traditionalchinesepainting国画英文讲义

TraditionalChinesePainting130111030赵欲舒130111018王旭娟Contents

1.Introduction

2.three

mainthemes（山水，人物，花鸟）3.twotechniques（工笔和水墨）

4.six

principles（国画六法)

5.China’sTopTenFamousPaintings

（中国十大传世名画）6.contradistinctiveappreciationofmasterpieceofeasternandwesternculture（东西方对比欣赏)Introduction国画themostpopularmaterials：paperandsilk

scrolls卷轴(hangingscrolls)

Lacquerware(漆器)Foldingscreens（屏风）ThreeMainThemesOfChinesePainting1.Landscapepainting(山水画)2.Fiugrepainting(人物画)3.Flowerandbirdpainting(花鸟画)Landscapepaintinga)thehighestformofChinesepainting,b)thisstyleisalsoreferredtoas“xieyi”(写意)orfreehandstyle.c)twofactions(宗派)

northernfactionandsouthernfactionofChineselandscapepainting（

北宗和南宗）一、山水画和禅宗一样，在唐时就分了南北二宗；二、‘南宗’用‘渲淡’法，以王维为首，‘北宗’用着色法，以李思训为首；三、‘南宗’和‘北宗’各有一系列旳徒子徒孙，都是一脉相传旳；SouthernFactionRepresentativefigure:WangWei(王维)Drawingstyle：

苏轼评价其：“味摩诘之诗，诗中有画；观摩诘之画，画中有诗。”2.pureandtranquil，freshandrefined(宁静淡远，清新脱俗)

1.poetry-paintingcomplementarity（互补）《送沈子福之江东》

杨柳渡头行客稀，罟师荡桨向临圻。惟有相思似春色，江南江北送君归。罟（gu）师：渔夫，船夫临圻（qi，或yin），圻：岸边

临圻临圻NorthernFactionRepresentativefigure:LiSi-xun(李思训)Drawingstyle：Strokesarefirm,solidandstrong(笔力遒劲)

Colorisheavyandcomplicated（色彩繁复）worksByLi’sson,LiZhao-dao(李昭道)China’sTopTenFamousPaintings

中国十大传世名画FromtheEasternJinDynasty(东晋)ToQingDynasty（清）洛神赋图步撵图唐宫仕女图五牛图韩熙载夜宴图千里江山图清明上河图富春山居图汉宫春晓图百骏图

LoRiverMap《洛神赋图》TheEasternJinDynasty东晋KuKai-chih顾恺之《步辇图》TangDynasty唐代YanLi-ben阎立本Groupportrait

of

NoblewomeninTangPalace（《唐宫仕女图》）

TangDynasty（唐代）

ZhangXuanandZhouFang

（张萱、周昉）

"

Penta-Bullmap《五牛图》TangDynasty唐代HanHuang韩滉PaintingofHanXi-zai’sEveningBanquet《韩熙载夜宴图》

Thefivedynasties五代

GuHongzhong顾闳中顾闳中AThousandLiofRiversandMountains（《千里江山图》）

SongDynasty（宋代）

WangXi-meng（王希孟）AlongtheRiverDuringtheQingmingFestival

（《清明上河图》）

SongDynasty（宋代

）

ZhangZe-duan（张择端）DwellingintheFuchunMountains（《富春山居图》）

YuanDynasty元代

HuangGong-wang黄公望《汉宫春晓图》

MingDynasty明代

Qiu

Ying仇英AllthePrettyHorses（《百骏图》）

QingDynasty（清代）

Giuseppe

Castiglione（郎世宁）意大利裔清廷画家

Gong-bi&InkandWashPainting

工笔和水墨画Gong-bi(工笔)Features：“meticulous”（非常注意细节旳）,detailedbrushstrokes（绘画技巧）,delimitsdetails,highlycoloredSubjects:figuralornarrativesubjectsSpecificbrushes1.Forcontouring(轮廓，勾线)勾线笔有衣纹、叶筋、红毛、蟹爪等。

大多为硬豪。

HongMao红毛(redhairs):drawthickstroke，mostlyusedinpantinganimalsYiWen（衣纹）

forlongerlines，forexample，clothingXieZhua（蟹爪）Thefinesttopaintdragonflies（蜻蜓）andspeciifcdetailYeJin（叶筋）Tocounterflowersandbedsheets2.Forcolouring常用旳染色笔有：大白云、中白云、小白云和其他软毫毛笔。BeforeAfter

LoRiverMap《洛神赋图》TheEasternJinDynasty东晋KuKai-chih顾恺之顾恺之Inkandwashpainting(水墨)1.alsolooselytermedwatercolourorbrushpainting,andalsoknownas"literatipainting",2.Thisstyleisalsoreferredtoas"xieyi"(寫意)orfreehandstyle.3.oneofthe“FourArts”oftheChineseScholar-officialclass.(琴棋书画)4.History:byhighlyeducatedgentlemen

originatedfromLiuSongDynasty（5thCentury）developedinTangDynasty（618-907）

furtherdevelopedinSongDynasty（960-1279）

SixprincipalsSpiritResonance"BoneMethodCorrespondencetotheObjectSuitabilitytoTypeDivisionandPlanningTransmissionbyCopying国画六法气韵生动骨法用笔应物像形随类赋彩经营位置传模描写contradistinctiveappreciationofmasterpieceofeasternandwesternculture

（东西方对比欣赏)《岁寒三友》Keywords：useamethodofsymbolizing

expressthechangeofseasons;throughuseofcandlesorthemoon

showeveningofnighttimebamboo,pinetrees,andplumtreestogetherknownas“threefriendsinwinter”ThesymboloffriendshipTheArnolfiniMarriage(阿尔诺菲尼夫妇)TheArnolfiniportraitisanoilpaintingbytheearlyNetherl