水墨动画《山水情》道家思想体现英文版.doc

Embodiment of Taoist thought in the landscape emotion of Chinese ink and wash cartoon chenchuanzhiAbstract: ink cartoon landscape is a classic in the history of Chinese animation art, the rich ethnic style of the film Chinese excellent traditional cultural thoughts are embodied in the arrangement of plot structure, ink painting techniques and the use of the background music rhythm, especially embodiment of Taoist thought. Mountains and rivers, the story is simple, rich in content, is a milestone in traditional Chinese ink animation works.Key words: water ink animation landscape emotion Taoism thoughtLandscape is a well known ink animation, the film is produced by Shanghai Animation Film Studio made in 1988, is Chinese ink animation summit. Its plot is rich in connotation, full of philosophy. The technique of expression of the film pictures and the artistic conception is far-reaching, will Chinas traditional landscape freehand painting pay attention to lifelikeness, vacuousness successfully and animation technology together. Scenic most outstanding achievement is not only of ink animation techniques skillful use of, more important significance lies in it is the embodiment of Chinese traditional culture and ideology, especially the embodiment of Taoism. Taoism culture is an important part of Chinese traditional ideology and culture. It has laid the foundation for the development of traditional Chinese thought and culture. Through the comprehensive analysis of the water ink animation landscape sentiment, we will contain the Taoism thought as follows:First, the animation plot in the pursuit of harmony between man and natureFilm director Yan Shanchun once said: water and ink animation not come out of thin air, the requirements of the script is very high, the script must for ink and wash paintings, the success of the scenic can speaking and Wang Shuchen script are inseparable.Landscape emotion in the whole animation plot design has always been the core theme of the Taoist thought - harmony between man and nature.The Taoist heaven and man covered by the object is usually only two: days and people, that is the way of heaven and peoples way. The so-called heaven is collectively referred to as heaven all things in the objective law, and the way refers to the subjective state of the person. The Taoist respect for human nature also respects the law of the way of heaven. Only on the basis of human nature, conform to the way of heaven to achieve the ultimate pursuit of the highest realm - harmony between man and nature.Film characters only old musician and Fisher boy, the entire movie plot is which started in the mountains and rivers of the large natural environment. The simple and clear account of the relationship between man and nature in the plot.Plot starting in old musician in the homeward journey fainted in the deserted wild ferry, the objective events occur such as fellow elaborated the way of heaven, is the change of objective environment. At this time the boys reaction is the focus of the plot developments. If the script describes the old man ignored the old man, and left alone. I am afraid this film will not resonate with the audience, so successful.Plot arrangement of Fisher boy left the elderly in their cottage rest and care for, this is the Taoist advocate the way embodiment, which started a series of plot is carried out under the theme of the way. When the old man out of body, playing the guqin, melodious sound attracted the boy. The young heart from the date has, the old man taught, and tireless in teaching others, feeling increasingly deep. This is a plain plot, simple place contains Taoist philosophy of let it be. Autumn to spring, the young piano art big into, the master is very happy. Next story began to turn, it is old musician to get a thorough understanding of the way of heaven, and guide Fisher boy piano art of process.The old man thought how to make disciples skills to strive for further improvement. One day, the old man occasionally see eagles leave the mother alone fly to the scene, click into place. Then the old man carrying young boat back, by the mountains, magnificent nature make the young dream. Parting, the old man will love the Guqin pass gift to him, leaving a legacy and walked alone to the summit between the clouds, floating in the air. The arrangement of the plot is the echo of the core idea of the Taoist heaven.The young look disappeared in the vast wild mentor figure, all sorts of feelings, suddenly inspiration surges, sit cross legged on the cliffs above, hand string playing the heart of the song, pouring out his mentor to deep gratitude. Melodious sound sound reverberated in the mountains, the juvenile has reached human organ in one of the highest. The just and Taoist advocate of adaptation word of the day to ultimately achieve harmony between man and nature ideas coincide. In this beautiful landscape, melodious sound, but also deep feeling of mentoring.Second, the ink animation techniques in natureInk animation can be regarded as a pioneering work of Chinese animation. It is different from the general animation, the traditional Chinese ink painting introduced into the animation. Ink animation in the production of the scenes and figures without the use of contour line, but by the ink on rice paper natural rendering, unaware Tiancheng, one scene is a picture outstanding landscape painting. That the true mingled with the false choreographed elegant artistic conception and art style of the cartoon images to a major breakthrough. The background of the bold ink landscape magnificent, gentle strokes full of poetry. It reflects the Chinese painting like and not like between the aesthetic, artistic conception is far-reaching. The creation technique and Taoism advocated nature thoughts agree without prior without previous consultation. Taoisms nature is not only refers to the natural environment around us, it is more important to refer to the nature of things. Only by following the nature and essence of the thing itself is the real beauty.Landscape as its title, landscape is the core focus of the film screen. According to the traditional Chinese painting master Wu Shanming memories, landscape love the theme of the natural landscape of the heavy weight, so I with Mr. Tewei invited famous landscape painting Professor Zhuo Hejun responsible for painting landscape, I am responsible for the design of characters. We cooperate tacit understanding, if I draw the characters on the ship, Zhuo Hejun is clever to make up the landscape, if I draw the characters in the dynamic, he will be in accordance with the scene to depict the landscape painting. In order to make the landscape of the painting more charm, Shanghai Animation Film Studio also specially invited famous Chinese painting artist Li Keran and Cheng Shifa and artistic director. Seen the art level of the film is high.In all the scenes, the film creators not only grasp the background of the natural landscape, but also the nature of poetic characteristics of the elements, such as: Piano, wind, eagle, snow and other financial conditions. These natural images have strong subjective feelings. Between people and landscape to scenes, combined with the actual situation, produce more than not as flavor. Especially in the film farewell climax paragraph, is the painter to paint the scene, the scene photographer photography technique. The picture is not only pure and fresh and natural, give people feel water run and texture. And screen performance vivid, scene of the farewell very natural demonstrated, it is to reveal the truth. Viewers see the animation is not a few carefully produced in advance of the picture, but into the artist instant creation inspiration. The audience completely intoxicated between ink made of this kind of landscape, the technique of making non general animation can match.Landscape love not the pursuit of gorgeous, rich picture, but pay attention to the plain and natural style screen. Let everything happen naturally and can not be cut and polish. But this natural dull and not simply the bland, containing a broad and far-reaching, quiet smart the beauty of artistic conception in the plain and natural. In silence in the audience into the heart.Third, the soundtrack of doing nothing”Scenic entire without a word of dialogue, the emotional exchange between young and old musician full by the background music and picture language to reflect. In the ink landscape painting context, without dialogue silent but to enhance the appeal of the motion picture, and fully mobilize the participation of the audience, let the audience inadvertently to work hard to experience fishing for young and old musician of the emotional interaction, to participate in the progress of the story. This silent wins audio, the words of dialogue exactly with the Taoist often inaction and without exception has a similar to the wonderful.Taoism advocated Inaction is not doing nothing, but in respect of the objective law of development of things based on as. The law of human development can not reverse the nature of things to the blind pursuit of personal goals, this is a serious reality. As scenic soundtrack, looks in many parts of the film did not arrange any sound. However, this is not the movie speechless. The use of music is based on the development of the plot. Only in this way can the theme of the film more prominent, the characters emotional activities more vivid image. If the blind to join the various kinds of music is not related, it will interfere with the theme of the plot, making the performance of the video content messy.Landscape love background music sound, Ye Disheng sound, wind, water, birds, frogs and so on. The emergence of these music to the audience to create an immersive, emotional interactive experience space. As the most important element of flute and Harp sound at the same time the main progress is the whole movie. The young flute represents his naive light of heart from care, lively personality. This is his true to be the old man sound to attract more. To lay the foundation for a higher level of understanding of the Tao of nature. While the old musician ethereal flying piano reflected their insights on life circumstances, his piano sometimes slow, sometimes dignified, sometimes sad, sometimes pleasant, let people relaxed and happy, detached off. Blend in this natural landscape and the flute music, intoxicated.Silent silence in the film is not an extra prominence, it is silence, silence, do not express what is not against anything, do not praise what does not reveal what. From the encounter to disappear in the mountains and rivers, because they do not need to fully understand and do not need to say. It gave the guqin, the edge scattered away. Under the background of background music, in ink and wash technique process and architecture of this kind of Chinese style parting friend and screen performance like Tianzaodeshe.Forth. The creative staff of the hearts of the roadScenic creative team strength is very strong, htet Wai, Yan Shanchun, Ma Ke Xuan three director, Wang Shuchen as a screenwriter, Li Keran, Cheng Shifa served as art director. Zhuo Heli, Wu Shanming people responsible for characters and scenes in the creation of ink landscape. Landscape love not only reflects the philosophy of the Chinese Taoist philosophy in the film itself, but also in the creation process of the creators of their own hearts adhere to the Tao of the interpretation.Landscape when the creation of the national implementation of reform and opening up, began with the global economy. In the late 1980s a series from the foreign mature commercial cartoons have appeared on the television screens in the domestic, such as Mickey Mouse and Donald Duck, Sailor Moon, slam dunk, Captain Tsubasa and so on. The whole domestic animation, especially the creation of traditional ink and wash cartoon faces severe challenge. Because ink animation creation and other animation is different, the production of human and material resources are usually 3-4 times the ordinary animation. Especially the performance of ink rendering effect, its production process complicated even as good as the Japanese are from seiko. This is known as the miracle of the world animation of Chinese ink animation, unexpectedly in the tide of global economy couldnt find you can conduct business value.The way, the non constant Tao universe of yin and Yang, there is a tide, is the eternal law. Scenic creative staff and not because of the authoring environment change and give up on themselves, there is no because of domestic animation crisis arising from arrogance aggressive but hold of your heart and their lifetime accumulation of skills and talent threw himself into the creation of the landscape. The beautiful picture of the film, the story of the deep meaning of the deep, not only to the Chinese painting ink techniques to play to the extreme, but also the Chinese traditional Taoist thought to be just right.Landscape after the release of the very fast by the attention of the domestic and foreign animation industry, and to award the grand prize for animation, can be described as victorious man GUI. Especially in 1990, won the fourteenth Montreal Film Festival Best Short Film Award, the award is often referred to as the animation industry, Oscar. Scenic has become the international animation Chinese School is a classical representative for, but regrettable is the advent of the scenic after no equivalent of ink animation, actually become extinct art of