美国文学诗歌赏析

1、美国文学诗歌赏析1. anlyze thpoe“te wil onykl”understad th titl: 1. thename houckle omesfrom te sweet necar hat the flower produces o ntxiate teeey bee. t pwrful fraancesedueshe human senses a it pervadsthe airtherue o hispasonae lant may turna maidens head,hecwldhoneyuckl s symb f ionstncy in love. he wod “

2、wild”implesher liingpace; sh livesi ideresot i aradiseor use; soshe wil ot apiatd y tes ad feels sorowful. a t implies t natre, swe a sa he riter decrbinthenature.2. anze tmans“n of myself”（over 200 wods）son f mysef is allbotte human epence. the uman eerienc,ere, mans hatn o h pst, resen and tre hav

3、een， touche, slt, ad ard. n thi pe wtman sepaini how a ut is lk neingogasm, d no one part is ore importan tanh oher insetn 44 of song of mysl whitmansays, weathus f exhated trillins of iterand summr，ther are trilins aead, n trllions ae of em.birts hve rougt usrcnes aariety,ad othe births will bing r

4、ichness and vaiety.i d not cal one greaer and oe smaler,a hichfl is perio nd laciequal toay. i s clar that wtma ad prspective o umn rac and isstory tat ecaped m writers. mo speciic, witman eaks o qua contribtion to thehuan exprince i sion 42: here and te ith ims n the eyes alking, o fed the gred ot

5、blythe brans liberaly ponin， tketsbuyig， taking, ellin, bt n to he es evr oc ging, ny sweaig,pouging， hrashig,nd ten thchaff or pyen eciving, few downng, ndththe whea conill claiming. hisis theity nd i am oe o the citen, hever interes he rest terests ,polics, r, mats,newpaer,shools, the mayor and co

6、uncils, banks,riffs， teamshps, factors,stocks,sores, al stat and retat.3. ilys “becuse i could notstopfor deth” (ve 300words) hpoembegins ih alesurl image. firs,the protgonis feesttalyat san usualy frightningdath isdescbedsifa amiirfrend， gente and polite.cotinuingl,the pem ievelopeduo a basic mtaph

7、or th life is joney. it as ruly rather d a oparison, butickino enrihedit with her craivity an magination: so， whre chilren trove-childhoo;felds o gangrain-aturty; adsetng un-oage. ten“the w drwquiverngand chi-” mkeste potgoisfeel trriby cold, which may eantha teyaregetin arr an nerer to te tob. bt a

8、tas，is cmpanis, imortality anddath, fnlly sert i adeave him aneto o toard eenoitsemhatthoh dath cheatsh thesme tie desrtshm，thexeienc o eath islfis not panl. emily dckinson poe jut xplainthskindfssenceofl, whichthen lead yo toawrldo magaonad thinkig.4. apecite the poem “in sation o temero” the poem

9、i essetialy setof imgestat haveepected liknes an convey the re emoionthatpoun wasexpeenng at tattime arguab tear ofth poem s not the frslie, rte secnd, te ntl procsstht lnks the totogeherinaoem of tis r, as pund explin, nis tryigto recrthe rciseistnt whena thingoutrd ndojtie transms tel， or artsinto

10、 ain nward and subtive. hi rng takesplce btween eisand ecn line. thepvota smi-colonhas stirred deba a to whthehe firs ineis n act suboratoth econd or bthles areo eqa，inepeden imortance.ound cnatsthfaua,mude image th he actuly tnessed ith metaphor rm ur andhs ifue this“apariion”ith isalbeaty.hrisa qu

11、icktransiinfomth satemnt of te frst lin tt scod linevivi mtaphor； thisu-positorytehnique exlifit apaneshaiku stthe word “aartion” iscosierd crucil ast evoes myticaland suenturalsesef mprecisin wichi tenrinforcb he etaphor ofth secd line. he plosive word etaonjures idsof delite, feminin ety ich cnras

12、ithebeanss of te wt,ak bou. wa hepo sigifies isuetionable; maycriis arguethat t libeatly trnsends tradiioal an terefore iteaigis ol fund int echnique as opsed t n itscontnt.howeer when oun ad the insiration to write this pem e ofthee onsderaio cam itoview h siml weto tanslaehis perception f butyinhe

13、 mdsto uglnessino single, perfetimge in wrtten forit isls worth ntg thatteumofwsi the pom (foe) is the meas te nmb ofliesin asont. the os are drutd wth eght i th rst lie nd s n th scond, mirroring the octe-etforo e itla(or ptrarcan） onn.5. ppecat the o“stopping bywoos o a now vig”.“topngby woosona o

14、y evening,” like many frostspos,exloe thetemeof thendividua gt betwee aur and cilzatio.hespeaers locaton one border btweeivilzon and wilenscho a common thmetroghout amrianlteratre. thepker i r t te beautyand allue ofthe woods,whichrepresen nature, but has oblgtios“pome to ke”which rhim away from nau

15、r adbk ocietyan h wr of me. the spekeris thus face it a hoice of hethe te in tothe alre nature, orein ie ealm ofoit. soe critihavenerpreed th poem as ameitatio on deaththewooseprset e alue o deat,prhas scid, whic t speaker rests in ord toretrnt th udanetaskwhih rd aily f6. anayze the poem “te roadno

16、t taen”.th poem i ispratoal, a paean to indiviaism nd noconfrmsm.te pm consits f ustanas n the first sanza，he speaker descries his piin. he hs be out wlkng itewods andcom owo roads， and he sndlooingas far own eah oneas e n se. hwl like to try ou both, butubts he culd o that,so trefre he ctinues tooo

17、 down roas for a long tim trying o akis decisio aboutwhih road t tak. te ionicitprtation,wdeyheld by criics， that the poe i isted abutregrt and person m-makig,raonaiin urdecisinsintis iterpretaton, the fina wolines： tk the oe esstveled by, nat s md all he ifference. are ni:th cocemd itl or n differe

18、ncat al， h eakrs proestaton otcory. thepeakeradmits ith scon and thrd stnzas hat oth pth ma b euallyworn an equally leaf-covd， ad t sony n hisutur recllection hawillcll neroa les trele .thsgh, wdlyintereted as a sihofegret,mghtalso b interpreted ironicaly: 1letrto crsine yats of dickson,tennsee， ask

19、ing aoutthe sih, rost repi: t my ratherrvtejestat th xpnse o thoe ho mgt tink i woldyt live to srry fo the way i hd taknlif 7. analz te poem“aecote f the jar”.his famous， uchatholoized oemsccinty accommodates a remarkablenumber f diferent ndlasible inerpettio, as acueline rga observ ina iscussiof hs

20、hetchs i to e student.i ane aprahe oma w criical rspctie as aoem out iting poetryan makig art enerally. rom asttructuait pespctive h poe s cncerndwittemoral an linuisic isjunctin, pcally in he convue synta ofthe lat twies. a ministpespctive reveals oem cncered with mae doinancover a tradtionally fem

21、inizedldscape cura criti ight fin a sense f industrl ipriism brogan coludes:whentedete get particulrl intnse， ntoduce ry rve prces disovery o t doinio anning js（ picture f wich is henpse arond).8. aaye .s eits “thelovesonof .ard prrok”(over 50words) onthesurfe,th loesngfj. alfred prufrocelast thoght

22、 o a exaly strdmidde-gd man o wants to say omengt afraid o o o， nd liatey does t.te dspute,hweve,is i t om purock i spekg, ethr is ctully og anywher,hat hewants say,nd to wh te varouimaes rferteitended adience is noteidnt ome eleveha rufkistalkig oaother eron or irtyto t ader, whie other blive prufr

23、os monologue s inrnal.perriewrtee u n i f t fist linere dided rt of ruocks ow nure, whilelu kouk blasing sgeststat te yo andi efs o te reatinship between the dlemaf haraterad heutor.iiarly， criics isput whethrprufrc is ongsmwhre durig t coure ofthe pem. in t fist alf of the oe, prurocus variou outdo

24、o images（hesky， seet, chea resturant a oes, fo）, alks bout ow therwl ete for varius thigs beforethe takinf tot and tea, ndt to rn bac andesced he sair this has ld many t blive hat pufrck is on is way to an afteoo t, in whche isreparig t ak ti oerwelmig ustio thrs, hee， believe tat prufrkisno physica

25、lygoing anywhere， but rthe, is lyigthug it ni mind eras t moinifican disute leovrthe overwhelinquetio that ufrock trying t askmany elieve tat rufrck istyin otll awoma of his roantinteresn her， pinting t the vaious s o womens ar andclthigan the final few lines in whc prufroklaments themeraid wilo ingto hm. ohr，hwev, beevethat prockis tyingto xpres some depe phlosphcl inigt o disilluonment wtociet, butfs rjetion,ointing to tatentha expresa disilluionmntih ocetysuc