英语电影剧本大全(中英对照)

1、精选优质文档倾情为你奉上精选优质文档倾情为你奉上专心专注专业专心专注专业精选优质文档倾情为你奉上专心专注专业目 录 TOC o 1-3 h z u 泰坦尼克号全部英文剧本TV REPORTER: Treasure hunter Brock Lovett is best known for finding Spanish gold off islands in the best Caribbean. LIZZY: Its OK, Ill get you in a minutes. Come on. TV REPORTER: Now he is using Russian subs to reac

2、h the most famous shipwreck of all, the Titanic. He is with us live via satellite from the research ship Keldysh in the North Atlantic. Hello, Brock. BROCK: Hello, Tracy. Of course everyone knows the familiar stories of Titanic. You know, the nobility, the band playing at the very end and all that.

3、But what Im interested in are the untold stories, the secrets locked deep inside the hull of Titanic. Were out here using robot technology to go further into the wreck that anybody has done before. TV REPORTER: Your expedition is at the center of a storm of controversy over salvage rights, and even

4、ethics. Media are calling you a grave robber. BROCK: Well, nobody ever called the recovery of the artifacts LIZZY: What is it? OLD ROSE: Turn that up, dear. BROCK: I have museum-trained experts out here making sure that these relics are preserved and catalogued properly. Take a look at this drawing

5、that we found just today, a piece of paper that has been under water for 84 years, and my team were able to preserve it, intact. Should this have remained unseen at the bottom of the ocean for eternity when we can see it and enjoy it now? OLD ROSE: Well, Ill be goddamned! BUELL: There is a satellite

6、 call for you! BROCK: Buell, we are launching! Cant you see these submersibles going in the water? BUELL：Trust me, buddy! You want to take this call! BROCK: Great! This is Brock Lovett. How can I help you, Mrs BRULL: Calvert. Rose Calvert. BROCK: Mrs. Calvert. OLD ROSE: I was just wondering if you h

7、ad found the Heart of the Ocean yet, Mr. Lovett? BUELL: I told you wanted to take the call. BROCK: All right. You have my attention, Rose. Can you tell us who the woman in the picture is? OLD ROSE: Oh, yes. The woman in the picture is me. OLD ROSE: Yes? BROCK: Are your state rooms all right? OLD ROS

8、E: Oh, yes. Very nice. Oh, have you met my granddaughter, Lizzy? She takes care of me. LIZZY: We met just a few minutes ago, remember Nanna, up on deck? OK. OLD ROSE: There. Thats nice. I have to have my pictures with me when I travel. BROCK: Can I get you anything? Is there anything you would like?

9、 OLD ROSE: Yes. I would like to see my drawing. BROCK: Louis the Sixteenth wore a fabulous stone that was called the Blue Diamond of the Crown, which disappeared in 1792, About the same time old Louis lost everything from the neck up. The theory goes that the Crown Diamond was chopped too, to be cut

10、 into a heart-like shape that became known as the Heart of the Ocean. Today it would be worth more than the Hope Diamond. OLD ROSE: It was a dreadful heavy thing. I only wore it this once. LIZZY: You actually think this is you, Nanna? OLD ROSE: It is me, dear. Wasnt I a dish? BROCK: I tracked it dow

11、n through insurance records, an old claim that was settled under terms of absolute secrecy. Can you tell me who the claimant was, Rose? OLD ROSE: I should imagine it was someone named Hockley. BROCK: Nathan Hockley. Thats right. Pittsburgh steel tycoon. The claim was for a diamond necklace his son C

12、aledon had bought his fiance-you-a week before he sailed on Titanic. It was filed right after the sinking. So the diamond had to have gone down with the ship. Do you see the date? LIZZY: April 14, 1912. BUELL: Which means if your grandmother is who she says she is, she was wearing the diamond the da

13、y the Titanic sank. BROCK: And that makes you my new best friend. BUELL: There are some of the things we recovered from your state room. OLD ROSE: This was mine. How extraordinary. And it looks the same as it did the last time I saw it. The reflection has change a bit. BROCK: Are you ready to go bac

14、k to Titanic? BODINE: OK. Here we go! She hits the berg on the starboard side, right? She kind of bumps along, punching holes like Morse code, Dit, dit,dit along the side, below the water line. Then the forward compartments start to flood. Now as the water level rises, it spills over the watertight

15、bulkhead, which unfortunately dont go any higher than E-deck, so now as the bow goes down, the stern rise up, slow at first, then faster and faster, until finally shes got her whole ass sticking up in the air. And thats a big ass. Were talking 20,30 thousand tons. OK. And the hulls not designed to d

16、eal with that pressure, so what happens? Schkee-she splits right down to the keel and the stern section just kind of bobs there like a cork for a couple of minutes, floods, then finally goes under about 2:20am, 2 hours and 40 minutes after the collision. The bow section planes away, ending about hal

17、f a mile away, going 20 or 30 knots when it hits the ocean floor. Brrrroo! Brrooo! Pretty cool, huh? OLD ROSE: Thank you for that fine forensic analysis, Mr. Bodine. Of course, the experience of it was somewhat different. BROCK: Will you share it with us? LIZZY: Im taking her to rest. OLD ROSE: No!

18、LIZZY: Come on, Nanna. OLD ROSE: No! BROCK: Tell us. Rose. OLD ROSE: Its been 84 years. BROCK: Its OK. Just try and remember anything. Anything at all. OLD ROSE: Do you want to hear or not, Mr. Lovett? Its been 84 years, and I can smell the fresh paint. The china had never been used. The sheets had

19、never been slept in. Titanic was called “The Ship of Dreams”, and it was. It really was. It was the ship of dream to everyone. To me, it was a slave ship, taking me back to America in chains. Outwardly, I was everything a well-brought up girl should be. Inside, I was screaming. JACK: All right. The

20、moment of truth. Somebodys life is about to change. Fabrizzio. FABRIZZIO: Niente. ANOTHER: Niente. JACK: Olaf? OLAF: Nothing. JACK: Sven? JACK: Uh, oh.Two pairs. Im sorry, Fabrizio. FABRIZIO: Whos sorry? JACK: Im sorry youre not going to see your mom again for a long time, cause were going to Americ

21、a! Full house, boys! JACK: Yeah! JACK: Come on! Im going home! Im going home! FABRIZIO: I go to America! PUB KEEPER: No mate! Titanic go to America. In five minutes! JACK: Shit! Come on! Whats here! Whats here. JACK: Were riding it high style now! Were a couple oregular swells! Were practically godd

22、amn royalty, ragazzomio! FABRIZIO: You see, like I tell you, I go to America to be a millionaire. You re fozzo! JACK: I may be crazy, but I got the tickets! Come on, I thought you were fast! FABRIZIO: Faster! JACK: Hey, wait! Wait! Wait! Wait! Wait! Wait! Hey, wait! Were passengers! Were passengers!

23、 MAN: Have you been though the inspection cue? JACK: Of course. Anyway, we dont have any lice. Were Americans. Both of us. MAN: Right. Come on board. JACK: Were the luckiest sons-of bitches in the world, you know that! STEWARD: Upper deck. Were boarding please. OLD ROSE: At Cherbourg, a woman came a

24、board named Margaret Brown. We all called her Molly. History would call her the “Unsinkable Molly Brown.” Molly: Well, I wasnt about to wait all day for you, sonny. Here. Do you think you can manage? PORTER: Yes. OLD ROSE: Her husband had struck gold someplace out west, and she was what mother calle

25、d, “new money.” By the next afternoon, we were steaming west from the coast of Ireland, with nothing out ahead of us but ocean. CAPTAIN SMITH: Take it to sea, Mr. Murdoch. Lets stretch her legs. MURDOCH: Yes, sir. Full ahead, Mr. Moody. MOODY: All ahead full! SAILOR: All ahead full! SAILOR: Come on

26、lads, look lively! ISMAY: She is the largest moving object ever made by the hand of man in all history. And our master shipbuilder Mr. Andrews, here, designed her from the keel plates up. ANDREWS: Well, I may have knocked her together, but the idea was Mt. Ismays. He envisioned a steamer so grand in

27、 scale and so luxurious in its appointments that its supremacy would never be challenged. And here she is, willed into solid reality. ALL：Here, here! RUTH: You know I dont like that Rose. CAL: She knows. Well both have the lamb. Rare, with very little mint sauce. You like lamb, right, sweet pea? MOL

28、LY: You gonna cut her meat for her too there, Call? Hey, who thought of the name Titanic? Was it you, Bruce? ISMAY: Well, yes, actually. I wanted to convey sheer size, and size means stability, luxury, and above all, strength. ROSE: Do you know of Dr. Freud, Mr. Ismay? His ideas about the male preoc

29、cupation with size might be of particular interest you. RUTH: Whats gotten into you? ROSE: Excuse me. RUTH: I do apologize. MOLLY: She is a pistol, Cal. I hope you can handle her. CAL: Well, I may have to start minding what she reads from now on, wont I, Mrs. Brown? ISMAY: Freud. Who is he? Is he a

30、passenger? JACK: Dont do it! ROSE: Stay back! Dont come any closer! JACK: Come on! Just give me your hand and Ill pull you back over. ROSE: No! stay where you are! I mean it! Ill let go! JACK: No you wont! ROSE : What do you mean, No I wont? Dont presume to tell me what I will and will not do. You d

31、ont know me. JACK: Well, you would have done it already. ROSE: Youre distracting me. Go away! JACK: I cant. Im involved now. You let go, and Im gonna have to jump in there after you. ROSE: Dont be absurd. Youd be killed. JACK: Im a good swimmer. ROSE: The fall alone would kill you. JACK: It would be

32、 hurt, Im not saying it wouldnt. To tell you the truth, Im a lot more concerned about that water being so cold. ROSE: How cold? JACK: Freezing. Maybe a couple of degrees over. Have you ever , uh, ever been to Wisconsin? ROSE: What? JACK: Well, they have some of the coldest winters around. I grew up

33、there, near Chippewa Falls. I remember when I was a kid, me and my father, we went ice-fishing out on Lake Wisota. Ice-fishing is, you know, when you ROSE: I know what ice-fishing is! JACK: Sorry. You just seemed like, you know, kind of an indoor girl. Anyway, I, uh, I fell through some thin ice, an

34、d Im telling you ya, water that cold, like right down there, it hits you like a thousand knives stabbing you all over your body. You cant breathe, you cant think, at last not about anything but the pain. Which is why Im not looking for ward to jumping in there after you. Like I said, I dont have a c

35、hoice. I guess Im kind of hoping that youll come back over the railing and get me off the hook here. ROSE: Youre crazy! JACK: Thats what everybody says, but with all due respect, miss, Im not the one hanging off the back of a ship here. Come on! Come on, give me your hand. You dont want to do this.

36、JACK: Whew. Im Jack Dawson. ROSE: Rose Dewitt Buchater. JACK: Im going to have to get you to write that one down. Come on. JACK: Ive got you! Come on! Come on! ROSE: Help me, please! JACK: Listen. Listen to me. Ive got you and I wont let go. Now pull yourself up. Come on! Come on! Try! You can do it

37、! JACK: I got you! SAILOR: Whats all this? SAILOR: Stand back and dont move an inch! Fetch the master-at-arms! CAL: This is completely unacceptable! What make you think that you could put your hands on my fiance! Look at me, you filth! ROSE: Cal. CAL: What did you think you were doing? ROSE: Cal! St

38、op! It was an accident! CAL: An accident? ROSE: It was. Stupid, really. I was leaning over and I slipped. I was leaning far over to see the ah, ah, ah, um CAL: Propellers? ROSE: Propellers. And I, um, slipped, and I would have gone overboard, but Mr. Dawson here saved me, and almost went over himsel

39、f. CAL: You wanted to see the She wanted to see the propellers. GRACIE: Like I said, women and machinery do not mix. MASTER AT ARMS: Was that the way of it? JACK: Yeah. Yeah, that was pretty much it. GRACIE: Well, the boys a hero then. Good for you, son. Well done. So, its alls well and back to our

40、brandy, eh? CAL: You must be freezing, lets get you inside. GRACIE: Um, perhaps a little something for the boy? CAL: Of course. Uh, Mr. Lovejoy, I think a twenty should do it. ROSE: Oh, is that the going rate for saving the woman you love? CAL: Rose is displeased. What to do? I know. Perhaps you cou

41、ld join us for dinner tomorrow evening, to regale our group with your heroic tale. JACK: Sure. Count me in. CAL: Good. Its settled then. This should be interesting. JACK: Can I, uh, bum a smoke? LOVEJOY: You ought to tie those. It is interesting that the young lady slipped so suddenly, but you still

42、 had time to remove your jacket and your shoes.Titanic (1997) by James Cameron. 1 BLACKNESS Then two faint lights appear, close together. growing brighter. They resolve into two DEEP SUBMERSIBLES, free-falling toward us like express elevators. One is ahead of the other, and passes close enough to FI

43、LL FRAME, looking like a spacecraft blazing with lights, bristling with insectile manipulators. TILTING DOWN to follow it as it descends away into the limitless blackness below. Soon they are fireflies, then stars. Then gone. CUT TO: 2 EXT./ INT. MIR ONE / NORTH ATLANTIC DEEP PUSHING IN on one of th

44、e falling submersibles, called MIR ONE, right up to its circular viewport to see the occupants. INSIDE, it is a cramped seven foot sphere, crammed with equipment. ANATOLY MIKAILAVICH, the subs pilot, sits hunched over his controls. singing softly in Russian. Next to him on one side is BROCK LOVETT.

45、Hes in his late forties, deeply tanned, and likes to wear his Nomex suit unzipped to show the gold from famous shipwrecks covering his gray chest hair. He is a wiley, fast-talking treasure hunter, a salvage superstar who is part historian, part adventurer and part vacuum cleaner salesman. Right now,

46、 he is propped against the CO2 scrubber, fast asleep and snoring. On the other side, crammed into the remaining space is a bearded wide-body named LEWIS BODINE, sho is also asleep. Lewis is an R.O.V. (REMOTELY OPERATED VEHICLE) pilot and is the resident Titanic expert. Anatoly glances at the bottom

47、sonar and makes a ballast adjustment. CUT TO: 3 EXT. THE BOTTOM OF THE SEA A pale, dead-flat lunar landscape. It gets brighter, lit from above, as MIR ONE enters FRAME and drops to the seafloor in a downblast from its thrusters. It hits bottom after its two hour free-fall with a loud BONK. CUT TO: 4

48、 INT. MIR ONE Lovett and Bodine jerk awake at the landing. ANATOLY (heavy Russian accent) We are here. EXT. / INT. MIR ONE AND TWO 5 MINUTES LATER: THE TWO SUBS skim over the seafloor to the sound of sidescan sonar and the THRUM of big thrusters. 6 The featureless gray clay of the bottom unrols in t

49、he lights of the subs. Bodine is watching the sidescan sonar display, where the outline of a huge pointed object is visible. Anatoly lies prone, driving the sub, his face pressed to the center port. BODINE Come left a little. Shes right in front of us, eighteen meters. Fifteen. Thirteen. you should

50、see it. ANATOLY Do you see it? I dont see it. there! Out of the darkness, like a ghostly apparition, the bow of the ship appears. Its knife-edge prow is coming straight at us, seeming to plow the bottom sediment like ocean waves. It towers above the seafloor, standing just as it landed 84 years ago.

51、 THE TITANIC. Or what is left of her. Mir One goes up and over the bow railing, intact except for an overgrowth of rusticles draping it like mutated Spanish moss. TIGHT ON THE EYEPIECE MONITOR of a video camcorder. Brock Lovetts face fills the BLACK AND WHITE FRAME. LOVETT It still gets me every tim

52、e. The image pans to the front viewport, looking over Anatolys shoulder, to the bow railing visible in the lights beyond. Anatoly turns. ANATOLY Is just your guilt because of estealing from the dead. CUT WIDER, to show that Brock is operating the camera himself, turning it in his hand so it points a

53、t his own face. LOVETT Thanks, Tolya. Work with me, here. Brock resumes his serious, pensive gaze out the front port, with the camera aimed at himself at arms length. LOVETT It still gets me every time. to see the sad ruin of the great ship sitting here, where she landed at 2:30 in the morning, Apri

54、l 15, 1912, after her long fall from the world above. Anatoly rolls his eyes and mutters in Russian. Bodine chuckles and watches the sonar. BODINE You are so full of shit, boss. 7 Mir Two drives aft down the starboard side, past the huge anchor while Mir One passes over the seemingly endless forecas

55、tle deck, with its massive anchor chains still laid out in two neat rows, its bronze windlass caps gleaming. The 22 foot long subs are like white bugs next to the enormous wreck. LOVETT (V.O.) Dive nine. Here we are again on the deck of Titanic. two and a half miles down. The pressure is three tons

56、per square inch, enough to crush us like a freight train going over an ant if our hull fails. These windows are nine inches thick and if they go, its sayonara in two microseconds. 8 Mir Two lands on the boat deck, next to the ruins of the Officers Quarters. Mir One lands on the roof of the deck hous

57、 nearby. LOVETT Right. Lets go to work. Bodine slips on a pair of 3-D electronic goggles, and grabs the joystick controls of the ROV. 9 OUTSIDE THE SUB, the ROV, a small orange and black robot called SNOOP DOG, lifts from its cradle and flies forward. BODINE (V.O.) Walkin the dog. SNOOP DOG drives i

58、tself away from the sub, paying out its umbilical behind it like a robot yo-yo. Its twin stereo-video cameras swivel like insect eyes. The ROV descends through an open shaft that once was the beautiful First Class Grand Staircase. Snoop Dog goes down several decks, then moves laterally into the Firs

59、t Class Reception Room. SNOOPS VIDEO POV, moving through the cavernous interior. The remains of the ornate handcarved woodwork which gave the ship its elegance move through the floodlights, the lines blurred by slow dissolution and descending rusticle formations. Stalactites of rust hang down so tha

60、t at times it looks like a natural grotto, then the scene shifts and the lines of a ghostly undersea mansion can be seen again. MONTAGE STYLE, as Snoop passes the ghostly images of Titanics opulence: 10 A grand piano in amazingly good shape, crashed on its side against a wall. The keys gleam black a