have studied some English versions or Chinese versions of world famous works. Wan Guanghui (2004) makes a comparison among the three Chinese versions of Uncle Toms Cabin in the visual angle of the adaption and selection theory of translation; Wang Xiaoyan (2004) analyzes the English Version of A Dream in Red Mansions from the perspective of translation as adaption and selection; Jiang Xia and Hou Chunju (2007) study the Blesing by Lu Xun with the adaption and selection theory of translation. Referring to these previous studies, this paper tries to analyze the translation of metaphors in The Fortress Besieged with this theory, to find out the translators adaption and selection.阌擻輳嬪諫迁择楨秘騖。The above literature review shows that metaphor presents some special cultural features; thus, the translation of metaphors usually faces the dilemma: to keep the original taste or to give a new but similar translation. Different scholars have different opinions on the problem and this paper advocates the adaption and selection theory of translation.氬嚕躑竄贸恳彈瀘颔澩。Chapter 3 Translation of metaphors in The Fortress Besieged釷鹆資贏車贖孙滅獅赘。 In The Fortress Besieged, the use of metaphors is a shining point of this novel. The most well-known metaphor might be the title: The Fortress Besieged. “Marriage is like a siege. Outside the city people want to rush in, and the men of the city want to rush out, so not able to board” (Jeanne, 2003: 133). The title is a metaphor of marriage. 怂阐譜鯪迳導嘯畫長凉。Among all these humorous and vivid metaphors, there are some common ones which can easily be understood by foreigners, such as “天机”, but there are also others that are difficult to understand for foreigners, because they only exist in particular Chinese culture or can only be expressed by Chinese, such as “面子” “乌纱帽” “醋坛子” “眼红” and so on. Due to the important role that the metaphors play in the novel, these metaphors with Chinese style are indeed problematic for translators to deal with. 谚辞調担鈧谄动禪泻類。Most of the metaphors in the novel are well translated, both expressing the original meaning and retaining the special Chinese features. The adaption and selection theory of translation is helpful in analyzing the translation of metaphors in the English version of The Fortress Besieged in three aspects: the dimension of language, the dimension of culture and the dimension of communication. 嘰觐詿缧铴嗫偽純铪锩。3.1 Translation in the dimension of languageOn the one hand, there are some words whose meaning is so different in English and Chinese that the effect of the metaphors cant be shown to readers. Here, translators should consider language differences to choose a better way of translation. For example, in The Fortress Besieged, there is such a sentence: 熒绐譏钲鏌觶鷹緇機库。“老大今天有信来，他们到了香港了。同走的几位朋友里，有人要在香港结婚，老大看了眼红，也要同时和孙小姐举行婚礼” (钱钟书，1980: 71)鶼渍螻偉阅劍鲰腎邏蘞。English version:“We had a letter from Hung-chien today. Theyve arrived in Hong Kong. One of his friends traveling with them decided to get married in Hong Kong. Hung-chien went red-eyes with envy and wants to have the wedding ceremony with Miss Sun at the same time” (Kelly, 2003: 83)纣忧蔣氳頑莶驅藥悯骛。In Chinese, “red” usually means some happy things, so “happy-eyes” here is actually a metaphor, meaning that you envy others. While in English, “red” means something bad such as blood or violence. If the translator just translates it directly, westerners may get puzzled a lot. Why has he a red eye? Does he want to fight with him? On this occasion, the metaphor did nothing but confuse readers. Thus, here the translator adds an explaining after “red-eyes” instead of just translating it directly, and in the dimension of language, it is an adaptive selection. 颖刍莖蛺饽亿顿裊赔泷。But for this sentence, there is another opinion that in English, the word green actually means the same as Chinese red, so the “red-eyes” can be translated into “green-eyes”. In the regard of translation as adaption and selection, it seems that the “green-eyes” could be more easily accepted by foreign readers than “red-eyes” with envy, and the metaphor functions well, so the former is better than the latter.濫驂膽閉驟羥闈詔寢賻。On the other hand, there are also some words which have similar meaning in both English and Chinese. When these words appear in a Chinese metaphor, the best choice for translator is to choose free translation to keep the original flavor of articles. An example is given as follow:銚銻縵哜鳗鸿锓謎諏涼。“这两位小姐是谁，天机还不可泄露”(钱钟书，1980：17)。“The identities of the two young women are heavens secret and not to be revealed.”(Kelly, 2003: 18)挤貼綬电麥结鈺贖哓类。Obviously, here the “heavens secret” is another metaphor. In fact, in both Chinese and English, the “heavens secret” means something that cant be known easily and widely. Choosing literal translation here is very suitable for bo