吉他入门至精通10中文doc

1、SESSION 19 即兴弹奏预计学习时间 4周直到终生“音乐是你的经历,你的思想,你的智慧。如果你没有经历，你就演奏不出好的音乐。” Charlie Parker （查理·帕克- 传奇爵士萨克斯手）“别老弹奏现成的，尝试创新。” Miles Davis - （迈尔斯·戴维斯- 爵士乐先锋，小号手）“在即兴弹奏中，没有错误的音符，只是音符选择不太妙。” 匿名从哪里开始?1) 看调号2) 让和弦音符给引导你3) 调整到歌曲的风格4) 从你熟悉的指型开始5) 创造包括大量的试验与失败看看你要弹什么调，这样你就知道要使用哪一个大调音阶来弹奏旋律。然后从这个大调音阶中选择音符。和弦

2、与和弦音符会指引你，让你知道在什么时间、什么音符可以得到和谐的声响。摇滚乐的solo中包含许多的推弦与五声音阶，爵士乐的solo包含许多色彩音符。蓝草（Bluegrass）的solo运用大量连续的16分音符，布鲁斯的solo运用包含布鲁斯音符的五声音阶。当你知道调以后，你可以使用我们学过的各种指型来弹奏你的solo。(五声音阶、布鲁斯五声音阶、单弦3音符、等等) 小心，总是使用指型方式来弹奏solo，容易使它变得无趣。所有这些反复实验会提升你的听力，让你判断音符更加准确。放松心情，每个人刚开始的时候都不会很出色，逐渐的你就会弹出美妙动听的旋律了。好的solo由什么构成?1) 旋律 你需要弹奏出

3、让人留下深刻印象的东西。2) 平衡 你所有的solo片段中间要有联系。3) 表达 避免只是弹奏一大堆音符，象在自言自语。找到一个好的动机然后发展它，弹出几个音符或者一个乐句，然后围绕它构建新的篇章。和弦音符Solo 练习1.2.3.4.5.Session 19 作业·使用Stevie's Groove 和 Every Breath伴奏CD练习solo (第100-101页)· 使用伴奏CD练习 Ear Training Exercises 1, 2, & 3 (第99-100页) Jam Along CD #5 Track 10Ear Training Ex

4、ercises （听力练习） 每条谱例会演奏4次，听第1小节的乐句，然后尝试在第2小节把它弹出来。第1小节的第1个音符已经在谱例中注明，这个练习从简单开始，逐渐增加难度。标注的和弦能给你一些指引，和弦音符也许包含在乐句中。1.Jam Along CD #5Track 112. Jam Along CD #5Track 123. Jam Along CD #5 Track 13Stevies Groove （史蒂夫的律动）按照谱例练习弹奏和声旋律，尝试在这些和弦进行中solo。这首曲子分为两个部分，A段反复4次，B段反复2次。Slow Blues Rock Jam Along CD #5 Tra

5、ck 14Every Breath （每次呼吸）A段反复2次，弹奏一次B段之后，又回到A段，弹奏一次SESSION 20 所有你需要了解的和弦预计学习时间：2 周“如果我有一天不练琴，我自己知道，两天不练，乐评人知道，三天不练，所有人都会知道。” Jascha Heifetz （雅沙·海菲兹-小提琴巨匠）和弦构成规则与标注方式每个和弦由按照一定规则的音符构成。以下的表格列出了几乎每一个你将会遇到的和弦，同时列出了和弦构成规则和标注方式。一个和弦可以使用大调音阶音符，按照正确的规则来构成。例如： “Cm7” 的构成规则是 1-b3-5-b7 ，调是 “C”，所以“Cm7” 构成音符是

6、C-Eb-G-Bb。变化和弦 变化和弦就是在和弦音符基础上，加上升高或降低半音的和弦音符构成的和弦。调整的升降音会在括号中标注，做升降改变的只有括号内的音符。ChordFormula ExampleTriads ChordFormula ExampleMajor 1-3-5C, F, G9thsMinor 1-b3-5Cm, C- Major 9th 1-3-5-7-9CM9, Cmaj9, C Augmented1-3-#5 Caug, C+ Minor 9th 1-b3-5-b7-9Cm9, C- Diminished 1-b3-b5Cdim, CDominant 9th 1-3-5-b7

7、-9C9, F97ths Augmented 9th 1-3-#5-b7-9Caug9, C+Major 7th 1-3-5-7CM7, Cmaj7, C711thsMinor 7th 1-b3-5-b7Cm7, C-7 Minor 11th 1-b3-5-b7-9-11 Cmin, Cm11, C- Dominant 7th 1-3-5-b7C7, F7, G7Dominant 11th 1-3-5-b7-9-11 C11, F11Augmented 7th 1-3-#5-b7Caug7, C+7Half-Dim. 7th 1-b3-b3-b7Chalf-dim7, C 7 13thsDim

8、inished 7th 1-b3-b5-bb7Cdim7, C 7Major 13th 1-3-5-7-9-13Cmaj , COther ChordsMinor 13th 1-b3-5-b7-9-13 Cm13, C-Two Chord 1-2-3-5C2, F2Dominant 13th 1-3-5-b7-9-13 C13, CFive Chord 1-5C5, F5Augmented 13th 1-3-#5-b7-9-13 Caug13, C+Suspended 1-4-5CsusSixth Chord1-2-5-6C6, F6Minor 6th 1-b3-5-6Cm6Six-Nine

9、Chord 1-3-5-6-9C6/9, C1.C7(b9)2.F-11(b5,b9)Formula: Chord Tones:Formula: Chord Tones:1 3 5 b7b9CEGBb Db1 b3 b5 b7 b9 11FAb Cb EbGbBb转位和弦与变化低音和弦转位和弦（inversions）就是使用根音以外的其他和弦音符当作和弦的最低音，使用一条斜线来标注。斜线下方的是和弦最低音，例如：G/B 就是以B为最低音的G和弦。变化低音和弦(alternate bass chords)就是以和弦音以外的音符当作和弦的最低音，例如： F/G 就是以G为最低音的F和弦。Chord

10、s遇见陌生和弦怎么办?如果你遇到陌生和弦你可以按照如下办法做1) 找出和弦指型 通过和弦音符找出你自己的和弦按法指型。2) 查找 可以上网搜索这个和弦或者在和弦书上查找。3) 简化 移除色彩音符把和弦变回到三和弦或者七和弦。Session 20 作业· 使用伴奏CD练习和弦练习 1 & 2 (第104-105页)· 学习记忆所有新的和弦指型。 (第103页)· 使用伴奏CD弹奏 Friend, Funky Groove, and Dancing on the Ceiling。 (第105-106页) Jam Along CD #5 Track 15（和弦练

11、习1）Chord Exercise 1 Jam Along CD #5 Track 16 Jam Along CD #5 Track 17Up Tempo Acoustic（和弦练习2）Chord Exercise 2 （朋友）Friend 用正确的和弦扫弦，然后在E大调上Solo Jam Along CD #5 Track 18Funky Groove（放克律动）用标注的和弦弹节奏，然后在Eb 大调上Solo。 在Solo的时候尝试在每个和弦下使用正确的和弦音符。中速放克 Jam Along CD #5 Track 19（在天花扳上起舞）Dancing on the Ceiling（罗杰斯与

12、哈特）Rodgers and Hart中速摇摆感 谢I am thankful to the Lord for the unexpected opportunity to work on this project. I pray that it will be a blessing to those who learn from it as well as to those of us who have labored to provide it.I am thankful and grateful to my wonderful wife, Paulette, without whose c

13、onstant encouragement this project would not exist. Your patience, wisdom, encouragement and support helped me to work harder and produce more than I ever thought possible. I am a blessed man. Also, I am indebted to her for her much needed professional skills of proofreading, editing, and photograph

14、y. Thanks to my wonderful kids, David, Daniel, and Timothy who knew Daddy as just the man at the computer for months. I pray that the time will be redeemed many times over.To Gabriel Smith, thank you for the incredible opportunity to work with you on this. May the effort poured into this rep- resent

15、 but a fraction of the blessing that it will be to those who learn from it as well as to our own lives and families.To Jared and Nathan, thank you for your tireless professional efforts during the making of this project.Thank you to my wonderful parents who faithfully paid for and took me to all tho

16、se guitar lessons, even though, at times, I begged to quit.And lastly, an all-too-late thank you to Johnny Frisco, my first and best guitar teacher who died during the com- pletion of this project. I first walked into your lesson room, which was no bigger than a walk-in closet, a six year old with a guitar that was too big for me and came out after many years possessing the musi