(完整word版)高中英语选修六课文原文

高中英语选修6Unit1ASHORTHISTORYOFWESTERNPAINTINGArtisinfluencedbythecustomsandfaithofapeople.StylesinWesternarthavechangedmanytimes.AstherearesomanydifferentstylesofWesternart,itwouldbeimpossibletodescribealloftheminsuchashorttext.Consequently,thistextwilldescribeonlythemostimportantones.StartingfromthesixthcenturyAD.TheMiddleAges(5thtothe15thcenturyAD)DuringtheMiddleAges,themainaimofpainterswastorepresentreligiousthemes.Aconventionalartistofthisperiodwasnotinterestedinshowingnatureandpeopleastheyreallywere.Atypicalpictureatthistimewasfullofreligioussymbols,whichcreatedafeelingofrespectandloveforGod.Butitwasevidentthatideaswerechanginginthe13thcentury whenpainters likeGiottodiBondonebegantopaintreligiousscenesinamorerealisticway.TheRenaissance(15thto16thcentury)DuringtheRenaissance,newideasandvaluesgraduallyreplacedthoseheldintheMiddleAges.Peoplebegantoconcentratelessonreligiousthemesandadoptamorehumanisticattitudetolife.AtthesametimepaintersreturnedtoclassicalRomanandGreekideasaboutart.Theytriedtopaintpeopleandnatureastheyreallywere.Richpeoplewantedtopossesstheirownpaintings,sotheycoulddecoratetheirsuperbpalacesandgreathouses.Theypaidfamousartiststopaintpicturesofthemselves,theirhousesandpossessionsaswellastheiractivitiesandachievements.Oneofthemostimportantdiscoveriesduringthisperiod washowtodrawthingsinperspective.ThistechniquewasfirstusedbyMasaccioin1428.Whenpeoplefirstsawhispaintings,theywere第1页共10页convincedthattheywerelookingthroughaholeinawallatarealscene.Iftherulesofperspectivehadnotbeendiscovered,noonewouldhavebeenabletopaintsuchrealisticpictures.Bycoincidence,oilpaintswerealsodevelopedatthistime,whichmadethecoloursusedinpaintingslookricheranddeeper.Withoutthenewpaintsandthenewtechnique,wewouldnotbeabletoseethemanygreatmasterpiecesforwhichthisperiodisfamous.Impressionism(late19htoearly20thcentury)Inthelate19thcentury,Europechangedagreatdeal,fromamostlyagriculturalsocietytoamostlyindustrialone.Manypeoplemovedfromthecountrysidetothenewcities.Thereweremanynewinventionsandsocialchangesalsoledtonewpaintingstyles.AmongthepainterswhobrokeawayfromthetraditionalstyleofpaintingweretheImpressionists,wholivedandworkedinParis.TheImpressionistswerethefirstpainterstoworkoutdoors.Theywereeagertoshowhowlightandshadowfellonobjectsatdifferenttimesofday.However,becausenaturallightchangessoquickly,theImpressionistshadtopaintquickly.Theirpaintingswerenotasdetailedasthoseofearlierpainters.Atfirst,manypeopledislikedthisstyleofpaintingandbecameveryangryaboutit.Theysaidthatthepainterswerecarelessandtheirpaintingswereridiculous.ModernArt(29thcenturytotoday)Atthetimetheywerecreated,theImpressionistpaintingswerecontroversial,buttodaytheyareacceptedasthebeginningofwhatwecall"modern art".ThisisbecausetheImpressionistsencouragedartiststolookattheirenvironmentinnewways.Therearescoresofmodernartstyles,butwithouttheImpressionists,manyofthesepaintingstylesmightnotexist.Ontheonehand,somemodernartisabstract;thatis,thepainterdoesnotattempttopaintobjectsasweseethemwithoureyes,butinsteadconcentratesncertainqualitiesoftheobject,usingcolour,lineandshapetorepresentthem.Ontheotherhand,somepaintingsofmodernartaresorealisticthattheylooklikephotographs.Thesestylesaresodifferent.Whocanpredictwhatpaintingstylestherewillbeinthe第2页共10页第第页共10页everythinginitspathunderthemoltenrock.However,theeruptionitselfisreallyexcitingtowatchandIshallneverforgetmyfirstsightofone.ItwasinthesecondweekafterIarrivedinHawaii.Havingworkedhardallday,Iwenttobedearly.IwasfastasleepwhensuddenlymybedbeganshakingandIheardastrangesound,likearailwaytrainpassingmywindow.HavingexperiencedquiteafewearthquakesinHawaiialready,Ididn'ttakemuchnotice.Iwasabouttogobacktosleepwhensuddenlymybedroombecameasbrightasday.IranoutofthehouseintothebackgardenwhereIcouldseeMountKilaueainthedistance.Therehadbeenaneruptionfromthesideofthemountainandredhotlavawasfountaininghundredsofmetresintotheair.Itwasanabsolutelyfantasticsight.ThedayafterthiseruptionIwasluckyenoughtohaveamuchcloserlookatit.TwootherscientistsandIweredrivenupthemountainanddroppedascloseaspossibletothecraterthathadbeenformedduringtheeruption.Havingearliercollectedspecialclothesfromtheobservatory,weputthemonbeforewewentanycloser.Allthreeofuslookedlikespacemen.Wehadwhiteprotectivesuitsthatcoveredourwholebody,helmets,bigbootsandspecialgloves.Itwasnoteasytowalkinthesesuits,butweslowlymadeourwaytotheedgeofthecraterandlookeddownintothered,boilingcentre.Theothertwoclimbeddownintothecratertocollectsomelavaforlaterstudy,butthisbeingmyfirstexperience,Istayedatthetopandwatchedthem.Today,IamjustasenthusiasticaboutmyjobasthedayIfirststarted.Havingstudiedvolcanoesnowformanyyears,Iamstillamazedtheirbeautyaswellastheirpotentialtocausegreatdamage.一份令人兴奋的工作我的工作是世界上最伟大的工作。我跑的地方是稀罕奇特的地方，和我一道工作的人来自世界各地。（我们）有时在室外工作，有时在办公室里，有时工作要用科学仪器，有时要会见当地百姓和旅游人士。但是我从来不感到工作烦人。'虽然我的工作偶尔也有危险，但是我并不在乎，因为能激励我，使我感到有活力。然而，最重要的是，通过我的工作能保护普通百姓免遭火山的威胁 ——这是世界上最大的自然威力之一。作为一名火山学家，我被派到夏威夷火山观测站工作。我的任务是收集有关基拉韦厄火山的数据资料，这是夏威夷最活跃的火山之一。收集和评估了这些信息之后，我就帮助其他科学家一起预测下次火山熔岩将往何处流去，流速多少。我们的工作拯救了许多人的生命，因为熔岩要流经之地，老百姓都可以得到离开家园的通知。遗憾的是，我们不可能把他们的家搬离岩浆流过的地方，因此，许多房屋被熔岩淹没，或者焚烧殆尽。当滚烫的岩石从火山喷发出来并撞回地面时，