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Uintl
II.BasicListeningPractice
1.Script
M:Pmbesidemyselfwithjoy.I'msolucky.Guesswhat?Fvewonalit
ofmoneyinthelottery.
W:Yeah?Well,youdoknowthatmoneyistherootofallevil,right?
Q:Whatdoesthewomanmean?
2.Script
W:Marywasfurious.Hersonwreckeduphercar.
M:Heshouldn;thavedrivenacarwithoutadriver'slicense.He'sstill
takingdrivinglesson.
Q:WhatdoweknowaboutMary'sson?
3.Script
M:Susan,Ihearyou'regoingtomarrythatguy.Somepeoplethink
you'llregretit.
W:Isthatso?Onlytimetell.
Q:Whatdoesthewomanimply?
4.Script
M:Mary,IjustwanttosayhowsorryIwastolearnofyourmother's
passing.Iknowhowcloseyoutwowere?
W:Thankyou.Itwassosudden.TMstillinastateofshockIdon'tknow
whattodo.
Q:Whichoffollowingistrue?
5.Script
W:Igetfuriousatworkwhenmyopinionsaren'tconsideredjustbecause
I'mawoman.
M:Youshouldairyourviewmoreemphaticallyanddemandthatyour
vicebeheard.
Q:Whatisthewomancomplainingabout?
Keys:l.C2.B3.D4.A5.D
III.ListeningIn
Task1:Softanswersturnawaywrath.
Mary:Dam!You'respilledredwineonme.Mynewdressisruined.
John:Pmterriblesorry!WhatcanIdotohelp?Here'ssomewaterto
washitoff.
Mary:Stopsplashingwateronme!Oh,thisissoembarrassing!I'ma
mess.
John:Well,youdolookalittleupset.Pleasedon'tblowup.Don'tlose
yourcool.
Mary:Hmm,you'vegotthenervetalkinglikethat!Whoshouldn'tfly
offthehandle?Thisdresscostafortune.
John:Youlookreallycutewhenyou'remad.Ikidyounot.Somepeople
dolookattractivewhentheyareinarage.
Mary:Thisisveryexpensivedress.Isavedformonthstobuyit,and
nowit'sruined.Lookatthisstain!
John:Accidentsdohappen.Givemeyourdress,andPlltakeittothe
cleaners.
Mary:Sure!Youwantmetotakeitoffrighthereinpublicandgiveitto
you?Idon'tevenknowyou!
John:Thismightbeareallygooftimetogetacquainted.TmJohnOwen.
Mary:Mmm,atleastyou'repolite.IguessIreallyshouldn'thaveflared
up.Afterall,itwasanaccident.TmMaryHarvey.
John:Comeon.riltakeyouhome.Youcanchangeyourclothes,andril
getthedresscleanedforyou.
Mary:Nowyou'retalking.Thanks.You'rearealgentleman.
John:You'dbetterbelieveit.I'mgladtoseethatyou'vecooleddown.
Feellookabitetoeatafterward?Fmstarving.
Mary:Ok.You'reprettygood.Fmnotnearlyasmad.Ifyoucangetthis
stainout,Pllbeveryhappy.
John:mtrymybest.ButifIcan'tgetthestainout,pleasedon'tletyour
happinessturntowrath.
1.Whichofthefollowingwouldbethebesttitleforthedialog?
2.Whydoesthewomangetangry?
3.Whatdoesthemansaytopleasethewomanwhenshelooksangry?
4.Whydoesthewomansaythemanisarealgentleman?
5.Whatistheman'sfinalproposal?
Keys:1D2.A3.C4.B5.C
Task2:BigJohniscoming!
Script
AbarownerintheOldWesthasjusthiredatimidbartender.This(SI)
owneroftheestablishmentisgivinghisnewhiresomeinstructionson
(S2)runningtheplace.Hetellsthetimidman,“IfyoueverhearthatBig
Johniscomingtotown,(S3)dropeverythingandrunforthehills!He's
thebiggest,nastiest(S4)outlawwho'severlived!,5
Afewweekspass(S5)uneventfully.Butoneafternoon,alocalcowhand
comesrunningthroughtown(S6)yelling,“BigJohniscoming!Runfor
your(S7)lives!”
Whenthebartenderleavesthebartostartrunning,heisknockedtothe
groundbyseveraltownspeoplerushingoutoftown.(S8)Ashe'spicking
himselfup,heseesalargeman,almostsevenfeettall.He'smuscular,and
isgrowingasheapproachesthebar.
Hestepsuptothedoor,ordersthepoorbarkeepinside,anddemands,UI
wantabeerNOW!”
Hestrikeshisheavyfistonthebar,splittingitinhalf.(S9)Thebartender
nervouslyhandsthebigmanabeer,handsshaking.Hetakesthebeer,
bitesthetopofthebottleoff,anddownsthebeerinonegulp.
Astheterrifiedbartenderhidesbehindthebar,thebigmangetsupto
leave,“Doyouwantanotherbeer?^^thebartenderasksinatrembling
voice.
"Dangit,Idon'thavetime!^^thebigmanyells,(S10)“Igottogetoutof
town!Don'tyouhearBigJohniscoming?”
Task3:AViewofHappiness
Script
Dr.Smithhasproposedareasonable,ifperhapssomewhatoversimplifies,
viewofhappiness.Accordingtohistheory,happinessmightbedescribed
asastateifbalance.Andwhenhumanorcertainanimalsachievethat
balance,theyrendtoremaininthatconditioninordertorepeatthehappy
feeling.
Toillustratethis,wemaystudytwomagnets.Whentheirpositiveand
negativepolesmeet,theyarecomfortablyjoined,andtheyremainthere.
Inotherwords,theyhaveattainedabalanceorstateofhappiness.Ifon
theotherhand,oneofthepolesisreversed,andpositivepoleispresses
againstpositivepole,thereisresistance,instability,imbalanceastateof
unhappiness.
Animalswithsomedegreeofintelligenceseemtofindhappinessin
reinforcement.Oncetheyhavegainedoneormoreoftheirgoalssuchas
food,andwater,theylearntorepeattheactionsthatledtosatisfactionof
thosegoals.Thisrepetitionorreinforcementproducesastateofbalance
orsenseofhappiness.
Accordingtothistheory,onlyanimalswithasignificantcapacitytolearn
shouldbeabletoexperiencehappiness.Butintruthlearningcantake
placethroughsurprisinglysimpleshort-termactionsuchasscratchingan
itch,followedbypleasure,followedbymorescratching,andsoon.Thus
learningcanoccurwithalmostnoconsciousthought.
Forhumanbeings,blessedwiththeabilitytoreason,goalsarenotlimited
totheshort-termsatisfactionofneeds.Indeed,thereisastronglink
betweenhappinessandthefulfillmentoflong-termgoals.Evenifhuman
striveforgoalsthataremorecomplexandlonger-termthantheanimals?
goals,oncethosegoalsaregained,happinessisreinforced.
1.Whydoesthespeakermention“magnets”?
2.Accordingtothepassage,whatmayanimalsdoaftertheyhavegot
food?
3.Whichofthefollowingistrueaccordingtothespeaker?
4.Whatdoesthespeakersayisspecialaboutthegoalsofhumanbeings?
5.Whichofthefollowingbestcapturesthemainideaofthepassage?
Keys:ID2.C3.B4.D5.A
IV.SpeakingOut
MODEL1Don'tletitgettoyou!
Susan:Youlooksoangry.Whathappened?
Chris:NothingI'drathernottalkaboutit.Justdon'task.
Susan:Comeon.Relax.Talktome.
Chris:Allright.ThismorningItookmycartothegaragetochecktheair
conditioner.Theyonlygaveitaquicklook,reflHeditwithsome
Freon,andchargedme300bucks!
Susan:Nowonderyou'relivid.I'dbemadtooifsomeonerippedmeoff
likethat.
Chris:Yeah.Andtheywererude.TheysaidIdidn'tknowanythingabout
cars,whichIdon't,buttheydidn'thavetobeblunt!
Susan:Soundslikeyougotarawdeal!
Chris:What'sworse,asIwasleaving,Iherdthensaying,"Don'ttrust
thatguy.Helooksbroke."WhenIheardthat,Ialmosthittheroof.
Susan:Don'tletitgettoyou.Betterignorethem.
Chris:Iagree.Ididmanagetokeepmycool.
Susan:Well,thebestthingyoucandoistofileacomplaintwiththe
ConsumerProtectionAgency.
Chris:soundslikeagoodidea.
MODEL2I'mtoodepressed.
Script
Susan:Chris,Ihearyou'vebeendowninthedumps,soI'vecometo
cheeryouup.
Chris:It'snotgongowork.〈mtoodepressed
Susan:Come,on.Ibllmewhat'sonyourmind.
Chris:Everything.Mygirlfriendleftme;mydogranaway;mywallet
wasstolen.
Susan:Don'tworry.I'llhelpyousolvethebiggestproblem:findingyou
anewgirlfriend.
Chris:Forgetit.Anyway,Pmgettingbadgrades,andIwastoldthatI'd
havetorepeatalotofcoursesnextyear.WhenIheardthat,I
almostlostit.
Susan:Look,relax.F1Ihelpyouwiththosecourses.
Chris:Yeah,butIalsohavethreeweek'slaundrytodo.,andmyroomis
apigsty.
Susan:Forgetit.You'reonyourown.
Chris:Come,on.Whatarefriendsfor?
Susan:Tokeepyouinhighspirits;nottodoyourlaundry.
MODEL3Youseemtobeontopoftheworld.
Script
Nora:Oh,hey,John!
John:Hey!
Nora:Youseem[obeontopoftheworldtonight.What'sup?
John:fmsohappyI'mabouttoburst.Guesswhat?
Nora:You'vegotme.
John:Itmightbetruethatmisfortunesnevercomesingly,butyoucan
alsohavea“doubleblessing”.Andthat'swhatIhad.
Nora:Youmeanyou'vehadtwohappyeventsinyourlife?
John:Exactly.Youknow,Iwasstronginallsubjectsexceptphysics.
NowFvefinallypassedthetest—theoneIneededtoqualifyfora
Bachelor'sdegree.
Nora:Congratulations!You'dfaileditthreetimes.Nowwonderyou're
beaming.What'stheothergoodnews?
John:ThemultinationalIwasdongmyfieldprojectatofferedmeajob
atagoodstaringsalary.
Nora:Wow,wonderful,simplewonderful.
John:Ifeellikecelebrating.Shallwegotoabar?
Nora:Whynot?
NowYourTurn
Taskl
SAMPLEDIALOG
A:Youlookfurious.Whathappened?
B:Nothing.Pdrathernottalkaboutit.Justdon'task.
A:Comeon.Youshouldn'tkeepyourfeelingtoyourself.Youneedtolet
offsomestream.So,talktome.
B:Allright.ThismorningIwenttoashoptobuyadigitalcamera,Ionly
needanordinaryone.Itisenoughformytoursinthesummervacation.
Buytheypersuadedmetobuyaprofessionalcamera,whichcostthree
timesasmuch.
A:Butyouwerewillingtobuyforit.Anyway,itmustworkbetter.
B:Yousee,Iknownexttonothingaboutphotography.Sotheysimply
trickedmeintobuyinganexpensiveone.
A:Nowonderyou'relividwithrage.FdbemadtooifIwererobbedlike
that.Whatareyougoingtodo?
B:Ialreadywentbacktothemandaskedtoexchangeitforacheaper
one.
A:Whatdidtheysay?
B:Oh,theywererude.Theyinsistedthattheyhadn'tencouragedmeto
buyaprofessionalcamera,andthatIboughtitmyself.
A:Soundslikeyougotarawdeal!
B:What'sworse,asIwasleaving,Iheardtheysay,“Thatguylooks
broke.Heshouldn'thaveboughtanycamera.^^
A:Don'tletitgettoyou.Betterignoretheirruderemarks.
B:Iagree.Ididmanagetokeepmycool.
A:Well,thebestthingyoucandoistofileacomplaintwiththe
ConsumerProtectionAgency.Iftheytalktotheshop,maybetheywill
giveyouarefund.
B:Soundstoogoodtobetrue.
V.LefsTalk
Script
Hello,everyone.TodayIinviteyoutojoinmeinanexplorationoffthe
causesofdepression.Thereatemanyfactorsinvolved,butIbelievesome
deservespecialattention.
Hereditycertainlyplaysarole..Thetendencytodevelopdepressionmay
beinherited;thereisevidencethatthisdisordermayruninfamilies.
Physiologyisanotherfactorrelatedtodepression.Theremaybechanges
orimbalancesinchemicalswhichtransmitinformationinthebraincalled
neurotransmitters.Manymodemantidepressantdrugsattempttoincrease
levelsofcertainneurotransmitterssoastoincreasebraincommunication.
Whilethecausalrelationshipisunclear;itisknownthatantidepressant
medicationsdorelievercertainsymptomsofdepression.
Researchersalsostudypsychologicalfactors.Theyincludethecomplex
developmentofone'spersonalityandhowonehaslearnedtocopewith
externalenvironmentalfactors,suchasstress.Itisfreeqentlyobserved
thatlowself-esteemandself-defeatingthinkingareconnectedwith
depression.Whileitisnotclearwhichisthecauseandwhichistheeffect,
itisknownthatsuffererswhoareabletomakecorrectionstotheir
thinkingpatternscanshowimprovedmoodandself-esteem.
Anotherfactorcausingdepressionisone'searlyexperiences.Eventssuch
asthedeathofaparent,thedivorceoftheparents,neglect,chronicillness,
andseverephysicalabusecanalsoincreasethelikelihoodofdepression
laterinlife.
Somepresentexperiencesmayalsoleadtodepression.Jobloss,financial
difficulties,longperiodsofunemployment,thelossofaspouseorother
familymember,orotherpainfuleventsmaytriggerdepression.
Long-termstressathome,work,orschoolcanalsobeinvolved.
Itisworthnothingthatthoselivingwithsomeonesufferingfrom
\depressionexperienceincreasedanxietywhichaddstothepossibilityof
theiralsobecomingdepressed.
Depression-causinProblemDescriptionSolution
gFactors
HeredityItisinheritedandrunin
families.
PhysiologychangesorimbalancesinAntidepressantdrugs
chemicalscalledrelievecertain
neurotransmitters,whichsymptomsof
transmitinformationinthedepression.
brain
PsychologicalLowself-esteemandSuffererswhomake
Factorsself-defeatingthinkingarecorrectiontotheir
connectedwithdepression.thinkingpatternscan
showimproved
moodand
self-esteem.
EarlyExperiencesEventlikethedeathofa
parent,thedivorceof
parents,neglect,chronic
illness,andseverephysical
abusecanincreasethe
likelihoodofdepression.
PresentJobloss,financial
Experiencesdifficukies,longperiodsof
unemployment,thelossofa
spouseorotherfamily
member,orlong-termstress
maytriggerdepression.
LivingwithThiscausesincreased
somebodywithanxiety,whichaddstothe
depressionpossibilityoftheiralso
becomingdepressed.
VI.FurtherListeningandSpeaking
Taskl:ReasonandEmotion
Script
Emotionissometimesregardedastheoppositeofreason;sissuggested
byphrasesuchas“appealtoemotionsratherthanreason^^and"don'tlet
youremotionstakeover”.Emotionalreactionssometimesproduce
consequencesorthoughtswhichpeoplemaylaterregretordisagreewith;
butduringanemotionalstate,theycouldnotcontroltheiractions.Thus,
itisgenerallybelievedthatoneofthemostdistinctivefactsabouthuman
beingsisacontradictionbetweenemotionandreason.
However,recentempiricalstudiesdonotsuggestthereisaclear
distinctionbetweenreasonandemotion.Indeed,angerorfearcanoften
bethoughtofasaninstinctiveresponsetoobservedfact.Thehuman
mindpossessesmanypossiblereactionstotheexternalworld.Those
reactionscanlieonacontinuum,withsomeoftheminvolvingthe
extremeofpureintellectuallogic,whichisoftencalled“cold",andothers
involvingtheextremesofpureemotionnotrelatedtologicalagreement,
whichiscalled“theheatofpassion^^.Therelationlogicandemotion
meritscarefulstudy.Passion,emotion,orfeelingcanreinforcean
argument,eventonebasedprimarilyonreason.Thisisespeciallytruein
religionorideology,whichfrequentlydemandsanall-or-nothing
rejectionoracceptance.Insuchareasofthought,humanbeingshaveto
adoptacomprehensiveviewpartlybackedbyempiricalargumentand
partlybyfeelingandpassion.Moreover,severalresearchershave
suggestedthattypicallythereisno"pure"decisionorthought;thatis,no
thoughtisbased“purely""onintellectuallogicor“purely”on
emotion—mostdecisionsarefoundedonamixtureofboth.
1.Whatresultsdoesthespeakermaysomefromemotionalreactions?
2.Whatisthepopularbeliefaboutreasonandemotion?
3.Whatdoesthespeakermeanby"cold"?
4.Accordingtothepassage,whatshouldpeopledoinreligiousmatters?
5.Whatisthespeaker'sconclusion?
Keys:1.A2.B3.C4.C5.D
Task2:Depression
Script
Pat:Youlookdepressed.Areyoufeelingblue?Pvecometocheeryou
up.
Ted:Butthere'snothingthatcancheermeup.I'mdowninthedumps.
Life'smiserable
Pat:Youhavetotrytogetyourmindoffthings.
Ted:ButIcan't.Ijustfeelthere'stoomuchpressureonmesometimes!
Pat:Youcan'tletthingsgetyoudown.Learntorelaxandstopworrying
allthetime.What'syourproblem?
Ted:Ifailedmylastexam,andanotherexamiscoming,Igetbored.
Pat:IfIwereyou,I'dstartworkinghard.Ifyouworkhardforalong
time,you'reboundtogetbettergrades.Yousee,“nopain,nogain”.
Ted:It'seasiersaidthandone!IfIreadforfifteenminutes,Igetbored.
Pat:Youhavetolearnsomeself-discipline.
ButhowcanIstaycheerfulallthetime?
Ted:Worsethanthat!IfIreadforhalfanhour,Igetaheadache.ThenI
starttoworryaboutpassingthenextexam.
Pat:It'sallinyourmind.Ifyoustaycheerfullikeme,everythingwill
soonbeOK.
Ted:ButhowcanIstaycheerfulallthetime?
Pat:Trytolookonthebrightsideofthings.
Ted:Butwhatifthereisn'tabrightside?
Pat:Youknowthesaying:Everycloudhasasilverlining.Itmeans
there'realwaystowsidestoeverything-boththedarkandthe
brightsides.So,trytoidentifyyourstrengthsandbringthenintofull
play.
Ted:Oh,no!Yourcornyoldsayingsaremakingmeevenmore
depressed.
Keys:TFFTF
Task3:Anger
Script
Angerisanemotionthatcanbehardtocontrol.Despitethis,weshould
learnhowtomanageangerinaconstructivemanner.Inthemostintense
momentsofanger,weusuallyhavetwochoices:tofightortorun.Some
choosetheoptionofviolence,whichisanegativereactiontoanger;and
otherschoosetorun.Somemaythinkrunningmeansyouareacoward.
Buttheoptionofwalkingawayandclaimingdownisthemore
productivemethodofhandlinganger.Itisdifficulttowalkaway,
especiallywhenyourheartisracing,andyourangerisboilingover.
Thereareconstructivewaysofhandlingangerinanysituation.First,you
havetostopforabriefmomentandthinkbeforeyouact.Takethat
momentandcalmdownidyoufeelyourselfbeingpushed.
Atthatmomentyoushouldadmityouareangry.Ifyourefusetoadmit
you5reangryorhurt,orifyoumakeitappearthateverythingispeaches
andcream,youarenotmanagingangryinaproductiveway.Youshould
firstadmityouareangryandletyourfeelingsoutbeforeyoublowup.
Foeexample,youcanstayinaquietplacebyyourselfandshout;oryou
cantalktoaclosefriendtoventyourrage.Ifyoudonotacknowledge
youranger,itonlybuildsupinsideyouandwilleventuallyexplodelikea
volcano
Then,inordertomanageyourangry,youcanaskyourselfanimportant
questionthatweallmustaskourselves,t4Whatmademeangry?”When
yougettheanswer,andthenaskyourself,“Whydidthatmademe
angry?”Throughsuchlogicalreasoning,onetendstocalmdownand
movetowardasensiblesolution.
NewsReport
U.S.RollerCoaster
Script
Theworld'sfirst4Drollercoaster,"X",tookonitsfirstpassengerslast
weekattheSixFlagsMagicMountainthemepark,justoutsideLos
Angeles.
Afterclimbingonboardandproperlysecuringtheirsafetyharnesses,"X”
ridersarefirsttoaheightofover66meters.Atthetop,thepassengertrain
isreleasedandbuildsupenoughspeedtoraceandplummetaroundthe
trackatspeedsofover130kmanhour.
Theridertakesthedaringpassengersdownanincredible66mdiveand
overthetopofa62mloop,incarsthatspinindependentlyoftheroller
coastertrain.Thisuniquedesignallowsriderstospin360degree,both
forwardsandbackwards,throughtheentireride.
Passengershurtlethroughthisrideoftenmovinginmanydifferent
directionsatthesametimeadthecarssomersaultbackandforthandthe
rollercoastertwists,loops,anddives.
Thecomplicatedseriesofmaneuversincludestworaventurn,onefront
flip,onetwistingfrontflip,andtwobackflips.
Sincepassengersaren'talwaysfacingtherightdirectiontoseewhat's
comingupnext,theelementofsurpriseishigh.For"X"riders,thisadds
tothethrilloftheride.
Thetrackofthisnewestrollercoasterrunsatotallengthofalittleoverl,
lOOmeters.Thepassengertrainsmeasure6meterswideand21meters
long,largeenoughtocarry28passengersatatime.Atfullcapacity,the
trainscantakel,600passengersfortherideoftheirliveseachhour.
Theentireridelastsforonlyatotalabout2minutes,butyoucantellfrom
theexhilaratedfacesofpassengersreturningtotheboardingdockthat
theyweretwoofthemostthrillingminutesofheirlives.
Uint2
ILBasicListeningPractice
3.Script
W:Didyouhear?Helengotmodelingjib!She'sgoingtobesashaying
downthecatwalk.
M:Wow,that'sgreat!Allthatwalkingpracticereallypaidoff.Andfoe
onceshewon'tbecomplainingaboutbeingsotall.
Q:WhydidHelengetmodelingjob?
4.Script
M:Julia,comeandseetheMissAmericacontestonTV.Allthose
beautifulgirlsarewalkingaroundinbathingsuits,sothejudgescan
decidewhohasthebestfigure.
W:Bah!That'stheworstkindofexploitation.Theyaretreatingwomen
liketoysforpeopletoenjoy.Iwouldnevertakepartinthiskindof
contest.
Q:Whatdothemanandthewomanthinkaboutthebeautifycontest?
3.Script
W:WhatshallIdo?I'mfat.Iwanttobeslimandbeauty,butPmfat.
Fvetriedallthenewideas,highcarbandlowcarb,butnothing
works.
M:Thosedietsarejustfads,popularforawhileandthenforgotten.Just
followtheusualdietwithfruits,vegetables,fish,water,andgetplenty
ofexercise.Beforelongyou511seeresults.
Q:Whathasthewomantried?
4.Script
Wl:IthinkLilyisreallyattractive.She'shalfSpanishandhasthisreally
sultrylookabouther.
W2:Thatexplainswhyshetanssowell.Pvealwaysbeenjealousofher
skincolorinthesummer.
Q:WhichoffollowingistrueofLily?
5.Script
M:Trustme,itwastightthereontheInternet:"PlasticSurgery
IncreasingataFasterRateAmongMen^^.Apparentlymoreandmore
menaretryingtoimprovetheirappearance.
W:Isawittooonthenews.Face-lifts,nosejobs,andboxtohidewrinkle
arenowverypopularwithmen.Mensayit'sforbusinessreasons,but
weknowit'svanity.
Q:Whatdoesthewomanthinktherealreasonisthatmenhaveplastic
surgery?
Keys:l.B2.A3.C4D5B
III.ListeningIn
Task1:AFriendlyStylist
Stylist:Morning,sir.Thischair,please.WhatcanIdoforyou?
Nick:Asimplehaircut:shortonthebackandsides.
Stylist:Verygood.Ican,ofcourse,dosomethingfashionableforonly
$60.
Nick:60dollars!That'shighwayrobbery-twicewhatIordinarilypay.
Stylist:Perhaps,sir.Butyourhaircutshaven51beeninharmonywithyour
character.Yourhairisatwarwithyoursoul.
Nick:I'veneverheardofsuchathing.
Stylist:IfImaysay,I'manexpertatmatchinghairstyletopersonalities.
Believeme;you'resufferinga“diqunction”.
Nick:Adisjunction?Whatthedevilisadisjunction?
Stylist:Yourhairdoesnotmatchyou.
Nick:Thisisutternonsense.However,Fdliketohearhowyou'dsolve
thisso-calledproblem.
Stylist:Yourcharacterisartistic,imaginative.Butyourhairisdull.Ican
correctthatimbalanceinseconds.
Nick:Okay,letmeseewhatcanyoudoaboutthe...uh...disjunction,as
youcallit.
Stylist:We'regoingtousescissorstocreatepeaks,whichwe'llkeepin
placewithaliberalhelpingofgelThistuftinthebackwe'llbraidinto
apigtail.Now,it'sthenewyou!
Nick:Iloveit.It'sjustlikeme:imaginativeandartistic.Nowwhatare
youdoing?What'swrong?Don'tyouseeharmonyinmynew
hairstyle?
Stylist:Something'spreventingyourhairstylefrombeingatrue
fashionablestatement.
Nick:Forheaven'ssake,tellmewhat'smissing.
Stylist:Streaks.Byputtinginafewyellowstreaksinyourhair,itwill
becomeaworkofart.Streakingwillcostyoumore,but...
Nick:Doit.Forgetthecost.But,bytheway,whatisthetotalgettingto
be?HowmuchamIpayingtoavoiddisjunction?
Stylist:That's…$135.Sir?Sir,areyouallright?Oh,hefainted.
6.Whenthestylistmentions$60,whatdoesthecustomersay?
7.Whatdoesthestylistthinkaboutthecustomer'shairstyle?
8.Whatwillthestylistdowiththecustomer'shair?
9.Whatwillstreakingdototheman'shairaccordingtothestylist?
10.Whatisthepassagemainlyabout?
Keys:1C.A3.D4.B5.A
ForReference:
1.Itmeansthereisnomatchbetweenyouandyourhair.
2.That's…$135.Sir?Sir,areyouallright?Oh,hefainted.
Task2:TheVoiceLift
Script
Aftertheface-lift,theforeheadtightened,andthe(SI)nosejob,
somethingstillmightberevealingyourage:your(S2)voice.
Forpatientswhothinktheirtrembly,hoarsewordsdon't(S3)matchtheir
newlyfaceandfigure,there'saprocedurethatclaimstomakethem(S4)
soundyoungertoo:thevoicelift.
Therearetwogeneralkindsofvoicelifts.Insomecases,implants(S5)
insertedthroughanincisioninthe(S6)neckbringthevocalcordscloser
together.Doctorsalsouseinjectionsof(S7)fatorothersubstancesto
plumpupthecords,sothatthevoicesoundsyounger.
(S8)Thevoiceliftisbecomingmorewidelyknownamonganaging
population,whotrytomakethemselvessoundyounger.
“Ispeakinagreatdeal,orIwasshouting,onaparticularday,attheend
oftheday,Iwouldfeelexhausted,saidRobertBrown,75,(S9)aretired
constructionengineerwhounderwentthevoiceliftseveralyearsago,
don'tknowifIsoundyounger,butthehoarsenessisgone,whichissuch
agreatimprovement.^^
(S10)Voiceliftcanalsobenefitpeoplelikeperformers,lawyers,teachers,
andtelephoneoperatorswhoneedtohaveastrongvoiceandhopeto
shaveyearsoffthesoundoftheirvoice.
Task3:AViewofHappiness
Script
Menareturningtoplasticsurgeryandcosmeticprocedurestobrightenup
theirappearancesatafasterratethanwomen,accordingtoasurvey
releasedonWednesday.
Men'suseoffatinjectionstosoftendeepwrinklesleaped47percentlast
yearfromthepreviousyear.Women'suseoftheinjectionsfell36percent,
accordingtoasurveybytheAmericanAcademyofFacialandPlastic
ReconstructiveSurgeons.
Men'suseofbotoxinjectionstoeliminatefrownlinesrose88percent,
whilewomen'sbotoxusefell8percent.
Andforsmoothingskin,theuseoflaserresurfacingamongmenrose
13percent,thesurveyshowed.Meanwhile,women'suseoflaser
resurfacingdropped38percentduringthesametimeperiod.
Thenumberofmengettingnosejobsrose47percent,whilethenumber
ofwomendoingsorose5percent.
Typically,menandwomenvisitingplasticsurgeonsforcosmeticreasons
wereage40to59.
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